International Fine Print Dealers Association Art
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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New Hop Poles
By Stanley Roy Badmin
Located in Storrs, CT
1930. Etching. Beetles 17. 6 x 5 1/4 (sheet 11 1/2 x 9). Edition 30, #29, published by the Twenty-One Gallery. Exhibited at the Royal Society of Painter-Etchers and Engravers, 1932(...
Category
1930s Modern International Fine Print Dealers Association Art
Materials
Etching
QUIET POND, MONHEGAN, MAINE
By Stow Wengenroth
Located in Portland, ME
Wengenroth, Stow. QUIET POND MONHEGAN, MAINE. BPL 154. Lithograph, 1946. Edition of 85. Inscribed "Ed/85" and signed in pencil. 10 3/16 x 15 7/16 inches (image). Handsomely framed by...
Category
1940s International Fine Print Dealers Association Art
Materials
Lithograph
Bout a Bout (Translation: From End to End)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created Bout a Bout which is signed by pencil. This impression is #4 of 35
Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted with ...
Category
Early 2000s Modern International Fine Print Dealers Association Art
Materials
Mezzotint
Surf Naked
By Don Ed Hardy
Located in Lyons, CO
Color lithograph with metallic gold powder, Edition 25.
Don Ed Hardy is a painter, printmaker and tattoo artist. Fascinated by tattoos since childhood, Hardy has become a master o...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
Los Alamitos
By Frank Stella
Located in London, GB
Screenprint, in colours, 1972, on Gemini rag Board, signed, dated and numbered 53 from the edition of 75, published by Gemini G.E.L., Los Angeles., sheet: 51.4 × 203.5 cm. (20 1/4 x 80 1/8 in.), framed: 52.4 x 204.5 cm. (20.6 x 80.5 in.)
The three large scale, extended horizontal screenprints of the ‘Race Track Series’ are named after horse-racing tracks in Southern California and Mexico : Del Mar (San Diego County), Los Alamitos...
Category
1970s International Fine Print Dealers Association Art
Materials
Screen
Untitled (Blue)
By Matthew Brannon
Located in New York, NY
Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, ev...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Lithograph, Screen
Mizuhiki
By Katsunori Hamanishi
Located in New Orleans, LA
"Mizuhiki" is an exclusive publication by Stone + Press in an edition of 100.
Katsunori Hamanishi was born in 1949 on Hokkaido island - Japan's second largest island. In 1973 he fi...
Category
1990s Contemporary International Fine Print Dealers Association Art
Materials
Mezzotint
Baigneuses a L’Ombre des Berges Boisees (Women Bathing in the Wooded Shade...)
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), Baigneuses a L’Ombre des Berges Boisees (Women Bathing in the Shade of Wooded Banks), 1894, lithograph, signed in pencil lower right. Reference: Delteil...
Category
1890s Impressionist International Fine Print Dealers Association Art
Materials
Lithograph
Apple Peeler II (a kitchen tool interpreted by paintings of Yves Tanguy)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, "Apple Peeler II", shows the simple tool influenced in part by Yves Tanguy. It was created in 1992 an edition of 50. This image is...
Category
1980s Contemporary International Fine Print Dealers Association Art
Materials
Mezzotint
BLOOMING ICE
By Gabor F. Peterdi
Located in Portland, ME
Peterdi, Gabor (American, born Hungary, 19150-2001) . BLOOMING ICE. Combined technique (intaglio and screenprint) in six colors, 1965. P.228. Edition of 25. 20 x 32 inches, 504 x 813...
Category
1960s Abstract International Fine Print Dealers Association Art
Materials
Color, Intaglio, Screen
J.H. Woods’ Fruit Shop, Chelsea
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches.
A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions.
watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.)
This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate.
According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category
1880s Impressionist International Fine Print Dealers Association Art
Materials
Drypoint, Etching
Plymouth Street ( a twilight scene is set in the Brooklyn section of DUMBO)
By Frederick Mershimer
Located in New Orleans, LA
This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif & Salzer and is in the permanent collection of the Museum of City of New York...
