Adaa Art Dealers Association Of America Prints and Multiples
Art Dealers Association of America (ADAA)
Founded in 1962, the Art Dealers Association of America is a vetted community of more than 180 top-tier galleries across the United States. Working with these member galleries, ADAA appraisers offer assessment services for artworks spanning from the Renaissance to the present day. The ADAA also arranges public forums on important art-related topics and hosts The Art Show, presented each year at New York’s Park Avenue Armory, which stands out among art fairs for its acclaimed selection of curated booths — many of which are one-artist exhibitions.to
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'63 Bel Air, from Four Chevies
By Robert Bechtle
Located in San Francisco, CA
Edition of 60
Robert Bechtle was born in 1932 in San Francisco and raised in Alameda. He studied graphic design and painting at the California College of Arts and Crafts in Oakland, earning his BFA in 1954 and MFA in 1958. He began painting seriously in the early 1960s, finding his own voice through a tightly controlled realism that was distinct from the expressionistic paint-handling characteristic of Bay Area Figurative art...
Category
1970s Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
Donegal Man
By Lucian Freud
Located in San Francisco, CA
Publisher: Acquavella LLC
Printer: Marc Balakjian at Studio Prints, London
Edition of 46
Category
Early 2000s Adaa Art Dealers Association Of America Prints and Multiples
Materials
Etching
Fossil Ship
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Spindles
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1980s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
154 Foot Sculpture That Never Was
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Eagle's Nest
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
"Eagle’s Nest" is Plate Number 37, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972.
In "The First Fifty Prints," Reynolds provides the following quote from the artist regarding this print:
“The structure on the right is an architectural symbol for an eagle. It is also like a machine that is igniting the shape on the left. Below, the egg that is coming out of the chute is a child which will evolve into another architectural eagle...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Front Elevation of Section 17
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
"Front Elevation of Section 17" is plate number 34, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972.
In "The First Fifty Prints," Reynolds writes, “this plate can be seen as a culmination of the artist’s earlier uses of aquatint and as a new direction the artist will take in his compositions. In early plates such as ‘Joy,’ Plate No. 12, and ‘Do Not Touch,’ Plate No. 20, the artist has presented his designs to our unaccustomed eyes, either formally, by placing them on sculpture pedestals, or more abstractly, using smaller soft ground silhouettes. In later examples such as ‘One Little Stage,’ Plate No. 24, or ‘Heritage,’ Plate No. 25, we were brought closer to a direct interaction with the forms as they began to fill the plates with increasing sculptural and monumental qualities. It was still possible to maintain a more passive point of view because of the stage format of the compositions. In ‘Avenue 11,’ Plate No. 26, as we have seen, the artist unveils the true authority of his designs by placing them in our environment to compete with our reality of a familiar cityscape and to make us question our ideas of aesthetics and logic. In ‘Front Elevation’ we enter into and are confronted with these structures in their own massive landscape...
Category
1970s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
A Sculpture Framed by a Print
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
Late 20th Century Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Rear Section of B
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
Late 20th Century Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Etching, Aquatint
Birth Then?
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
Just Pure Honest Fun
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
Late 20th Century Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Tickle Me
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
Late 20th Century Modern Adaa Art Dealers Association Of America Prints and Multiples
Materials
Paper, Etching
Tippicanoe and Tyler Too
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
Late 20th Century Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Etching
Cita en el Escondite (Dating in the Hideaway)
By Maripaz Jaramillo
Located in New York, NY
serigraph on paper, image of a couple kissing.
Category
1980s Feminist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Paper, Screen
Back to Kansas
By Spencer Finch
Located in San Francisco, CA
Spencer Finch uses a diverse range of mediums to investigate the ways in which history, memory, and sensory perception conflate and mutually influence. Working in painting, photograp...
Category
2010s Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
Aquatint
Neighborhood
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Paper, Etching, Aquatint
Space Eagles
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Paper, Etching
Joy
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
20th Century Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Etching
Four Cities
By Alex Corno
Located in Dallas, TX
This portfolio, of four prints engraved on linoleum and printed on paper, includes the linocuts titled: Dallas, Amarillo, Albuquerque and Santa Fe.
Valley House Gallery & Sculptur...
Category
21st Century and Contemporary Abstract Adaa Art Dealers Association Of America Prints and Multiples
Materials
Linocut
Journey
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
Music Box
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Pillow Machine
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Just a Little Water Please
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Night Shift
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Junkyard Park
By Jim Stoker
Located in Dallas, TX
Jim Stoker was born in Nash, Texas, in 1935, and grew up in Atlanta, Texas. He graduated from The University of Texas at Austin with a BFA in Applied Art in 1957. His teaching career...
