Modern Art

Ex Libris For Giorgio balbi, realized by Pietro Parigi in 1947. It includes passepartout, 30 x 24 cm. Hand signed and dated on the lower margin. Good conditions.

Orpheus is an artwork realized by Gustave Bourgogne in the 1940s.  Pencil and watercolor, ink on paper.  Good conditions. Gustave Bourgogne (1888-1968), a french painter born in 1...

An original silver gelatin black and white photograph by Associated Press Photo. The Hudson River in New York during Navy Day in October 1945. Features: Original Silver Gelatin Print...

Work on canvas sold with frame The frame measures 63x74 cm. The mountain on the painting is the "Salève" from Troinex, Geneva. John Henri DELUC is...

Edition of 400 copies. One of the 350 copies on Pur Fil Lafuma-Navarre paper. Includes 5 original etchings and many illustrations by Jules Pascin. Original paperback cover. Perfect c...

Abstract figurative painting on board. Carl Bredemier label on the reverse. Framed. Oil on board

Ex Libris For Giorgio balbi, realized by an artist of 20th century.  It includes passepartout, 30 x 24 cm. Woodcut, sheet 12 x 8 cm. Signed on plate bottom right, dated 1947.  Go...

Ex Libris For Giorgio Balbi, realized by an unknown Artist in 1947 Hand signed and titled on the lower margin It includes passepartout, 30 x 24 cm. Good conditions.

Antique American modernist signed abstract tropical oil painting. Oil on board. Framed.

Ex libris -  In Domino Mundus is an Artwork realized in Mid 20th Century. Woodcut print on ivory paper. Good conditions. The artwork represents a minimalistic, clean design, throu...

Monumental antique American modernist abstract cityscape oil painting. Oil on canvas. Framed. No signature found. Very impressive painting in person here.

Ex libris - J. Due Nielsen is an Artwork realized in Mid 20th Century. Woodcut print on ivory paper. Good conditions.  The artwork represents a minimalistic, clean design, a kneel...

Original title: Lettres d'Espagne. 1830-1833. Lithographies originales en coeleurs de Clavé. Specimen number 39 of 300 copies printed on 'Vélin de Rives' inc...

Precious and rare volume of the famous French writer André Gide (Nobel Prize for literature in 1947), including beautiful black and white lithographs of Mas...

Ex libris - F. Luvckx is the artwork realized in Mid 20th Century. Woodcut print on ivory paper. Good conditions. The artwork represents a minimalistic, clean design, through prec...

Antique American modernist interior scene oil painting. Oil on canvas. Framed.

A whimsical fish sits placidly in the center of Pablo Picasso ceramic Service Poisson Plate R (“Fish” Service Plate), 1947 A.R. 21. A sweeping light blue back and a peach colored belly make up the body of the fish. Light blue fins crown the back of the fish and a delicate tail parts off the back. Dashes of yellow encircle the rim of the creamy colored bowl, brightening the entire work and creating a dreamy abstracted pattern around the fish. The colors emit a tropical sensation, reminding the viewer of the warmth of the sun and the salty taste of the ocean air. Picasso, who often riffs on ancient Greek...

Born in Savannah, Georgia in 1912, abstract expressionist painter Morris Shulman studied at the National Academy of Design, Art Students League and Hans Hofmann School of Art in New ...

Antonovici was born in Neamt, Romania on February 18, 1911, and graduated from the Fine Arts Academy in Iasi, Romania, in 1939. In 1940, Antonovici studied in Zagreb with the famous ...

A unique, humorous and colorful landscape painting by Harold Haydon depicting the artist painting alongside cows. The painting dates from 1941. Harold Emerson Haydon was born in Fo...

A whimsical fish sits placidly in the center of Pablo Picasso ceramic Service Poisson Plate R (“Fish” Service Plate), 1947 A.R. 3. A sweeping blue back and a orange belly make up the...

