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Ifpda International Fine Print Dealers Association Prints and Multiples

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Nashville in Winter
By Louis Oscar Griffith
Located in Fairlawn, OH
Nashville in Winter Etching, c. 1928 Signed in pencil lower right (see photo) Very small edition A rare image of early Nashville, Indiana Excellent impression with plate tone in the sky First state before the aquatint depicting a winter nocturne with fall snow Printed on a fine laid paper with a Crown & Shield watermark Provenance: Estate of the artist By decent Louis Oscar Griffith (1875-1956) Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts. In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop...
Category

1920s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

WOMAN AND CATS
By Will Barnet
Located in Portland, ME
Barnet, Will. WOMAN AND CATS. Cole 134. Lithograph in colors, 1969. Edition of 100, titled and signed in pencil. Printed on Arches by Mourlot, NY. 21 x 22 1/2 inches. In excellent co...
Category

Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Through the Storm.
By Edmund Blampied
Located in Storrs, CT
Appleby 97. 4 x 6 15/16 (sheet 8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with ...
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1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching

Le Couple
By Pablo Picasso
Located in New York, NY
Pablo Picasso (1881-1973), Le Couple, 1951, drypoint on chine volant, signed lower right margin and numbered (5/XI) lower left margin. References: Bloch 690,...
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1950s Cubist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint

Night Time in a Stable.
By Edmund Blampied
Located in Storrs, CT
Night Time in a Stable. 1927-28. Drypoint. Appleby 131. 10 1/8 x 12 1/8 (sheet 11 1/2 x 16 1/2). Edition 100. Illustrated: Print Collector's Quarterly 25 (1...
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Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching

A small copse in a field.
By Robert Kipniss
Located in New York, NY
The drypoint engraving entitled "A small copse in a field" was created by Robert Kipniss in 2016. Printed in an edition of 16 - this impression is signed in pencil and inscribed “12...
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21st Century and Contemporary Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Engraving, Drypoint

NO OLVIDEMOS A JULIUS Y ETHEL ROSENBERG
By Ángel Bracho
Located in Santa Monica, CA
ANGEL BRACHO (b. 1911 -) NO OLVIDEMOS A JULIUS Y ETHEL ROSENBERG…….1953 (P. 151) Linocut and letterpress 36 13/16 x 26 9/16” Some ...
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1950s Other Art Style Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Linocut

La Negresse
By Henri Matisse
Located in London, GB
Lithograph in colours based on the cut-out of the same title, 1952 From 'Verve' Magazine Volume IX, Nos 35 & 36: 'Dernières Oeuvres de Matisse 1950-54' Pr...
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1950s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Morning Walk. [Central Park.]
By Harold Altman
Located in New York, NY
Signed and titled in pencil. Inscribed "192/285." Edition 285.
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1980s Naturalistic Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

THE MAKING OF TORTILLAS - Mural Size 47 1/2 inches Long
By Leopoldo Méndez
Located in Santa Monica, CA
LEOPOLDO MENDEZ (1902 – 1969) THE MAKING OF TORTILLAS 1954 Linocut. Edition unknown. This example signed in pencil and dated 1957. 14” x 47 3/8” ...
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1950s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Linocut

America's Mom II (Small Leticia)
By Sedrick Huckaby
Located in Fairlawn, OH
America's Mom II (Small Leticia) Lithograph, 2016 Signed and numbered in pencil by the artist Series: America's Family II (Four images) Edition: 40, of which 20 were retained by the ...
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2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

'Interior of the Kannon Temple at Asakusa' — Tokyo Landmark, Early Edition
Located in Myrtle Beach, SC
NARAZAKI EISHO (1864-1936), 'Asakusa Kannon-do no naido' (Interior of the Kannon Temple at Asakusa), color woodblock print, 1932. Signed Eisho lower right, with the artist’s red seal beneath. A fine impression with fresh colors; the full sheet with slight overall age toning, a drying tack...
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1930s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

Galleria grande di Statue
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Galleria grande di Statue Etching, 1743 Signed lower left corner of the plate From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s Condition: Excellent Image size: 14 5/8 x 9 3/4 inches Reference: Robison 2 iii/V Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
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1740s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

