Post-Impressionist Art

Port Scene in Brittany by Georges Manzana Pissarro (1871 - 1961) Charcoal on artist's board 50 x 66 cm (19 ³/₄ x 26 inches) Signed on the reverse This work is accompanied by a certi...

SOLD UNFRAMED City View by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 17.8 x 22.9 cm (7 x 9 inches) Signed with Estate stamp Executed circa 1904 Provenance Priv...

Two Figures by the Sea by Georges Manzana Pissarro (1871 - 1961) Colour crayon and pencil on paper 20.3 x 26 cm (8 x 10 ¼ inches) Signed lower right, Manzana Pissarro Executed in Mo...

Les Équipages de l'Allée Acacias by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower left, H. Claude Pissarro This work is accompanied by...

SOLD UNFRAMED Le Petit Cheval by Georges Manzana Pissarro Charcoal and gold on paper 31 x 31 cm (12 ¼ x 12 ¼ inches) Signed lower right, Manzana Pissarro Executed circa 1920 Proven...

Paris - Porte Saint Martin by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower right, H. Claude Pissarro This work is accompanied by a ce...

Le Café Georges à Cannes by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower left, H. Claude Pissarro This work is accompanied by a certi...

Neige au Manoir de Miettes (Le Parapluie Bleu) by H. Claude Pissarro (b. 1935) Oil on canvas 50 x 61 cm (19.75 x 24 inches) Signed lower left, H. Claude Pissarro Executed in 2019 Th...

La Plage à Trouville by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 5/8 x 20 1/8 inches) Signed lower right, H. Claude Pissarro This work is accompanied by a certifi...

Charlotte and Amalia by Lélia Pissarro (b. 1963) Etching 22.7 x 27.5 cm (9 x 10 ⁷/₈ inches) Signed lower left, Lélia Pissarro Numbered lower right, 2/15 Artist biography: Born in P...

Tournesols by H. Claude Pissarro (b. 1935) Pastel on card 51 x 37 cm (20 ¹/₈ x 14 ⁵/₈ inches) Signed lower right, H. Claude Pissarro This work is accompanied by a certificate of aut...

SOLD UNFRAMED Series - Les Lavandières by Lélia Pissarro (B. 1963) Serigraph 38 x 48 cm (15 x 18 ⁷/₈ inches) Signed and numbered Printed in an edition of 300 Artist's Biography: B...

Uxbridge Road, London by Ludovic-Rodo Pissarro (1878-1952) Watercolour on paper 23.5 x 31 cm (9 ¹/₄ x 12 ¹/₄ inches) Titled and dated lower left; initialled and inscribed lower right...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Draveil by LUDOVIC-RODO PISSARRO (1878-1952) Watercolour on paper 24 x 32 cm (9 1⁄2 x 12 5⁄8 inches) Titled and ...

After Tea by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 12 x 13.2 cm (4 ³/₄ x 5 ¹/₄ inches) Initialled and titled in the plate Executed circa 1917 Artist biography Ludovic-Rod...

L'Église de Morgny-Eure by Paulémile Pissarro (1884 - 1972) Watercolour and black crayon on paper 31.5 x 43.5 cm (12 ³/₈ x 17 ¹/₈ inches) Signed lower right, Paulémile and dated, Mor...

Rue de la Mer by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower right, H. Claude Pissarro This work is accompanied by a certificate of ...

Grigory Gluckmann 1898-1973 Belarussian Nu de dos Oil on panel Signed lower right Panel : 10 5/8" high x 13 3/4" wide Frame: 17 1/8" high x 20 1/2" wide ...

Les Planches à Midi (Trouville) by H. Claude Pissarro Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower right, H. Claude Pissarro This work is accompanied by a certifi...

Woman Embroidering (Nini) by Lucien Pissarro (1863-1944) Woodcut 15 x 10 cm (5 ⁷/₈ x 4 inches) Stamped with initials lower right Numbered lower left, 18/20 Provenance: Private Colle...

