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Ifpda International Fine Print Dealers Association Prints and Multiples

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Portrait de petite fille, en buste, cheveux sur les epaules (Ellen 14 ans)
By Paul César Helleu
Located in Fairlawn, OH
Portrait de petite fille, en buste, cheveux sur les epaules (Ellen 14 ans) Portrait of a little girl, bust, hair on shoulders) Drypoint, 1902 Signed lower right corner Very small ed...
Category

Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint

SOLITUDE
By Mary Nimmo Moran
Located in Portland, ME
Moran, Mary Nimmo (American 1842-1899). SOLITUDE. Etching, 1880. Initialed and dated in the plate, lower right. 5 1/2 x 7 5/8 inches, plus margins. Framed to 10 1/4 x 13 1/4 inches. ...
Category

1880s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

Une Fois Rien (Once Again / No Action)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created Une Fois Rien which is signed by pencil. This impression is #12 of 30 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted wi...
Category

Early 2000s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

September Morn - In Celebration of Pride Month
By Joseph Hirsch
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Three women strolling on a beach. This impression is one of the rare impressions p...
Category

1960s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Untitled
By Mikulas Kravjansky
Located in Fairlawn, OH
Signed and dated '99 in white
Category

1990s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mixed Media

MANHATTAN CLIFFS (Large Lithograph)
By Mark Freeman
Located in Santa Monica, CA
MARK FREEMAN (1908 - 2003) MANHATTAN CLIFFS, 1947 Lithograph (offset?) with 2 color plates. Signed, titled and dated. 19 1/2 x 15 in., large grey sheet, 22 3/8 x 17 1/2 in. Very good condition. A large and very strong image of New York.
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1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

The Picador Incites the Bull.
By James McBey
Located in Storrs, CT
The Picador Incites the Bull. 1911. Drypoint. Hardie 104. 6 1/4 x 9 7/8 (sheet 8 1/4 x 11 7/8). Edition 30, #5. Slight mat line, 1 hinge stain in the lower margin, well outside the i...
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1910s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint

Hollyhocks
Located in Fairlawn, OH
Hollyhocks Color woodcut, 1953 Signed with the artist's stamp lower left Printer: Niimi Carver: Nagashima An early printing Condition: Excellent Image size: 15 1/2 x 10 3/8 inches "...
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1950s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

Homage to the Square
By Ray H. French
Located in Fairlawn, OH
Happy Ray Day! For 1 week, from April 19th, 2017, all Ray H. French works of art on paper will be discounted 19% and 1 lucky random patron will receive a second FREE! Embossed relief print on heavy paper Signed, dated, titled and numbered Edition: 10 (10/10) Provenance: Estate of the artist References And Exhibitions: This work predates Josef Albers serigraph...
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1960s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Other Medium

Naked Young Man Sitting On Lopped Branch; Naked Young Woman Sitting on a Branch.
By Eric Gill
Located in Myrtle Beach, SC
Wood engraving, 1930, edition small, Physick 642 / 643. Initialed in pencil. Two blocks printed on a single sheet: fine impressions on cream laid Japan with full margins (1 1/2 to 2...
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1930s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

Patitcha. Masque
By Henri Matisse
Located in London, GB
Henri Matisse Patitcha. Masque 1947 Aquatint on BFK Rives paper, signed in pencil and numbered 3/25 Paper size: 56.2 x 38.1 cms (22.1 x 15 ins) Image size: 34.6 x 27.4 cms (13 5/8 x 10 7/8 ins) HM16063 Duthuit, C.,1983. Henri Matisse: Catalogue raisonné de l'oeuvre gravé, Paris. n. 786 plate 367. Yau, J., 2018. Henri Matisse Prints...
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1940s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Aquatint

En Pension.
By Edmund Blampied
Located in Storrs, CT
En Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8 (sheet 11 1/2 x 18 5/16). Edition 100. A rich impression printed on cream wove paper with wide margins. Signed in ink. H...
Category

1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching

The Matador.
By James McBey
Located in Storrs, CT
The Matador. 1911. Drypoint. Hardie 109. 6 7/8 x 10 7/8 (sheet 7 7/8 x 12). Edition 15. A few scattered foxing marks and slight mat line; otherwise fine o...
Category

