Expressionist Art

Moody, Expressive European oil painting. signed illegibly lower right. it looks to be German or Austrian.

Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition ...

Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition ...

The painting is signed and dated: L. NOCENTINI 91. The style of Ladislao Nocentini can be defined as a sort of Figurative Expressionism: his i...

The painting is signed and dated: L. NOCENTINI 91. The style of Ladislao Nocentini can be defined as a sort of Figurative Expressionism: his i...

Karl Michel, 'Viel Gluck 1923 Wunscht Karl Michel', etching, 1923, edition not stated but small. Signed, dated, and numbered 'op. 136' in pencil. Signed in the image, lower right. A...

Karl Michel, 'Venus, Ex Libris - Hanns U. Herta Heeren', woodcut, 1923, edition not stated but small. Signed, dated, and numbered 'op.154' in pencil. Signed in the block, lower left. A fine impression, on cream Japan paper, with full margins (15/16 to 2 11/16 inches), in good condition. Printed by the artist. Matted to museum standards (unframed). . Translation: Venus Ex Libris for Hanns and Herta Heeren. Image size 5 15/16 x 4 inches (156 x 102 mm); sheet size 9 5/8 x 6 inches (245 x 152 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat (The Poster) in 1920. An anti-war advocate, Michel created a suite of 12 wood engravings depicting his impressions of the humanitarian toll of WWII entitled ‘Humanitas’ (Humanity). The German publishing house Greifenverlag published the series in a reduced folio of unsigned prints. Michel’s graphic work is held in the permanent collections of the Auckland War Memorial Museum (New Zealand), Frederikshavn Kunstmuseum & Exlibrissamling (Denmark), Museum of Applied Arts (Budapest), The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, and the German Expressionism...

Art has the ability to evoke emotions and convey powerful messages that can leave a lasting impact on its viewers. The artwork titled "Heart Desire" is one such piece that captures the essence of following your dreams, no matter what. The artwork features a woman in a contemplative pose, staring into the distance. The woman's facial expression exudes determination and passion, creating a sense of urgency and purpose in the viewer's mind. The use of vibrant colors adds to the artwork's overall vibrancy and appeal. The title of the artwork, "Heart Desire," is an ode to the woman's dreams and aspirations. It highlights the importance of pursuing one's passions, no matter how challenging or difficult the journey may seem. The artwork encourages us to listen to our hearts and follow our dreams, regardless of the obstacles that may come our way. In today's world, where societal norms and expectations often dictate our career choices and life paths, the artwork is a powerful reminder that our dreams and desires are unique to us and must be pursued wholeheartedly. It encourages us to take the leap of faith and pursue our passions, even if it means stepping out of our comfort zones and facing rejection or failure. The artwork's message is particularly relevant to women, who often face societal pressures and expectations that may limit their career choices and life paths. The artwork challenges the traditional narrative of women as homemakers or caregivers and highlights the importance of pursuing one's passions and dreams, regardless of one's gender or societal expectations. In conclusion, the artwork titled "Heart Desire" is a powerful reminder of the importance of following our dreams, no matter what. It encourages us to listen to our hearts and pursue our passions, even if it means stepping out of our comfort zones and facing challenges along the way. The artwork is a testament to the human spirit and serves as a source of inspiration and motivation for all those who dare to dream. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Roseleen Labazacchy, a true Nigerian born in the year 2000 and based in Ibadan, Oyo state Nigeria. Roseleen holds a National Certificate of Education in Fine Art from Emmanuel Alayande College of Education, Oyo State. She is a mixed-media painter. Roseleen was exposed to art from a very young age; Her father being an artist himself enrolled her in the popular Nike Art Gallery at a very young age to learn traditional Adire making, a skill she still practices to date. This was how she started art professionally and she has been getting better at what she does since then. In the just-concluded international art exhibition and competition organized by Talentia Foundation, Roseleen Labazacchy who participated in the competition amidst other international artists came first in the Mix Media category and was presented with a certificate of achievement in recognition of her artistic endeavor. Roseleen uses oil and acrylic with fabrics on canvas to consciously project African women's dignity and true African beauty. As an African painter, Roseleen hopes to bring about the emancipation of the true African Women image...

