Ifpda International Fine Print Dealers Association Prints and Multiples
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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BADENDE MANNER: (THREE MALE BATHERS AT THE SHORE)
By Max Kaus
Located in Portland, ME
Kaus, Max. BADENDE MANNER: (THREE MALE BATHERS AT THE SHORE). Lithograph, c. 1924. Signed, lower left, in pencil, and numbered 6-10, further inscribed, lo...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Indian Friendship Dance
By Gene Kloss
Located in Fairlawn, OH
Indian Friendship Dance
Drypoint, 1953
Signed in pencil lower right, (see photo)
Edition 200
Published by The Society of American Graphic Artists, New York
An impression is in the collection of SAAM, Washington and RISD Museum,
Condition: Excellent
Very rich impression with burr and selective whiping of the ink for atmospheric nocturnal effect.
Image/Plate size: 8 3/16 x 11 15/16 inches
Sheet size: 11 1/8 x 17 inches
Reference: Kloss 450
"'Indian Friendship Dance' is an eloquent statement of something which Gene Kloss has both observed and participated in. It is an Indian dance that is thought of as entertainment, rather than ceremony, but it is essentially an idea expressed in action, and an idea that has universal meaning. The young men who dance wear costumes of exquisite workmanship, intricately wrought with beads and feathers and subtle combinations of colors. The dancers are trained from childhood but develop their own steps and exhibit distinctive strength and grace. Singers and a tom-tom accompany the dance and since it usually takes place at night, a campfire is the source of light. The conclusion occurs when all the onlookers, old and young and from many places, join hands with the dancers in a slow revolving movement, while those who can, sing the difficult but meaningful Indian song that flows with the rhythmical dance step and speaks of fellowship, brotherhood, friendship." - An excerpt from a descriptive statement, written by Lynd Ward, and distributed with the drypoint at the time of publication." Courtesy Old Print Shop
Born Alice Glasier in Oakland, CA, Kloss grew up amid the worldly bustle of the San Francisco Bay Area. She attended the University of California at Berkeley, graduating with honors in art in 1924. She discovered her talents in intaglio printmaking during a senior-year course in figurative drawing. The professor, Perham Nahl, held up a print from Kloss’ first plate, still damp from the printing process, and announced that she was destined to become a printmaker.
In 1925, Gene married Phillips Kloss, a poet and composer who became her creative partner for life. The match was uncanny, for in her own way Gene, too, was a poet and a composer. Like poetry, her artworks capture a moment in time; like music, her compositions sing with aesthetic harmony. Although she was largely self-taught, Kloss was a printmaking virtuoso.
On their honeymoon the Klosses traveled east from California, camping along the way. They spent two week is Taos Canyon – with a portable printing press cemented to a rock near their campsite – where Gene learned to appreciate the wealth of artistic subject matter in New Mexico. The landscape, the cultures, and the immense sky left an indelible impression on the couple, who returned every summer until they made Taos their permanent home 20 years later.
Throughout her life, Kloss etched more than 625 copper plates, producing editions ranging from five to 250 prints. She pulled every print in every edition herself, manually cranking the wheel of her geared Sturges press until she finally purchased a motorized one when she was in her 70s. Believing that subject matter dictated technique, she employed etching, drypoint, aquatint, mezzotint, roulette, softground, and a variety of experimental approaches, often combining several techniques on the same plate. She also produced both oil and watercolor paintings.
Kloss’ artworks are filled with drama. Her prints employ striking contrasts of darkness and light, and her subjects are often illuminated by mysterious light sources. Though she was a devout realist, there is also a devout abstraction on Kloss’ work that adds an almost mythical quality.
For six decades Kloss documented the cultures of the region-from images of daily life to those of rarely seen ceremonies. She and her husband shared a profound respect for the land and people, which made them welcome among the Native American and Hispanic communities. Kloss never owned a camera but relied instead on observation and recollection. Her works provide an inside look at the cultures she depicted yet at the same time communicate the awe and freshness of an outsider’s perspective.
Although Kloss is best known for her images of Native American and Penitente scenes, she found artistic inspiration wherever she was. During the early years of their marriage, when she and Phil returned to the Bay Area each winter to care for their aging families, she created images of the California coast. And when the Klosses moved to southwestern Colorado in 1965, she etched the mining towns and mountainous landscapes around her.