1910s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching

The Matador.
The Matador.
$1,200 Sale Price
27% Off
PKZ- Man in Bowler Hat - Reprint 1981
By Niklaus Stoecklin
Located in New York, NY
PKZ Reprint - 1981 - Official 1981 reprint for Kunstgewerbemuseum, Zurich Printer: JE Wolfensberger Niklaus Stoecklin – PKZ – 1935 PKZ Burger-Kehl & Co. AG, Zurich, C Switerland Lit...
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1980s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

THE MOST FORMAL GARDEN
By Leonard Edmondson
Located in Santa Monica, CA
LEONARD EDMONDSON (1916 – 2002) THE MOST FORMAL GARDEN, c. 1965 Color intaglio signed titled and annotated “Artist’s Proof" Irregular platemark 10 ¼ x14...
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1960s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Intaglio

Gemini-The Twins
By Eugène Grasset
Located in Fairlawn, OH
Signed in the right center edge of the image From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters...
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1880s Art Nouveau Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Portrait de femme en buste, de profil a gauche, un tres large ruban noir du cou
By Paul César Helleu
Located in Fairlawn, OH
Portrait de femme en buste, de profil a gauche, un tres large ruban noir du cou, Mme Marthe Letellier Drypoint, 1900-1901 Signed in pencil lower left (see photo) Titled in pencil low...
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Early 1900s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint

New Map of the Terraqueous Globe - WORLD MAP - CALIFORNIA AS AN ISLAND
By Edward Wells
Located in Santa Monica, CA
EDWARD WELLS (British 1667- 1727) A NEW MAP of the TERRAQUEOUS GLOBE - according to the latest Discoveries and most general Divisions of it into CONTINENTS and OCEANS, 1700-01 (Shirley 609) Engraved by Michael Burghers, Oxford. Hand-colored, Platemark 14 1/4 x 20 1/8 inches. Central cartouche flanked by figures representing the continents with dedication to William, Duke of Gloucester...
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Early 1700s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Engraving

Lux Aeterna I (Eternal Light -The Requiem/ copters hover over fearful refugees)
By Ana Maria Pacheco
Located in New Orleans, LA
Ana Maria Pacheco portrays the fear and feelings of the displacement of refugees cowering beneath helicopters overhead. The title of the work refers ...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint

Night Time, Dieppe.
By Edmund Blampied
Located in Storrs, CT
Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...
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1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching

The Pool of London.
By William Lionel Wyllie
Located in Storrs, CT
The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...
Category

1910s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching

Elephant
By Ray H. French
Located in Fairlawn, OH
Elephant Engraing, 1957, printed 1988 Signed, dated, and titled in pencil by the artist Dedicated: "For Jon From Ray" Edition: 100 in two printings This is an artist's proof from th...
Category

1950s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Engraving

'Kaf With' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Kaf With', color lithograph, 1945, edition 15. Signed, dated, titled and numbered '84' and '6/15' in pen, recto. Titled, numbered '#84' and '6/15' and dated '7/22/...
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1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Fields
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition of 50
Category

2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching, Intaglio

'Forms in White' – Mid-Century Abstraction
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Forms in White', color serigraph, 1950, edition 30, Ryan 85. Signed in pencil. Dated, titled, annotated 'ED. 30' and '5 COLORS' in the screen, bottom center sheet edg...
Category

Mid-20th Century Abstract Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Screen

THE KNAVE OF HEARTS
By Maxfield Parrish
Located in Portland, ME
Parrish, Maxfield. THE KNAVE OF HEARTS. 1925. 14 full page and many smaller color plates. A Fine copy of Parrish's most elaborate book. A highlight among American children's books, b...
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1920s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Offset

#4 — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Dean, '#4', color lithograph, 1970, edition not stated but small. Signed, titled, and annotated 'AP' in pencil. Dated 'May 1970' in pencil in th...
Category

1970s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Reading
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Reading Lithograph, 1879 and 1887 Signed in the stone with the Butterfly (see photo) A proof laid paper printed before the edition of 100 impressions printed for Art Notes Watermark:...
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1870s American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Sewing Circles
By Carol Wax
Located in New Orleans, LA
A play on words provides the title for this image -- a circle created out of the deconstructed parts of Singer IV This image is #37 from an edition of only 50, referenced as Firos 78...
Category