Adele Riley is a British contemporary land and seascape artist working primarily in acrylic and acrylic inks. Her artistic process usually begins with a loose idea of what she wants ...

Gerhard Cohn Roemers (German, 1900 - 1965) Ponte Del Rialto in Venice • Oil on canvas, ca. 40 x 65 cm • Frame, ca. 57 x 82 cm • Signed and titled lower right corner Gerhard Cohn Ro...

Art is a form of expression that can take many shapes and forms. One such form is painting, and Esther Obiwuru is an artist who has created a powerful piece of artwork titled "Sittin...

The artwork titled "Inseparable" portrays a strong relationship between women and Aje, the Yoruba deity of wealth, prosperity, and feminine power. The piece captures the essence of this relationship through vibrant colors, intricate details, and symbolic imagery. The details in the artwork are also significant. The women wear traditional Yoruba attire, with intricate patterns and symbols that reflect their cultural heritage. The necklace on the neck is adorned with cowrie shells, and other ornaments, which represent the wealth and prosperity that Aje brings to her devotees. Aje has no gender yet it's inseparable from feminine You're in search for aje but left behind the woman Surely you've failed even before you start You're on the journey of making it really big but neglect the power of the source Do you think a river can ever have any wonder aside from the source Women and wealth are inseparable yet women are the destroyer of AJÉ The artwork "Inseparable" is a testament to the deep connection between women and Aje. It portrays the strength and resilience of women and the power and prosperity that Aje brings to those who honor her. It also celebrates the rich cultural heritage of the Yoruba people and their reverence for the divine feminine. Overall, this piece is a beautiful tribute to the enduring relationship between women and Aje. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Ayandare Adeniran, Ayanmuyiwa (born 1991) is an Artist who hails from Ogbomosho, Oyo state, Nigeria. At his early stage of life, his artistic talents sprang up and his parent helped in developing them by providing him with what they understood he needed by buying drawing books, crayons, and watercolors among others to help his creative skills. After his primary and secondary education, he received a Nigeria Certificate on Education (NCE) from a prestigious college; the Federal College of Education (SPECIAL), Oyo, where he studied Fine and Applied Arts. Musa Ibrahim was the first practicing Artist who helped Ayandare in his Artistic career which was during a compulsory Industrial Training program for students in the Fine Arts department. After College, yawning for knowledge and flare for artistic work dragged him to Arowolo Wasiu, a metal sculptor who trained him in sculpting metal. A thirst for one's zeal can only be quenched by following the path thus making him proceed to TOPE FATUNMBI...

Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition ...

The painting titled "Desires 1" is a beautiful work of art that depicts two women sitting across from each other, engaged in what seems to be a deep and meaningful conversation. The painting, created by Esinulo Chiamaka Praise, features an older woman and a younger woman, each holding a white flower, which adds a sense of purity and serenity to the scene. The older woman, who appears to be in his 50s, and the younger woman, who looks to be in his 20s, are both dressed in a more simple dress. Both women are seated on chairs, with their faces turned towards each other in a relaxed yet focused manner. The title of the painting, "Desires 1," adds an element of intrigue and mystery to the scene, as it hints at the possibility of underlying desires and motivations between the two women. However, the painting does not provide any clear answers or indications of what those desires might be, leaving the interpretation up to the viewer. Wisdom is gathered from lessons learned from experiences. Time and age guide a man through life as regards choices or wants... One possible interpretation of the painting is that it represents the passing of knowledge and wisdom from one generation to the next. The older woman appears to be sharing something with the younger woman, who listens intently and respectfully. The white flowers that both women are holding could be seen as symbols of purity and innocence, representing the purity of the knowledge and wisdom being shared. What you want today may not be what you would want tomorrow, wants change with time. Experiences and age have an influence on choices. Responsibilities are given with time. What is your desire now? Another interpretation of the painting is that it represents a deep and meaningful conversation between two people who share a close and intimate relationship. The fact that both women are holding white flowers suggests a sense of purity and love between them, while their relaxed and focused expressions indicate a sense of comfort and ease in each other's presence. In terms of technique, the painting is expertly executed, with rich colors and intricate details that bring the scene to life. Keating's use of light and shadow creates a sense of depth and dimensionality, while the placement of the two men in the center of the painting draws the viewer's attention to their faces and the emotions that are portrayed in them. Overall, "Desires 3" is a beautiful and thought-provoking painting that captures the essence of a deep and meaningful conversation between two people. It is a testament to the power of art to evoke emotion and inspire reflection, leaving the viewer with a sense of curiosity and wonder about the motivations and desires of the two women in the painting. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Esinulo Chiamaka Praise is a comtemporary Nigerian painter.She hails from Mbaitoli, Imo state. A graduate of Fine and applied arts (painting), Imo State University, Owerri. Her painting “power tussle” was featured on the cover page of Mbari issue VI Magazine 2020. Another of her painting “black kink” was featured in Polemicalzine (an online magazine) for Black history...

