Impressionist Art

New York is Smoking Documentary Travel Photographers / Color Photography / Abstract Photography Signed , dated lower right and numbered verso 2 /15, Unframed, Other sizes available.

Camille Pissarro (1830-1903), Femme a la Barriere (Woman at the Gate), etching and drypoint, 1889, signed in pencil with the initials CP lower right (annotated “imprime par C.P.”), a...

James McNeill Whistler (1830-1903), Lagoon: Noon, etching and drypoint, 1879-1880, signed with the butterfly and inscribed “imp” on the tab [also signed with the butterfly in the plate lower left]. Reference: Glasgow 209, third state (of 3), Kennedy 216, third state (of 3); Lochnan 231, 4 7/8 x 7 7/8 inches. A fine impression with very little plate tone, and printed with extraordinary attention to the etching and drypoint details. The printed butterfly, usually only barely visible, is clearly defined in this impression (see detail below). Kennedy mades special note that an impression like this, with the clearly visible butterfly, was in the collection of John H. Wrenn. On a commission from the Fine Arts Society, Whistler created the plates of his Venice series...

James Whistler (1834-1903), Penny Passengers, Limehouse, 1860. Etching and drypoint, signed in pencil with a butterfly and inscribed imp, printed in black ink on laid paper, trimmed at the platemark, leaving a signature tab, an impression in the second (final) state, one of only six recorded, 31/4 x 81/8 inches (8.2 x 20.7 cm) A fine impression of this great rarity. Provenance: Otto Gerstenberg, stamp verso [Lugt 2785] Reference: Kennedy 67; Glasgow 71 The buildings on the far bank of the Thames and the ship and their masts moored there show the distinctive draughtsmanship of the period 1859–1860 when Whistler worked in Limehouse and made an etching there which was published in the Thames Set. Penny Passengers, Limehouse is very rare, with only five impressions known, all but our impression in public collections. It shows in outline a group of passengers waiting for the ferry...

Stunning late 19th century landscape watercolor painting of a farm scene by an unknown artist. Presented in a giltwood frame. Image size, 16"H x 20"L.

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

Camille Pissarro (1830-1903), Paysanne Donnant a Manger a un Enfant, etching on zinc, 1874, signed in pencil lower right and inscribed lower left “No 1 – 1er etat”, also titled in p...

Signed lower left, 'A.F. Gorguet' for Auguste François Gorguet (French, 1862-1927), titled 'Menton' and dated with roman numerals 'XI' for 1911; bearing old 'P. Navez' exhibition lab...

Mitchell Funk is a very early pioneer of color photography. In this striking image, he is using negative color to give an simultaneous beautiful yet eerie effect . Remarkably, Centra...

Albert Lebourg participated in the fourth and fifth Impressionist Exhibitions of 1879 and 1880. The first of these exhibitions included: Caillebotte, Cassatt, Degas, Lebourg, Monet ...

James Whistler (1834-1903), The Little Mast, etching, drypoint and burnishing, 1879-80, signed in pencil with the early shaded butterfly lower left and annotated “imp”. References: G...

Jim’s of Lambertville is proud to offer this artwork by: Paulette Van Roekens (1896 - 1988) Initially trained as a sculptor, Paulette Van Roekens decided to focus on painting after...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Dick Tiger Year: 1967 Medium: Acrylic on Paper, signed and dated l.r. Size: 26 in. x 44 in. (66.04 cm x 111.76 cm) Frame Size...

A vivid mid-century impasto figurative cityscape oil painting of New York during the 1940s by Dorothy Rossen Greenberg (American, 1915-2005). A Fishmonger plies his trade amidst a harbor side street scene, amongst the hustle and bustle of the city. Signed lower right corner "D. Rossen." Unframed. Canvas size: 21.5"H x 17"W. In 1947, Rossen was awarded first prize in sculpture at the Village Art Center, New York City. Winner of the Chi Omega...

Beautiful still life oil painting, abundant with color and texture in a variety of fruit and flowers. A full spectrum of rich color throughout. Signed lower left Gerdell (Gerdill) Sc...