1990s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

Alhambra XII
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled “Alhambra XII” in 1963. This piece is signed titled, and dated in pencil. The edition is 12, and paper size is 18 x 24 inches. “...
Category

1960s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

'Time Silhouette' —Mid-Century Modernism
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Time Silhouette', color serigraph, 1969, edition 30, Ryan 201. Signed, titled, and annotated 'Edition 30' in pencil. A fine impression, with fresh colors, on cream wo...
Category

Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Screen

Indian Friendship Dance
By Gene Kloss
Located in Fairlawn, OH
Indian Friendship Dance Drypoint, 1953 Signed in pencil lower right, (see photo) Edition 200 Published by The Society of American Graphic Artists, New York An impression is in the collection of SAAM, Washington and RISD Museum, Condition: Excellent Very rich impression with burr and selective whiping of the ink for atmospheric nocturnal effect. Image/Plate size: 8 3/16 x 11 15/16 inches Sheet size: 11 1/8 x 17 inches Reference: Kloss 450 "'Indian Friendship Dance' is an eloquent statement of something which Gene Kloss has both observed and participated in. It is an Indian dance that is thought of as entertainment, rather than ceremony, but it is essentially an idea expressed in action, and an idea that has universal meaning. The young men who dance wear costumes of exquisite workmanship, intricately wrought with beads and feathers and subtle combinations of colors. The dancers are trained from childhood but develop their own steps and exhibit distinctive strength and grace. Singers and a tom-tom accompany the dance and since it usually takes place at night, a campfire is the source of light. The conclusion occurs when all the onlookers, old and young and from many places, join hands with the dancers in a slow revolving movement, while those who can, sing the difficult but meaningful Indian song that flows with the rhythmical dance step and speaks of fellowship, brotherhood, friendship." - An excerpt from a descriptive statement, written by Lynd Ward, and distributed with the drypoint at the time of publication." Courtesy Old Print Shop Born Alice Glasier in Oakland, CA, Kloss grew up amid the worldly bustle of the San Francisco Bay Area. She attended the University of California at Berkeley, graduating with honors in art in 1924. She discovered her talents in intaglio printmaking during a senior-year course in figurative drawing. The professor, Perham Nahl, held up a print from Kloss’ first plate, still damp from the printing process, and announced that she was destined to become a printmaker. In 1925, Gene married Phillips Kloss, a poet and composer who became her creative partner for life. The match was uncanny, for in her own way Gene, too, was a poet and a composer. Like poetry, her artworks capture a moment in time; like music, her compositions sing with aesthetic harmony. Although she was largely self-taught, Kloss was a printmaking virtuoso. On their honeymoon the Klosses traveled east from California, camping along the way. They spent two week is Taos Canyon – with a portable printing press cemented to a rock near their campsite – where Gene learned to appreciate the wealth of artistic subject matter in New Mexico. The landscape, the cultures, and the immense sky left an indelible impression on the couple, who returned every summer until they made Taos their permanent home 20 years later. Throughout her life, Kloss etched more than 625 copper plates, producing editions ranging from five to 250 prints. She pulled every print in every edition herself, manually cranking the wheel of her geared Sturges press until she finally purchased a motorized one when she was in her 70s. Believing that subject matter dictated technique, she employed etching, drypoint, aquatint, mezzotint, roulette, softground, and a variety of experimental approaches, often combining several techniques on the same plate. She also produced both oil and watercolor paintings. Kloss’ artworks are filled with drama. Her prints employ striking contrasts of darkness and light, and her subjects are often illuminated by mysterious light sources. Though she was a devout realist, there is also a devout abstraction on Kloss’ work that adds an almost mythical quality. For six decades Kloss documented the cultures of the region-from images of daily life to those of rarely seen ceremonies. She and her husband shared a profound respect for the land and people, which made them welcome among the Native American and Hispanic communities. Kloss never owned a camera but relied instead on observation and recollection. Her works provide an inside look at the cultures she depicted yet at the same time communicate the awe and freshness of an outsider’s perspective. Although Kloss is best known for her images of Native American and Penitente scenes, she found artistic inspiration wherever she was. During the early years of their marriage, when she and Phil returned to the Bay Area each winter to care for their aging families, she created images of the California coast. And when the Klosses moved to southwestern Colorado in 1965, she etched the mining towns and mountainous landscapes around her. In 1970 the Klosses returned to Taos and built a house north of town. Though her artwork continued to grow in popularity, she remained faithful to Taos’ Gallery A, where she insisted that owner Mary Sanchez keep the prices of her work reasonable regardless of its market value. Kloss continued to etch until 1985, when declining health made printmaking too difficult. From her first exhibition at San Francisco’s exclusive Gump’s in 1937 to her 1972 election to full membership in the National Academy of Design, Kloss experienced a selective fame. She received numerous awards, and though she is not as well known as members of the Taos Society of Artists...
Category