Category
1990s Contemporary International Fine Print Dealers Association Art
Materials
Mezzotint, Aquatint
Amanda (Marguèrite), No. 1
By Gerald Leslie Brockhurst
Located in Storrs, CT
Amanda No. 1 (Marguèrite). 1920. Etching. Fletcher 18. 3 1/2 x 2 3/8 (sheet 9 x 7 1/4). Edition 55. . A rich proof printed with plate tone on cream laid paper with full margins. Sign...
Category
Early 20th Century Modern International Fine Print Dealers Association Art
Materials
Etching
Prickles and Hairs
By Christine Ravaux
Located in New Orleans, LA
This is impression #12 from an edition of 45
Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed see more ....
Category
Early 2000s Modern International Fine Print Dealers Association Art
Materials
Mezzotint
Snow Geese (Wyoming)
Located in Fairlawn, OH
Snow Geese (Wyoming)
Drypoint, c. 1947
Signed in pencil lower right (see photo)
Title in pencil lower left (see photo)
Note: This image is reprodcued in a Photogravure for Ducks Unlimited in 1947. This is the first original drypoint version.
Condition: Excellent
Image/Plate size: 8 3/8 x 6 7/8 inches
Reference: Archives West #101
Kleiber 134
Hans Kleiber (1887-1967)
Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains.
Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife.
Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...
Category
1940s American Realist International Fine Print Dealers Association Art
Materials
Drypoint
Winter Landscape with a View of Zuylen Castle
Located in Chicago, IL
A fine 1st State impression before the addition of Vischer’s address.
etching with engraving after David Vinckboons (Malines 1576-1629 Amsterdam)
Category
17th Century International Fine Print Dealers Association Art
Materials
Etching
September
By Hans Bol
Located in Chicago, IL
engraving and etching by A. Collaert after Hans Bol
Watermark: Letter P (Briquet 8718, Grevenbroich 1572)
Category
16th Century International Fine Print Dealers Association Art
Materials
Engraving
Round of Summer (aka Four Figures), First State Proof
By Arthur B. Davies
Located in New York, NY
Arthur B. Davies (1862-1928), Round of Summer (aka Four Figures), soft ground etching, 1919, signed in pencil lower right. Reference: Czestochowski 91, first state (of 3), trial proo...
Category
1910s American Impressionist International Fine Print Dealers Association Art
Materials
Etching
Veillee Sepulchrale; Verso: Study of two figures in a landscape
By Eugene Berman
Located in Fairlawn, OH
Veillee Sepulchrale
Verso: Study of two figures in a landscape
Pen and ink on rose colored Canson watermark paper, 1944
Signed in ink with the artist's initials lower center (see photo)
Dated 1944 lower center;
Titled in ink upper left corner (see photo)
Provenance:
Swann Galleries, 2010, realized $900.
John Popplestone (1928-2013), Akron, OH collector, noted psychologist and author
Berman brothers (painters)
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This article is about the painters. For the American songwriters/producers, see Berman Brothers (producers).
Eugene Berman in Italy in the 1960s
Eugène Berman (Russian: Евгений Густавович Берман; 4 November 1899, Saint Petersburg, Russia – 14 December 1972, Rome) and his brother Leonid Berman...
Category
1940s Surrealist International Fine Print Dealers Association Art
Materials
Ink, Pen
Landscape with a Maiden and her Dog
By Adriaen van der Cabel
Located in Chicago, IL
A very fine impression
Category
Mid-17th Century International Fine Print Dealers Association Art
Materials
Etching
Bare Arms (The Practice #1)
By Darius Steward
Located in Fairlawn, OH
Bare Arms (The Practice #1)
Drypoint on Aluminum, 2019
Signed with the artist's initials (see photo)
The first plate from a proposed suite of 9 drypoints, all printed in an edition o...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Drypoint
Travelers Boat at Ibrim
By Francis Frith
Located in Fairlawn, OH
Travelers Boat at Ibrim
Original gold toned albumin photograph, c. 1862
From: Upper Egypt and Ethiopia, c. 1862, Vol 3, (36 plates)
Published by William Mackenzie, London, Glasgow & ...
Category
1860s Romantic International Fine Print Dealers Association Art
Materials
Photographic Paper
Nude woman lying
By Tom Leveritt
Located in New Orleans, LA
A pencil drawing with ink wash
Tom Leveritt (1976) was raised in Texas, sent to boarding school in the UK, got a first at Cambridge, an Army Scholarship i...