Glowing Tree
By Gabor F. Peterdi
Located in Fairlawn, OH
Glowing Tree Etching, engraving & lift ground, 1958 Signed, titled and annotated in pencil (see photos) Edition: Artist Proof (there was a published addition of 30 with five stencil ...
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1950s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Intaglio

Doe Bow (Christmas Bow Features Santa's Reindeer, Word Play)
By Carol Wax
Located in New Orleans, LA
A series of prints was commissioned by the Met Museum in NY in a regular edition of 40 This impression is from an edition of 5 artist proofs. This impression is #4/5 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...
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2010s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Intaglio

Untitled (Three Ducks Taking to Flight)
By Paul H. Winchell
Located in Fairlawn, OH
Untitled (Three Ducks Taking to Flight) Drypoint, c. 1940 Signed lower right Provenance: Estate of the Artist Winchell Heirs by descent Condition: Excellent Image/Plate size: 10 1/2 x 8 1/4 inches Sheet size: 12 1/2 x 10 5/16 inches Created while the artist was a commercial artist working in Minneapolis, after his tenure of being an instructor at the Minneapolis Institute of Art in the 1930's. Paul H. Winchell (1903 – 1971) was a printmaker, illustrator, teacher, and gilder according to Crump, 2009 (Minnesota Prints and Printmakers, 1900- 1945, Minnesota Historical Society Press). He was the son of Mrs. Looman Winchell of Shepherd Rd as noted in a 1937 newspaper article (Painsville, O. Telegraph). Winchell grew up in North Perry, Ohio and then studied and worked as an instructor at the Art Institute of Chicago. He studied with Leon Kroll (1884 – 1974), Boris Anisfeld...
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1940s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint

On Lake Como # 1
By John Taylor Arms
Located in New Orleans, LA
Both of Arms' Lake Como images were mostly printed in color. is a rarer black and white impression, John Taylor Arms was born in Washington, DC. He studied architecture at the Massa...
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Early 20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

Singer I (Distorted perspective with shadows of an old Singer typewriter)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, "Singer I", shows a distorted view of an old Singer sewing machine. The artist created a convincing illusion of real mass, space and depth. Issued in an edit...
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1980s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

Group of Carnations from Temple of Flora
By Dr. Robert John Thornton
Located in New York, NY
"Group of Carnations" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, co...
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1810s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Paper

Beauty Enjoying Summer Fireworks
By Ito Shinsui
Located in Burbank, CA
Title: Fireworks 花火 Series: The Second Collection of Modern Beauties (Gendai bijin shū dai nishū 現代美人集第二輯) Date: 1932 A young woman is shown enjoying the summer fireworks, her face shown in profile as she looks towards the display. She holds a summer fan on her lap, and her kimono features large blue stripes and is tied with a colorful obi that features a morning glory pattern. The summer evening sky is a soft grey rather than a deep black, perhaps reflecting the brightness of the fireworks. Numbered verso, from a limited edition of 250 prints. Condition: Excellent impression, color and condition. Publisher: Watanabe Shôzaburô Literature: See “All the Woodblock Prints of Shinsui Ito...
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1920s Showa Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

Derriere le Miroir-Double Page (Behind the Looking Glass Double Page)
By Marc Chagall
Located in Fairlawn, OH
Derriere le Miroir-Double Page (Behind the Looking Glass Double Page) Original color llithogragp created by the artist for this ublication, 1964 Unsigned as issued From: Derriere le ...
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1960s French School Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Paysannes Dans un Champ de Haricots
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), Paysannes Dans un Champ de Haricots, etching, aquatint, maniere grise; 1891, titled, signed, annotated 1er etat no. 10, also marked with a large Z by th...
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1890s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching, Aquatint

Timber Raft on the Rhine
By Sir Frank Short
Located in Storrs, CT
Timber Raft on the Rhine (after the watercolor by J.M.W. Turner in the National Gallery). 1898. Mezzotint. Hardie 66. 8 1/4 x 11 11/16 (sheet 10 5/16 x 13 1/2). Edition 100. A rich, ...
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1890s Romantic Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

