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Post-Impressionist Art

POSTIMPRESSIONIST STYLE

In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.

The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.

The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.

The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.

Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.

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Style: Post-Impressionist
Period: 20th Century
Vibrant Mountain Road Landscape
Located in Soquel, CA
Beautiful mountain road in vibrant tones, a watercolor landscape painting by Eva Ellen Dean (American, 1871-1954). Presented in a wooden frame. Signed "E...
Category

1930s Post-Impressionist Art

Materials

Paper, Watercolor

"Hopi Maiden" - Print 44/200 Native American Woodcut Portrait
Located in Houston, TX
Bold and colorful portrait by renowned artist T.C. Cannon of a Native American woman in a stripped shawl titled "Hopi Maiden." Signed along bottom edge. Ed...
Category

1970s Post-Impressionist Art

Materials

Woodcut

Bathers by a River
Located in Santa Cruz, CA
French School; unsigned and painted circa 1950. A mid-twentieth century, Post Impressionist school pastel showing a group of bathers on a river bank. An elegant and accomplished wo...
Category

1950s Post-Impressionist Art

Materials

Paper, Pastel

Marine Noire - Lithograph After Georges Braque - 1956
Located in Roma, IT
"Marine Noire" is a lithograph after the work of Georges Braque in 1956. The print is hand signed and numbered. This is an edition of 400 prints. Bibliography: D. Vallier, Braque. L...
Category

1950s Post-Impressionist Art

Materials

Lithograph

'Roses with a Quimper Plate', Paris, Salon d’Automne, Fauve, Section d'Or
Located in Santa Cruz, CA
Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated 1913. An early twentieth-century, oil still-life of pink dog-roses shown loosely arranged in a cobalt blue glass vase, set beside two Breton tin-glazed earthenware plates, resting on an azure-turquoise tablecloth and contrasted against a coral-ochre background. An elegant, early work by this foundational Danish Modernist. Born in Denmark, Jais Nielsen initially studied at Kunstnernes Frie Studieskoler under Kristian Zahrtmann and exhibited for the first time at the 1907 Autumn Salon at the Charlottenborg Palace. Nielsen participated in the early and groundbreaking, “Group of Thirteen" Modernist show, where his focus on dynamic figural painting and his bold use of color set him dramatically apart from his contemporaries. From 1907-11, Nielsen's use of 'primitive' Fauve colors would continue to reinforce his break with traditional Danish painting. During this period, he made study excursions to important art centres, including, in 1909, to Berlin. In 1911, he moved to Paris where he settled in the Latin Quarter near the Musée Cluny. His first formal Paris exhibition was at the Salon d’Automne of 1912. During this first Paris period, Nielsen attended meetings of the Section d’Or at the studio of Jacques Villon and, as a result, began to incorporate subtle, yet distinct, Cubist elements into his work.   With the outbreak of World War One, Nielsen returned to Copenhagen, taking with him both his increasing compositional sophistication and a thorough understanding of the principles of Modernism. During this period, ports, dance and circus life became subjects of interest and he painted many canvases in the style of Analytic Cubism, of which he became the earliest and, arguably, the finest Danish exponent. From 1915 onwards, Nielsen also created Cubist sculptures and, from 1922-28, was employed as a sculptor by the Royal Copenhagen porcelain factory. Here, he produced a series of ceramic sculptures on Biblical themes which included the Good Samaritan and several versions of Jacob Wrestling with the Angel...
Category

1910s Post-Impressionist Art

Materials

Oil, Canvas

Female Figure with Hat - Original Lithograph by J.H. Marchand - 1920 ca.
Located in Roma, IT
Female Figure with Hat is an original modern artwork realized by the French artist Jean Hippolyte Marchand in the 1920s. Original Lithograph on ivory paper. Passepartout included (...
Category

1920s Post-Impressionist Art

Materials

Lithograph

Raoul Dufy (after) - Autoportrait - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions: ...
Category