In 1970 the Klosses returned to Taos and built a house north of town. Though her artwork continued to grow in popularity, she remained faithful to Taos’ Gallery A, where she insisted that owner Mary Sanchez keep the prices of her work reasonable regardless of its market value. Kloss continued to etch until 1985, when declining health made printmaking too difficult.
From her first exhibition at San Francisco’s exclusive Gump’s in 1937 to her 1972 election to full membership in the National Academy of Design, Kloss experienced a selective fame. She received numerous awards, and though she is not as well known as members of the Taos Society of Artists...
Category
1950s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
Les Laveuses, 2e Pensee (The Washerwoman)
By Pierre-Auguste Renoir
Located in Fairlawn, OH
Les Laveuses, 2e Pensee (The Washerwomen)
Lithograph, c. 1910
Unsigned (as issued)
Edition: c.30-50 impressions
Condition: Rust spot, associated with pape...
Category
1910s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
SLEDGEHAMMERS
By Sybil Andrews
Located in Portland, ME
Andrews, Sybil (English/Canadian, 1898-1992), C. SA26.
"SLEDGEHAMMERS", Color Linocut, 1933, ed. 60 plus 4 trial proofs,
Ref. C. SA 26, 10-1/4 x 12-1/2, signed, titled and numbered 6...
Category
1930s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Linocut
Rue Furstenberg
By James Abbott McNeill Whistler
Located in Storrs, CT
Rue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only state. 8 7/8 x 6 1/4 (sheet 14 1/4 x 8 7/8). A fine ...
Category
Late 19th Century Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$5,500 Sale Price
26% Off
"Mr Abington" Vanity Fair Jockey
Located in New York, NY
Color lithograph from Vanity Fair of Mr. Abington. London, circa 1890.
Category
1890s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Paper
Merieanna
By Almery Lobel-Riche
Located in Fairlawn, OH
Merieanna
Etching and aquatint, c. 1900
Signed by the artist in pencil lower right
Titled in pencil lower right corner of sheet
Annotated "4" lower left below image
Publisher's dryst...
Category
Early 1900s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
Reclining Nude Holding a Necklace
By Albert de Belleroche
Located in Fairlawn, OH
Reclining Nude Holding a Necklace
Lithograph, c. 1908
Signed in pencil lower right (see photo)
Edition: c. 15
Reference: Belleroche No. 525
Condition: Excellent
Image: 16 3/4 x 20"
...
Category
Early 1900s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Patitcha
By Henri Matisse
Located in London, GB
Henri Matisse
Patitcha
1947
Aquatint on BFK Rives paper, Edition of 25
Paper size: 55.5 x 38 cms (22 x 15 ins)
Image size: 34.9 x 27.6 cm (13 3/4 x 10 7/8 ins)
HM15405
Selected Coll...
Category
1940s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
$100,000
INTERFACE
By Thomas Barrett
Located in Portland, ME
Barrett, Thomas. INTERFACE. Screenprint in colors, not dated. Edition of 100. Numbered 48/100, titled and signed and dated in pencil. 22 1/2 x 28 1/2 inches. In excellent condition.
Category
20th Century Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
Untitled (Martha Jackson Gallery Poster)
By Walasse Ting
Located in Fairlawn, OH
Untitled (Martha Jackson Gallery Poster)
Lithograph, 1960
Signed and dated in red crayon by the artist
Edition 90 (63/90)
1st state before letters for the poster created for the Martha Jackson Gallery, Ting Exhibition, April 23-May 31, 1960
Printed on wove paper with a ”JAPAN' watermark
Edition: 90
Provenance: Martha Jackson Gallery, New York
Anderson Gallery
David K. Anderson Collection (label)
Walasse Ting (Chinese: 丁雄泉, 13 October 1929 – May 17, 2010)[1] was a Chinese-American visual artist and poet. His colorful paintings have attracted critical admiration and a popular following. Common subjects include nude women and cats, birds and other animals.
He was born on 13 October 1929 in Shanghai, left China in 1946 and lived for a while in Hong Kong, then settled in Paris in 1952.[2] There, he associated with artists such as Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group CoBrA. Ting started his career as an artist in Paris in the 1950s, where he became friends with artists such as Sam Francis and Pierre Alechinsky. His early works were influenced by the CoBrA group, a European art movement known for its use of expressive, childlike imagery. In the 1960s, Ting moved to New York City and became associated with the Pop Art movement. Ting is perhaps best known for his series of paintings featuring women, which he called "Cat Women...