A Cubist black & white graphite drawing of fruit by artist Illinois and Michigan artist Stanley Bielecky.

Ira Moskowitz, 'Navajo Trading Post', lithograph, 1946, edition 30, Czestochowski 161. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 3 1/8 inches). Pale mat line, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 11/16 x 15 1/2 inches (297 x 395 mm); sheet size 16 5/16 x 191/8 inches (414 x 486 mm). ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of American Indian...

The Nude Woman is a drawing realized by Alberto Ziveri in 1947 Watercolor on paper. With another drawing on paper. Hand-signed. In good conditions. The artwork is represented th...

The Writing Man is a drawing realized by Alberto Ziveri in 1940 Ink on paper. Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. Alberto...

A whimsical work full of glorious artistry, Pablo Picasso Chouette (Wood-Owl), 1948 A.R. 48 stands out as a magnificent ceramic. Verdant, green tendri...

Backstage At La Scala 1948 by Slim Aarons Slim Aarons Limited Estate Edition A chorus girl reads a movie magazine in a dressing room at La Scala opera house, Milan, November 1948...

Picasso Quatre Poissons Polychromes (Four Polychrome Fishes), 1947 is a wondrous mixture of color and charm. In the center of the dish are three fish, e...

Marbles Championship 1948 by Slim Aarons Slim Aarons Limited Estate Edition A group of boys competing in a marble championship in Central Park, New York City, 1948 unframed c typ...

"Dinner Jazz" by Slim Aarons 1949: American Jazz trumpeter and singer Louis Armstrong (1898 - 1971) enjoys a plate of spaghetti in Rome. Unframed Paper S...

Country scene is an artwork realized by Gustave Bourgogne in 1940s. Pencil and watercolor, ink and white lead on paper. 48 x 41 cm. Good conditions! Gustave Bourgogne (1888-...

Ira Moskowitz, 'The Three Gods of Healing (Navajo Medicine Ceremony of the Night Chant)', lithograph, 1945, edition 30, Czestochowski 148. Signed and titled in pencil. Signed and dated in the stone, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (2 1/4 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed. Image size 12 1/4 x 15 13/16 inches (311 x 402 mm); sheet size 17 1/8 x 20 7/8 inches (435 x 530 mm). ABOUT THIS WORK The nine-night ceremony known as the Night Chant or Nightway is believed to date from around 1000 B.C.E. when it was first performed by the Indians who lived in Canyon de Chelly (now eastern Arizona). It is considered the most sacred of all Navajo ceremonies and one of the most difficult and demanding to learn, as it encompasses hundreds of songs, dozens of prayers, and several highly complex sand paintings. And yet the demand for Night Chants is so great that as many as fifty such ceremonies might be held during a single winter season, which lasts eighteen to twenty weeks. The Night Chant is designed both to cure people who are ill and to restore the order and balance of human and non-human relationships within the Navajo universe. Led by a trained medicine man who has served a long apprenticeship and learned the intricate and detailed practices that are essential to the chant, the ceremony itself is capable of scaring off sickness and ugliness through techniques that shock or arouse. Once the disorder has been removed, order and balance are restored through song, prayer, sand painting, and other aspects of the ceremony. The medicine men who supervise the Night Chant ensure that everything—each dot and line in every sand painting, each verse in every song, each feather on each mask is arranged precisely, or it will not bring about the desired result. There are probably as many active Night Chant medicine men today as at any time in Navajo history due to the general increase in the Navajo population, the popularity of the ceremony, and the central role it plays in Navajo life and health. ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of...

Handball In Central Park 1948 by Slim Aarons Slim Aarons Limited Estate Edition A group of young men playing handball at a court in the 95th Street playground, Central Park, New Y...

Ira Moskowitz, 'Navajo Courtship Dance (Squaw Dance)', lithograph, 1946, edition 30, Czestochowski 161. Signed and titled in pencil. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/16 to 2 3/4 inches). Pale mat line, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 13/16 x 14 13/16 inches (300 x 376 mm); sheet size 13 1/16 x 20 1/8 inches (332 x 511 mm). ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of...