Les Parasols Blancs - Montmartre by H. Claude Pissarro (b. 1935) Pastel on card 51 x 37 cm (20 ⅛ x 14 ⅝ inches) Signed lower middle, H. Claude Pissarro This work is accompanied by a...

York Road by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 13.2 x 9 cm (5 ¹/₄ x 3 ¹/₂ inches) Initialed and titled in the plate, signed lower right, Ludovic Rodo and numbered lowe...

SOLD UNFRAMED The Four Seasons - Winter by Lélia Pissarro (b. 1963) Serigraph image size: 49.5 x 60 cm (19 ½ x 23 ⅝ inches) sheet size: 60.5 x 70 cm (23 ¾ x 27 ½ inches) Signed and numbered, 230/300 Printed in an edition of 300 Artist biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy. From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age. When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes. In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London. In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint. To coincide with a major exhibition at Stern Pissarro gallery...

La Gondole de Pedro, Venise by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower right, H. Claude Pissarro Executed in 2021 This work is a...

Femme au bord de la rivière by Georges Manzana Pissarro (1871-1961) Gouache, pastel and silver paint on paper 29.7 x 44.4 cm (11 ³/₄ x 17 ¹/₂ inches) Signed lower left, manzana. Pis...

Moroccan Dancer by Georges Manzana Pissarro (1871-1961) Watercolour, coloured crayon and pencil 26.3 x 20.2 cm ( 10 ⅜ x 8 inches) Signed lower right, Manzana - Pissarro. Executed c...

Still Life by Ludovic-Rodo Pissarro (1878-1952) Charcoal on paper 28.4 x 24.3 cm (11 ⅛ x 9 ⅝ inches) Signed lower right, L. Rodo Provenance Private Collection, London This work is ...

ARTWORK SOLD UNFRAMED Paysage by Paulémile Pissarro (1884 - 1972) Graphite on paper 32 x 23.5 cm (12 ⁵/₈ x 9 ¹/₄ inches) Signed lower middle, Paulémile-Pissarro- Executed circa 1934...

SOLD UNFRAMED Traditional nude drawings by Paulémile Pissarro (1884-1972) Pencil on paper 34.1 x 26.5 cm (13 ³/₈ x 10 ³/₈ inches) Signed lower left, Paulémile-Pissarro- This work ...

Midi Piccadilly (Londres Royaume Uni) by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower left, H. Claude Pissarro This work is accompani...

Woman with Black Swans by Georges Manzana Pissarro (1871-1961) Monotype 26.4 x 19.5 cm (10 ³/₈ x 7 ⁵/₈ inches) Signed lower right, Manzana Executed circa 1908 Artist biography: Like...