Category
1960s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Man, Wife and Child
By John French Sloan
Located in Fairlawn, OH
Man, Wife and Child
Etching, 1905
Signed and titled in pencil by the artist below image (see photo)
Annotated in pencil by the artist "100 proofs"
Signed and dated in the plate lower...
Category
Early 1900s Ashcan School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Debris
By Ray H. French
Located in Fairlawn, OH
Debris
Etching, engraving and color aquatint, 1947
Signed, dated, titled and number
Edition: 25 (1/25), never fully realized
Created in the artist's first year studying at the Univer...
Category
Mid-20th Century Abstract Geometric Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving, Etching, Aquatint
Beetle Engraving
Located in New York, NY
Seba, Albertus.
Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historiam.
Amsterdam, Wetsten, Smith, Jans...
Category
Mid-18th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Laid Paper
Winter Wildfowling
By Frank Benson
Located in New York, NY
This 1927 etching by Frank W. Benson is entitled Winter Wildfowling. Printed in an edition of 150 this impression is signed in pencil, lower left. The image size 11 7/8 x 9 7/8" (30 x 24.8 cm) and sheet size 15 1/16 x 12 5/8" (38.3 x 32 cm).
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
TAOS INDIAN JESTERS
By Gene Kloss
Located in Santa Monica, CA
GENE KLOSS (1903 – 1996)
TAOS INDIAN JESTERS, 1944
Etching and aquatint, Signed and titled in pencil. Edition 30. Image 11” x 13 7/8”, sheet 13 ¼ x 16 ½”. In very good condition sa...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
LE PENSEUR DE NOTRE DAME
By John Taylor Arms
Located in Portland, ME
Arms, John Taylor. LE PENSEUR DE NOTRE DAME. F.136. Etching, 1923. 1st State, edition of 150. 12 5/8 x 10 1/8 inches; 322 x 252 mm. Signed in pencil. In exc...
Category
1920s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Lino Litho BR, Planche IX
By Pierre Alechinsky
Located in Fairlawn, OH
Lino Litho BR, Planche IX
Linocut and lithograph, 1970
Signed lower right of central image (see photo)
Edition: 99 (56/99) (see photo)
Published by London Arts Group, Detroit
Conditi...
Category
1970s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Linocut
Lady in a Fur Cloak.
Located in New York, NY
Original pochoir process print (hand-colored stencil). Paris, ca. 1925. Displayed in a custom silver giltwood frame.
Category
1920s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Paper
Die Bettler (The Beggars)
By Max Beckmann
Located in Fairlawn, OH
Die Bettler (The Beggars)
Lithograph, 1922
Signed in pencil lower right (see photo)
From: Berliner Reise Series, Plate 7
Printed on wove paper
Edition: 100...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Fourteen
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint.
Edition of 50
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Intaglio
Robe Grise
By Victor Max Ninon
Located in Fairlawn, OH
Robe Grise
Pochoir (silk screen) printed in colors, 1923
Signed by the artist in pencil lower right (see photo)
The artist won a gold medal in Paris in 1925 for his pochoirs
Condition: Two spots in the upper left corner associated with the printing.
Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982)
Biography
Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators.
In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli .
In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia.
In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous.
His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Stencil
Alhambra XII
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled “Alhambra XII” in 1963. This piece is signed titled, and dated in pencil. The edition is 12, and paper size is 18 x 24 inches. “...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Landscape
By Cornelis Ploos van Amstel
Located in New York, NY
Original engraving by old master print-maker Ploos Van Amstel after Jan van Goyen. Holland, 1767. Unframed. Trimmed to size.
Category
1760s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Paper
$325
Rittersporn und Fingerhut (Larkspur and Foxglove)
Located in Fairlawn, OH
Rittersporn und Fingerhut
(Larkspur and Foxglove)
Color woodcut, printed on wove paper with mica flecks, 1916
Signed lower right (see photo)
Inscribed lower left (see photo)
Reference: Merx 276
Condition: good-very good
One spot of staining on the far left edge of the composition (see photo)
Color very fresh and vibrant
Full sheet as issued
Image size: 19 x 13 3/8 inches
Carl Thiemann...
