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Ifpda International Fine Print Dealers Association Prints and Multiples

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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'Le Paradis Terrestre' (Paradise on Earth) — French Symbolism
By Edouard Goerg
Located in Myrtle Beach, SC
Edouard Goerg, 'Le Paradis Terrestre' (Paradise on Earth), etching, 1931, edition 40. Signed, titled, and numbered '3/40' in pencil. A fine richly-inked impression, on heavy, cream w...
Category

1930s Symbolist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

untitled (Returning Home with Supplies)
By Gustav Hagermann
Located in Fairlawn, OH
untitled (Returning Home with Supplies) Signed in pencil by the artist lower right (see photo) Signed by his printer, Otto Felsing lower left ((see photo) Annotated in pencil: "In kupfer geschnitten von einen Lapplander" Printed by Otto Felsing, one of Germany's master printers of the era One of several engravings Hagemann made based upon actual drawings given to him by Laplanders. Gustav Hagemann was born on February 17, 1891, in Engelnstedt, Salzgitter, Germany. Hagemann attended high school in Wolfenbüttel and studied at the art school, in Kassel, Germany. After graduating as an art teacher, he became a trainee teacher in Torgau in Saxony. He fought in the First World War between 1914-1918. After the war he studied art from 1920...
Category

1930s Outsider Art Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint

La Pique (The Pike)
By Pablo Picasso
Located in Fairlawn, OH
La Pique (The Pike) Lithograph, 1950 Original lithograph drawn with chalk and "frottage textures" transferred to stone, 1950. Unsigned printer's proof Inscribed on the verso in Mourl...
Category

1950s French School Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Mosque of the Sultan Bayazid, Constantinople — Vintage Realism
By Louis Conrad Rosenberg
Located in Myrtle Beach, SC
Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...
Category

1920s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint

Vedute di Roma (3rd state) (Frontispiece of series, with Statue of Minerva)
By Giovanni Battista Piranesi
Located in Chicago, IL
Views of Rome (Vedute di Roma): Frontispiece for the whole series, with Statue of Minerva. A fine impression of the rare 3rd state (of seven) of this m...
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Mid-17th Century Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

Untitled
By Robert Motherwell
Located in London, GB
29.88 x 22.36 ins (75.9 x 56.8 cms) Edition of 96 Signature:Signed "R. Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right ...
Category

1970s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Color, Etching, Aquatint

Limoges (French Church Series #32)
By John Taylor Arms
Located in Myrtle Beach, SC
John Taylor Arms, 'Limoges (French Church Series #32)', etching, 1932, edition 142, third (final) state impressions, Fletcher 244. Signed, dated, and annotated 'Ed 100 III' in pencil. A superb, finely detailed impression, in warm black ink, on antique, pale gray laid paper, with full margins (1 1/16 to 1 1/2 inches); adhesive stains in the bottom left and right sheet corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. A view of Limoges, France and the Saint-Martial Bridge from the far side of the Vienne river. According to Fletcher, author of the catalogue raisonné on the artist's graphic work, this etching is among the artist’s preferred plates. Published references: "An Appreciation to John Taylor Arms 1887-1953", in PRINT, Vol. VIII #5 P. viii, Feb.-March 1954. Impressions of this print are in the permanent collections of the Davis Museum at Wellesley College, National Gallery of Art, Saint John’s University, Smithsonian Institution, and Wake Forest University. ABOUT THE ARTIST “John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York. In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...
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1930s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

Carcere ascura
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Carcere ascura Etching, 1743 Signed in the plate bottom left corner From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s This image foretells Piranesi's famous set, Carceri (Prisons) which is his next creative effort. Condition: Horizontal crease midway in the sheet associated with the manufacture of the paper. Visible watermark verso Small printer crease in the bottom right below the caption plate. Image size: 14 1/2 x 9 1/2 inches Reference: Robison 3 iii/VI Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
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1740s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

L'Univers est créé
By Paul Gauguin
Located in London, GB
Gauguin came back to Paris in August 1893 from his first stay in Tahiti, In the luggage numerous drawings and preparatory work for a book designed by him. In collaboration with the writer Charles Morice, parts of the text "NOA NOA" were created in Paris in the winter of 1893-1894. The plan was for a preferred edition with 10 almost identical woodcuts, all of which were made in the winter of 1893-1894. According to the individual proto-prints by Gauguin, the artist left the artist to Louis Roy...
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1890s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