Le Défilé Royal (Illustration for Voyage au Pays des Pommes) by Lucien Pissarro (1863-1944) Watercolour on paper 22.5 x 26 cm (8 ⅞ x 10 ¼ inches) Signed lower left with monogram This work is accompanied by a letter of authenticity from Colin Harrison, Senior Curator of European Art at the Ashmolean Museum, Oxford. Provenance Mr Ian Robertson Exhibition London, Leicester Galleries, Memorial Exhibition of Lucien Pissarro's Work, Part II, 1947, No. 60 (catalogued as La Procession) Artist biography Born on the 20th February 1863, Lucien Pissarro was the eldest son of the Impressionist painter Camille Pissarro. Coached from a young age by his father and in the frequent company of figures such as Cézanne, Gauguin and Monet, it is no surprise that Lucien chose to pursue an artistic career. While he is best known as a landscape painter, Lucien was also a printmaker, wood engraver and printer of fine books, occasionally painting still lifes and portraits of his family. Lucien first visited England in 1870 with his family when fleeing the Franco-Prussian war. It was the beginning of a great love affair with the country. He decided to move permanently to England in 1890, becoming an English citizen in 1916. Until then he had worked as a landscape painter and book illustrator in France. During this period he met and worked with painters such as Paul Signac, Georges Seurat and Vincent van Gogh. Moving simultaneously in Impressionist and Neo-Impressionist circles, Lucien exhibited Pointillist paintings with his father in the last Impressionist exhibition in 1886. In the same year he was one of the first artists to exhibit in the “Salon des Indépendants” as a Neo-Impressionist. Despite his close relationship with his father, as revealed in their correspondence, Lucien showed remarkable independence of mind in his approach to his art. While Lucien was trained by his father, the influence the artists had on one another was reciprocal. Thanks to his relationship with Seurat and Signac, Lucien encouraged Camille to experiment with Pointillism, a characteristic of the Neo-Impressionist group. Lucien’s move to England in 1890 allowed him greater freedom to pursue his interest in book illustration and printing. There Lucien and his wife Esther established the Éragny Press, named after the Normandy village where his family lived since 1884. The Éragny Press was principally notable for creating aesthetically pleasing books and paved the way for the development of European book art. Lucien’s illustrations for these books demonstrate his talent and command of colour. Nevertheless, Lucien always considered painting his primary concern, particularly landscape painting. Continuing the tradition of the Impressionists, Lucien was a plein-air painter who liked to work outdoors and study the subject directly from nature. His landscapes reveal his fascination for the effects of weather and light. The contemporary art critic Frank Rutter described Lucien as a master of colour, writing in 1922: “there is no man living who has a more profound knowledge of the science of colour, or a more discriminating eye for its observation in nature.” Rutter was also struck by Lucien’s respect for his subject, nature itself: “Each canvas is wrought with a quiet perfection that conceals its art and is eloquent of the tender emotion which the loveliness of nature inspires in the artist.” It is clear from Rutter’s praise that Lucien’s contemporaries were impressed by his combination of English and French artistic traditions. Unsurprisingly, he became associated with artistic groups that drew inspiration from the Impressionists, including the New English Art Club, with whom he exhibited in 1904, the Fitzroy Street Group in 1907 and the Camden Town Group in 1911. To his English contemporaries Lucien represented a direct link to the Impressionist Masters. His influence can be recognised in the work of British artists such as Spencer Gore, Harold Gilman...

Undressing by Georges Manzana Pissarro (1871-1961) Pencil on paper 13.6 x 10.6 cm (5 ³/₈ x 4 ¹/₈ inches) Signed with Estate stamp lower right, manzana- Pissarro This work is accompa...

A Study of Human Head and Tiger by Orovida Pissarro (1893-1968) Pencil on paper 25.5 x 20 cm (10 x 7⁷/₈ inches) Executed circa 1917 Artist biography: Orovida Camille Pissarro, Lucie...

Chatter by Orovida Pissarro (1893-1968) Etching 26 x 19 cm (10 ¹/₄ x 7 ¹/₂ inches) Signed and dated lower right Orovida 1927 Inscribed lower left Trial proof no. 18/25 and titled lower middle Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

Femme à la mandoline by Georges Manzana Pissarro (1871-1961) Mixed media on paper 48 x 31 cm (18 ⁷/₈ x 12 ¹/₄ inches) Signed lower right, manzana. Executed circa 1910 This work is a...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE La Maison Rose, Les Andelys by Ludovic-Rodo Pissarro (1878-1952) Watercolour, ink and ...

Alençon by Ludovic-Rodo Pissarro (1878-1952) Watercolour on paper 22 x 31 cm (8 ⁵/₈ x 12 ¹/₄ inches) Signed with Estate stamp lower left, LR Inscribed an...

THIS WORK IS SOLD UNFRAMED Carte de l'Europe by Paulémile Pissarro (1884 - 1972) Graphite on paper 12.9 x 20 cm (5 ¹/₈ x 7 ⁷/₈ inches) Provenance Estate of the Artist Yvonne Pissa...

