Post-Impressionist Art

"The Blue Coast" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) signed oil painting on board, unframed painting: 13.75 x 10.75 inches A superb 20th century oil painting b...

Arch of the Pont Neuf, Paris Etching on heavy wove paper, 1923 Signed in pencil lower right (see photo) From: Brangwyn Portfolio (12 original etchings and thr...

Artist: Charles Cobelle, French (1902 - 1994) Title: Town Year: circa 1966 Medium: Acrylic on Canvas, signed l.r. Size: 20 x 24 in. (50.8 x 60.96 cm) Frame: 28 x 31 inches

War Van Overstraeten (Belgian, 1891 – 1981) Anne Marie Oil on canvas Signed ‘W. van Overstraeten’ (upper right), and inscribed ‘Anne Marie 1939’ (on the stretcher) 24 x 20 in. (60.5 ...

Ireland Lake Seascape Landscape with Boats & Figures by Contemporary Irish Artist, Frank Fitzsimons Art measures 36 x 16 inches Frame measure 40 x 2...

Here for your consideration is a very recent work by the well known Long Island artist, John Crimmins. Here in this painting of the iconic Statue of Liberty...

Paysage par l'artiste Theodore Schempp (1904-1988) qui était marchand d'art a New York de Nicolas de Staël, Georges Braque et Giacometti. Il résidait dans le sud de la France. Dimens...

"Parc Montsouris" is an original color lithograph by Harold Altman. The artist signed the piece in the lower right, titled it lower center, and wrote the edition number (28/285) in t...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Provenance: Janet Ament De La Roche, from estate stamp verso. A cabinet sized, Pos...

A Post-Impressionist oil of a wooden wharf with a large sailing boat moored and dockhands working with a view beyond towards a coastal town with wooden-f...

Monogram of the artist on plate. Pierre Bonnard was a French painter and printamaker, one of the most famous exponents of the Post-Impressionism. His first exhibition was at the Gale...

An excellent, richly-inked impression of this print with full margins. It is one of 10 numbered artist's proofs, aside from the edition of 50. Signed, inscribed "Epr. d'artiste" and ...

"The Bather" by Bertrand Mogniat-Duclos (French 1903-1987) signed oil painting on canvas, framed painting: 18 x 21.5 inches framed: 21 x 25 inches A delightful French Post-Impressi...

Monogram of the artist on plate. From the series: "La Vie de Sainte Monique". Pierre Bonnard was a French painter and printamaker, one of the most famous exponents of the Post-Impres...

Signed, Dated, Numbered 3/15, unframed, printed later, other sizes available. Printed on Hahnemühle Fine Art paper They're doing the "Swirl". The roses are stationary but do to th...

Alison Groom Wivenhoe Afternoon Original Textured Landscape Painting Oil on Textured Acrylic Medium on Board Board Size H 50 cm x W 50cm x D 2.2cm Framed Size H 60cm x W 60cm x D 3.2...

Linocut, stamp signed circa 1968.

EMILIO GRAU SALA Spanish, 1911 - 1975 INTERIEUR AUX FLEURS JAUNES signed "Grau Sala" (lower left) signed again, located, dated and titled "Grau Sala, Paris 61, Interieur aux fleurs jaunes" (on the reverse) oil on canvas 15 x 18-1/4 inches (38 x 46 cm.) framed: 23-1/2 x 26-1/2 (59.5 x 67 cm.) PROVENANCE Private Parisian Collection Interieur aux fleurs jaunes This interior with two female figures where also the plans made in different colors are drawing the composition. The abundant pictorial material distributed in geometric portions, gives life to the tablecloth and mother and daughter figures, in black and white colors of the jacket, while the black line takes care of the environments so as not to separate them. The fruit bowl and flowers give a cheerful touch with their pastel tones. Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, ​​geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land. He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it. All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...

Oil on canvas.

People with colorful umbrellas in front of Bethesda Fountain in Central Park in snowstorm. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and...

Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his artistic ...

'Plaines de la Midjeda Blida'. Oil sketch on cardboard. Signed and titled on the back. This work will be recorded in the catalogue raisonné of the work of the artist currently in pre...

Huile sur toile. Signé en bas à gauche. Dimensions avec le cadre: 42x51 cm. Luis Alberto Solari (n. Fray Bentos , le 17 Octobre, 1918-1913 Octobre, 1993) était un peintre et graveur de l' Uruguay . Il s'installe à Montevideo en 1934 pour étudier au Circulo de Bellas Artes avec le professeur William Laborde entre 1934 et 1937. Il poursuit son intérêt particulier pour la gravure en 1952 lors d'un cours de trois mois à l'Ecole Supérieure des Beaux Arts de Paris avec Professeur Eduard GOERGEN . De 1967 à 1969, il suit des cours de perfectionnement au Pratt Graphic Center et au New York Graphic Workshop auprès du Brésilien Roberto De Lamonica...