Thorns - In Celebration of Pride Month
By Christine Ravaux
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. This is impression #12 of 35 impressions Born in Charleroi, Belgium, Ravaux is an ...
Category

Early 2000s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

ORBITS - Large Hoeckner lithograph
By Carl Hoeckner
Located in Santa Monica, CA
CARL HOECKNER (1883 – 1972) ORBITS, c. 1935 Lithograph, edition unknown but small. Image 11 3/3 \4 x 18 3/8 inches, sheet 12 3/8 x 19. In good condition aside from small margins an...
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1930s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Barges, Dordrecht
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Barges, Dordrecht Etching, c. 1886 Signed in the plate with the butterfly Edition: One of 10 known impressions of this image. VERY RARE Provenance: Frederick Keppel & Co. with their ...
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19th Century Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

YVES-MARIE
By David Hockney
Located in Portland, ME
Hockney, David. YVES MARIE. S.A.C. 159. Lithograph, 1974. Edition of 75, plus 24 proofs. Printed in New York by William Law, on Rives BFK paper and published by Petersburg Press. 30 ...
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1970s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Mr. C
By Kyohei Inukai
Located in Fairlawn, OH
Mr. C (Cat) Linocut, 1984 Signed in pencil (see photo) Edition: 250 (209/250) (see photo) Published by Associated American Artists, New York, NY Reference: AAA/Czestochowski 1984.009...
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1980s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Linocut

Ecce Homo Plate X
By Werner Drewes
Located in Fairlawn, OH
Ecce Homo Plate X Woodcut, 1921 Signed, titled, and dated in pencil by the artist (see photos) Edition: One of two known impressions This image wwas unknown to the catloger Ingrid Rose in 1984 when she published the catalog raisonne of Drewes prints. Done while Drewes was studying at the Bauhaus. Reference: Ingrid Rose, Werner Drewes: A Catalogue Raisonne of His Prints (Munich: Verlag Kunstgalerie Esslingen, 1984), 33, one of two known impressions. Provenance: Gift of the artist to one of his Bauhaus professors. Held in East Germany until the opening of the wall Jorg Maas Kunsthandel, Berlin Other image from the suite of Ecce Homo images are available. Extremely early, rare Bauhaus works. n 1921 Drewes went to the Bauhaus in Weimar, where, after completing the compulsory preliminary course with Johannes Itten, he continued to study with Paul Klee, Oskar Schlemmer and Georg Muche and initially went to the wall painting workshop. He then traveled extensively through Europe, North America and Asia. After returning to Germany in 1927, he went back to the Bauhaus, this time to his new location in Dessau, where he studied in the classes of László Moholy-Nagy and Wassily Kandinsky. He was one of the first artists to introduce the groundbreaking concepts of the Bauhaus School in the United States through his painting, printmaking, and teaching. Werner Drewes (1899–1985) was a painter, printmaker, and art teacher. Considered to be one of the founding fathers of American abstraction, he was one of the first artists to introduce concepts of the Bauhaus school within the United States. His mature style encompassed both nonobjective and figurative work and the emotional content of this work was consistently more expressive than formal. Drewes was as highly regarded for his printmaking as for his painting. In his role as teacher as well as artist he was largely responsible for bringing the Bauhaus aesthetic to America. Early life and education Drewes was born in 1899 to Georg Drewes, a Lutheran pastor, and Martha Schaefer Drewes. The family lived in the village of Canig within Lower Lusatia, Germany. From age eight to eighteen he attended the Saldria Gymnasium, a boarding school in Brandenburg an der Havel. There, he showed talent both for painting and woodblock printing. Graduating from Saldria in 1917, he was drafted by the German army and served in France from then until the close of the war. About this period of his life he is reported to have said that the horrors of life at the front were only made tolerable by his sketchbook, a copy of Goethe's Faust and a volume of Nietzsche. For a decade following the close of the war he studied, made paintings and prints, and traveled widely. His friend, Herwarth Walden, helped shape his appreciation for expressionist literature and art. Walden produced the quarterly magazine, Der Sturm and ran a gallery of contemporary art, Galerie Der Sturm, from which, in 1919, Drewes purchased an expressionist painting by William Wauer titled Blutrausch (Bloodlust). In the same year he made the acquaintance of Heinrich Vogeler and participated in Vogeler's socialist utopian artists' commune, Barkenhoff, at Worpswede, Lower Saxony. In 1919 Drewes also enrolled at the Königlich Technischen Hochschule Charlottenburg to study architecture and the following year he studied the same subject at the Technischen Hochschule Stuttgart. Preferring art over architecture, he then enrolled in Stuttgart's school of applied arts (Kunstgewerbeschule) where he studied life drawing and learned to work with colored glass. At this time he joined a group of artists and architects associated with the newly formed Merz Akademie, a college of design, art, and media in Stuttgart. In 1921 his friendship with a French artist, Sébastien Laurent, led him to begin studies in Weimar at Bauhaus, then a new school which taught an integrated approach to the fine and applied arts. His instructors were Johannes Itten and Lyonel Feininger, whose paintings were expressionist and abstract, and Paul Klee, who taught bookbinding, stained glass, and murals. While at Bauhaus Drewes produced a portfolio of ten woodblock prints entitled "Ecce Homo." In 1923 and 1924 he studied art during travels throughout Italy, Spain, the United States, and Central America and in 1926 he traveled to San Francisco, Japan, and Korea, thence taking the Trans-Siberian railway to Manchuria, Moscow, and Warsaw. He later said the El Grecos he saw proved to be most influential in his work. While traveling, he exhibited: (1) etchings in Madrid (1923) and Montevideo (1924), oils and etchings in Buenos Aires and St. Louis (1925), and (3) etchings in San Francisco (1926). He paid his way by the sales these exhibits produced and by taking commissions to paint portraits. While in San Francisco he set up a shop from which he sold prints he had made in Spain and South America. After his return to Germany in 1927 he resumed study at Bauhaus, which had been forced to relocate in Dessau, Saxony-Anhalt. His instructors at that time were László Moholy-Nagy (metal work), Wassily Kandinsky, and (painting), and Lyonel Feininger (prints). At this time he also worked and exhibited in Frankfurt. With the rise of Nazism abstract artists found it increasingly difficult to sell their work and, in 1930, Drewes, finding the political pressure unbearable, emigrated to the United States. There, despite the world economic crisis, Drewes was able to earn a living as a professional artist. Mature style After Drewes moved to New York, Kandinsky, who was both friend and mentor, continued to exert a strong influence over his style. Later in life he said he had a hard time getting away from Kandinsky's influence as he developed his own style. In time he was able to bring a more emotional approach to his work and to base it, more than Kandinsky did, on natural forms. In 1930 Drewes had a solo exhibition at the 135th Street Branch of the New York Public Library and a two-person show at the S.P.R. Penthouse Gallery...
Category