1950s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint

James McBey
By Gerald Leslie Brockhurst
Located in Storrs, CT
Fletcher 6 state .ix. 10 1/2 x 7 1/2 (sheet 14 7/8 x 11 3/8). Edition 111. A rich impression printed on cream wove paper with full margins. Excellent condition. Illustrated: Fine ...
Category

Mid-20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching

L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes)
By James Jacques Joseph Tissot
Located in Fairlawn, OH
L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes) Etching, 1881 Unsigned (as usual for this state) From: L'enfant prodigue, (The Prodigal Son, five plates) Ed...
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1880s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

WHAT DOES ART MEAN HERE? - WAS HEISST HIER KUNST?
By Andreas Paul Weber
Located in Santa Monica, CA
ANDREAS PAUL WEBER (German 1893-1980) WAS HEISST HIER KUNST? (WHAT DOES ART MEAN HERE?) c 1953 Lithograph, signed in pencil and with the artist's Clan Press Stamp lower left corner. Image including the light PRINTED BORDER AROUND THE IMAGE is 15 1/2 x 18 3/4 inches. The full sheet 19 3/4 x 24 1/2 inches with deckle edges.. IN VERY GOOD CONDITION. SHEET FRESH AND EVEN - PHOTO IS TOO DARK!! An image of EDVARD MUNCH''S "THE SCREAM" is below a satirical image of a man eating a sausage sitting on top of other works of art including - GOYA"S "SLEEP OF REASON...
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1950s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

A L'Ombre (In Shadow)
By Louis Legrand
Located in Fairlawn, OH
A L'Ombre (In Shadow) Etching & drypoint, 1905 Signed with the red stamp of the publisher Pellet (see photo) Edition: 50 on velin paper, signed and numbered Publisher: Gustav Pellet, Paris (his red stamp lower right, recto; Lugt 1193) Condition: Excellent Image/Plate size: 5-7/8 x 8-5/8" (14.8 x 21.8 cm.) Sheet size: 11 5/8 x 17 1/8" Reference: IFF 119 Exteens 229 Arwas 256 v/V Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...
Category

Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

Le Village (The village)
By Marc Chagall
Located in Fairlawn, OH
Le Village (The village) Original lithograph in colors, listed in the artist's catalog raisonne of his prints, 1977 From: Derriere le Miroir, No. 225, Edition 15,000 as published in...
Category

1970s French School Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

CELIA ADJUSTING HER EYELASH
By David Hockney
Located in Portland, ME
Hockney, David. CELIA ADJUSTING HER EYELASH. Scottish Arts Council 837, Gemini DH79-904. Lithograph, 1979. Edition of 100, plus 16 Artist's Proofs. signed, dated and numbered in gree...
Category

1970s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

'Le Tir Forain' (Fairground Shooting) — 1920s French Cubism
By Jean-Emile Laboureur
Located in Myrtle Beach, SC
Le Tir Forain, engraving, edition 108, 1920-21, Sylvain Laboureur 191. Signed and numbered '19/85 ép' in pencil. Initialed 'L' and dated 1920 in the matrix,...
Category

1920s Cubist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Engraving

The Mill, Amsterdam, 1889
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...
Category

1880s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching

Trumpeter Swan. (Young).
By John James Audubon
Located in New York, NY
Original stone lithograph with hand-coloring from "Birds of North America." First Octavo Edition, by John James Audubon. Plate 383. Philadelphia, J.T. Bowen, ca. 1839-44.
Category

1870s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Paper

America's Son II (Sonny)
By Sedrick Huckaby
Located in Fairlawn, OH
America's Son II (Sonny) Lithograph, 2016 Signed and numbered in pencil From: America's Family II Printer: James Reed at Milestone Graphics Printed on Arches paper Edition: 40, of wh...
Category