Category
2010s Modern International Fine Print Dealers Association Art
Materials
Pencil, Ink
Ruine di Sepolcro antico
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Ruine di Sepolcro antico
Etching, 1743
Signed in the plate bottomleft in the caaption plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Coniditon: Excellent/Very good
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 17 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters International Fine Print Dealers Association Art
Materials
Etching
The Loop II (the artist's memories of days at Chicago's Art Institute)
By Richard Gilbert
Located in New Orleans, LA
The Loop II was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...
Category
1990s Modern International Fine Print Dealers Association Art
Materials
Etching
A CLEAN SHOT
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 – 1968)
A CLEAN SHOT 1930
Etching and drypoint. Signed and numbered 26 in pencil.Signed and dated in the plate 1930. Image 10 5/8 x 13 ½ inches, sheet 12 x 18 inc...
Category
1930s Impressionist International Fine Print Dealers Association Art
Materials
Etching
Galleria grande di Statue
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Galleria grande di Statue
Etching, 1743
Signed lower left corner of the plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 2 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters International Fine Print Dealers Association Art
Materials
Etching
Geneviève (Anaïs).
By Gerald Leslie Brockhurst
Located in Storrs, CT
Geneviève (Anaïs). 1922. Etching. Fletcher catalog 30 state vi/ix. 7 3/4 x 5 7/8 (sheet 11 1/2 x 9 1/4). Only 2 impressions in this state (total 92 impressions). Exhibited at the R....
Category
Early 20th Century Modern International Fine Print Dealers Association Art
Materials
Etching
Dharma Prayer Book Manuscript Folio
Located in Fairlawn, OH
Dharma Prayer Book Manuscript Folio
Ink and gouache on handmade paper, 1875-1925)
Miniature depicting Tibetan deity
Script is Tibetan.
Miniature Size: 2 3/8 x 1 ½ inches
Part of a se...
Category
Early 20th Century Other Art Style International Fine Print Dealers Association Art
Materials
Gouache
Sounding the Hunt in the Morning
By Hans Bol
Located in Chicago, IL
2nd state
Watermark: Hand with Cuff and Flower (close to Briquet 11467)
Category
16th Century International Fine Print Dealers Association Art
Materials
Etching
Restaurant in Mott Street
By Charles Frederick William Mielatz
Located in New Orleans, LA
The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.”
CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art
C.F.W. Mielatz
American, 1860-1919
Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...
Category
Early 20th Century American Modern International Fine Print Dealers Association Art
Materials
Drypoint, Etching
Blue Listening Ear
By Howard Hodgkin
Located in London, GB
Etching and aquatint with carborundum and hand-colouring in tempera on wove paper.
Signed and dated in pencil, numbered from the edition of 100.
Printed by Jack Shirreff at 107 Work...
Category
1980s Abstract International Fine Print Dealers Association Art
Materials
Etching, Aquatint
George's Dock, LIverpool.
By Sir Frank Short
Located in Storrs, CT
1890. Etching. Hardie 245. 5 7/8 x 7 3/4 (sheet 8 1/4 x 10 1/8). Two hinge stains in the top sheet edges; otherwise excellent condition. A rich impression with plate tone, printed on cream wove paper with full margins. Signed in pencil. Housed in a 16 x 20-inch archival mat.
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George's Dock was located on the River Mersey, England, within the Port of Liverpool. It was connected to Canning Dock to the south and George's Basin to the north. The dock, which opened in 1771, was designed and built by Henry Berry and expanded by John Foster, Sr.
In 1899 the dock and the adjoining George's Basin were filled in to create what is now the Pier Head...
Category
19th Century Modern International Fine Print Dealers Association Art
Materials
Etching
Windshear
By Freeman Baldridge
Located in Storrs, CT
Freeman Baldridge's depiction of windmills, contrasting old and new, set by a canal. Oil on canvas measures 28 x 22; frame dimensions measure 30 1/2 ...
Category
Early 2000s Realist International Fine Print Dealers Association Art
Materials
Oil
Extended Frame with Separation
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
21st Century and Contemporary Minimalist International Fine Print Dealers Association Art
Materials
Woodcut
Werkubersicht/Work-Overview D
By Leon Polk Smith
Located in New York, NY
Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....