1920s Bauhaus Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

Standard Oil Building.
By Joseph Pennell
Located in Storrs, CT
Standard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat proof printed by the artist. $875. 26 Broadway" is the home of the Standard Oil...
Category

Early 20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

Cancer-The Crab
By Eugène Grasset
Located in Fairlawn, OH
Cancer-The Crab From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calendarium as p...
Category

1880s Art Nouveau Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

TUBE STAIRCASE - Unique Trial Proof
By Cyril Power
Located in Santa Monica, CA
CYRIL POWER (1874 - 1951) THE TUBE STAIRCASE, 1929 (Coypel CEP 11) Linocut, a likely unique proof impression of the key block in reverse, suggesting a counterproof. Unsigned. 17 ½” x 10”, sheet 20 x 14 ¾”. On a sheet of brown wove paper similar to newsprint. A few repaired tears in the margins. Provenance: Redfern Gallery, 2014 with label and inventory no. Redfern Gallery has represented the Grosvenor School...
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1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Linocut

Trees (Trees in Circle)
By Louise Nevelson
Located in Fairlawn, OH
Trees (Trees in Circle) Etching & drypoint with monotype inking, 1953-1955 Signed in pencil An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...
Category

1950s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching, Monotype

Deux Fois Rien (double or nothing)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created Deux Fois Rien which is signed by pencil. This impression is #12 of 30 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted w...
Category