Category
1910s Vienna Secession Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes)
By James Jacques Joseph Tissot
Located in Fairlawn, OH
L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes)
Etching, 1881
Unsigned (as usual for this state)
From: L'enfant prodigue, (The Prodigal Son, five plates)
Ed...
Category
1880s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
XXe Siecle, No. 34, Mai 1970
By Marc Chagall
Located in Fairlawn, OH
XXe Siecle, No. 34, Mai 1970
Color lithograph, 1970
Unsigned (as usual for XXeme Siecle edition)
From: XXe Siecle, Volume 34, 1970
Published by G. di San Lazzaro for A. Maeght, Paris...
Category
1970s French School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
As We Were
By Art Werger
Located in Fairlawn, OH
As We Were
Mezzotint printed on Hannemuelle Copperplate paper, 2014
Signed and dated in pencil lower right (see photo)
Titled lower left (see photo)
Chop stamp of the publisher, The ...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
Green Flesh or Candia Melon Aquatint by George Brookshaw
By George Brookshaw
Located in New York, NY
Plate LXIX [Green flesh or Candia melon] from Pomona Britannica; or, A collection of the most esteemed fruits.. with the blossoms and leaves.. by George Brookshaw. London, T. Bensle...
Category
Early 19th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Paper
View of Rialto Bridge in Venice
By Pierre Van der Aa
Located in New York, NY
Engraving of Veduta della Piazza, verso la Chiesa di S Marco by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 13.5"L x 10.5"H. Has the original center crease an...
Category
1720s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Paper
The Bridge, Santa Maria
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm.
A fine impression, printed with subtle tone.
The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter.
The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category
1870s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
Elephant
By Ray H. French
Located in Fairlawn, OH
Elephant
Engraing, 1957, printed 1988
Signed, dated, and titled in pencil by the artist
Dedicated: "For Jon From Ray"
Edition: 100 in two printings
This is an artist's proof from th...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
Flowering Cactus Engraving
By Johann Wilhelm Weinmann
Located in New York, NY
Original engraving by Johann Wilhelm Weinmann from "Phytanthosa Iconographia." Ratisbon, 1737-1745.
This plate: Cereus Minimus Serpens Americanus. [Cactus].
Mezzotint engraving print...
Category
Early 18th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Laid Paper
The Last Dynasty: Countess
Located in Lyons, CO
Color lithograph, Edition 30.
Known for paintings based on historical Chinese photographs, Hung Liu's subjects over the years have been prostitutes, refugees, street performers, s...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
My Work
By Joan Snyder
Located in New York, NY
Joan Snyder has been called an autobiographical, even confessional artist, who draws from her experiences and surroundings to create her paintings. While her subjects vary widely, Sn...
Category
1990s Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Woodcut
$3,500
Five Ideas for Sculpture
By Henry Moore
Located in Fairlawn, OH
Five Ideas for Sculpture
Lithograph, 1981
Signed and numbered in pencil by the artist lower margin. (see photos)
Edition: (35/50) 50
There were also 15 Roman Numeral artist's proofs....
Category
1950s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Downtown, The El
By John Marin
Located in New York, NY
John Marin (1870-1953), Downtown, The El, etching, 1921, signed in pencil lower left (also signed and dated in the plate). Reference: Zigrosser 134, only state. Published initially by Alfred Stieglitz and then included as part of the Folio of American Etchings by the magazine The New Republic in 1924, in an edition of unknown size but probably above 500. In very good condition, the full sheet, on Van Gelder wove paper, 6 3/4 x 8 3/4, the sheet 11 x 13 3/4 inches.
Provenance: Hirschl and Adler Galleries, Inc., New York, New York.
A fine bright impression.
Initially the New Republic Set, sometimes known as Six American Etchings, contained Marin’s Brooklyn Bridge No. 6 (Swaying) (Zigrosser 112). But after a small number of sets were completed, Downtown the El was substituted for Zigrosser 112 (and so the number of Downtown The Els in the set would have been a bit fewer than the others in the set). Zigrosser, who apparently had not seen a complete set at the time he created the catalogue raisonne, conjectured that the substitution might have been because the original plate was damaged. But since the printer, Peter Platt, was the most renowned artist’s printer of his time, and worked alone, it is unlikely that he would have damaged the plate; a more likely possibility is that he switched to a print that was more comparable in size to the others in the set (The Brooklyn Bridge print...