Represented by George Billis Gallery, NYC & LA -- Having worked from a studio in the Gowanus area of Brooklyn for two decades, Elizabeth O'Reilly is at home in the abandoned precinc...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Illustrated in "New Hope for American Art" Harry Leith-Ross (1886 - 1973) The son of an English father and a Dutch mother, Harry Leith-Ross was born in the British Colony of Mauritius, an island in the Indian Ocean a thousand miles off the southeast coast of Africa. His first formal art instruction began in England under Stanhope Forbes, followed by studies with Jean Paul Laurens at the Academie Julian in Paris. Leith-Ross came to the United States to enroll at the National Academy of Design in New York City in 1910, and then to Woodstock, in 1913. It was in Woodstock at the Art Students League, under the tutelage of Birge Harrison and John F. Carlson, that Leith-Ross would receive the training that most influenced his career as an artist. There he formed a lifelong friendship with fellow artist, John Folinsbee. The two artists shared a studio during this time and participated in several joint exhibitions exclusively featuring their work, including an exhibit at the Louis Katz...

Painter and teacher, Thomas Fogarty, Jr., taught at the Art Students League in Manhattan for many years and exhibited his oil and pastel landscapes and still lifes at the Whitney Museum of American Art and many New York galleries. Fogarty began his teaching career at the Pratt Institute and Rutgers University, before joining the faculty at the Art Students League, where he taught painting, composition and life drawing. Fogarty was a member of the Society of Independent Artists. Both the artist and his father, Thomas Fogarty, Sr., were beloved teachers at the Art Students League and influenced generations of American painters, including Norman Rockwell. In “Draped Nude,” Fogarty’s vibrant use of color and soft, sensitive brushwork reminds the viewer of Pierre Bonnard’s interiors or early Picasso...

Represented by George Billis Gallery, NYC & LA -- Having worked from a studio in the Gowanus area of Brooklyn for two decades, Elizabeth O'Reilly is at home in the abandoned precinc...

Represented by George Billis Gallery, NYC & LA -- Having worked from a studio in the Gowanus area of Brooklyn for two decades, Elizabeth O'Reilly is at home in the abandoned precinc...

Marcel Gatteaux was born in London in 1962. He started drawing and painting at an early age. Following studies at Camberwell Art School, and whilst still continuing to paint, he un...

Paul Cézanne Young girl Original etching and roulette Signed in plate "P. Cézanne" and dated 1873 in lower right corner On vellum 32 x 25 cm (c. 13 x 10") REFERENCES : - Catalog...

In "Strawberries" by Vita Kobylkina, viewers are transported into a vibrant tableau of nature's delights, where luscious strawberries command attention ...

Signed, titled and dated oil on panel landscape by French impressionist painter Eugene Boudin. The work depicts sailing boats anchored at a port in Venice, Italy. The tall masts of t...

Impressionist seascape by Ruth Elgart of an Italian harbor featuring sailboats and a beach. Executed in oil on canvas and measures 22.5 x 34 inches. Framed

Cagnes-sur-Mer 'Baigneuse Debout à Mi-Jambes' (1910) is an artwork realized by Pierre-Auguste Renoir (1841 Limoges - 1919). Etching and drypoint on paper. Image size 20.5 x 15 cm,...

Antique American impressionist seascape signed oil painting. Oil on board. Signed. Framed. Image size, 20L x 16H.

The talent of Francesca Owen really shines through in this beautiful statement piece. Her use of palette is subtle and her brushwork is able to move the paint over the canvas to crea...

Signed and dated riverscape oil on canvas circa 1870 by Dutch impressionist painter Johan Barthold Jongkind. The work depicts boats sailing on the Dordrecht canal in the Netherlands....

"Backlight Adobe" - Southwest Plein Air Landscape in Oil on Canvas 1997 Vibrant desert landscape with an adobe building by Fred Tom Tuch (American, 1924-2012). This piece is composed...

