Modern Art

Johann Berthelsen depicts a view of New York City from the iconic Brooklyn Navy Yard in his work entitled, “New York Skyline from the Brooklyn Navy ...

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

Watercolor on paper Most probably related to the artist's creation of images surrounding Haggadah (Passover) which he started in 1930 and finished with the publication of his book in...

Untitled (M.256) from the Album 19 suite is a lithograph on paper, image size 26.25 x 20 inches and framed in a contemporary, black wood frame, colors vibrant, initialed 'M.' lower r...

David is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, gold-tone frame. Unsigned as...

A continuation of the 'Horse Ride' series, The Illiterate (M.549), is a lithograph on paper, with an image size of 33.25 x 23.75 inches, signed Miró lower right and annotated lower l...

Antonio Frasconi created the color woodcut entitled "View of Venice I – San Giorgio" in 1968. It is signed, titled, dated, and inscribed “17/20” in pencil. The paper size is 24 x 36 ...

Signed and dated in ink lower center Provenance: Charlotte Bergman, noted collector and patron of Walkowitz. See photo for additional information.

Alec Montroy depicts a group of figures standing on a street corner a few blocks from Times Square in his work entitled “ The Big News is Always on 42nd S...

Johann Berthelsen paints a dramatic depiction of the Queensborough Bridge rising above the river and the boats in it in his work entitled, “Queensborough Bridge.”

Homme nu avec femme ivre et jeune flutiste Etching, 1955 Signature stamp lower right (see photo) Annotated in penci lower leftl: "epreuve d'artiste" (see photo) Inventory number vers...

A continuation of the 'Horse Ride' series, The Scholar - Green (M.547), also known as The Literate Man, is a lithograph on cloth, backed with chiffon de Mandeure, with an image size ...

In this artwork by Alec Montroy entitled “Lindy’s,” the artist paints the iconic Times Square in New York City and the numerous electronic signs above it.

This etching on paper, 11.75 x 8.25" image size, is signed ‘Henri Matisse’ lower right, numbered lower left, and framed in a beautiful, custom gold-leaf frame. From the edition of 15...

Hai (Abba) (Hebrew translation: Hey Father) Signed in ink lower left by the artist’s widow “AL” (Adele Lozowick) Original label from early exhibition verso at The Art Corner Graphit...

“Thru a Glass Brightly” by artist Alec Montroy is a view of Times Square from a unique elevated perspective.

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

Chevauchée - Brun (M.540) ("Horse Ride - Brown") is a lithograph on paper with an image size of 33.25 x 23.75 inches, signed Miró lower right and annotated lower left. Miró created...

Signed lower right: PENNEY; on stretcher bar: Street in Winter JAMES / PENNEY 1949 (formerly City Street in Winter)

Man Sounding Horn (Psalm 150) Lithograph, 1969-1970 Estate signed: "Ben Shahn/by B.B. Shahn" in pencil lower center Stamped signature lower right (see photo) Signed by Mourlot Lith. in pencil lower right (see photo) Edition: 125 (67/125) see photo Psalm 150, "A Hallelujah Chorus" Published by Kennedy Graphics, Ltd., New York, NY Printed by Mourlot Graphics, Ltd., New York, NY Reference: Prescott 255 Kennedy Galleries, The Kennedy Graphics, 380, reproduced Condition: Very good Image/sheet size: 20 1/8 x 25 3/8 inches A posthumous print "This was the final project completed by Ben Shahn (1898-1969), leading American realist painter and muralist widely recognized for his socially conscious works. Born in Lithuania to Jewish parents, Shahn emigrated to the United States in 1906 and became a popular and versatile artist who worked in a variety of media and on a range of projects. His credits are as varied as assistant to muralist Diego Rivera, photographer for the Resettlement Administration (alongside the likes of Dorothea Lange and his friend, Walker Evans), maker of posters for the Office of War Information during WWII, and commercial artist for CBS. He is best known, however, for artwork depicting left-leaning political ideals and highlighting social concerns, such as his series of gouache paintings known as "The Passion of Sacco and Vanzetti...

The Bather is a lithograph on checked cloth backed with chiffon de Mandeure, image size 34 x 23.5 inches, signed Miró lower left and annotated lower center. The Bather is the first ...