A narrative landscape, suggesting a collision of art, history, and phantasm. Oil paint, collage, mixed media on panel. references Guggenheim, Roman colosseum

A magical, idealized moment is captured as a bare-breasted maiden strolls out in the rain. Inscribed with title and signature on reverse Roughton Galleries; Dallas, Texas The work ...

Shipping should be around $100.00 Signed, Dated, Numbered 3/15, unframed, other sizes available. They're doing the "Swirl". The roses are stationary but do to their circular stru...

Provencal Landscape by Louis Bellon (French 1908-1998) signed inscribed verso From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed me...

Original recent acrylic on artist board painting of American flags flying on Fifth Avenue in New York City by the well known Hampton’s artist John Crimmins. Signed by the artist lowe...

Artist: Charles Cobelle, French (1902 - 1994) Title: View of Paris 19 Year: circa 1958 Medium: Acrylic on Canvas, signed Size: 20 x 24 in. (50.8 x 60.96 cm) Frame Size: 27.5 x ...

Provencal Landscape by Louis Bellon (French 1908-1998) signed From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measurements: 10.5...

Provencal Landscape by Louis Bellon (French 1908-1998) inscribed verso From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measureme...

'Parc des Buttes-Chaumont' in Paris, gouache on art paper, by Lucien Génin (circa 1930s). A charming depiction of well turned out Parisians enjoying a day at the park. Boaters, strollers and swans all co-mingle around the peaceful lake. The reflection of the rocky bluff in the water is superbly treated by Génin. It's a cheerful and uplifting image of days-gone-by in 1930s Paris. The park takes its name from the 'bare hill' (chauve-mont) that once occupied the site. It became a place where gypsum was mined, and where the limestone was quarried to be used in buildings in Paris and the United States. Worse, though, it was a site that also became a dumping ground. Luckily, during the 19th-century renovation of Paris under Napoleon III, chauve-mont was chosen as a place for a large park, as part of the emperor's fascination with endowing Paris with green spaces. The artificial lake created at that time wraps around a hilly central island. The lake attracts waterfowl and other birds and is stocked with fish. The 19th-century planners cleaned up the site and added tons of soil to fill the pits left by a limestone mining operation. Then dynamite was used to "sculpt" the site into the craggy shapes seen today, including the 50-metre-high central hill with cliffs, an interior grotto, pinnacles, and arches. Up on top, overlooking the rest of the park - and depicted in this artwork - is a small, round belvedere, based on the Roman Temple of Vesta in Italy. From that spot you can see a lovely view of Montmartre and the white cupolas of the Sacre-Coeur. The painting is in very good condition. It has been newly framed and glazed with museum-quality glass (anti-reflective and UV protection) to preserve this significant artwork for decades to come. Dimensions with frame: H 62 cm / 24.4" W 76 cm / 29.9" Dimensions without frame: H 48.5 cm / 19.1" W 63 cm / 24.8" About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

St. Mary's Church in Daugavpils. 2009, canvas, acrylic, 50x50 cm Colorful painting with church Painter Osvalds Zvejsalnieks was born on 21 Marc...

Signed lower right, 'Zarou' for Victor Zarou (French, b. 1930), inscribed 'Epreuve d'Artiste' with number and limitation 1/40, lower left, and titled, lower center 'Chemin des Bastid...

"Daphnis et Chloe (Two Bulls & Person in Water)" is an original lithograph by Pierre Bonnard, signed in lower left. It is a black and white work ...

(after) Marcel Gromaire Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signatur...

"Les Bois Farmhouses" is an beautiful oil painted on location in the French Alps by Maria Bertran. This Contemporary Impressionist painting captures a timeless scene in the South of ...

Initialed lower right, 'Kay' for Kay Christensen (Danish, 1899-1981), dated verso, "27 October 1948" and titled, 'Paris'. A serene, Parisian cityscape showing an aerial perspective of the Seine and the Île Saint-Louis viewed from above the Quai des Célestins, and looking towards the Île de la Cité and Notre Dame in the distance. This early Danish Post-Impressionist artist first studied with Marie Sandholt and Astrid Holm at the Copenhagen Art Academy and, subsequently, at the School of Graphics (1929-31). Christensen continued his studies while traveling widely in Europe, including to Germany and Austria (1913-14), Paris (1917-23) and to Budapest and Vienna (1934). In 1935, he was awarded the Michaelsen Scholarship which enabled him to remain in Paris during the late 1930's. During intense period of development and creativity, he moved away from the bold colors and defined forms of his earlier Fauve and Cubist periods and began to explore the creation of predominantly single-color works, often in blues or greens accented with subtle shades of white. After the Second World War, he returned frequently to paint in Paris. Kay Christensen, like his friend, Rainer Maria Rilke, followed a solitary artistic path in which his imagery was characterized by a personal aesthetic of sensuality combined with a spirited boldness and expressive force. He exhibited internationally with success and was the recipient of numerous prizes, medals and juried awards. Christensen's work is held in private and public collections including the State Art Museum of Denmark and Copenhagen's Metropolitan Museum, among others. We are pleased to offer this lyrical perspective of the Seine, the Pont Marie and the Île Saint-Louis painted...