1940s Post-Impressionist Art

Materials

Lithograph

Bezalel School Jerusalem Israeli Judaica Etching
Located in Surfside, FL
YITSKHOK LIKHTENSHTEYN (ISAAC LICHTENSTEIN) (1888-1981) (Icchok, Izrael) was born in Lodz, Poland. Initially he was studying at Yehuda Pen school in Witebsk. In the same school where young Marc Chagall started to paint his shtetl Jews, Jewish neighbourhoods and personages. As many young Jewish children who decided painting to be their passion Isaac moved to Paris where he was one of the co-founders of Machmadim - a group of Jewish artists (mostly émigré from Eastern Europe) who dedicated their art to traditional Jewish themes. Later Isaac Lichtenstein studied with Boris Schatz and painted at Bezalel, Jerusalem. Until age seven he was raised in Warsaw; later, when his father received a position with Poznański, he lived with his parents in Lodz. There he studied in a state public school. He demonstrated talent for painting while still quite young, and in 1906 he began to attend the Cracow art academy, before going on to study painting in Rome, Florence, and Munich. In 1908 he entered the Bezalel Art School in Jerusalem. In 1910 he returned to Cracow, lived for a short time in Munich, 1911 in Paris, 1912-1913 again in the land of Israel, and in 1914 he returned to Paris, that very year setting off for the United States. He lived in New York during WWI, where he became part of Jewish literary and artistic circles, and contributed as a graphic artist to a variety of Jewish publications, among them: M. Basin’s Antologye (Anthology), the collection Velt ayn, velt oys (World in, world out), and designed frontispieces, little vignettes, and letters for Yiddish-language books. In 1916 he also began to write and published articles on the plastic arts in: Tsukunft (Future) in New York; the collection Shriften (Writings), vol. 6; Onheyb (Beginning), edited by Z. Vaynper; Morgn-zhurnal (Morning journal); Der amerikaner (The American); Forverts (Forward); and Di tsayt (The times). He did journalistic work also for M. F. Seidman’s correspondence bureau in New York. In 1918 he departed with the Jewish Legion for Israel. In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Morris Meyer. In 1924 he returned to Poland, exhibited his drawings in Warsaw, Lodz, Vilna, and other cities, gave speeches on art (general and Jewish), and published work in: Haynt (Today), Moment (Moment), Folkstsaytung (People’s newspaper), and Literarishe bleter (Literary leaves)—in Warsaw; Unzer lebn (Our life) in Grodno; Voliner lebn (Volhynia life); Nayer folksblat (New people’s newspaper) in Lodz; and elsewhere. He also published impressions from his travels and memoirs of the Jewish Legion in Haynt. In 1927 he founded with the Parisian publisher Triangle a series entitled “Yidn-kinstler, monografyes” (Jewish artists, monographs), for which he wrote: Mark shagal...
Category

Early 20th Century Post-Impressionist Art

Materials

Etching

'Study of a Woman', Paris, Louvre, Salon d'Automne, Ac. Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Painted by Victor Di Gesu (American, 1914-1988) circa 1955 and stamped, verso, with Victor di Gesu estate stamp. A bold, expressionist drawing showing a young woman seated in a chai...
Category

1950s Post-Impressionist Art

Materials

Paper, Color Pencil

'Pot-Bellied Stove', Paris, Louvre, Salon d'Automne, Ac. Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Painted circa 1955 by Victor Di Gesu, (American, 1914-1988). Stamped verso with certification of authenticity. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Lo...
Category

1950s Post-Impressionist Art

Materials

Watercolor, Graphite, Paper, Gouache

'Old Carmel', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Painted by Victor Di Gesu (American, 1914-1988) circa 1955 and stamped, verso, with estate stamp and certification of authenticity. A delicate, grisaille watercolor view of a park a...
Category

1950s Post-Impressionist Art

Materials

Gouache, Graphite, Paper, Watercolor

Paris : Moulin Rouge of Montmartre - Original watercolor
Located in Paris, FR
Gaston COPPENS (1909 - 2002) Paris : Moulin Rouge of Montmartre Original watercolor and tempera Bearing the artist stamp on the back On drawing paper 42 x 53 cm (c. 17 x 21 inch) E...
Category