Being smart, stupid, useful, or indifferent. These are all choices in the concept of freedom. It's the same with what we feel from daily events, being a pleasure, comfort, or even a ...

Life energy is everywhere, accompanying the journey of human evolution, from the instinct to survive in the wild to working and pursuing a career in the modern world. Starting from t...

Gouache and watercolor on paper Estate of Sam Esses Never afraid of trying new styles, curious and opinionated, constantly engaged with the world around him, Rolph Scarlett more than once proved to be at the artistic zeitgeist in a career that stretched for more than 75 years. Born in 1889, Scarlett had his first retrospective by 1928. He subscribed fully to the modernist credo. Interviewed at the time, he said: "If a futuristic painting...

It is human destiny to be a social being who cannot live alone. Religiosity is also a bet that strengthens determination when we live side by side. In the end, it is fate and faith t...

Goro-Goro Kowe is a Javanese phrase meaning because of you. A depiction of human relations that are full of dynamics and complexity. Every individual wants a life and a place they de...

"Herve Telemaque (France, 1937-2022) 'Joan Prats 1977', 1977 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: TEL1361-010-000"

"Herve Telemaque (France, 1937-2022) 'Le balai', 1979 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: TEL1361-006-000"

"Herve Telemaque (France, 1937-2022) 'FEU', 1975 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: TEL1361-004-000"

Lovis Corinth (1858 Tapiau - 1925 Zandvoort), Rudolf von Rittner as Florian Geyer, 1924 (Müller 854), drypoint signed in pencil. 20.4 × 14.2 (plate size), 37.7 × 30.6 cm (sheet size). Published by Karl Nierendorf, Berlin. Framed in a passepartout. - Strong, precise impression. Frame a little bit rubbed and with two small damages. About the artwork The knight is a leitmotif in Lovis Corinth's work, culminating in his Self-Portrait in Armour of 1914. Of all the paintings on this theme, Corinth most often depicted Florian Geyer. Descended from a Franconian noble family, he fought for the freedom of the peasants during the peasant wars of the Reformation, first diplomatically and then militarily, leading the legendary Schwarzen Haufen (Black Troops). The name derives from the black uniforms with which Geyer dressed the peasants willing to fight. During the Napoleonic occupation, the freedom fighter Florian Geyer was sung about by the Romantics, and the free corps Die Schwarze Schaar, founded in 1813 by Major von Lützow, succeeded the Schwarzer Haufen. It was against this historical background that Gerhard Hauptmann wrote the revolutionary drama Florian Geyer, which premiered at the Deutsches Theater in Berlin in 1896. While the actor Rudolf Rittner, who would later appear in Fritz Lang's films, initially played the role of Schäferhans, he took over the leading role in the new production at Berlin's Lessing Theatre in 1904, again directed by Emil Lessing, which established his fame as an actor. Hauptmann himself praised the acting. He wrote to Hugo von Hofmannsthal: "It went quite well with Florian Geyer. In any case, I had the great pleasure of seeing the play again in an admirable performance". And Lovis Corinth was so taken with Rittner's performance that he painted an oil portrait of him in the role of Florian Geyer in 1906. After two further graphic versions in 1915 and 1920/21, Corinth returned to the painting a year before his death and almost twenty years after the oil painting to create this graphic version in 1924. Even the inscription in the picture was taken over. This proves all the more the importance of the knight and freedom fighter for Corinth's self-image. The oil painting, in particular, proclaims the single-minded determination to fight to the last for the values defended, manifested in the oil painting by the tattered flag held out to the enemy. There is a parallel with Rainer Maria Rilke's 1899 story The Cornet, in which the protagonist goes down with the flag that he first saved at the risk of his life. Consequently, the portrait is also a self-portrait, and the knight's armour is not an academic costume or an ironic refraction, but an expression of Corinth's self-image, which also includes his self-representation as an artist. The Secession poster...

