Pop Art Art

Richard Avedon, "Who Has a Better Right to Oppose the War?," Vintage original protest poster, 1969 A famous 1969 Richard Avedon illustrated poster against the Vietnam War. Avedon's picture depicts a handsome soldier wearing a formal US Army uniform...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual level...

The KARTEL group consists of 4 artists: an architect, fabricator, sculptor and visual artist. These artists merge their best ideas and skills to produce a striking and thought provok...

Eternal Recurrence #40 by Natasha Zupan Photo collage with intervention by the artist Image size: 17 in. H x 15.5 in. W Frame size: 27 in. H x 25.4 in. W 2015 Framed All Prices are ...

Eternal Recurrence #21 Archival Pigment Print of Photographic Paper 53.5" x 60" Edition 1/5 2015 _______________________________ Natasha Zupan’s work juxtaposes emotion, reflectio...

Artist: Kiki Kogelnik, Austrian (1935 - 1997) Title: War Baby Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 35 Size: 39 in. x 26 in. (99.06 cm x 66.04 cm)

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels, ...

Original painting. Hand signed and dated on verso by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.

Hand signed, dated and numbered by the artist. Screenprint on Saunders watercolor paper from the edition of 50. Artwork is in excellent condition. Certificate of authenticity inclu...

Original painting. Hand signed by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.

Eternal Recurrence #48 by Natasha Zupan Photo collage with intervention by the artist Image size: 14 in. H x 11.5 in. W Framed 2015 All Prices are quoted as "initial price". Please...

Original painting. Hand signed on verso by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Artist: Robert Indiana, American (1928 - 2018) Title: The President from the American Dream Portfolio Year: 1961 (1997) Medium: Serigraph Edition Size: 395 Image Size: 17 x 14 inches...

Edition: 99 ex. Acquired directly from the artist. Free shipment worldwide. William Sweetlove, born in Ostend, Belgium, in 1949, unites dadaism with surrealism and pop art in humori...

Useful Object Light, 2009 Oil on canvas, wooden box, mirror, gas lamp 47.63 H x 27.55 W x 11.81 D in 121 H x 70 W x 30 D cm Signed on reverse In the "Useful Objects" series, th...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels, ...

An original mixed media work by Peter Max. Max created studies for his lithographic work in order to figure out the exact composition and colors. This is one such study. Max h...

Artist: Peter Max, German/American (1937 - ) Title: Better World Year: 1993 Medium: Acrylic on Canvas, signed u.r. Size: 24 in. x 18 in. (60.96 cm x 45.72...

A contemporary artist - Jess Parker creates images influenced by Pop Art. Many of his paintings and prints are celebrity portraits, such as his Marilyn Monroe series, Malcolm X and ...

The Astra Tool is a 1985 color lithograph by Jim Dine. The Astra Tool is from edition of 50 plus artist and printers proofs. The Astra Tool is signed by Dine.

Publisher GKM. Unframed. Edition of 250 ex. Signed, dated and numbered. Free shipment worldwide. Artist Peter Klasen is a master of contrasts. Of fragment and entirety, of hard plat...

Marco Pittori creates vibrant artworks that pay homage to the mesmerizing images of Brad Elterman and the mythic culture of 1970’s Hollywood. By using li...

Publisher GKM. Edition of 50 ex Free shipment worldwide. Signed, dated, titled and numbered. Working on a variety of perceptual levels, Philippe Huart lets one visit his intimate di...

VALERIO ADAMI b. 1935 Born in Bologna 1935 (Italian) Title: Man with Cigarette Technique: Original Hand Signed and hand numbered Serigraph/SilkScreen in colours on vellum pap...

American School, Pop Art oil on canvas, unsigned and painted circa 1970. A substantial and period, geometric Pop-Art abstract comprising red, white, and navy linear elements contras...

Artist: Peter Max Title: Zero In Blue Year: 1985 Medium: Acrylic on Canvas, signed and dated u.r. Size: 24 x 18 inches Frame: 27 x 20.5 inches

Artist: Martin Barooshian, American (1929 - ) Title: Flygirl No. 3 Year: 1996 Medium: Acrylic on Canvas, signed Size: 36 in. x 24 in. (91.44 cm x 60.96 cm) Frame Size: 36.5 x 24.5 in...

Artist: Pietro Bulloni, Italian (1947- ) Title: Desiderio Year: 2007 Medium: Oil over Lithograph on Canvas, signed, dated and titled verso Canvas Size: 27.5 x 27.5 inches Frame...

Artist: Mel Ramos Title: Gitanes Year: 1999 Medium: Lithograph, signed and numbered in pencil Edition: 199 Image: 26 x 17 inches Paper Size: 31 x 22.5 inches

That cheesecake was bitchin'. These works are a celebration of the outcasts. Bats, snakes, raccoons, and others are presented in humorous settings that gently lift the fear and...

Robert Indiana LOVE, 1996 is hand-signed by Robert Indiana (Indiana, 1928 - Maine, 2018) in pencil in the lower right and is numbered from the deluxe Roman Numeral edition of 50 in p...