Category
1960s American Modern Adaa Art Dealers Association Of America Prints and Multiples
Materials
Woodcut
Heritage
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Stop Playing and Get to Work
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
Avenue 11
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
Together We Are
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
Love Me
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
Storage #2
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
Homage to Galileo
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Environment Man
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
Height Almost 34'
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
“Height...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Aquatint
Still Life
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
World of Watermelons
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
“World of Watermelons” is plate number 19, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972.
Of “World of Watermelons”, Tyler said “The title here does not represent my own associations with this print. Friends simply began referring to it as ‘the watermelon print...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Do Not Touch
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Phil (WC print on Japanese HMP)
By Chuck Close
Located in San Francisco, CA
Watercolor pigment print on Awagami handmade BIZAN White Thick 200 grams, hand-coated
Edition of 10
Magnolia
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Nat/Felt Hand Stamp
By Chuck Close
Located in San Francisco, CA
Felt hand stamp
Edition of 40
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
Oil
Freezing Point
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
Trapped
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Etching
Pachinko
By Al Held
Located in San Francisco, CA
Category
Adaa Art Dealers Association Of America Prints and Multiples
White Truffle Soup
By John Baldessari
Located in San Francisco, CA
Category
Adaa Art Dealers Association Of America Prints and Multiples
Black Bean Soup
By John Baldessari
Located in San Francisco, CA
Category
Adaa Art Dealers Association Of America Prints and Multiples
Yellow Suit Bather
By Isca Greenfield-Sanders
Located in San Francisco, CA
Isca Greenfield-Sanders
Yellow Suit Bather, 2006
Color aquatint etching
Plate: 21 x 21 inches; Sheet: 32 x 31 1/4 inches
Edition of 50
Category
Early 2000s Adaa Art Dealers Association Of America Prints and Multiples
Materials
Aquatint
Red Suit Diver
By Isca Greenfield-Sanders
Located in San Francisco, CA
Beginning with vintage slides, Greenfield-Sanders breaks down photographic images, and rebuilds them as her own. Putting the image through various incarnations, she grids and paints...
Category
Early 2000s Adaa Art Dealers Association Of America Prints and Multiples
Materials
Etching, Aquatint
Green Suit Bather
By Isca Greenfield-Sanders
Located in San Francisco, CA
Category
Adaa Art Dealers Association Of America Prints and Multiples
Globe 1
By Iran do Espirito Santo
Located in San Francisco, CA
Edition of 5
Category
21st Century and Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
Marble
#23 from 41 Etching Drypoints
By Richard Diebenkorn
Located in San Francisco, CA
Edition of 20
Category
1960s Adaa Art Dealers Association Of America Prints and Multiples
Materials
Etching
'61 Impala, from Four Chevies
By Robert Bechtle
Located in San Francisco, CA
Robert Bechtle was born in 1932 in San Francisco and raised in Alameda. He studied graphic design and painting at the California College of Arts and Crafts in Oakland, earning his BF...
Category
1970s Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
'71 Caprice, from Four Chevies
By Robert Bechtle
Located in San Francisco, CA
Edition of 60
Lithograph in colors
Plate: 8 1/2 x 11 inches
Sheet: 13 x 17 inches
Robert Bechtle was born in 1932 in San Francisco and raised in Alameda. He studied graphic des...
Category
1970s Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
'64 Impala, from Four Chevies
By Robert Bechtle
Located in San Francisco, CA
Robert Bechtle was born in 1932 in San Francisco and raised in Alameda. He studied graphic design and painting at the California College of Arts and Crafts in Oakland, earning his ...
Category
1970s Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
Folded Flag
By Mark Adams
Located in San Francisco, CA
Born in Fort Plains, N.Y., Mark Adams (1925 - 2006) went on to attend Syracuse University, but left before graduation to study abstract art in New York with...
Category
1990s Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
Untitled
By Joel Shapiro
Located in San Francisco, CA
Edition of 4
Category
Adaa Art Dealers Association Of America Prints and Multiples
Untitled (04-08-24c-8)
By Lynn Geesaman
Located in New York, NY
Available in 19" x 19"(Ed. of 15), 28 x 28" (Ed. of 15) and 38" x 38" (Ed. of 6)
Category
Adaa Art Dealers Association Of America Prints and Multiples
Untitled (4-07-6c-9)
By Lynn Geesaman
Located in New York, NY
Available in 19" x 19"(Ed. of 15), 28 x 28" (Ed. of 15) and 38" x 38" (Ed. of 6)
Category
Adaa Art Dealers Association Of America Prints and Multiples
Materials
C Print
Untitled (10-08-26c-7)
By Lynn Geesaman
Located in New York, NY
Available in 19" x 19"(Ed. of 15), 28 x 28" (Ed. of 15) and 38" x 38" (Ed. of 6)
Category
21st Century and Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
C Print
Silver Pencil
By Iran do Espirito Santo
Located in San Francisco, CA
Edition of 25
Category
21st Century and Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
Stainless Steel
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