Early 2000s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

The Lake
By Udo Claassen
Located in New Orleans, LA
German artist Udo Claassen created a dramatic landscape of this Icelandic scene in 1985 in an edition of 40. This is #33. Claassen was born in Itzehoe in the state of Schleswig-Hol...
Category

Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

TOD UND FRAU (DEATH AND WOMAN)
By Käthe Kollwitz
Located in Portland, ME
Kollwitz, Kathe. TOD UND FRAU (DEATH AND WOMAN). Knesebeck 107, State VII; Klipstein 103. Line etching, drypoint, sandpaper, soft ground with imprint of granulated tone paper and Zie...
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1910s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching

Courtesan Kumekichi
By Utagawa Kunisada (Toyokuni III)
Located in Fairlawn, OH
Courtesan Kumekichi Color woodblock, 1858 Kabuki Actor Iwai Kumesaburo III in the role of courtesan Kumekichi, who is standing in snow hold a red sake cup Publisher: Ohkuniya Kinjiro...
Category

1850s Other Art Style Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

Kataoka Nizayemon(?)
By Utagawa Kunisada (Toyokuni III)
Located in Fairlawn, OH
Exceptional, brilliant impression and colors from the extremely rare 1st edition Kataoka Nizayemon(?) Color woodcut, 1860 From the series: "Contemporary Brocade Mirror Portraits" Pub...
Category

1860s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

Kirill / Boy with Crossed Legs (peekaboo) - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. A signed Certificate of Authority will be included with all photographs. A nude boy...
Category

2010s Photorealist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Digital, Photographic Paper

Danseuse Créole
By Henri Matisse
Located in London, GB
Lithograph in colours based on the cut-out of the same title, 1952 From 'Verve' Magazine Volume IX, Nos 35 & 36: 'Dernières Oeuvres de Matisse 1950-54' Pr...
Category

1950s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Parabole 2 (Sunshine streams through clouds and trees as three men observe)
By Maurice Pasternak
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes traditional images of a sun-filled sky, dark shadows cast on water and through leafy trees all under the guise of thre...
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Late 20th Century Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

A LANCASHIRE RIVER,
By Sir Francis Seymour Haden, R.A.
Located in Santa Monica, CA
SIR FRANCIS SEYMOUR HADEN (1818-1910) A LANCASHIRE RIVER, 1881 (Schneiderman 203 viii/ix; Harrington 215 ii/ii) Original etching with drypoint. Signed in pencil., image 11 x 16. A large sheet, 18 x 22 inches with 3 inch margins. In very good condition. According to British dealer...
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1880s English School Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

Maggie
By Marcus Harvey
Located in London, GB
Silkscreen, 2016, on Somerset wove, signed and numbered from the edition of 25, published by Shapero Modern, London, printed by K2 Screens, London, imag...
Category

21st Century and Contemporary Young British Artists (YBA) Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Screen

York Factory II
By Frank Stella
Located in London, GB
Screenprint, 1974, on Arches Cover Black paper, signed, dated and numbered an AP aside from the edition of 100, published by Gemini G.E.L., Los Angeles., sheet: 46.9 x 112.8cm (18½ x...
Category

1970s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Screen

Hagoromo - Noh
Located in Myrtle Beach, SC
Matsuno Sofu (1899-1963), 'Hagoromo - Noh', woodblock print, 1937. Signed 'Sofu' with the artist's seal, lower right. A fine impression, with fresh color...
Category

1930s Showa Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

Old Hoadley House
By John Taylor Arms
Located in New Orleans, LA
This image was in the personal collection of the artist. The Wheeler-Beecher House, sometimes referred to as the Hoadley House, is located on Amity Road in Bethany, CT. Built at the ...
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1910s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

Still Life No. 5
By William H. Bailey
Located in Fairlawn, OH
Still Life No. 5 Lithograph, 1978 Signed, dated and numbered in pencil (see photos) Edition: 50 (24/50) Published by Solo Press, New York, 1978 Printer: Judith Solodkin, first femal ...
Category

1970s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Pyramus and Thisbe
By Augustus Edwin John
Located in Fairlawn, OH
Pyramus and Thisbe Etching, c.1906 Signed along bottom edge in pencil "Augustus E John" Edition: 25 Reference: Dodgson 91 ii/II Condition: Excellent Plate: 5 1/8 x 4" (13.02 x 10.16 ...
Category