Hassan Hajjaj Fendi Girl, 1999/1420 Giclee print with acrylic painted tire frame Framed Dimensions: 20 x 16 inches (50.8 x 40.6 cm)

Mixed media with acrylic painting and color lithography on paper from the Peter Max Studio. Signed in acrylic. Part of a series of six paintings produced as a 911 remembrance. The t...

Study for Sunset Nude with Abstract Painting. Original ink and colored pencil on Tracing Paper, 2002. Tom Wesselmann is one of the biggest American pop artists today. Even he did not...

Seascape (II). 1965. Signed and numbered verso on the edition label: rf Lichtenstein, 84/100. Published by Edition MAT, Cologne (publisher). Color silkscreen and blue Rowlux®, collag...

A beautiful set of two table lamps by Keith Haring, screenprint on glass, from the limited edition of 2000, published in 1988 by Kreon. The two lamps are in perfect conditions, they ...

"I created this art for Race to Erase MS, and it is meant to give hope that soon there will be a cure for multiple sclerosis. The Lotus is a symbol of harmony, unity, and triumph ove...

From 'Eight Landscapes' (Cristea 19). One of ten Artist's Proofs aside from the edition of 40. 2000, signed in pencil, inscribed 'AP4/10' in black ball-point pen verso. Lambda prin...

Created by artist Taikkun Li exclusively for PAGODA RED, this limited edition hand-painted cola bottle is one of a series drawing on the rich tradition of Chinese blue-and-white ceramics. Fired at the historic Chinese imperial kilns of Jingdezhen, this cola bottle is hand-painted with a mountainside landscape, a "shan shui...

Alex Katz Night: William Dunas Dancers No. 2, 1983 color lithograph, edition of 100 25 x 31 1/4 in. (63.5 x 79.4 cm)

Alex Katz Night: William Dunas Dancers No. 1, 1983 color lithograph, edition of 100 25 x 31 1/4 in. (63.5 x 79.4 cm)

Allan D'Arcangelo Watertower V screenprint, ed. of 50 33 1/8 x 26 1/8 in. (88.1 x 66.4 cm)

Allan D'Arcangelo Watertower I, 1973 screenprint, ed. of 50 33 1/8 x 26 1/8 in. (84.1 x 66.4 cm)

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Original acrylic animal painting of coyotes howling at a couple of stout beers to tickle your funny bone. Perfect for eclectic and rock roll homes. :: Painting :: Pop-Art :: This pie...

Keith Haring Pop Shop Collection (c. 1986-1992): A collection of 15+ vintage Keith Haring Pop Shop collectibles- items range from an original large size Keith Haring illustrated draw...

Jürgen Kuhl Flowers (Blue Hues - Pop Art) 2010-2020 Color Silkscreen Size: 32.8 × 32.8 inches Unsigned COA Provided About Jurgen Kuhl: In Cologne, the city of art in Germany, pai...

1980 Lithograph in colors on Arches Cover paper Sheet: 10 1/2 x 9 in. Edition of 1000 Signed, dated and numbered in pencil, lower margin Framed, excellent condition

Keith Haring New York City Subway Drawings, 1983: Rare early exhibition catalog/pamphlet illustrated by Keith Haring on the occasion of: "Keith Haring /...

Robert Indiana Title: Two Medium: Original screen print on paper Year: 1968 Edition: From the limited edition of 2500 Publisher: Edition Domberger Stuttgart Suite: "Numbers" Dimensio...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

Jean Michel Basquiat, Paintings, Sculptures, Works on Paper and Drawings: A rare, well constructed and attractive color illustrated catalog co-published by Galerie Navarra, Paris, Lang & O'Hara Gallery, New York in 1989 to coincide with both gallery shows. Paperback. First edition. Wide paperbound quarto. 108 pp. Text in French and English. 11 3/8 x 9 7/8 / 29 x 25 cm. Minor surface bend in rear (visible from upfront only); in otherwise good to very good overall vintage condition. Texts by Demostènes Davvetas "J.-M. Basquiat - Chapters, lines and verses", by Annina Nosei, Alain Bonfand and Pierre Cornette de Saint Cyr. "Featured on the cover of Jean-Michel Basquiat’s Brother Sausage - one of the artist’s epic masterpieces. Presented like a cartoon strip, the painting is composed of six panels hinged together to form a narrative frieze of multiple drawings and Xeroxed overlays, laden with themes of racial inequality and prejudice, wealth and corporate greed in a frenetic fame-and consumer-obsessed Americana. The work is steeped in Basquiat’s signature...

"Sally" is a collage painting on canvas by LA-based street artist Amy Smith. She is best known for her empowering images of women and motivational text pieces. You can see her murals...

"Make it Happen" is a collage painting on canvas by LA-based street artist Amy Smith. She is best known for her empowering images of women and motivational text pieces. You can see h...

Kenny Scharf American, b. 1958 Seeserpent 2017 Archival Pigment Inks on Moab Entrada Rag Bright 300 gsm fine art paper 12 2/5 × 16 9/10 in 31.5 × 43 cm Edition of 150 Colorful, cart...

"Seascape" (Foot) 1967 Screenprinted Vacuum-Formed Plexiglass In Colors Scratch-Signed, Dated and Numbered 92/101 14 1/4 x 12 15/16 x 3/4 in (36.1 x 32.9 x 2 cm). Known for his Pop-...