Mid-20th Century Post-Impressionist Art

Materials

Tempera, Watercolor

Provence Rowboats Landscape Post-Impressionist Signed 1947 Painting
Located in Cirencester, Gloucestershire
Provence Landscape, Rowing Boats Pulled Up Amid Trees by Louis Bellon (French 1908-1998) Initialled lower right, dated 47 (1947) watercolour painting on paper, unframed measurements:...
Category

Mid-20th Century Post-Impressionist Art

Materials

Watercolor

Venise - Oil on canvas, 33x40 cm, framed
Located in Nice, FR
Oil painting, Venise landscape by the french painter Bret, Ecole de Nice. Silvered wood frame
Category

1960s Post-Impressionist Art

Materials

Oil

Dumbo - Gold Brooklyn Bridge Cobblestone Street
Located in Miami, FL
Shipping should be around $100. What Brooklyn was like 46 years ago. Mitchell Funk brings new solutions to color photography in his use of golden light to transform a scene from a ...
Category

1970s Post-Impressionist Art

Materials

Inkjet

“Smoke House, Duck Cove”
Located in Southampton, NY
Here for your consideration is a well executed watercolor and gouache painting on archival paper of a smoke house in Duck Cove, Maine. A flock of white geese are seen in the foreground. Signed lower left. Circa 1955. In excellent original condition. The artwork is housed in a thin custom gold leaf frame and is double mated. Condition of frame is also excellent. Overall framed measurements are 16 by 18.25 inches. James Milton Sessions (born September 20, 1882 in Rome, NY) received his initial exposure to art from his mother, who was an accomplished artist. He trained at the Art Institute of Chicago from 1903–1906 and initially supported himself as a wheelsman aboard Great Lakes ships from 1906–1914, later serving in the Illinois Naval Reserve during World War I. He also worked as a commercial illustrator. He was a master watercolorist of marine, sporting, and military World War II scenes. He developed a love of the sea and is probably best known as a painter of marine subjects. Sessions painted images of numerous locations, from the Bahamas to New England's busy fishing harbors, north to the raw fishing grounds of Nova Scotia, and ultimately to the Navajo reservations in New Mexico. Not only do his works document important World War II historical events, they visually portray and convey the spirit of the American fighting forces in both the Pacific and European campaigns, commencing with the bombing of Pearl Harbor, followed by D-Day Europe through to the final phases of the Pacific war, such as Jimmy Doolittle's daylight bombing raids of the Japanese mainland to the unconditional surrender of the Japanese military. The Chicago Tribune newspaper utilized his talents and Sessions is considered to be the greatest "brush reporter" of World War II. His works can be found in Presidential collections, numerous important corporate collections and military establishments throughout the country. Sessions created numerous wartime advertisements. Examples are a 1943 Willys Jeep ad showing the Coast Guard at Guadalcanal, and a Borg-Warner ad in 1945 showing the mass production of radiators and clutches for motorized warfare manufactured in Detroit. His work is highly collectible in the field of Militaria/WWII/1939-1945. In 1962 the New York Graphic Society commissioned him to make four paintings, reproductions of which were distributed as part of the Society's Works of Masters Group. Many of his other paintings have been reproduced over the years, issued as posters and as high quality reprints on watercolor paper. Sessions was married in Chicago, Illinois in 1946 to Chrysanthy G. Deamanthopulos. Although very prolific in the style of John Whorf and Ogden Pleissner...
Category

1950s Post-Impressionist Art

Materials

Watercolor, Archival Paper, Gouache

Vase de Fleurs
Located in Sheffield, MA
Leon Herbo Belgian, 1850-1907 Vase de Fleurs Oil on canvas 22 ½ by 18 in. W/frame 34 ½ by 30 in. Signed and dated 1906 Leon exhibited in Brussels, Munich, Gand, Cologne and Paris....
Category

Early 1900s Post-Impressionist Art

Materials

Oil

20th C, Louis François Decoeur (Namen 1884 – Namen 1960), Rue Animée
Located in brussel, BE
The Namur painter and engraver, Louis Decoeur (1884-1960) became a member of “L’Effort” around 1910. This artist's association provided a free studio for painters in Brussels, on the first floor of a building located at Quai au Bois à Brûler number 31. Here innovative artists who the official salons did not appreciate were given a forum. The members of "L'Effort" opposed academism. Some names of artists who have worked in the studio spaces of "L'Effort" are: Jean Brusselmans...
Category