Broad Street (Wall Street)
By Bror Julius Olsson Nordfeldt
Located in Myrtle Beach, SC
B.J.O. Nordfeldt, 'Broad Street (Wall Street)', etching, edition not stated, c. 1915. Signed in pencil. A superb impression, with rich burr, selectively wiped plate tone, and inky plate edges, on cream wove paper; the full sheet with margins (3/4 to 1 1/4 inches), in excellent condition. Printed by the artist. Matted to museum standards, unframed. Impressions of this work are in the permanent collections of the Fine Arts Museums of San Francisco, Princeton University, Smithsonian American Art Museum. A view looking down Broad Street past the New York Stock Exchange Building on the right with the columned Federal Hall...
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1910s American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

'Forms in White' – Mid-Century Abstraction
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Forms in White', color serigraph, 1950, edition 30, Ryan 85. Signed in pencil. Dated, titled, annotated 'ED. 30' and '5 COLORS' in the screen, bottom center sheet edg...
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Mid-20th Century Abstract Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Screen

Chrysler Building (Chrysler Building in Construction)
By Howard Norton Cook
Located in New York, NY
Howard Cook (1901-1980), Chrysler Building (Chrysler Building in Construction) – –1930, Wood Engraving. Duffy 122. Edition 75, only 50 printed. 19...
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1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

Una (The Young Creole)
By Gerald Leslie Brockhurst
Located in Storrs, CT
Una (The Young Creole). 1929. Etching. Fletcher 65 catalog iv/x. Image: 8 1/2 x 6 1/4 (sheet 15 3/8 x 10 1/4). Edition of 3 in this state (total 140 impressions). A very rich impress...
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Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

Phantasy
By Carl Hoeckner
Located in Santa Monica, CA
CARL HOECKNER (1883 – 1972) PHANTASY c 1935 Lithograph edition unknown, but rare. Slight glue stain upper margin. 10 ½” x 15 ¾” ...
Category

1930s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Phantasy
Phantasy
$750 Sale Price
23% Off
WORLD MAP - Planisphaerium Terrestre Sive Terrarum Orbis... 1696
By Carel Allard
Located in Santa Monica, CA
CAREL ALLARD (1648 – 1709) PLANISPHAERIUM TERRESTRE SIVE TERRARUM ORBIS… 1696 (Shirley 578) Engraving, 20 ½ x 23 ½”, sheet 21 x 24 1/8". A stunning double hemisphere World Map...
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17th Century Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Engraving

ISRAEL (1951 Mexican Homage Poster)
By Fanny Rabel
Located in Santa Monica, CA
FANNY RABEL (1922 – 2008) and ALBERTO BELTRAN (B. 1923 ISRAEL - 2 Conferencias por Vocente Lombardo 1951 (P.134) Linocut in 3...
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1950s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Linocut

Lion Défendant sa Proie (Lion Defending Its Prey)
By Joseph Hecht
Located in Myrtle Beach, SC
Joseph Hecht, 'Lion Défendant sa Proie (Lion Defending Its Prey)', engraving, 1931, edition 50, Tonneau-Ryckelynck & Plumart 215. Signed and numbered '18/50' in pencil. A fine impres...
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1930s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Engraving

'Mokihana (Hawaii)' — Classic Polynesian Portrait
Located in Myrtle Beach, SC
John Melville Kelly, 'Mokihana (Hawaii)', drypoint, 1946. Signed, titled, and annotated 'No 5' in pencil. A superb, finely nuanced impression, in dark brown ink, on cream wove Japan ...
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1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint

'Corner of Steel Plant' — American Modernism / Precisionism
By Louis Lozowick
Located in Myrtle Beach, SC
Louis Lozowick, 'Corner of Steel Plant', lithograph, 1929, edition 25, and 10 printed in 1972; Flint 21. Signed, titled, dated, and numbered 'I/X' in penci...
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1920s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Her Blue Deeps
By Sam Francis
Located in New York, NY
Samuel Lewis Francis (1923 – 1994) was an American painter and printmaker. He received both his BA and MA degrees from University of California, Berkeley, where he studied art, botany, medicine and psychology. Francis was initially influenced by the work of abstract expressionists such as Mark Rothko, Arshile Gorky and Clyfford Still. He later became loosely associated with a second generation of abstract expressionists, including Joan Mitchell and Helen Frankenthaler, who were increasingly interested in the expressive use of color. Because Francis worked and exhibited in the United States, Europe and Asia, he is credited with helping secure international recognition for postwar American painting...
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Late 20th Century Abstract Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