Category
1980s Abstract Geometric International Fine Print Dealers Association Art
Materials
Screen
Femme au Lys (Woman with Lily)
By Paul Guiramand
Located in Chicago, IL
This lithograph comes from an edition of 110, it is signed and numbered.
Paul Guiramand, painter, sculptor and lithographer, was born in 1926 in Saint-Quentin in northern France. I...
Category
1970s Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
Abres à Noyelles (Trees in Noyelles)
By Marcel Gromaire
Located in Chicago, IL
Studio stamp of Gromaire, lower left
Provenance:
Atelier of the artist
Notes:
Noyelles, where this drawing was created, is a small town in the Somme department of Northern France ...
Category
20th Century Expressionist International Fine Print Dealers Association Art
Materials
Paper, Ink
TEAHOUSE AND WILLOW TREE
By Junichiro Sekino
Located in Portland, ME
Junichiro Sekino (Japanese, 1914-1988). TEAHOUSE AND WILLOW TREE. Color woodblock print, not dated. Edition size not known. Signed in pencil and with the a...
Category
Mid-20th Century International Fine Print Dealers Association Art
Materials
Woodcut
The Mulgrave Suite
By William Tillyer
Located in London, GB
William Tillyer
The Mulgrave Suite
2023
Etching, aquatint and embossing with hand colouring in watercolour on paper, Edition of 35, Set of 7
Image size: 40 x 40 cms (15 3/4 x 15 3/4...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Etching, Aquatint
J. Becquet, Sculptor
By James Abbott McNeill Whistler
Located in Fairlawn, OH
J. Becquet, Sculptor
Etching & drypoint, 1859
Unsigned as issued
From: The Thames Set
Printed on this Japanese tissue
Rich impression
Condition: Excellent
Plate/Image size: 9 7/8 x 7...
Category
19th Century Impressionist International Fine Print Dealers Association Art
Materials
Drypoint, Etching
Fire
By Jennifer Bartlett
Located in Houston, TX
Jennifer Bartlett
Fire, 1998 (from The Elements)
Etching
33 1/4 x 33 inches
Ed. 80
Category
20th Century Abstract Geometric International Fine Print Dealers Association Art
Materials
Etching
Singer IV (part of a typewriter that is iconic)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, Singer IV looking at the botton of the typewriter portrays the incised metal of the machine. It was issued as an edition of 75 and this impression is #22. FIR...
Category
1990s Contemporary International Fine Print Dealers Association Art
Materials
Mezzotint
Untitled #5
By Thomas Nozkowski
Located in New York, NY
2012, 4-plate aquatint with 22 colors, 21 7/8 x 29 3/8 inches, edition of 25
For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a si...
Category
21st Century and Contemporary International Fine Print Dealers Association Art
Materials
Aquatint
WESTERN PEAKS
By Harold Lukens Doolittle
Located in Santa Monica, CA
HAROLD LUKENS DOOLITTLE (1873 - 1974)
WESTERN PEAKS c. 1945
Aquatint signed and titled in pencil. 6 3/4 x 8 7/8 sheet 9 5/8 x 12 3/4.
Good condition save for just a hint of darkening within the window and small bits if tape on the sheet edge verso.
Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...
Category
1940s Realist International Fine Print Dealers Association Art
Materials
Aquatint
Surrealist landscape with skull and red daisy
By Charles Harris ( Beni Kosh )
Located in Fairlawn, OH
Surrealist landscape with skull and red daisy
Watercolor on paper, 1960-1970
Unsigned
Stamped with the artist's estate stamp verso (see photo)
Provenance: Estate of the artist
Refere...
Category
20th Century Surrealist International Fine Print Dealers Association Art
Materials
Watercolor
SWING BOATS
By Claude Flight
Located in Santa Monica, CA
CLAUDE FLIGHT (1881 -1955)
SWING BOATS 1921 (Coppel CF5)
Color linocut, signed & no. 23/50, 8 5/8 x 11”. Sheet 10 x 13” on thin paper tipped to black-b...