"Herve Telemaque (France, 1937-2022) 'L´oreille de v. Van Gogh', 1979 engraving on paper 29.6 x 21.7 in. (75 x 55 cm.) ID: TEL1361-001-000"

Artist/ School: French School, signed and dated Title: Expressionist landscape Medium: oil on board Size: 6.5 x 9 inches Provenance: private collection, France Condition: The ...

"Herve Telemaque (France, 1937-2022) 'Lame de fond', 1979 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: TEL1361-008-000"

"Herve Telemaque (France, 1937-2022) 'Le moulin à formes', 1979 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: TEL1361-007-000"

"Herve Telemaque (France, 1937-2022) 'Hommage au manche', 1979 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: TEL1361-005-000"

"Herve Telemaque (France, 1937-2022) 'Le cercle', 1979 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: TEL1361-003-000"

"Herve Telemaque (France, 1937-2022) 'Aube', 1979 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: TEL1361-002-000"

Medium: original lithograph. Printed in Germany in 1921 for the rare Ganymed portfolio of "Das dritte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R...

Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition ...

"Herve Telemaque (France, 1937-2022) 'La boina del Che', 2005 silkscreen on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 70 ID: TEL1361-012-106"

"Herve Telemaque (France, 1937-2022) 'Fenêtres de fou', 2001 silkscreen on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 70 ID: TEL1361-011-106"

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (rosa)', 1975 Lithograph on paper 24.5 x 20.9 in. (62 x 53 cm.) Edition of 75 ID: BUR1102-...

Herve Telemaque (France, 1937-2022) 'La pêche miraculeuse', 2005 silkscreen on canvas 39.4 x 31.9 in. (100 x 81 cm.) Edition of 99 Unframed ID: TEL1361-013-106

Medium: original lithograph. Published in 1919 for Genius. Image size: 9 1/2 x 8 1/2 inches (240 x 214mm). Printed on laid paper. Signed in the plate, not by hand.

Jean-Louis Mendrisse is a self-taught painter born in 1955 in Clermont-Ferrand. Art, family affairs Jean-Louis Mendrisse studied the deal with his famous sculptor father, Jean Mos...

