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Fauvist Art

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Style: Fauvist
Long Cloud
Located in Fairfield, CT
Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Republican art school by Taras Shevchenko,...
Category

2010s Fauvist Art

Materials

Canvas, Oil

Golden Light
Located in Fairfield, CT
Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Republican art school by Taras Shevchenko,...
Category

2010s Fauvist Art

Materials

Canvas, Oil

Tulips
Located in Miami, FL
Tulips is a painting made by Evelyne Ballestra, a French contemporary artist. This piece is a part of a flower series, defined by their distinct bright colors, satiny, silky, vibrati...
Category

1990s Fauvist Art

Materials

Canvas, Oil

Sitting Nude
Located in London, GB
ANDRE DERAIN 1880-1954 Chatou, Paris 1880-1954 Garches Title: Sitting Nude Technique: Original Stamped Pencil Drawing on Brown Paper size: 32.5 x 25.5...
Category

Early 1900s Fauvist Art

Materials

Pencil

Cylindre au Christ à l’Idole, Bronze Sculpture Attributed to Paul Gauguin
Located in Long Island City, NY
A bronze sculpture after Paul Gauguin cast from a 1894 original wood carving. It is a wonderful example of his Primitivist style likely influenced by the Polynesian art of Easter Isl...
Category

Mid-20th Century Fauvist Art

Materials

Bronze

"Mlle Landsberg" (grade planche, pl. 16)
Located in Missouri, MO
"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...
Category

1910s Fauvist Art

Materials

Drypoint, Etching

French Village Landscape, Trees and The Square, Gassin.
Located in Cotignac, FR
An important oil on canvas village landscape, probably Gassin in the South of France, by noted Dutch painter Willem Anthonie 'Wim' Oepts. The painting carries the atelier stamp botto...
Category

Mid-20th Century Fauvist Art

Materials

Canvas, Oil

"The Clown", 20th Century Gouache on Cardboard by Spanish Artist Celso Lagar
Located in Madrid, ES
CELSO LAGAR Spanish, 1891 - 1966 THE CLOWN signed and dated "Lagar 52" (lower right) gouache on cardboard 10-5/8 x 8 inches (27 x 20.5 cm.) PROVENANCE Private French Collector Cel...
Category

1950s Fauvist Art

Materials

Gouache, Cardboard

Le Loup - Henri Matisse, Jazz, Pochoir prints, Fauvism, Artist's books
Located in London, GB
Pochoir printed in colours, 1947. From: Jazz, Plate VI. From the book edition of 270. Printed on Arches paper by Edmond Vairel, Paris. Published by Teriade, Paris. (Duthuit Livre...
Category

1940s Fauvist Art

Materials

Stencil

Nude Study no. 50, Gouache on Paper, 1949
Located in Long Island City, NY
Artist: Laurent Marcel Salinas, French (1913 - 2010) Title: Nude Study no. 47 Year: 1949 Medium: Gouache on Paper, signed and dated l.l. Size: 24 x 19 inches
Category

1940s Fauvist Art

Materials

Gouache, Paper

Joies de Bretagne
Located in Missouri, MO
Paul Gauguin (1848-1903) Joies de Bretagne (Kornfeld 7 B) zincograph, 1889, on simili Japon paper, from the second edition of circa 50 impressions, published by Ambroise Vollard afte...
Category

Early 1900s Fauvist Art

Materials

Lithograph

"Nude Study 9, " Gouache on Paper, 1949
Located in Long Island City, NY
Artist: Laurent Marcel Salinas, French (1913 - 2010) Title: Nude Study no. 9 Year: 1949 Medium: Gouache on Paper, signed and dated Size: 19 in. x 24 in. (48.26 cm x 60.96 cm)
Category

1940s Fauvist Art

Materials

Gouache

"Nude Study no. 30, " Gouache on Paper, 1949
Located in Long Island City, NY
Artist: Laurent Marcel Salinas, French (1913 - 2010) Title: Nude 30 Year: 1949 Medium: Gouache on Paper, signed u.r. Size: 19 in. x 24 in. (48.26 cm x 60.96 cm)
Category

1940s Fauvist Art

Materials

Paper, Gouache

"Nude Study no. 47", Gouache on Paper, 1949
Located in Long Island City, NY
Artist: Laurent Marcel Salinas, French (1913 - 2010) Title: Nude Study no. 47 Year: 1949 Medium: Gouache on Paper, signed and dated l.l. Size: 24 x 19 inches
Category

1940s Fauvist Art

Materials

Paper, Gouache

Fauvist art for sale on 1stDibs.

Find a wide variety of authentic Fauvist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Charles Cobelle, (after) André Derain, Evelyne Ballestra, and (after) Pierre Bonnard. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Fauvist art, so small editions measuring 3.94 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $2,835,000, while the average work sells for $1,532.

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