A wonderful oil on paper by Dutch impressionist painter Johan Barthold Jongkind depicting a view of the calm blue sea off the coastline of Marseille. This work is stamped with the c...

Sandy Litchfield brings her magical abstracted landscapes to a new medium in her recent colored pencil drawings. Loose, delicate lines scramble over one another, bringing a diffuse, ...

Ethereal impression of delicate roses in a light filled space. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: R...

Vintage impressionist horse portrait painting. Oil on board. Nicely framed. Image size, 13L x 11H. Signed.

'Summer Bouquet' by Marcel Dyf. A beautiful floral still life painting of orange, yellow, red and white flowers To watch Dyf paint was entrancing. Even as an old man, he would stand rather than sit before the easel, working with extraordinary vigour and intense concentration. His palette was a rainbow of fresh colours and his hand continually darted back and forth from the canvas. At intervals he would step back or consider briefly another picture before returning to the easel, his eye refreshed. Usually he sketched straight onto the canvas, which he set up on his travelling easel...

Signed impressionist riverscape oil on panel dated 1863 by sought after French painter Paul Camille Guigou. The piece depicts a view of the river i...

This exquisite pair of 19th century painting by John W. Morris (1865-1924) features dogs in a British Green landscape after a days hunti...

Serene landscape with horses by Paul Kirtland Mays (American, 1887-1961). Signed "Paul Mays" lower right (under the mat) and on verso. Tag on verso from Carmel Art Association 60th Anniversary Show Presented in a rose colored mat and frame. Paper size: 8"H x 10.5"W Painter, illustrator, muralist. Born in Cheswick, PA on Oct. 4, 1887. After drawing and painting during his childhood, at age 15, Mays began his art studies at the Cheshire Academy in Connecticut. He further studied at Oberlin College, Hawthorne School in Provincetown, and the Art Students League of New York City under William M. Chase. His first art exhibition at age 23 in NYC was such a financial success that he was able to further his art studies in Paris at Academies Colarossi and Grande Chaumière, and London's Slade School. In 1915 he came to San Francisco to assist Albert Herter...

A fine impressionist winter landscape with houses by American artist James Moore Preston (1873-1962). Preston was born in Roxborough, PA, studied with Thomas Anshutz...

A beautiful winter landscape with birch trees by American artist Paul Bernard King (1867-1947). King was born in Buffalo, New York, and after becoming an established printer, went on to study at the NY Art Students League with Henry S...

Flight Into Egypt by Louis Carl Hvasta (1913-1993) Unframed: 24" x 36" Framed: 31.25" x 43" Signed and Dated Lower Left Frame was hand made by the ar...

Schultzberg always captured the effects of sunlight on a winter landscape, working confidently with thick impasto.'Snowy Scene' is a beautiful example of his work, showing the woodla...

Framed Size: 29 x 38.5 inches Lilian MacKendrick was a natural born artist. She had a talent that was intuitive and a searching artistic intellect. The daughter of Russian emigrants, she grew up in the art world of New York's Armory Show. A graduate of New York University with a degree in Fine Arts, she went on to study sculpture at City College of New York as well as painting at the Art Students League. Her early attempts were in the non-objective field. Despite her tremendous admiration for the great European painters of the 18th & 19th centuries (she copied, as a learning exercise, all the drawings of Goya and Rembrandt in this country), her tastes, since childhood, were for Oriental rather than American and European painting which she found "too violent." But she continued her exploration of the fusion of East and West, arriving at a synthesis that has been described, among other things, as a "recovery of the image." Some of her work, however, has echoes of the work of the French masters Pierre Bonnard and Henri Matisse; a reference that the artist herself would not find offensive. She regularly spent summer vacations in France. Many observers of her work say that her paintings make them feel that life is good again; that there is something wonderful and exciting about the world they are eager to see when they wake up in the morning, and that her paintings are 'singular and striking'. Jane Janson's statement in regards to MacKendrick's 1958 exhibition at Hirschl & Adler Galleries easily applies to some of her painting: "Her range of blazing summer color and exuberant pattern captivate the eye, and lend renewed zest to a realm which has been ignored for awhile, and to which we return with instinctive delight." "Has seen" is the operative phrase because her works are rarely seen these days, although there are over 400 works in private collections. A devastating flood in her studio in 1984 destroyed a number of works. Permanent Collections Museum of Fine Arts of Houston, Texas Wadsworth Atheneum, Hartford, CT Walker Art Center, Minneapolis, MI Galeria d'Arte Contemporanea, Bordighera, Italy Metropolitan Museum of Art, New York Georgia Museum, Athens, GA Brandeis University, Boston, MA Bezalel Museum, Jerusalem, Israel Hirshhorn Museum, Washington, D.C. Exhibitions Georgia Museum of Art, Athens, GA Galerie Benezit, Paris USIS, Ostend, Belgium Audubon Artists, New York Witte Museum of Art, San Antonio, TX New York City Center Third Biennial of American Painting, Bordighera, Italy Florida Gulf Coast Art...