Category
1920s Futurist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
La Casita Azul
By Emilio Sanchez
Located in New York, NY
“LA CASITA AZUL”
Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casita Azul” circa 1970. The image size is 21.50 x 31.25 inches and the paper size 23.13 x 33 inches. Printed in an edition of 100 this impression is inscribed “91/100” - the 54th impression of 100. Pencil signed in the lower right and inscribed in the lower left.
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
Late 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
FROZEN CUSTARD and STUDY FOR FROZEN CUSTARD
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald. FROZEN CUSTARD. S.183. Etching and engraving, 1939. Second State of two. Edition of only 18, printed by Marsh and signed and titled in pencil. 7 x 10 inches, 178 x 2...
Category
1930s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Ink, Engraving, Etching
PKZ- Man in Bowler Hat - Reprint 1981
By Niklaus Stoecklin
Located in New York, NY
PKZ Reprint - 1981 - Official 1981 reprint for Kunstgewerbemuseum, Zurich Printer: JE Wolfensberger
Niklaus Stoecklin – PKZ – 1935
PKZ Burger-Kehl & Co. AG, Zurich, C
Switerland
Lit...
Category
1980s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Untitled (Plate 2) DLM
By Alexander Calder
Located in Fairlawn, OH
Untitled (Plate 2) DLM
Color lithograph, 1963
Unsigned and unnumbered (as issued)
From: Derriere le Miroir, No. 141
Published by A. Maeght, Paris
Printer: Mourlot Freres, Paris
Note...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Le monocycle (Performer on a Unicycle)
By Bernard Buffet
Located in Fairlawn, OH
Le monocycle (Performer on a Unicycle)
Color lithograph, 1968
Signed and numbered in pencil lower left corner
From the portfolio "Mon Cirque" (My Circus)
Edition: 120 (12/120)
Refere...
Category
1960s French School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Kataoka Nizayemon(?)
By Utagawa Kunisada (Toyokuni III)
Located in Fairlawn, OH
Exceptional, brilliant impression and colors from the extremely rare 1st edition
Kataoka Nizayemon(?)
Color woodcut, 1860
From the series: "Contemporary Brocade Mirror Portraits"
Pub...
Category
1860s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Piano Daude
By Andre Daude
Located in New York, NY
The stunning design of this Vintage Original poster Piano Daude,was created by Andre Daude the owner for the Piano store on Avenue Wagram in Paris. The s...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
PLONGEON
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William (English, 1901-1988). PLONGEON. B/M 374. Engraving and soft-ground etching in colors, 1974. 23 x 19 1/4 inches; 583 x 460 mm. (plate), 29 3/4 x 22 inches (sh...
Category
1970s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving, Etching
Maggie
By Marcus Harvey
Located in London, GB
Silkscreen, 2016, on Somerset wove, signed and numbered from the edition of 25, published by Shapero Modern, London, printed by K2 Screens, London, imag...
Category
21st Century and Contemporary Young British Artists (YBA) Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
Untitled
By Frank Stella
Located in Fairlawn, OH
A unique example of a section of color lithograph including hand editions by the artist, collaged on a support board.
Signed, dated, and inscribed "For Pat" in ink in the image. (s...
Category
1990s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Ladies Dress Shoes. Plate X.
By T. Watson Greig 1
Located in New York, NY
LADIES DRESS SHOES. Plate X.
The charming color lithograph from “Ladies’ Dress Shoes of the Nineteenth Century” was assembled by the antiquarian/shoe ...
Category
Early 1900s Naturalistic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Untitled (Moulin Rouge and other Paris landmarks)
By Robert Delaunay
Located in Fairlawn, OH
Untitled (Moulin Rouge and other Paris landmarks)
Lithograph, 1926
Rare signed in pencil proof on chine paper (see photo)
Lithograph from Joseph Delteil's "Allo, Paris," published by...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Model Contemplating Sculpture
By Pablo Picasso
Located in New York, NY
Pablo Picasso, Model Contemplating Sculpture, etching, signed in pencil, 1933, a fine impression, published by Vollard, from the Vollard Suite, edition of 310, Bloch 175, Geiser 328...
Category
1930s Cubist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Les deux tures coifffes d’un turban avec une aigrette (The turban with crest)
By Jacques Callot
Located in Fairlawn, OH
Les deux tures coifffes d’un turban avec une aigrette
(The two headdresses of a turban with a crest)
Etching, 1618
From: Varie Figure (16 plates)
Condition: Trimmed withing the plate...