A Sunset in Ireland.
By Seymour Haden
Located in Storrs, CT
A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman catalog number 47 state vii/xiv. 5 1/2 x 8 1/2 (sheet 6 7/8 x 9 1/2). An extremely rich impression with drypoint burr, p...
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19th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching

Untitled
By Henri Goetz
Located in Fairlawn, OH
Untitled Signed in pencil lower right (see photo) Edition: 25 (9/25) (see photo) Engraving, drypoint & carborundum Printed by the artist Condition: Excellent, slight residue on rever...
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1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching

Lotus
By Hiroki Morinoue
Located in Lyons, CO
Color woodcut, Edition 30. Lotus is a twenty-six color woodcut from seven woodblocks printed in an edition of 30, plus proofs, on white Thai Mulberry paper. In this print, a compe...
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21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

'Le Tir Forain' (Fairground Shooting) — 1920s French Cubism
By Jean-Emile Laboureur
Located in Myrtle Beach, SC
Le Tir Forain, engraving, edition 108, 1920-21, Sylvain Laboureur 191. Signed and numbered '19/85 ép' in pencil. Initialed 'L' and dated 1920 in the matrix,...
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1920s Cubist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Engraving

'Judgment of Souls' — Surrealist Fantasy
Located in Myrtle Beach, SC
Zena Kavin, 'Judgment of Souls', lithograph, c. 1935, edition 20. Signed, titled, and numbered '17/20' in pencil. A fine, richly-inked impression, on cream wove paper, with full marg...
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1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

'Victim of Misfortune and Folly' — Surrealist Fantasy
Located in Myrtle Beach, SC
Zena Kavin, 'Victim of Misfortune and Folly, lithograph, c. 1935, edition 20. Signed, titled, and numbered '17/20' in pencil. A fine, richly-inked impression, on cream wove paper, wi...
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1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

PKZ Man with Top Hat
By Johann Arnold
Located in New York, NY
PKZ vintage Poster (man in top hat). 1927, Color lithograph. Lined on linen. PKZ has and still is an important department store in Zurich, Switzerland...
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1920s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

The Shadowed Valley.
By Sir Frank Short
Located in Storrs, CT
Sir Frank Short, R.A., P.R.E. 1857-1945. The Shadowed Valley. 1927. Mezzotint. Hardie 128. 14 3/8 x 19 3/8 (sheet 19 x 24). A rich, glowing impression p...
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1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

Women
By Jose Clemente Orozco
Located in Santa Monica, CA
JOSE CLEMENTE OROZCO (1893 – 1949) WOMEN, 1934 ( Orozco 25) Lithograph, One of 127 signed & unnumbered impressions, (total printed 255) Printer Jesus Arteaga. Image 12 1/2 x 17 inches, sheet 17 x 23 inches. Large sheet. top sheet edge with deckle edge and with some remnants of old old tape. Some slight mat burn verso., just a hint on the recto. This impression is also dedicated to Rosita Boyce by Clemente Orozco - (the Artist's Son) in 1961 From "Jose Clemente Orozco - Graphic Work" by Clemente Orozco, University of Texas Press, 2004. "The image is a detail of the Mural "Contemporary World" in the Palace of Fine Arts, Mexico City. The mural depicts "the real prostitution of power is implied by prostitutes fighting for survival. in a game of exuberance and decadence. The theme of women, especially prostitutes, has a special significance in Orozco's work, from his early watercolors to this fresco.." This print is related to Orozco's MACHINES also on 1stdibs offered by this dealer. Mexican Prints...
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1930s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Naked Young Man Sitting On Lopped Branch; Naked Young Woman Sitting on a Branch.
By Eric Gill
Located in Myrtle Beach, SC
Wood engraving, 1930, edition small, Physick 642 / 643. Initialed in pencil. Two blocks printed on a single sheet: fine impressions on cream laid Japan with full margins (1 1/2 to 2...
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1930s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

Grand-mere (effet de lumiere)
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), Grand-mere (effet de lumiere), etching and drypoint, 1889, signed in pencil lower right, titled lower left, inscribed “No 3 – ...
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1880s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching

JOE MCDONALD
By David Hockney
Located in Portland, ME
Hockney, David. JOE MCDONALD. Scottish Arts Council 175. Gemini DH76-767. Lithograph in two blacks, 1976. Done in crayon on both a stone and an aluminum ...
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1970s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