"The Spanish Peaks, Southern Colorado", vintage early 20th century original mountain landscape painting by Charles Partridge Adams (1858-1942). The C...

Elegant depiction of a nude woman from behind by American artist Bayless (20th Century). The model's hands are raised, adjusting her hair, and the artist has captured the twisting an...

"Ocean Beach" by Maurice Mazeilie (French) oil painting on card, unframed painting: 8 x 10 inches A delightful original oil painting by the 20th century French Impressionist artist...

Impressionist pastel on board by French painter Jean Baptiste Armand Guillaumin. The piece depicts a view of landscape with trees to th...

'Trouville Sur Mer' is a gloriously warm painting of late summer in Trouville, France. To watch Dyf paint was entrancing. Even as an old man, he would stand rather than sit before the easel, working with extraordinary vigour and intense concentration. His palette was a rainbow of fresh colours and his hand continually darted back and forth from the canvas. At intervals he would step back or consider briefly another picture before returning to the easel, his eye refreshed. Usually he sketched straight onto the canvas, which he set up on his travelling easel...

American Impressionist Off the Statue of Liberty, New York City, August 2010 Hall traveled to NYC in 2010 and painted a number of marine, river, and cityscapes for private clients. ...

A watercolor painting by Charles Burchfield from 1935. An impressionist landscape of green foliage and a grassy hill in soft earth tones. Signed and dated in the lower right, beautif...

Artist/ School: French School, late 19th century, indistinctly monogrammed upper left corner. Title: Portrait of a Bearded Man Medium: oil painting on canvas laid to board, unframe...

"Mountain Fog" is an encaustic with oil paint and beeswax over watercolor, on a cradled panel measuring 36" high by 24" wide. The painting arrives in a custom walnut floater frame by American Frame Company. From Regina Quinn...

Georges Braque (after) Title: "Profil" from the Espace Portfolio Year: 1957 Year of Original: 1952 Medium: Pochoir (pigment print) on Richard de Bas, signed in the plate Edition: 26...

Artist: Laurent Marcel Salinas, French (1913 - 2010) Title: Farmhouse with Windmill 243 Year: 1949 Medium: Ink on paper, signed Size: 8.5 in. x 11 in. (21.59 cm x 27.94 cm)

Antoine Blanchard "Le Quais et la Louvre" Oil on Canvas Signed Canvas Size: 13 x 18 inches Framed Size: 22.5 x 27.5 inches Antoine Blanchard French (1910-1...

Signed lower right, 'Eleida Ashcraft' (American, 1875-1940) and dated 1931/2. A delicate oil still-life showing a variety of pears in a ceramic bowl standing on a draped wicker-tabl...

Gay Summer Rick paints iconic urban coastal landscapes, from Los Angeles to New York City, rendered with a keen sense of place and a flair for abstraction. Sparsely populated though ...

Born in Vannes, France in 1859, artist Paul César Helleu studied at the Lycée Chaptal and at sixteen, was admitted to the École des Beaux-Arts in Paris where he trained under Jean-Lé...