Expressionist Art

This artwork "Coastal Landscape" 1961 by noted Cincinnati artist Albert Berne, 1877-1973 is an oil painting on canvas board. It is signed and dated at the lower right corner by the artist. The canvas board size is 16 x 20 inches, framed is 26 x 21.5 inches. The artwork is in very good condition, the frame is in fair condition, it has been unprofessionally restored and has scratches. About the artist. Albert Berne (German/American 1877-1973) Schooled in music at the Cincinnati Conservatory, Berne studied piano in Berlin, Germany with Arthur Rubinstein. Here he experienced the radical ferment in the arts in Europe during the pre- WWI years. Later he returned to Cincinnati, where he was a baritone and teacher of music. At the age of 56, he began painting in earnest. Berne received instruction in painting at the Cincinnati Art Academy with Frank Myers and Carl Zimmerman...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Chagall Lithographe, 1960; published by André Sauret, éditeur, Mon...

Eduardo Chillida (Spain, 1924-2002) '5 Livres Gravés', 1974 Original poster from show lithograph on paper 25.2 x 17 in. (64 x 43 cm.) Unframed Ref: CHI100-202 Eduardo Chillida He be...

Shana Wilson (Canadian, born 1966) "Relaxation" 2012 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. "Reclining Woman Nude" by Shana Wilson is a 48" x ...

This artwork titled "Juges" from the suite "Les Fleurs du Mal" created in 1937/38, is an original color aquatint on Montval paper by renown French artist Georges Rouault, 1871-1958....

Leigh Ann Van Fossan's "Sands of Celia" is an original acrylic painting featuring peaceful blue waters lapping a sandy beach. Van Fossan was born in Vail, Colorado, and began oil p...

Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...

Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...

Plate #7 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

MARC JESUS ​​VIVES - Ibiza 1966 Since 1984, he lives and works in Ciudadela de Menorca. (Balearic Islands) Between 1985 and 1988 he studied design in Ciudadela and the Mahon Costume...

Still Life With Chicken, Oil on canvas singed and dated 1923, from the Collection of Bass Museum Of Art. Canvas size 14 1/5x17 1/4 framed 21 3/8 x 23 7/8 Edmund Pick-Morino was the ...

Still Life Pink Flowers In A Vase Artist signed lower right corner and verso, canvas size 30x24, framed. Charlotte Igoe (Amar) was a self thought artist. Charlotte lived in London, England and had her apartment near Marble Arch and Park Lane, she was the first model in London to introduce photographic modeling, which was just starting in New York for magazines such as Vogue, Vanity Fair, Town and Country, Mayfair, etc. Charlotte was President and owner of the Fort William Times Journal and also President and owner of the James Murphy Coal and Oil Company. Charlotte financed and renovated the entire building of the Thunder Bay Historical Museum, she also financed and renovated the new library of the museum in honor of James Murphy her father-in-law, a well know pioneer at the Lakehead. Charlotte was well known at the Lakehead for her many charitable works, among them: Saint Joseph’s Orphanage, The Thunder Bay Historical Museum, McKellar Hospital, Port Arthur General Hospital, Saint Andrew’s Presbyterian Church, and the Frank Murphy Recreational Centre….St. Patrick’s Cathedral has a beautiful, large stained glass window dedicated in loving memory of Frank X. Murphy and his family. In the early 1950’s, Charlotte was instrumental in having cerebral palsy children recognized and started a school for them which was in the Baptist Church at Brodie and Donald Streets...

Nicolas Alexandrovitch Tarkhoff Russian, 1871-1930 The Coming Storm Oil on board 12 ¾ by 19 in, w/ frame 19 ¼ by 25 ½ in Signed lower right Was a Russian-born Impressionist. Born in Moscow on January 20, 1871 to a merchant family he studied painting and drawing. Tarkhoff was known as the “Moscow Parisian,” because he spent so much of his life in France -- from 1898 until his death in 1930. A member of the World of Art and the Union of Russian Artists, Tarkhoff began drawing at the age of twenty-four. After an unsuccessful attempt to enroll at the Moscow School of Painting, Sculpture and Architecture, he studied under Konstantin Korovin. At the age of twenty-eight, Tarkhoff made his first visit to Paris, where he studied drawing and began actively working and exhibiting. He moved there permanently in 1899. In 1906, he held a one-man show at the gallery of Ambroise Vollard, the famous Parisian art dealer who championed all the leading French Impressionists. Sergei Makovsky, Alexander Benois...

Original lithograph of Josef Fenneker’s German Expressionist poster design for the 1919 silent film Die Prostitution starring Anita Berber ...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Le Plafond de l'Opéra de Paris, par Marc Chagall, 1965. Published ...

This sculpture is a small replica of Wilhelm Lehmbuck's Kneeling Woman. The original sculpture is much larger at around 69.5 x 56 x 27", currently at th...