Early 1900s Young British Artists (YBA) Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

Turn-about
By Rudy O. Pozzatti
Located in Fairlawn, OH
Turn- about Color Aluminum plate lithograph from three plates Signed, titled, and numbered in pencil by the artist "Bon-a-tirer" impression (BAT) This is the finished example that the artist approved as the model for the edition. Published at Lakeside Studio with the master printer Jack Lemon. Condition: Very good, one ink stain in the large margin, from printing Image size: 18 3 /4 x 23 1/4" 47.63 x 59.06cm Sheet size: 22 x 29 7/8" "Painter and printmaker Rudolph Otto "Rudy" Pozzatti was born in Telluride, Colorado, on January 14, 1925. Upon graduation from high school, he received a scholarship to attend the University of Colorado in Boulder where he enrolled as an art major. In 1943, his studies were interrupted by his induction into the U. S. Army. After his discharge in 1946, he re-enrolled in the University of Colorado where he studied under Wendell Black...
Category

1970s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Shunga: Twelve Signs of the Zodiac - Goat
Located in Fairlawn, OH
Shunga: Twelve Signs of the Zodiac - Goat Color woodcut with gauffrage (embossing) Unsigned (as usual) Format: Shikishiban Publisher: Privately produced Unusually well preserved with the fugitive blue still intact Image size: 5-1/8 x 5-3/4" Sheet size: 5 3/8 x 6 1/4" From Wikipedia, the free encyclopedia In this Japanese name, the surname is Isoda. Isoda Koryūsai (礒田 湖龍斎, 1735–1790) was a Japanese ukiyo-e print designer and painter active from 1769 to 1790. Life and career Koryūsai was born in 1735 and worked as a samurai in the service of the Tsuchiya clan. He became a masterless rōnin after the death of the head of the clan and moved to Edo (modern Tokyo) where he settled near Ryōgoku Bridge in the Yagenbori area. He became a print designer there under the art name Haruhiro in 1769, at first making samurai-themed designs. The ukiyo-e print master Harunobu died in 1770, and about that time Koryūsai began making prints in a similar style of life in the pleasure districts. Koryūsai was a prolific designer of individual prints and print series,[1] most of which appeared between 1769 and 1881. In 1782, Koryūsai applied for and received the Buddhist honour hokkyō ("Bridge of the Law") from the imperial court and thereafter used the title as part of his signature. His output slowed from this time, though he continued to design prints until his death in 1790. Works Koryūsai created a total of 2,500 known designs, or an average of four a week. According to art historian Allen Hockley, "Koryūsai may ... have been the most productive artist of the eighteenth century". The series Models for Fashion: New Designs as Fresh Young Leaves (Hinagata wakana no hatsumoyō, 1776–1781) ran for 140 prints, the longest known ukiyo-e print series of beauties. He designed at least 350 hashira-e pillar prints, numerous kachō-e bird-and-flower prints, a great number of shunga erotic prints, and others. Ninety of his nikuhitsu-ga paintings are known, making him one of the most productive painters of the period. Legacy Despite Koryūsai's productivity and popularity—both in his time and amongst later collectors—his work has attracted little scholarship. The first ukiyo-e histories written in the West in the 19th century elevated certain artists as exemplars; Koryūsai's work came to be seen as too indebted to Harunobu, who died in 1770, and inferior to that of Kiyonaga, whose peak period came in the 1880s. An example is Woldemar von Seidlitz's Geschichte des japanischen Farbenholzschnittes ("History of Japanese colour prints", 1897), the most popular of the early ukiyo-e histories, which paints Koryūsai as a successor to Harunobu and a rival of Kiyonaga in the 1770s who slipped into mediocrity and imitation of his rival by the end of the decade.[5] Interest lay mainly in the details of Koryūsai's life—a samurai who received court honours was unusual in the proletarian world of ukiyo-e. In 2021, contemporary woodblock printmaker David Bull...
Category