20th Century Post-Impressionist Art

Materials

Canvas, Oil

"Boat on the lake" Pastel cm. 29 x 21 1950
Located in Torino, IT
Boat, lake, russia, impressionism, 1950,blue, GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in Europe, Japa...
Category

1950s Post-Impressionist Art

Materials

Pastel

'Standing Nude', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Signed lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988), dated 1954 and inscribed with roman numeral, '4'; additionally stamped verso with certification of authenticit...
Category

1950s Post-Impressionist Art

Materials

Graphite, Paper

After Raoul Dufy - Birds - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...
Category

1940s Post-Impressionist Art

Materials

Lithograph

'Joan of Arc', Paris, Salon d’Automne, Section d'Or, Group of Thirteen, Benezit
Located in Santa Cruz, CA
Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated 1923. In a later, giltwood swept frame. Framed dimensions: 34.25 x 1.75 x 24.75 inches An early-twentieth century figural gouache showing Joan prior to her execution, kneeling and holding the communion chalice. She seems oblivious to the jostling crowd of captors and weeping supporters that surround her. An armored soldier stands at right, firmly grasping his scabbard and the hilt of his sword. A second solder draws aside the tent door...
Category

1920s Post-Impressionist Art

Materials

Cardboard, Gouache

"Portrait of Woman with Head Wrap" Post-Impressionism Oil Painting on Canvas
Located in New York, NY
This painting depicts a whimsical portrait of a young woman with dark hair and a head wrap against a viridian green background. The bright colors used and...
Category

20th Century Post-Impressionist Art

Materials

Oil, Canvas

'Rue du Hallage - Rouen' — 1920s British Impressionism
Located in Myrtle Beach, SC
Sybil Andrews, 'Rue du Hallage - Rouen', color monotype, c. 1925, edition 3, proof 3. Signed 'Sybil Andrews pinx et imp' annotated 'No 3' and titled in pencil. Printed by the artist....
Category

1920s Post-Impressionist Art

Materials

Monotype

Djeuner Champtre
Located in Sheffield, MA
Marcel Dyf French, 1899-1985 Djeuner Champtre Oil on canvas 23 ½ by 28 ¾ in. W/frame 31 ½ by 36 ¾ in. Signed lower left Marcel Dyf (Marcel Dreyfus) was born in Paris on October 7,...
Category

1950s Post-Impressionist Art

Materials

Oil

1940's Provence French House Painting Landscape - Post Impressionist artist
Located in Cirencester, Gloucestershire
Provencal Landscape by Louis Bellon (French 1908-1998) Signed From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measurements: 10.5...
Category

Mid-20th Century Post-Impressionist Art

Materials

Watercolor

Mid 20thCentury Post Impressionist 'Mending Garments by Lamp Light' oil c1930's
Located in Frome, Somerset
A fine mid 20th century post impressionist oil of a young woman sewing by lamplight circa 1960's oil on canvas 46cmx 70cm good gallery frame 63cmx 88cm Very atmospheric light effect painted in expressive colourfield palette creating a soft diffused atmosphere under the old lamp...
Category

1960s Post-Impressionist Art

Materials

Oil

'Summer Still Life with Tulips', Danish Post Impressionist Oil, Paris, Benezit
Located in Santa Cruz, CA
Initialed lower right 'A.B.' for Axel Bentzen (Danish, 1893-1952) painted circa 1935. A large and lyrical oil still-life showing a view from the artist's window onto a sun-drenched ...
Category

1930s Post-Impressionist Art

Materials

Canvas, Oil

Ceremony II - Original Lithograph by Pierre Bonnard - 1930
Located in Roma, IT
Signed on plate. From the collection "The Life of Saint Monique", published by Vollard in 1930. Monogram of the artist on plate. This artwork is shipped from Italy. Under existing ...
Category

1930s Post-Impressionist Art

Materials

Lithograph

"Cherry Trees”, impressionist landscape, original oil on canvas, signed & dated
By Liz Keyworth
Located in Nutfield, Surrey
Trained as a landscape artist, Liz Keyworth is now also known for garden design in London and S.E. England. “Cherry Trees” is an original oil-on-canvas post- impressionist painting,...
Category