Title page numbered: 263/450. Includes handmade, gold-leaf frame.

Plate #2 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

Theo Tobiasse (1927 - 2012 ) Title Des Hommes Arrivent du Fond de leur Passe Lithograph 1968 edition E. A. ( artist proof ) size 17.50 x 23.50 condition good Des Hommes Arriv...

"9 Koi 23" is a complex work of koi fish swimming underwater filled with light and brilliant color painted in a lush and fluid style bordering on abstraction. Fish are in shades o...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 148, 1964. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Chagall Lithographe 1957-1962, 1963; published by André Sauret, éd...

Original AIR FRANCE EUROPE, Editions Perceval, artist: Jacques Nathan Garamond. Professional acid-free archival linen backed vintage travel post...

Emile Albert Gruppe (American, 1896-1978) Bass Rock, 1967 Oil on canvas 30 x 36 inches (76.2 x 91.4 cm) Signed lower right: Emile A. Gruppe Signed, dated, and titled on the stretcher...

Marc Chagall "L'Artist Phoenix Poster" for Galerie Maeght from 1972. It is from the edition of 5000. 30 1/2" x 20" art 40 1/2" x 32 1/4" frame Marc Ch...

Plate #1 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kli...

Plate #8 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kli...

Colorful abstract expressionist lithograph celebrating the 1976 Olympics in Montreal Canada by American artist LeRoy Neiman. The work f...

Bolero Mallorquin original expressionist watercolor painting. Spanish painter maximum representative of the art of Mallorca at the end of the 20th century. Costumbrista work. With d...

Medium: Lithograph on vélin Acropole Papeteries de Renage paper. Year: 1967 Paper Size: 12.25 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...

Georg Gelbke, Untitled (Women Bathing), etching, 1920. Signed and dated in pencil. Initialed and dated in the plate, lower right. A fine, richly-inked im...

A sadistic laughing Devil grinning a big smile is pictured hovering over a Hellfire. He is reveling while witnessing tiny ant-like sinners engage in eternal torture, torment, and co...

Cottonwoods is a hand-pulled, limited edition serigraph, no. 32 / 165 and is signed in pencil by the artist. Published by Aspen Mountain Graphic it is ...

Le Tennis is a beautiful large painting by the artist and painted painted in 1981. The artist has one of the paintings in his own collection and was happy to hear when we acquired t...

"Street Scene" by Olivier B. Foss is an iconic artwork representational of mid-century French Expressionist painting. The artist's personal visionary style is at once gestural, power...

Contributors to Gerlach & Schenk’s publications valued design and innovation in the graphic arts just as much as they examined allegories as subject matter for exploration. Here, Gus...

A strong modernist oil painting depicted in 1969 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 21.75 x 18 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

A beautiful modern expressionist painting depicting a white lily flower. This work though unsigned is clearly by the hand of a very talented artist. The work comes in an artist mad...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...

Plate #3 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

Felipe Castañeda Mujer Agachada (Crouching Woman), 1972 Bronze, wood base 12 x 9.5 x 11.5 inches Edition III/VI Most recent owners acquired this limited-edition bronze sculpture fro...

This artwork titled "Femme Fiere" from the suite "Les Fleurs du Mal" created in 1937/38, is an original color aquatint on Montval paper by renown French artist Georges Rouault, 1871-...

Original collotype lithograph of a woman undressing from Gustav Kilmt’s handzeichnungen (sketch) in 1922 by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity. Century Guild has curated collections of Gustav Klimt’s printed...

Plate #14 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

After Gustav Klimt, Max Eisler #17, Aus dem Stoclet-Fries: Die Umarmung; multi-color collotype after the cartoon for the 1910-1911 mosaic frieze on the east wall of the dining hall o...

Plate #5 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kli...

Leigh Ann Van Fossan's "Secret Garden" (2023) is an original, handmade oil painting that depicts a path surrounded by colorful flowers and trees arching over. Van Fossan was born in...

Leigh Ann Van Fossan's "Yonder" is an original acrylic depicting an impressionistic landscape with a stormy blue sky. Van Fossan was born in Vail, Colorado, and began oil painting ...

Giner Bueno (1935-2000) Painter from Alicante, son of the painter Luis Giner Valls. He studied at the School of Arts and Crafts of Valencia and finished his studies in Paris, where...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Lithographs of Chagall 1963-1968, 1969; published by Boston Bo...

Mädchen am Fenster. 1906-08. Color lithograph printed on smooth card stock. Full margins. Tipped into a later presentaion folder, signed by the artist in pencil, on the recto. Published by the Wiener Werkstätte, Vienna, with the printed postcard text on verso. Among Kokoschka's earliest prints were a series of 14 postcards, the current work and the following lot that he produced for the Wiener Werkstätte. Wingler/Welz 4. Oskar Kokoschka was an Austrian artist, poet and playwright best known for his intense expressionistic portraits...