Category
1920s Futurist International Fine Print Dealers Association Art
Materials
Linocut
Peintre et Modele
By Pablo Picasso
Located in Fairlawn, OH
Peintre et Modele
Etching and aquatint on Rives wove paper, 1966
Signature stamp lower right (see photo)
Annotated in pencil lower left: "epreuve avant acierage" (see photo)
One of t...
Category
1960s Modern International Fine Print Dealers Association Art
Materials
Aquatint
Études de Personnages (Figure Studies)
By Marcel Gromaire
Located in Chicago, IL
Provenance:
Atelier of the artist
Notes:
Studio stamp on the verso of this important, early work by Gromaire.
Over the years there has been an ever-widening interest in the work o...
Category
1920s Expressionist International Fine Print Dealers Association Art
Materials
Paper, Ink
Marquette
By Gerald Leslie Brockhurst
Located in Storrs, CT
Marquett. 1925. Etching. Fletcher 51. 8 7/16 x 6 7/8 (sheet 12 13/16 x 8 7/8). Trial proof, apart from the edition of 106 (total 113 impressions). A rich impression, printed on cream...
Category
Early 20th Century Modern International Fine Print Dealers Association Art
Materials
Etching
Emotions Parisiennes
By Honoré Daumier
Located in Santa Monica, CA
Legal print by Honore Daumier (1808-1879)
Lithograph sur blanc (white paper without text on verso) D.726 ii/iii
8 1/2 x 7 1/2 plus text. Plate 48 from the Album Emotion Parisiennes.
Legal subjects are Daumier's most sought after prints. Aside from images in Gens du Justice he used the subject in several other series.. Good impression in excellent condition
Translation: Judge - You did have the means for existence, what did you do...
Category
1840s Barbizon School International Fine Print Dealers Association Art
Materials
Lithograph
Neon
By Carlos Davila 1
Located in Fairlawn, OH
Neon
Intaglio Etching, c. 1970
Signed, titled and numbered in pencil
Edition: 99 (76/99)
Image size: 7 1/2 x 7 1/2 inches
Sheet size: 22 x 17 inches
Condition: Excellent
Carlos Dávil...
Category
1970s Abstract Geometric International Fine Print Dealers Association Art
Materials
Aquatint
Ram Skull
By Sharon Augusta Mitchell
Located in New Orleans, LA
Sharon Augusta Mitchell created "Ram Skull" in an edition of 100. This is impression #10 from the edition. It is signed, titled and numbered in pencil by ...
Category
1990s Contemporary International Fine Print Dealers Association Art
Materials
Mezzotint
Le Talon Aigviille (Marlene Dietrich's Stiletto Heel -- In time for PRIDE)
By Laurent Schkolnyk
Located in New Orleans, LA
This mezzotint was created by Laurent Sckolnyk and was meant as an homage to the movie stars of yesteryear -- in this case Marlene Dietrich. Dietrich was an icon in the gay community...
Category
Late 20th Century Contemporary International Fine Print Dealers Association Art
Materials
Mezzotint
Shrine: A High Place
By Freeman Baldridge
Located in Storrs, CT
Freeman Baldridge's depiction of a shrine at a sandy beach and lake. Oil on canvas measures 20 x 16; frame dimensions measure 24 1/2 x 20 1/2 x 1 1/2...
Category
1960s Surrealist International Fine Print Dealers Association Art
Materials
Oil
Les Arcades, Dieppe France (the arches along coastline of a town in Normandy)
By Stanley Anderson
Located in New Orleans, LA
The image show a panoramic view of the architectural arches and the boats in the harbor of Dieppe in Normandy France. Dieppe was occupied by German naval and army forces after the f...
Category
Early 20th Century Modern International Fine Print Dealers Association Art
Materials
Drypoint, Etching
Mirror
By William Wegman
Located in New York, NY
image size: 10 3/8 x 10 inches
2011, pigment print photograph, 14 x 11 inches, Edition of 12. signed and numbered by the artist on the reverse
William Wegman is a renowned photogr...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Pigment
American Cathedral (The Woolworth Building).
By John Taylor Arms
Located in Storrs, CT
American Cathedral (The Woolworth Building). 1921. Etching. Fletcher 107. 17 x 6 5/8 (sheet 21 1/2 x 9 1/8). Edition 75. Provenance: estate of David...
Category
1920s American Modern International Fine Print Dealers Association Art
Materials
Etching
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