20th Century Post-Impressionist Art

Materials

Canvas, Oil

Mid 20th century 1950's Portrait of Stylish Lady Seated by Fireside Large Oil
Located in Cirencester, Gloucestershire
Artist: Francis Wynne Thomas (1907-1988), signed Painter and art teacher born in Bromley, Kent. He was an architectural graduate from Cambridge University but went on to study art at Heatherleys (193-34) under Frederick Whiting. Title: Portrait of a Stylish Lady...
Category

Mid-20th Century Post-Impressionist Art

Materials

Oil, Canvas

“Venezia”
Located in Southampton, NY
Original oil on canvas painting by the Italian landscape painter, Yves Gianni. The artist has truly captured the beauty of light dappled Venice waterway. ...
Category

Early 1900s Post-Impressionist Art

Materials

Oil, Canvas

'Old Country Store, Ontario', Canada, Painters Eleven, Post-Impressionist Oil
By Hortense Mattice Gordon
Located in Santa Cruz, CA
Attributed to Hortense Mattice Gordon (Canadian, 1886-1961) and painted circa 1925. Attribution based on similar style, composition and subject matter of McGill University's 'Old Cou...
Category

1910s Post-Impressionist Art

Materials

Canvas, Oil

'When the Boats Were Made of Wood and the Men Were Made of Steel', Impressionist
Located in Santa Cruz, CA
An early twentieth-century, American School oil study of a two-masted, clinker-built schooner undergoing repair in dry dock. Unsigned and painted circa 1925.
Category

1910s Post-Impressionist Art

Materials

Canvas, Oil

'Reclining Nude' Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Di Gesu Estate Stamp verso for Victor di Gesu (American, 1914-1988) and created circa 1955. An elegant, freehand sketch of a young woman with a bob cut, shown naked and reclining on...
Category

1950s Post-Impressionist Art

Materials

Graphite, Paper

Au Circus
Located in Sheffield, MA
Dietz Edzard German, 1893-1963 Au Circus Oil on canvas 22 by 31 in. W/frame 32 by 41 in. Signed lower right Dietz Edzard was born in Bremen in 1893 Germany. He traveled extensive...
Category

1930s Post-Impressionist Art

Materials

Oil

'Still Life of Daffodils', Paris Modernist, Royal Danish Academy, Charlottenborg
Located in Santa Cruz, CA
Signed lower right, 'V. Rorup' for Viggo Julius Rorup (Danish, 1903-1971) and dated 1963. Exhibited: 'Copenhagen Art Association Exhibition, 1964', from exhibition stamp, verso, on stretcher bar. A substantial and vibrant Post-Impressionist still-life showing a profusion of fresh-cut daffodils informally arranged in a jade-green vase and set on a table in a sitting-room. Viggo Rorup was still a student at the Royal Danish Academy of Fine Arts when he made his 1928 debut at the Charlottenborg Palace. Following his graduation in 1930, he moved to Odsherred, where he continued his studies under Karl Bovin. Together, they founded the avante-garde group of artists named The Corner, which first introduced the principles of European Modernism to Danish painting. Rorup traveled widely, including to Italy, Austria, Spain, and, most importantly, to France, where his studies of the Impressionists and the Post-Impressionists had a great stylistic impact on his later work. As Rorup continued to paint in the south of France, his palette grew brighter and the earlier, more defined, contours of his forms became subsumed into scintillating nuances of light. We are pleased to offer this elegant and dazzling still-life from the artist's late period. Exhibitions: KE 1928-29, 1933-38; Corner Harvest 1939-41; Corner 1942- 71, 1981; Liljevalchs, Sth. 1946; Union Frcia 1947; Nordic Arts Association. 1947; Wild Wheat, Kunstindustrimus. 1948; New Carlsberg Foundation, Charlottenborg Palace, 1952; Cromisterne 1952;Kalundborg 1952; Da. contemporary art, Charlottenborg Palace 1956, 1958; Danish Institute Contemporary Art, Freedom Hall, Sønderborg 1961; Ostseeländer, Rostock 1961-62, 1969; Artists in Odsherred, 1977; Copenhagen 1978; Danish. landscapes, Norwegian Art Museum. 1981; Danish Cultural Institute, The Artists House, Ukraine 1986. Separate Exhibitions: Binger Gallery Copenhagen. 1938; Art Unite., Copenhagen. 1964 (retrosp.); Haagen-Müller Kunsthdl., Copenhagen. 1966; Farumgaard, Farum 1971 (Artist Retrospective); Odsherred painter Retrospective, Odsherreds Museum, 1983; Norwegian Art Museum. 1985; Odsherreds Art Museum. 1993; et al. Literature: Pol. 1.4.1957; 03/08/1983; 05/17/1985; Holbæk County Venstrebl. 28/06/1958; Ulf Hoffmann in: Cat. Corner, 1959; News 15/11/1964; Gunnar Jespersen: The abstract, 1967, 107; Berl. Time. 17/01/1971; Inger Hjorth Nielsen: Cat. Corner, 1971-72; January Garff in: Corner Book...
Category