Artist: Charles Levier, French (1920 - 2003) Title: Girl with Flowers Year: circa 1970 Medium: Watercolor on Paper, signed Image Size: 23 x 33.5 inches Size: 26 in. x 36 in. (66.04 c...

A large and serene painting of a lady posing elegantly by the riverbank in dappled summer sun. William Malherbe was a master in Post Impressionist painting and sold much of his work...

Cubist style post-impressionist landscape painting of building facades by Herbert Mears. The work is done using oil paints and this adds texture to the surface of the canvas. The wor...

This painting depicts a landscape scene of a Parisian Scene by Pont Neuf with Notre Dam in the distance behind the bridge. The attractive perspective is what makes this painting so i...

Shipping should be around $100.00 Signed, Dated, Numbered 3/15, unframed, other sizes available. They're doing the "Swirl". The roses are stationary but do to their circular stru...

Post Impressionist Landscape, Under the Bridge Gorgeous post-impressionistic landscape in the style of Vincent Van Gogh, circa 1990. The ...

This is an original unique oil painting by the artist, Marcel Gatteaux. He was born in London in 1962 and started drawing and painting from an early age. Following studies at Camber...

Paul Collomb Wild Nature : Small Boat on the Pond Original Oil painting on canvas Handsigned bottom left Titled on the back On Canvas 55 x 46 cm (c. 22 x 18 in) Excellent condition

"Pointillistic Cityscape" is a modernist oil painting on board created, as the title indicates, in a loose pointillistic style by American artist Bennard Perlman sometime in the late 60's. The artwork is framed in a wood frame and signed on the lower right. Minor abrasion to the paint on top left. Bennard B. Perlman, a Baltimore artist...

Here for your consideration is a beautifully executed watercolor of a bucolic New England series of village houses by the American artist, Gary Shepard. ...

Energetic, colorful, one of kind original art for your heart and soul! This painting is done on heavy duty gallery wrap canvas using artist grade metallic acrylic paints. It is si...

Very charming Large oil on canvas, French post impressionnist still life of the 30s signed G. Lemesle on bottom right. the picture is a nice representation of a typical atmosphere i...

Car lights on foggy street in East Hampton N.Y This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right recto. Other siz...

Barcelona, 1953 Painter, sculptor and draftsman of deep-rooted post-impressionist tradition among the most colorful exponents of the moment: Mir, Amat, Sanvisens ..., who from an eas...

A fine, large oil by Modern British artist Peter Collins (1923-2001). Mediterranean Village scene circa 1960's oil on canvas 51cmx76.5cm Good quality giltwood frame 66cmx90cm View of a Mediterranean coastal town with a Chapel and palm tree lined streets. The colour palette suggests a hazey morning light, lemon yellows, greens and orange browns. Figures and a donkey walk along a side road. Most likely painted en plein air. Wonderful technique and paint surface. Signed lower right Good condition. Peter Collins' large oils make up $9,600 USD hammer price at auction. Viewing available in our town centre gallery. Worldwide shipping Peter Colins' painting career started soon after the war when he became a part-time tutor at St Martin’s School of Art before winning a scholarship to the Royal College of Art where he studied from 1947-50. In 1961 he opened Balcome Studios in Sussex, where, apart from his own paintings, he showed work by Freud, Sickert and Matthew Smith...

By placing figures into fantastical landscapes, I allow the viewer a glimpse into what might be reality, or not. This practice allows me to push the boundaries of what a past/present...

By placing figures into fantastical landscapes, I allow the viewer a glimpse into what might be reality, or not. This practice allows me to push the boundaries of what a past/present...

By placing figures into fantastical landscapes, I allow the viewer a glimpse into what might be reality, or not. This practice allows me to push the boundaries of what a past/present...

Vintage modernist landscape painting. Oil on canvas, circa 1957. Signed "Olga" verso. Displayed in a modern frame. Image size, 36"L x 26"H.

Marine par l'artiste Theodore Schempp (1904-1988) qui était marchand d'art a New York de Nicolas de Staël, Georges Braque et Giacometti. Il résidait dans le ...