Wolf Kahn paints a row of trees with the sun peeking out from underneath in his stellar oil painting entitled “Sunlit Hill.”

GEORGES ROUAULT (1871 – 1958) La PARADE 1932 (CR.203, W.211) color etching and aquatint 1932. Edition 270. Frontispiece from “Cirque”. ...

Niagara Falls Lithograph, 1931 Signed lower right (see photo) Titled/edition lower left. (see photo) Edition of 25 Provenance: the Estate of the Artist Condition: Excellent Image si...

This etching on paper, 11.75 x 8.25" image size, is signed ‘Henri Matisse’ lower right, numbered lower left, and framed in a beautiful, custom gold-leaf frame. From the edition of 15...

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

Still Life with Candlestick and Book by Joseph Pressmane (1904-1967) Oil on board 35.5 x 42 cm (14 x 16 ¹/₂ inches) Signed and dated lower...

Edward Landon 'River View, color serigraph, 1942, edition 50, Ryan 159. Signed in pencil in the image, lower right. Titled, dated, and annotated '9 COLORS – 50 PRINTS' in the screen,...

This etching on paper, 11.75 x 8.25", is signed ‘Henri Matisse’ lower right, numbered lower left, and framed in a beautiful, custom gold-leaf frame. From the edition of 150, numbered...

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

Samuel Chamberlain, 'Soaring Steel', drypoint, 1929, edition 100, Chamberlain and Kingsland 79. Signed, titled, and numbered '64/100' in pencil. Annotated '48.00' in pencil, in the artist's hand, bottom right margin. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 3/8 to 1 7/8 inches), in excellent condition. Matted to museum standards, unframed. The subject of the print is the construction of the Daily News Building in Chicago, Illinois. Image size 12 1/4 x 9 1/2 inches (311 x 241 mm); sheet size 15 1/2 x 12 3/8 inches (394 x 314 mm). Impressions of this work are held in the collections of the Art Institute of Chicago, Boston Public Library, Crystal Bridges Museum of American Art, Museum of Modern Art, New York Public Library, University of Michigan Museum of Art, Smithsonian American Art Museum, and the Western Australia Museum. ABOUT THE ARTIST 'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints. Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm...

Dale Nichols, 'Partners', lithograph, edition 250, 1950. Signed in pencil. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/8 to 1 5/8 inches); tw...

Large Black Face with Sun, 1968 gouache and ink on paper 29.25 x 43" signed and dated "Calder 68" lower right This work is registered in the archives of the Calder Foundation, New York. EXHIBITED Calder, Grand Valley State College, Manitou Gallery, Allendale, Michigan, May 4-June 15, 1969 Alexander Calder: Mobiles, Stabiles Gouaches, Drawings from the Michigan Collections, Flint Institute of Arts, February 20- March 27, 1983, no. 47, pp. 30 and 32, illustrated Alexander Calder: Sculpture and Works on Paper, John Berggruen Gallery, San Francisco, April 4-26, 2006 “At the time and practically ever since, the underlying form in my work has been the system of the universe, for that is a rather larger model to work from.” – Alexander Calder, 1951 (‘What Abstract Art Means to Me’, The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, Spring, 1951) Alexander Calder’s interest in cosmology, the philosophical and astronomical systems of the universe, is at the heart of his creative output. The discovery of Pluto in the 1930s was a defining moment that instigated his fascination with the solar system and astronomy. Over the ensuing years he focused on creating entire worlds like ‘Calder’s Circus’ and his ‘Constellations’ sculptures...

Five Ideas for Sculpture Lithograph, 1981 Signed and numbered in pencil by the artist lower margin. (see photos) Edition: (35/50) 50 There were also 15 Roman Numeral artist's proofs....

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

*THIS PRICE INCLUDES 5% IMPORT DUTY APPLICABLE IF THE WORK REMAINS IN THE UK ONLY. Esquisse pour "Commedia dell'arte" by Marc Chagall (1887-1985) India ink, pen and pencil on paper...

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition. The subject of the print is the lower Manhattan cityscape just before the Depression. Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm). Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum. ABOUT THE ARTIST 'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints. Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...

Lesley Dill is an American contemporary artist. Her work, using a wide variety of media including sculpture, print, performance art, music, and others, explores the power of language...