1960s Post-Impressionist Art

Materials

Oil, Canvas

Portrait of Woman - Pastel Drawing - Mid 20th Century
Located in Roma, IT
Portrait of Woman is an original drawing in colored pastel by an Anonymous Artist of the XX century. A pastel drawing on paper skilfully depicted a portrait of a woman, expression o...
Category

Early 20th Century Post-Impressionist Art

Materials

Pastel

'The White Bonnet', Paris, Royal Academy of Fine Arts, Copenhagen Art Museum
By Henrik Schouboe
Located in Santa Cruz, CA
Initialed lower left, 'H.S.' for Henrik Schouboe (Danish, 1876-1949) and painted circa 1915. Henrik Schouboe first studied at the Copenhagen's Royal Academy of Fine Arts from 1894-1901 and, from 1903-1910, in Italy and Paris. He was awarded numerous stipends and scholarships including the Larssen (1902-3) and the Akademie Scholarship in 1908. In 1906, he had exhibited for the first time at the Charlottenborg where his submitted entry was purchased by the leading Danish painter of the time, Kristian Zahrtmann, for his personal collection. Schouboe continued to exhibit both domestically and internationally for over thirty years and was the recipient of a variety of prizes, medals and juried awards including the purchase of his 1908 Charlottenborg entry, 'Young Couple in a Landscape', by the State Museum of Art for inclusion in the Danish national collection. Schouboe's work is held in the permanent collections of numerous museums including Copenhagen, Aabenraa, Maribo and the Aalborg Art Museums. We are pleased to offer a delicate and psychologically penetrating portrait of this beautiful and determined girl on the cusp of womanhood. Reference: Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 30, p. 269; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 12, p. 520; Weilbach, Dansk Kunstnerleksikon, the Castle and Cultural Agency, Copenhagen; Dansk Kunst (Charlottenborg), 1927: Taf. 27, 1928: Taf. 38, 1929: Taf. 46; S. Michaëlis i: Art VII, 1905-06; Vilh. Wanscher i: Kunstbl. 1909-10, 71f; Harald Giersing...
Category

1910s Post-Impressionist Art

Materials

Canvas, Oil

"Young Self Portrait" Post-Impressionism French Oil Painting on Board of Figure
Located in New York, NY
This painting depicts a whimsical portrait of a self-portrait of the artist at a younger age. The bright colors and quick brush strokes are what makes this painting so attractive and...
Category

Mid-20th Century Post-Impressionist Art

Materials

Oil, Board

Female portrait melancholia oil on canvas painting
By Pascual Bueno Ferrer
Located in Barcelona, Barcelona
Pascual Bueno Ferrer (1930) Pascual Bueno Ferrer is a Catalan painter who has cultivated painting and drawing as a child. In 1956 he enrolled at the Sant Jordi Higher School of Fi...
Category