Oil on board Board size: 12 x 16 inches Framed size: 17.25 x 21.5 inches Signed lower left

Le Ramassage de Foin by Paulémile Pissarro (1884-1972) Charcoal on paper 26 x 33 cm (10 ¹/₄ x 13 inches) Signed lower left, Paulémile- Pissarro- This work is accompanied by a certif...

Le Mois des Moissons, Environs de Meulan by H. Claude Pissarro (b. 1935) Oil on canvas 50 x 61 cm (19 ³/₄ x 24 inches) Signed lower right, H. Claude Pissarro This work is accompanie...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Landscape with Trees by Félix Pissarro (1874-1897) Pencil on paper 29 x 22.5 cm (1...

La Celle les Bordes by LUDOVIC-RODO PISSARRO (1878-1952) Watercolour on paper 35 x 25 cm (13 3⁄4 x 9 7⁄8 inches) Signed lower left, Ludovic Rodo Inscribed and dated lower right, La ...

Marie Vorobieff Marevna 1892-1984 Russian La Danse Watercolour Signed lower right Subject: 30 3/8" high x 22 7/8" wide Frame: 40" high x 33 1/8" wide

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Le Barrage du Vey (Clécy) by H. CLAUDE PISSARRO (b. 1935) Pastel on card 37 x 51 cm (14 ⅝ x 20 ⅛ inches) Signe...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Nude Reading by LUDOVIC-RODO PISSARRO (1878-1952) Black and colour pencil on paper 3...

Paysage en Normandie by Georges Manzana Pissarro (1871-1961) Charcoal on paper 32 x 39 cm (12 ⅝ x 15 ⅜ inches) Stamped lower right, Manzana Pissarro Executed circa 1930 Artist biogr...

Une Femme Turque by Georges Manzana Pissarro (1871-1961) Charcoal on paper 47 x 30.5 cm (18 ¹/₂ x 12 inches) Signed lower left, manzana Executed circa 1910 This work is accompanied ...

SOLD UNFRAMED Hommes Pagayant, Painting by Paulémile Pissarro Graphite and charcoal on paper 27 x 20.3 cm (10 ⁵/₈ x 8 inches) Signed lower right, Paulémile-Pissarro- Provenance Est...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE The Calf by Orovida Pissarro (1893-1968) Watercolour, hand-coloured over an etching 17.5 x 23.2 cm (6 ⅞ x 9 ⅛ inc...

Still Life by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 14.5 x 10.8 cm (5 ³/₄ x 4 ¹/₄ inches) Initialed LR in the plate Exhibition Fort Lauderdale, Museum of Art, Camille Pis...

Achille Laugé (1861-1944) Rue à Alet-les-Bains 1926 oil on canvas 73 x 50 cm signed and dated ‘A. Laugé 1926’ (lower right) Price: €50,000 EUR Provenan...

Oil on canvas Canvas size: 14 x 16 inches Framed size: 19 x 21.25 inches Signed lower right

Pen on paper Paper size: 10.75 x 16 inches Framed size: 22.75 x 27.75 inches Signed and inscribed lower right Provenance: Private collection, France

SOLD UNFRAMED Village au bord d l'Eau by Paulémile Pissarro (1884-1972) Graphite on paper 32 x 23.5 cm (12 ⁵/₈ x 9 ¹/₄ inches) Signed lower right, Paulémile-Pissarro- Executed circ...

SOLD UNFRAMED Chaumière à Cantepie (Calvados) by Paulémile Pissarro (1884-1972) Etching 19.5 x 24.3 cm (7 ⅝ x 9 ⅝ inches) Signed Paulémile-Pissarro, numbered 38/50 and titled lower ...

Études sur Titu by Paulémile Pissarro (1884 - 1972) Watercolour and pencil on paper 33.5 x 23.6 cm (13 ¹/₄ x 9 ¹/₄ inches) Signed lower middle Paulémile-Pissarro- and inscribed upper...