1770s Other Art Style Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

Untitled #5
By Thomas Nozkowski
Located in New York, NY
2012, 4-plate aquatint with 22 colors, 21 7/8 x 29 3/8 inches, edition of 25 For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a si...
Category

21st Century and Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Aquatint

Extended Frame with Separation
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category

21st Century and Contemporary Minimalist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

Haystack #5
By Roy Lichtenstein
Located in Fairlawn, OH
Haystack #5 Color lithograph and screen print, 1969 Signed and dated in pencil (see photo) From: Haystack Series (seven plates) see photo of entire portfolio Signed and dated in pencil Edition: 100 (74/100) Publisher: Gemini G.E.L., Los Angeles, CA, with their blaindstamp Reference: Paul Bianchini No. 33e Corlett and Fine 69 Condition: Excellent Fresh colors Small paper imperfection in bottom margin near the edge of the sheet Image size: 13 1/4 x 23 3/8 inches Sheet size: 20 ¾ x 30 ¾ inches Frame size: 23 ½ x 33 ¾ inches This is one of the finest images in the portfolio, inspired by Claude Monet's famous series of Haystack paintings...
Category

1960s Pop Art Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Screen

Lola De Valence
By Édouard Manet
Located in Fairlawn, OH
Lola De Valence Etching, 1862 Signed in the plate lower left: “Ed Manet” Printed on chine collee paper, without watermark From the first edition, published by Cadart and Luquet, Paris, before the removal of the inscription “ Ed. Manet sculpt” From the 1863 edition, before the 1874 Portfolio, 1890 Portolio. 1894 Dumont edition and the Strolin edition of 100 in 1905 Pencil inscription with title below the plate in the lower margin Conditiono: Excellent Image size: 10 7/8 x 6 7/8 inches Plate size: 18 3/4 x 13 inches Reference: Harris-Manet 33 iii/III Guerin-Manet 23 vi/VIII The painting that this etching is inspired by is in the collection of the Musee d'Orsay, Paris. "Lola de Valence is a painting by the painter Édouard Manet in 1862 . The canvas represents a dancer dressed intraditional Spanish clothes...
Category

1860s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

THE BIG HORSE CHESTNUT TREE
By Childe Hassam
Located in Portland, ME
Hassam, Childe. THE BIG HORSE CHESTNUT TREE, EASTHAMPTON. C/C 304. Etching, 1922. Signed with the cypher and inscribed "imp." in pencil, and signed, date...
Category

1920s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

The Irish Fair
By George Wesley Bellows
Located in Fairlawn, OH
Irish Fair Lithograph, 1923 Signed and numbered in pencil by the artist (see photo) Titled "Irish Fair" by the artist in pencil Edition: 84 Housed in an archival frame with acid free matting (see photo) Provenance: Estate of the artist, Bellows Family Trust H.V. Allison & Company (label) Private Collection, Columbus References And Exhibitions: Reference: Mason 153 Note: An illustration commissioned by The Century Company for Don Byrne's novel The Wind Bloweth Image: 18 7/8 x 21 3/8" Frame: 29 1/2 x 30 1/2" “Eleven on a hot July morning, and the little town...
Category

1920s Ashcan School Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

GAME-WORK #20
By Katsunori Hamanishi
Located in Santa Monica, CA
KATSUNORI HAMANISHI (b.1949) GAME-WORK #20 (S.22) c. 1984. Mezzotint, Signed titled and numbered 12/100 in pencil, 13 x 8 5/8 inches. Sheet 18 3/4 x 14 inches. In excellent condi...
Category

1980s Realist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

TWO GIRLS IN SUBWAY
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald. TWO GIRLS IN SUBWAY. S.58. Etching, 1928. Printed on cream-colored wove paper, with a watermark, upper left. One of only two proofs of ...
Category

1920s Ashcan School Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

In Search of New Beginnings 3
By Darius Steward
Located in Fairlawn, OH
In Search of New Beginnings 3 Puff pigment screen print with hand coloring, 2021 Signed with the artist's initials in the lower right corner (see photo) Titled in the lower left corn...
Category

2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Screen

Une Fois Rien (Once Again / No Action)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created Une Fois Rien which is signed by pencil. This impression is #12 of 30 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted wi...
Category

Early 2000s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

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