Category
1610s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Vive le Vin
By Hippolyte Bellangé
Located in Fairlawn, OH
Medium: Lithograph with tint stone
Dimensions: Sheet: 13 3/4 x 10 1/2" (34.80 x 26.70 cm); Mat: 20 x 16"
Publisher: G. Engelmann
References And Exhibitions:
Published by G. Engelmann
Reference: Beraldi p. 17Medium: Lithograph with tint stone
Dimensions: Sheet: 13 3/4 x 10 1/2" (34.80 x 26.70 cm); Mat: 20 x 16"
Publisher: G. Engelmann
References And Exhibitions:
Published by G. Engelmann
Reference: Beraldi p. 17
Medium: Lithograph with tint stone
Dimensions: Sheet: 13 3/4 x 10 1/2" (34.80 x 26.70 cm); Mat: 20 x 16"
Publisher: G. Engelmann
References And Exhibitions:
Published by G. Engelmann
Reference: Beraldi p. 17
Joseph Louis Hippolyte Bellangé (17 January 1800 – 10 April 1866) was a French battle painter and printmaker. His art was influenced by the wars of the first Napoleon, and while a youth, he produced several military drawings...
Category
1820s Romantic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Ostend Bathing Machine.
By Edmund Blampied
Located in Storrs, CT
1926. Drypoint. Appleby 119. 6 7/8 x 8 7/8 (sheet 9 x 12 1/4). Edition 100, #97. Printed by David Strang on cream laid paper. Wrinkling in the margins; otherwise fine condition. A rich impression with tonal wiping and drypoint burr. Signed and numbered in pencil.n pencil. Housed in a 16 x 20-inch archival mat, suitable for framing.
The bathing machine...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
Tommy's Pond
By Gabor F. Peterdi
Located in Fairlawn, OH
Tommy's Pond
Etching, aquatint and intaglio, 1966
Signed, dated and numbered in pencil
Image/Plate size: 13 7/8 x 10 7/8 inches
Sheet size: : 20 1/16 x 14 7/16 inches
From: The Portf...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Intaglio
Untitled
By Henri Goetz
Located in Fairlawn, OH
Untitled
Signed in pencil lower right (see photo)
Edition: 25 (9/25) (see photo)
Engraving, drypoint & carborundum
Printed by the artist
Condition: Excellent, slight residue on rever...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
SUBWAY TECHNIQUE
By Minna Citron
Located in Portland, ME
Citron, Minna (American, 1896-1991). SUBWAY TECHNIQUE. Lithograph, 1933. Edition of 20, numbered 10/20, titled, and signed in pencil. A few spots of foxing in the margins, away from ...
Category
1930s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Beginners and Others
By Ross Bleckner
Located in Berkeley, CA
Color sugarlift and spitbite aquatints and aquatint.
Somerset white paper
Image size 20" x 20"
Paper size 29" x 28"
Edition of 35
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
BAIGNEUSES
By Henri Fantin-Latour
Located in Santa Monica, CA
HENRI FANTIN-LATOUR (French 1836-1904)
BAIGNEUSES (4e grande planche), 1898 (Hediard 138 II/II)
It’s one of 6 works that formed a suite of images published ...
Category
1890s French School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$650 Sale Price
31% Off
Running the Rapids
By Frank Benson
Located in New York, NY
The etching "Running the Rapids" was created by Frank Benson in 1927. Printed in an edition of 150, this impression is signed in pencil, lower left. The image size is 5 13/16 x 7 7/8" (14.8 x 20 cm) and sheet size 8 1/16 x 10 5/16" (20.3 x 26.2 cm).
Frank Weston Benson (1862-1951), well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Ruckus Tugboat
By Red Grooms
Located in Lyons, CO
Color 3-D lithograph in Plexiglas box, Ed. 45.
Grooms, who has devoted much of his distinguished career to portraying his New York City home, turns his eye to New York’s harbor and its hardworking tugboats in this three-dimensional lithograph. This tug, the ”Lysiane”, steams through rolling waves…with smoke billowing from the smokestack. Sailing past a buoy with a seagull perched on top….the deck hand prepares to throw a lifesaver to a man overboard. Hidden in the waters are a green suited man with concrete...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
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