ABS, Lithograph

As We Were
By Art Werger
Located in Fairlawn, OH
As We Were Mezzotint printed on Hannemuelle Copperplate paper, 2014 Signed and dated in pencil lower right (see photo) Titled lower left (see photo) Chop stamp of the publisher, The ...
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2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

Debris
By Ray H. French
Located in Fairlawn, OH
Debris Etching, engraving and color aquatint, 1947 Signed, dated, titled and number Edition: 25 (1/25), never fully realized Created in the artist's first year studying at the Univer...
Category

Mid-20th Century Abstract Geometric Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Engraving, Etching, Aquatint

THREE'S A CROWD
By Marguerite Kirmse
Located in Santa Monica, CA
MARGUERITE KIRMSE (English/American 1885-1954) THREE’S A CROWD, c 1930 Etching, signed and titled in pencil. Plate 6 3/8 x 9 ¾ inches. Full sheet with edges on all sides. Sheet 10 5/8 x 13 5/8 inches. In good condition, save for old tape on sheet edges verso, showing through to recto. A hint of a mat line below the signature Kirmse is considered to be one of the most important etchers of Dogs. Sheet with even white tone - photos show oblique shadows From Wikipedia: Marguerite first trained as a harpist at the Royal Academy of Music but spent much of her spare time drawing animals. She went to the United States in 1910 on holiday with friends but stayed there.[4] She was not successful in advancing her musical career and focused her attention increasingly on her animal drawing, which she developed by frequent sketching trips to the Bronx Zoo.[5] In 1921 she started producing etchings of dogs...
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1930s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

Noémie (Marguérite).
By Gerald Leslie Brockhurst
Located in Storrs, CT
Noémie (Marguérite). 1926. Etching. Fletcher catalog 57 state vi 7 1/8 x 4 3/16 (sheet 10 15/16 x 8 7/16). Edition 111 in this state (total 132 impressions). A fine impression print...
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Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

Crushed Beetle / Fragile Series
By Lois Ward
Located in New Orleans, LA
Lois Ward created a Fragile Series of images including "Crushed Beetle" in 1990 in a very small edition of just 9. This impression is #1 of 9. Ward has always been concerned with t...
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1990s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

Leaf
By Christine Ravaux
Located in New Orleans, LA
This image is #17 of an edition of 35 Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed see more . . . th...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

Leaf
Leaf
$78 Sale Price
35% Off
NIGHT WINDOWS
By John Sloan
Located in Portland, ME
Sloan, John (American, 1871-1951). NIGHT WINDOWS. Morse 152. Etching and drypoint, 1910. The 5th state of 5. Edition of 100. Titled, signed, and inscribed...
Category

1910s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching

San Marco [Venice].
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat. Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice. When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching, Aquatint

Untitled (Plate 1) DLM
By Alexander Calder
Located in Fairlawn, OH
Untitled (Plate 1) DLM Color lithograph, 1963 Unsigned and unnumbered (as usual) From: Derriere le Miroir, No. 141 Published by A. Maeght, Paris Image/sheet size: 14 7/8 x 11 inches...
Category

1960s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Girders (rainy night view of artist's former studio in Washington Heights
By Craig McPherson
Located in New Orleans, LA
"Griders" is Craig McPherson's rainy night scene showing the view from his former studio in Washington Heights in NYC. The image is the companion pi...
Category

1980s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

Rainy Night in Rome.
By Sir Muirhead Bone
Located in Storrs, CT
Rainy NIght in Rome.. 1913. Drypoint. Dodgson 299.x. 12 x 9 (sheet 16 x 11 1/4). Edition 125 in 10 states. A rich impression with burr and tonal wiping. Pr...
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1910s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching

Rainy Night in Rome
By Sir Muirhead Bone
Located in Fairlawn, OH
Rainy Night in Rome Drypoint, 1913 Signed in pencil and titled in the lower margin by the artist (see photo) Provenance: Kennedy Galleries, Stock # A6538 Reference; Doddgson 299 _/X ...
Category

1910s English School Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint

Interior with Red Shawl (Young woman reads in this calm Vermeer-like interior)
Located in New Orleans, LA
Interior with a red shawl conveys a quite different mood and feeling: one of calm, and suspension of time. Here the suggestion is that the woman is waiting ...
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Early 20th Century Dutch School Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

Nude drawing (Nude on her haunches draws ) - In Celebration of Pride Month
By Joseph Hirsch
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. A nude woman squats on her haunches as she draws an image on a sheet of paper. Jos...
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1960s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