Art has the power to express and convey complex ideas, emotions, and messages. One such artwork that has captured the attention of many is "Inside on Paper," a bright and colorful piece featuring a young man squatting in a relaxed position with one of his legs on a newspaper with the head of a monkey. The artwork depicts a young man in a relaxed posture, with one leg resting on a newspaper. The vibrant colors and bold lines give the artwork a dynamic and energetic feel. The man's expression is calm and meditative, inviting the viewer to take a moment to pause and reflect. However, upon closer inspection, the artwork reveals itself to be more than just a relaxed pose. This juxtaposition of the human form with the head of a monkey represents the interconnectedness of all living beings. The title of the artwork, "Inside on Paper," suggests that the man is reading or reflecting on the news printed in the newspaper. This is a commentary on the importance of being informed and aware of the world around us. The monkey's head symbolizes the impact that human actions have on the natural world and the importance of taking responsibility for our impact on the environment. The bright colors used in the artwork also carry significance. The vibrant hues of blue, orange, and yellow evoke a sense of joy and vitality, creating a whimsical and playful atmosphere. The use of color and pattern is also a nod to the rich cultural traditions of the artist's homeland, imbuing the piece with a sense of cultural identity and heritage. In conclusion, "Inside on Paper" is a remarkable piece of art that conveys a deep sense of interconnectedness and the importance of being informed and aware of the world around us. Through its use of animal and human forms, it celebrates the interconnectedness of all living beings and encourages us to take responsibility for our impact on the environment. As such, it is a masterpiece that is sure to captivate and inspire art lovers for generations to come. Bright Toh work portrays the exquisite synergy that exists between the evolving African man, wildlife, and their common environment, through the possession of totems as a liaison to his ancestries, which is a core aspect of his identity and cultural heritage. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Born on the 6th of August 1994 in Buea, Bright Toh holds a Bachelor’s degree in Engineering Electrical and Electronics Engineering from the University of Buea. Notwithstanding his Engineering academic background, Toh is a self-taught visual artist. Bright Toh is a visual artist with artistry portraying the exquisite synergy that exists between the evolving African man, wildlife, and their common environment, through the possession of totems as a liaison to his ancestries, which is a core aspect of his identity and cultural heritage. He is a 2022 ‘Last Picture Show’ Lagos Edition (Collective exhibition) Participant. He also won the UNHCR Global Youth With Refugee Art...

In my work on the painting, I use a pen and ink. My hand moves continuously and quickly across the surface of the paper. An image is created from the chaos of lines and color spots. ...

Romantic and expressionist nude artwork on canvas.

14.5 X 16.5 with frame HOVIK MURADIAN Born in 1964 in Yerevan, Armenia ,he now lives and works in Prague, Czech Republic. His pictures are in private collections in Germany, France, America and other countries. Hovik Muradian was born in 1964 in Yerevan, Armenia, within the view of the biblical Mt. Ararat, in the land of the sun, mountains, rocks, and savanna grass, in the country with a fate similar to that of every small country controlled by a more powerful country, in the country with the history of struggle for independence. Back in 1964, Armenia was a part of the Soviet Union and was called the Armenian Socialist Republic. After the tragic earthquake in 1988, Hovik went on a quest for a new life outside his homeland. He found it in the Czech Republic where he has been living since 1992. He has a nice family and a studio close to his flat in one of the Prague suburbs where he paints, and he exhibits his paintings around the world. Yet, his dark eyes keep looking through the web of nostalgia, his blood is diluted with meditation, and his romantic heart searches for angular colors of brightness. But I may be totally wrong. I am just trying to find an alibi for my headline. Hovik Muradian was raised in a family where his father, academic painter Shavarsh Muradian (1936), whose favorite style of painting was landscape, initiated Hovik’s artistic education (the School of Arts of Jakob Kojoian, and the College of Arts of Panos Terlemezian in Yerevan from 1976 to 1984). Cultural inspiration, music, theatre, literature etc. are probably the legacy of the school; we can find symbols of the mentioned arts both in his early and later paintings. However, what the painter soon left behind was the technique of paint applying. His impasto paintings quickly changed into delicately color and delimited areas. The delimitation of shapes is a typical element in Muradian’s paintings. Sometimes, the area is geometrically divided into right-angle shapes, other times the painter seems to use different arches to make them in an abstract grouping of matter. However, he never stops there. In his compositions, we can find a part of a figure, nude, musical instrument, or common item. His genre is figurative abstraction. Rationality that forces us to meditate can be found only in his later paintings. His canvases are full of technical artifacts symbolizing time, order, as well as mystery, a pursuit to learn, search, and ask questions. His paintings clearly show what kind of questions the author asks. Qualification: 1976 - 1980: Graduation from the School of Arts of Jacob Kojoian, Department of Paintings, Yerevan 1980 - 1984: Graduation from the Collage of Arts of P.Terlemezian, Department of Paintings, Yerevan Single Exhibitions to Date: 1985 The House of Armenian Journalists, Yerevan (Armenia) 1994 Russian House...