Landscape with Trees Watercolor on paper, 1929 Signed in pencil lower right corner Obviously influenced by the Cezanne works in the collection of his patron Alfred C. Barnes of Phila...

Tribute to Bix Beiberbecke Mixed media collage, 1974 Signed and titled in ink; lower right recto (see photo) Signed and dated ’74 in red crayon verso Image size: 32.5 x 22.75 inches ...

Richard Florsheim created this color lithograph entitled “Glowing City” in 1969 in an edition of 250 pieces. Published by Associated American Artists and printed by Mourlot Press, Pa...

Adolescence. (Kathleen Nancy Woodward). 1932. Etching. Fletcher 75 state vi. Image: 14 3/8 x 10 7/16 (sheet 16 3/8 x 12 1/4. Total edition 91). Illustrated: Guichard, British Etchers...

“Darling Your Words...” 2018 From the series Fragments of Our Love Story Porcelain cup with sgraffito detailing 5.5 x 3 x 3 inches. “My darling..” My darling your words are often too sharp, and I am always too soft. But as long as you bring me honey and ginger to sweeten and strengthen my body, my wounds. I will always bring the softness to your hard edges. We will blur into each other creating a malleable thing. You will always bring me your backbone, so I can know how to stand up straight (alone). In this way, when the day is long...

Great Buffalo Medicine Man Mixed media collage Signed in pencil lower right Title on reverse Sheet size: 47 x 34 inches Condition: Tear in paper along right edge Color fresh Usual wrinkles for a paper collage Provenance: Acquired directly from the artist Joseph M. Erdelac, Cleveland, friend, patron and noted collector of Longstreet Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton...

“Some Days We are Both at Sea...” 2019 From the series Fragments of Our Love Story Porcelain cup with sgraffito detailing 4 x 3 x 3 inches. “Some days we are both at sea..” Some da...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Currency fluctuations may cause the price to change. This is a contemporary pri...

Wood engraving. Physick catalog 917. Image: 3 3/4 x 2 5/16 (sheet 7 3/8 x 5 1/2). A fine impression printed on Japanese mulberry paper. Signed and numbered '5' in pencil. Housed in ...

Emilio Sanchez (1921-1999) created this color lithograph entitled “Loft Windows” in 1988. This impression is signed and inscribed “46/100” in pencil. The printed Image size is 25 x ...

Cleveland Center for Contemporary Art 1968/ 1983 Off-set lithographic poster, 1983 Signed in ink by the artist in the bottom margin (see photo) Poster celebrating the 15 year anniver...

Richard Florsheim created this color lithograph entitled “Light and Water” in 1972 in an edition of 50 pieces. Printed by Mourlot Press, Paris, this impression is signed and inscribed “5/50” – the fifth print of fifty. It is in good condition with full original color. The printed image size is 16 7/8 x 23 1/16 inches and paper size 19.75 x 25.50 inches. RICHARD ABERLE FLORSHEIM...

Peter Donnithorne (b.1933) The opening hunt meet, November 1984 Oil on canvas Signed lower right Canvas Size 14 x 18 in Framed Size 17 x 20 1/2 in Peter Donnithorne British born in ...

Sombras, 2023 by Ricky Cohete Archival pigment print Image size: 36 in H x 24 in W. Edition of 10 + 1AP Unframed _________________________ Ricky Cohete was born in a coastal city i...

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

Richard Florsheim created this color lithograph entitled “Approaching Storm” in 1967 in an edition of 125 pieces. Published by Associated American Artists and printed by Mourlot Press, Paris, this impression is signed and inscribed “Artist Proof.” It is in good condition with full original color. The printed image size is 28.25 x 19 3/4 inches and the paper size is 31.12 x 22 inches. RICHARD ABERLE...

The Night We Hung the Moon, 2023 by Alex Hodge From the series Sculptural Jar Handbuilt porcelain sculpture with sgraffito 15.5 x 5 x 5 inches This hand built sculptural jar partici...

Untitled. Sepia, 2023 by Ricky Cohete Archival pigment print Image size: 30 in H x 20 in W. Edition of 13 Unframed _________________________ Ricky Cohete was born in a coastal city...