February -- Orchid. (Nigatsu - Ranjo no saku).
By Shiko Munakata
Located in Storrs, CT
February -- Orchid. (Nigatsu - Ranjo no saku). 1956. Woodcut with hand-applied color from the verso. Kodansha vol.9 No. 125. 17 x 13 (sheet 18 1/4 x 21 1/2). Series: Calender in the ...
Category

Mid-20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Watercolor, Woodcut

The Thames from Waterloo.
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
The Thames from Waterloo Bridge. 1913. Etching. Dickins 12. 3 3/4 x 7 1/16 (sheet 7 x 10 15/16). Edition 100. A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil. Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford and Rome. The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing. Opened in 1890, the Forth Bridge...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

END OF THE DAY
By Robert Gwathmey
Located in Portland, ME
Gwathmey, Robert (American, 1903-1988). END OF THE DAY. Williams 4. Screenprint in colors, 1944. Edition size not known. Signed in ink, lower right, within the image. 12 1/4 x 14 ...
Category

1940s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Screen

Pisces-The Fish
By Eugène Grasset
Located in Fairlawn, OH
Pisces From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calendarium as published ...
Category

1880s Art Nouveau Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Le monocycle (Performer on a Unicycle)
By Bernard Buffet
Located in Fairlawn, OH
Le monocycle (Performer on a Unicycle) Color lithograph, 1968 Signed and numbered in pencil lower left corner From the portfolio "Mon Cirque" (My Circus) Edition: 120 (12/120) Refere...
Category

1960s French School Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Merry Beaglers: Hunting Lithograph
Located in New York, NY
Color printed aquatint engraving with additional contemporary hand-colored details. Engraved by John Harris after the painting by Harry Hall. London, 1897. ...
Category

1890s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Paper

Night Life at the Moulin Rouge
By Henry Somm
Located in Fairlawn, OH
Night Life at the Moulin Rouge Pen and ink drawing, c. 1890 Signed lower left (see photo) A scene of the night life near the Moulin Rouge, Paris. The Moulin Rouge is the famous caba...
Category

Late 19th Century French School Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Ink

'Interim' from the series 'Graphic Tectonics' —Mid-Century Geometric Abstraction
By Josef Albers
Located in Myrtle Beach, SC
Josef Albers, 'Interim' from the series 'Graphic Tectonics', zinc plate lithograph, 1942, edition 30, Danilowitz 101. Signed, titled, dated, and numbered '3/30' in pencil. A fine imp...
Category

1940s Abstract Geometric Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

El Vergonzoso (Plate 54) (Los Caprichos Series)
By Francisco Goya
Located in London, GB
Francisco Jose Goya Y Lucientes El Vergonzoso (Plate 54) (Los Caprichos Series) 1799 Etching with aquatint 31.5 x 20.5 cms (12.4 x 8.1 ins)
Category

Late 18th Century Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

POLSTER (The Cushion)
By Max Kurzweil
Located in Santa Monica, CA
MAXIMILLIAN KURZWEIL (Austrian 1867-1916) DER POLSTER / THE CUSHION, 1903. Color woodcut printed on laid japon paper, affixed as usual to a support sheet from its upper sheet edge...
Category

Early 1900s Vienna Secession Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

Lux Aeterna I (Eternal Light -The Requiem/ copters hover over fearful refugees)
By Ana Maria Pacheco
Located in New Orleans, LA
Ana Maria Pacheco portrays the fear and feelings of the displacement of refugees cowering beneath helicopters overhead. The title of the work refers ...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint

Les Laveuses, 2e Pensee (The Washerwoman)
By Pierre-Auguste Renoir
Located in Fairlawn, OH
Les Laveuses, 2e Pensee (The Washerwomen) Lithograph, c. 1910 Unsigned (as issued) Edition: c.30-50 impressions Condition: Rust spot, associated with pape...
Category

1910s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

'Skyline from Jersey Heights' — 1930s Modernism
By Adriaan Lubbers
Located in Myrtle Beach, SC
Adriaan Lubbers, 'Skyline from Jersey Heights', lithograph, 1930, edition 25. Signed, titled, and numbered '4/XXV' in pencil. Dated 'Paris 1930' in pencil. A fine impression, on crea...
Category

1930s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

FROZEN CUSTARD and STUDY FOR FROZEN CUSTARD
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald. FROZEN CUSTARD. S.183. Etching and engraving, 1939. Second State of two. Edition of only 18, printed by Marsh and signed and titled in pencil. 7 x 10 inches, 178 x 2...
Category

1930s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Ink, Engraving, Etching

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