Art is often a reflection of the world around us and can convey deep emotions and thoughts through various mediums. One such powerful artwork is "In Her Thoughts" created by Esther O...

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (azul)', 1975 Lithograph on paper 24.5 x 20.9 in. (62 x 53 cm.) Edition of 75 ID: BUR1102-...

By Juan Carlos Breceda 21" x 15" Lithograph - 13/18 Framed Size: 35.5" x 30.5"

“Chapel of Three Moons” by Catherine Picard-Gibbs is an expressionist interior church scene. This evocative 24 x 30 x 1.5 inch oil on canvas painting depicts a mysterious golden encrusted chapel with a figure praying and a suggestion of a ritual taking place. The textural brushwork in rich gold contrasted with purples and blues add drama to this dynamic painting. Catherine Picard-Gibbs paints with bold brush strokes, using vibrant colors to show emotion and movement in landscapes and urban scenes. Her inspiration comes from the nuance and drama of her everyday world. Her evocative works have been featured throughout Massachusetts, in New York, and in the Midwest. Picard-Gibbs is represented by Fountain Street...

The Avenue of Trees French Expressionist School, signed front and back Dated 1974 oil on canvas, framed framed: 37 x 44 inches canvas: 32 x 39 inches private collection, France the p...

Girl from Gombe is an original painting by Abifola Olorunlana. Olorunlana created Girl from Gombe with Acrylic on a 36W by 48H inches primed canvas. The Girl from Gombe is a two-portrait series about a young girl from Gombe who is trying to find balance in her personal life in a society that does not really care much about the mental health of young people. In each portrait, her bodily pose, complemented with fresh-looking green plants and every other element in the painting tells a story about all the good and bad choices that have led her to where she is; the influence of her academics, family, religion, and the friends she surrounds herself with. While she's fighting her insecurities, and facing a dilemma in her career choice, she seems to persevere in living. Whenever I look at my subject and listen to her talk, all I see is a beautiful girl who has fallen prey to what we all refer to as life: Abifola Olorunlana decided to narrate with paint on canvas as a reminder that no matter what the situation is, as long as we are alive our lives can always get better. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Olorunlana Abifola (b. 1999) is an emerging visual artist from Nigeria whose works of art cut across mix-media and contemporary art paintings which includes portrait paintings of Black people...

"Iva" Oil Painting 39" x 39" inch by Andrey Remnev ARTIST BIO: "My birth place is Yakhroma town, in the vicinity of Moscow. It is situated on high hills, from where broad Bruegelian vistas are open. The uneven terrain with significant differences of high and low; a canal between the Moskva river and the Volga; small rivers, woods and villages; a nearby ancient town of Dmitrov, which is equal to Moscow in age; ships cruising the canal and trains outdistancing them – all this I saw from my window since my early years. It was a view that embraced all the diversity of the world. This is why I can say that the impressions of my childhood and youth – beautiful nature and remarkable people – are the most important ones. In the museum of Moscow's St. Andronic Monastery I copied the best examples of the old Russian painting...

A drawing of a dog by Serge Hollerbach. Hollerbach was an American artist known for his abstract paintings and prints, which often incorporated dynam...

Lester Johnson Self Portrait 1969 drawn with ink, crayon, and spray enamel on paper. Measuring 14 by 11 inches, this drawing was recently professionally framed.

"Memories" is a captivating painting created by the talented Nigerian artist, Joshua Salami. The artwork depicts a young woman, lost in thought as she st...

Africa Post-Pandemic is an original painting by Jonathan Kabeya. Jonathan created Africa Post-Pandemic with Coffee-Sukarism (Burnt Sugar, ink of pen on a ...

"Queen Eniola" is a stunning portrait of an African queen created by the Nigerian artist, Theophilus Madaki. The painting depicts Queen Eniola, a pow...

René Romero Schuler’s expressionistic paintings depict delicate female figures that she paints using a dry-brushed, minimalist hand, leaving her subjects mostly featureless but nonetheless imbued with emotional interiority. While some of her subjects appear lost and isolated, other works depict couples holding hands...