1970s Post-Impressionist Art

Materials

Canvas, Oil

Venice - Early 20th Century Impressionist Watercolor by Hubert Andrew Freeth
By Hubert Andrew Freeth
Located in Watford, Hertfordshire
Freeth was born in Birmingham and attended the Birmingham College of Art and, between 1936 and 1939, studied at the British School in Rome. From 1936 onwards, Freeth exhibited regula...
Category

1930s Post-Impressionist Art

Materials

Watercolor

'Cubist Kitchen Interior', Paris, Louvre, Salon d'Automne, Ac. Chaumière, LACMA
Located in Santa Cruz, CA
Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with certification of authenticity. A Cubist derived still-life in an interior showing fruit in a bowl ...
Category

1950s Post-Impressionist Art

Materials

Paper, Gouache, Graphite

Jacques Villon (after) - Homage to Dufy - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Jacques Villon Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature...
Category

1940s Post-Impressionist Art

Materials

Lithograph

Paris Street Scene, Watercolor by Charles Levier
Located in Long Island City, NY
Artist: Charles Levier, French (1920 - 2003) Title: Paris Street Scene Year: circa 1960 Medium: Watercolor, signed l.l. Size: 22 x 30 in. (55.88 x 76.2 cm)
Category

1970s Post-Impressionist Art

Materials

Watercolor

Moonlight Over the Promenade
Located in Sheffield, MA
Wilhelm von Gegerfelt Swedish, 1844-1920 Moonlight Over the Promenade Oil on canvas 27 by 45 in. W/frame 39 by 57 in. Signed lower right Wilh...
Category

Early 1900s Post-Impressionist Art

Materials

Oil

1959 After Fernand Leger 'Les Constructeurs'
Located in Brooklyn, NY
Paper Size: 12.5 x 9.25 inches ( 31.75 x 23.495 cm ) Image Size: 9.25 x 6.5 inches ( 23.495 x 16.51 cm ) Framed: No Condition: A: Mint Additional Details: Printed by Mourlot fo...
Category

1950s Post-Impressionist Art

Materials

Lithograph

Manhattan Skyline
Located in Sheffield, MA
Leon Dolice American, 1892-1960 Manhattan Skyline Pastel on paper 19 by 12 in. W/frame 25 by 18 in. Signed lower right The romantic backdrop of Vi...
Category

1930s Post-Impressionist Art

Materials

Pastel

“Nova Scotia Landscape”
Located in Southampton, NY
Here for your consideration is a well executed watercolor and gouache painting by the American artist, James Milton Sessions. Signed lower right. Circa 1955. The landscape is of a Novia Scotia pastoral landscape. Here you see horses grazing and two men fishing nearby. The watercolor is in excellent original condition and is beautifully double matted and framed in a thin gold leaf gallery frame in fine condition. Overall framed measurement 16 by 18.25 inches. James Milton Sessions (born September 20, 1882 in Rome, NY) received his initial exposure to art from his mother, who was an accomplished artist. He trained at the Art Institute of Chicago from 1903–1906 and initially supported himself as a wheelsman aboard Great Lakes ships from 1906–1914, later serving in the Illinois Naval Reserve during World War I. He also worked as a commercial illustrator. He was a master watercolorist of marine, sporting, and military World War II scenes. He developed a love of the sea and is probably best known as a painter of marine subjects. Sessions painted images of numerous locations, from the Bahamas to New England's busy fishing harbors, north to the raw fishing grounds of Nova Scotia, and ultimately to the Navajo reservations in New Mexico. Not only do his works document important World War II historical events, they visually portray and convey the spirit of the American fighting forces in both the Pacific and European campaigns, commencing with the bombing of Pearl Harbor, followed by D-Day Europe through to the final phases of the Pacific war, such as Jimmy Doolittle's daylight bombing raids of the Japanese mainland to the unconditional surrender of the Japanese military. The Chicago Tribune newspaper utilized his talents and Sessions is considered to be the greatest "brush reporter" of World War II. His works can be found in Presidential collections, numerous important corporate collections and military establishments throughout the country. Sessions created numerous wartime advertisements. Examples are a 1943 Willys Jeep ad showing the Coast Guard at Guadalcanal, and a Borg-Warner ad in 1945 showing the mass production of radiators and clutches for motorized warfare manufactured in Detroit. His work is highly collectible in the field of Militaria/WWII/1939-1945. In 1962 the New York Graphic Society commissioned him to make four paintings, reproductions of which were distributed as part of the Society's Works of Masters Group. Many of his other paintings have been reproduced over the years, issued as posters and as high quality reprints on watercolor paper. Sessions was married in Chicago, Illinois in 1946 to Chrysanthy G. Deamanthopulos. Although very prolific in the style of John Whorf and Ogden Pleissner...
Category