The Posing Nude is a drawing realized by Alberto Ziveri in 1930s Charcoal and watercolor on paper Hand-signed. In good conditions. The artwork is represented through deft stroke...

Swimmers and sun tanners at the local watering hole. Her birth name was Theresa Berney. At the time of her passing she was known as Theresa Loew. Birth place: Baltimore artist, blo...

The Nude is a drawing realized by Alberto Ziveri in 1930s Ink and watercolor on paper Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. ...

A small, female nude painting, titled "En Route to VT, Hotel Room" by artist Harold Haydon. Harold Emerson Haydon was born in Fort William, Ontario, Canada in 1909. Haydon came to...

Antique American modernist still life oil painting by William Sanderson (1905 - 1990). Oil on board. Framed. Signed.

The Nude is a drawing realized by Alberto Ziveri in 1930s Watercolor on paper Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. Alberto...

A whimsical fish sits placidly in the center of Pablo Picasso ceramic Service Poisson Plate N (“Fish” Service Plate), 1947 A.R. 17. A sweeping orange back and a red belly make up the...

Dinner Jazz 1949 by Slim Aarons Slim Aarons Limited Estate Edition 1949: American Jazz trumpeter and singer Louis Armstrong (1898 – 1971) enjoys a plate of spaghetti in Rome. ...

This sculpture is part of our exhibition America Coast to Coast: Artists of the 1930s Kossack, c. late 1930s, polychromed cedar and walnut relief sculpture, carved signature under the base of the figure, 15 x 8 x 3 1/2 inches (figure), 10 x 19 inches (board), exhibited at Zeidler's solo exhibition at the San Francisco Museum of Art, November - December, 1942 (label verso), label verso reads "Kossack / cedar & walnut / Avis Zeidler" About the Sculpture Kossack is typical of Aviz Zeidler’s direct carved wood sculptures of the 1930s. The subject looks directly at the viewer, unfeeling behind a polychromed stare. Seemingly influenced by two of her major teachers, California’s Ralph Stackpole and New York’s William Zorach, Zeidler drew on primitive traditions to create what one critic described as her “gruesome wood sculptures.” Rigid, solid, and unmoving are other words that characterize Zeidler’s statues which often seem to have the deeply rooted ancient power of a totem. Zeidler’s “grimacing artificiality does, indeed, manage to hold a sense of force,” is how The San Francisco Examiner art critic put it in 1938 when describing the artist’s award-winning entry at the San Francisco Art Museum. The same words could have applied to Kossack when it was exhibited at the museum four years later. Perhaps the artist was trying to contain the power of the fearsome Kossacks, the enemy of so many Eastern European peasants, by freezing the image in wood. About the Artist Avis Zeidler (Nemkoff) was a California-based artist who is principally known for her sculpture and drawings. She was born in Madison, Wisconsin, but moved to Northern California by the late 1920s where she majored in art at Berkely and studied with Lucien Labaudt, Ray Boynton...

An oil on board Judaic painting by modern artist Ben-Zion Weinman. It depicts a portrait in profile of an old Jew. The work is signed "Ben-Zion". Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant...

Landscape is an artwork realized bySuzanne Tourte, in 1940s. Pen on paper, 25 x 33 cm. Handsigned in the lower right part and stamp on the right margin. Good conditions except fo...

An original silver gelatin black and white photograph by Associated Press Photo. The USS Roosevelt aircraft carriers on the Hudson River, New York, during Navy Day...

Signed lower right, 'Agger' for Knud Agger (Danish, 1895-1973) and painted circa 1940. Born in Holstebro, Denmark, Knud Agger was exposed at a young age to theories of art and paint...

'Gateside Conversation' is an original signed lithograph by Thomas Hart Benton (1889-1975) from 1946. Singed by the artist in the lower right margin and titled verso. Portrays a figu...

Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower ...

Fiocchetto is an artwork realized by Elica Balla (Rome,1914 - 1993) Hand signed lower right. Hand signed and titled o rear. Good conditions!

Civilised Snooze 1949 by Slim Aarons Slim Aarons Limited Estate Edition Photographer Slim Aarons slouches in a chair with the Acropolis and its surroundings as a backdrop. unfram...

Antique American modernist landscape oil painting. Oil on canvas. Signed illegibly. Framed. Image size, 12L x 8H.

Norma Shoulders, Henrietta, OK by John Stryker is a 10 x 8 inch vintage silver gelatin print. This photograph is signed in ink on print recto, and titled in pencil on print verso. John Stryker was born in Rockford, Illinois, September 1, 1883. He is most remembered for his body of photographs he took of the "Olympic of Western sport"*- the Rodeo. During his lifetime he crossed America, working rodeos as an announcer, a producer, promoter and sometimes a rider. He invented the chute that the animals come out of and he developed new ways of photographing action during an event. Dramatic shots were taken from the ground, propping his camera on the toe of his right boot right next to a bucking bronco. Some historians believe that John Stryker was directly responsible for the growth and sophistication of the sport. His negatives are in the collection of the University of Texas at Permian Basin, Odessa. His photographs have been exhibited during his lifetime at the Buffalo Bill Museum in Cody, Wyoming, and the Amon Carter Museum in Ft. Worth, Texas. His photographs have been published widely including Life, Look, The Cattleman, The Western Horseman, and The Quarter Horse Journal. In 1977, The Rodeo of John Addison Stryker...

Work on canvas

Ira Moskowitz, 'Relic of the Insurrection of 1845' also 'Taos Pueblo with Ruin)', lithograph, 1944, edition 30, Czestochowski 121. Signed and titled in pencil. Signed and dated in the stone, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (1 3/8 to 1 15/16 inches). Very pale light toning within a previous mat opening, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 5/8 x 15 1/2 inches (296 x 394 mm); sheet size 15 1/8 x 19 inches (384 x 483 mm). ABOUT THE IMAGE The Taos Revolt was a populist insurrection in January 1847 by Hispano and Pueblo allies against the United States occupation of present-day northern New Mexico during the Mexican–American War. The rebels killed provisional governor Charles Bent and several other Americans. In two short campaigns, United States troops and militia crushed the rebellion of the Hispano and Pueblo people. The New Mexicans, seeking better representation, regrouped and fought three more engagements, but after being defeated, they abandoned open warfare. The hatred of New Mexicans for the occupying American army, combined with the rebelliousness of Taos residents against imposed outside authority, were causes of the revolt. In the uprising's aftermath, the Americans executed at least 28 rebels. The Treaty of Guadalupe Hidalgo in 1850 guaranteed the property rights of New Mexico's Hispanic and American Indian residents. ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of American Indian...

Original Swiss poster: Apollo Stumpen Cigars. Johannes Handschin created this Swiss poster. Swiss size of 35" x 49". Professional acid-free archival linen backed, ready to frame. The colors are vibrant and intense. Great colors. Rare original Swiss (Switzerland) vintage poster. This is the rarer large format, the rarest version of the poster. The small format is 20 x 27, about 1/2 the size. There is a flaw in the lower section of the man’s covering, the lower left of his chin. Shown in images. Switzerland was known for some of the better printing of their posters and the use of more expensive inks, thus richer colors in the posters that survive today. This art deco-style cigar poster...

Signed lower left, 'D. Badcock' for Douglas Badcock (New Zealander, 1922-2009) and painted circa 1948. Preferring to paint en plein-air, Douglas earned a reputation as one of New Ze...

Benton Spruance, 'Eyes for the Night', lithograph, 1947, edition 35, Fine and Looney 260. Signed, dated, titled, and annotated 'Ed 35' in pencil. A fine impression, on heavy, cream ...