1950s Post-Impressionist Art

Materials

Watercolor, Archival Paper, Gouache

"Figures Seated around a Table with Flowers" Post-Impressionist Oil Painting
Located in New York, NY
An outstanding oil painting depicitng 3 figures seated around a table with flower vase. The bright colors and quick brush strokes are what makes this piece so attractive and desirabl...
Category

20th Century Post-Impressionist Art

Materials

Canvas, Oil

TropicalHawaiian School. Teacher and children, Illustration Art General Ele
Located in Miami, FL
Original Illustration Art for General Electric Calendar, Tags on verso Deftly rendered in a post-impressionist style . Signed lower right Simple period wood frame - work could benefit from a new frame. Terpning has done movie posters for Doctor Zhivago, Cleopatra, Gone with the Wind and Guns of Navarone...
Category

1960s Post-Impressionist Art

Materials

Gouache

Two Women by the Shore, Oil Painting by Charles Cobelle
Located in Long Island City, NY
Artist: Charles Cobelle, French (1902 - 1994) Title: Two Women by the Shore Medium: Oil on Canvas, signed Size: 36 x 24 in. (91.44 x 60.96 cm) Frame Size: 42 x 30 inches
Category

1950s Post-Impressionist Art

Materials

Oil

Normandy : A Nice Summer Day - Original lithograph
Located in Paris, FR
Claude MANOUKIAN Normandy : A Nice Summer Day Original lithograph Printed signature in the plate On Arches vellum 43 x 56 cm (c. 17 x 22 inch) Exc...
Category

20th Century Post-Impressionist Art

Materials

Lithograph

Les Cartes a Jouer, Playing Cards and books, still life
Located in Greenwich, CT
This rare subject of playing cards, books and objects spread out on a table was obviously a challenge and fun subject for the artist to tackle. He uses highly impastic paint thickly...
Category

1950s Post-Impressionist Art

Materials

Oil, Canvas

Paintings Early 20th century - Venice views in pair
Located in Saint-Ouen, FR
MIRO LLEO Gaspar (1859-1930) Venice Views in Pair Oils on canvas signed low right Old frames gilded with leaves Dim canvas : 65 X 50 cm (each) D...
Category

Early 1900s Post-Impressionist Art

Materials

Oil

Early 1900's French Oil Oil Portrait of Nude Lady Smoking Cigarette in Interior
By Jean Desire Bascoules
Located in Cirencester, Gloucestershire
Artist: Jean-Desire Bascoules (French 1886-1976), signed lower left (incised into paint), dated 1919. After studying at the École des Beaux-Arts in Bordeaux, Bascoulès studied with ...
Category

Early 20th Century Post-Impressionist Art

Materials

Oil

'Reclining Nude', Paris, Louvre, Salon d'Automne, Ac. Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with certification of authenticity. Winner of the Prix Othon Friesz, Victor di Gesu first attended th...
Category

1950s Post-Impressionist Art

Materials

Watercolor, Paper, Graphite

AKOS BIRO (HUNGARIAN 1911-2002) EXPRESSIONIST OIL - PORTRAIT IN DEEP THOUGHT
Located in Cirencester, Gloucestershire
"In Deep Thought" by Akos Biro (Hungarian 1911-2002) oil painting on board, unframed painting: 13.75 x 9.5 inches provenance: the artists estate, France O...
Category

Mid-20th Century Post-Impressionist Art

Materials

Oil

Post-impressionist art for sale on 1stDibs.

Find a wide variety of authentic Post-Impressionist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Victor Di Gesu, Mitchell Funk, Maria Bertrán, and Rafael Duran Benet. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist art, so small editions measuring 0.1 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $2,835,000, while the average work sells for $2,250.

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