2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

Early Morning Rain
By Norman Ackroyd
Located in Fairlawn, OH
Early Morning Rain Etching & color aquatint, 1977 Signed, titled, numbered and dated in pencil Edition: 40 (39/40) Published by Associated American Artists, New York Condition: Mint ...
Category

1970s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Aquatint

Fourteen
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition 50
Category

2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching, Intaglio

Seibutsu (Still Life) A Vase and Apples
Located in Fairlawn, OH
Seibutsu (Still Life) A Vase and Apples Color woodcut, 1925 Signed on the mount (support sheet) From: Dojin zasshi, Hanga Magazine, Volume 8, No. 8 Condition: Excellent Image/Sheet ...
Category

1920s Showa Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

Debris
By Ray H. French
Located in Fairlawn, OH
Debris Etching, engraving and color aquatint, 1947 Signed, dated, titled and number Edition: 25 (1/25), never fully realized Created in the artist's first year studying at the Univer...
Category

Mid-20th Century Abstract Geometric Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Engraving, Etching, Aquatint

Symphony in White No. 2, The Little White Girl
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Clifford James (active 1900-1930) After James Abbott NcNeill Whistler (1834-1903) Symphony in White No. 2, The Little White Girl Color mezzotint, 1922 Signed in pencil by James (see ...
Category

1920s Pre-Raphaelite Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mezzotint

Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches
Located in Fairlawn, OH
Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches of Salvation): The 30th Figure - Astrological Diagram with Scene of the Nativity Woodcut, 1491 Unsigned, as issued Published by Anton Koberger Diagram has Zodiac signs on outer ring, planets in the lower registers, and Nativity in the center. Condition: Very good for a 15h century woodcut, with the usual slight age stains Sheet size: 11 1/2 x 8 1/4 inches Wogelmut was the teacher of Albrecht Durer and employed young Durer in many project of the last decade of the 15th century. Michel Wolgemut Biography Wolgemut trained with his father Valentin Wolgemut (who died in 1469 or 1470) and is thought to have been an assistant to Hans Pleydenwurff in Nuremberg. He worked with Gabriel Malesskircher in Munich early in 1471, leaving the city after unsuccessfully suing Malesskircher's daughter for breach of contract, claiming she had broken off their engagement. He then returned to his late father's workshop in Nuremberg, which his mother had maintained since Valentin's death. In 1472 he married Pleydenwurff's widow and took over his workshop;[3] her son Wilhelm Pleydenwurff worked as an assistant, and from 1491 a partner, to Wolgemut. Some consider Wilhelm a finer artist than Wolgemut, however he died in January 1494, when he was probably still in his thirties. Wilhelm's oeuvre remains unclear, though works in various media have been attributed to him. Woodcuts Michael Wolgemut, Danse Macabre, 1493 Two large and copiously illustrated books have woodcuts supplied by Wolgemut and his stepson Wilhelm Pleydenwurff; both were printed and published by Germany's largest publisher, the Nuremberger Anton Koberger, who was also Dürer's godfather. The first is the Schatzbehalter der wahren Reichthumer des Heils (1491); the other is the Historia mundi, by Schedel (1493), usually known as the Nuremberg Chronicle...
Category

15th Century and Earlier Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Woodcut

La Colegiata Toro (Romanesque Santa Maria la Mayor/Zamora province Spain)
By John Taylor Arms
Located in New Orleans, LA
John Taylor Arms created this superb architectural image of La Colegiata in 1935 in an edition of 153. It is #12 in his Spanish Churches series and is referenced as Fletcher #284. One of the most characteristic examples of transitional Romanesque architecture in Spain, the church of Santa María la Mayor is inspired by the Cathedral of Zamora, in turn inspired by the Old Cathedral of Salamanca. The tower-dome is usually listed as one of the four most typical in León together with those in the cathedrals of Salamanca, Plasencia and Zamora. The church was begun around 1170, and was finished in the mid-13th century. Two different directors of the work have been identified, according to the different types of stone used (limestone in the old sections, sandstone in the most recent ones), and by the barrel vaults...
Category

1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

The Carriage Trade
By Red Grooms
Located in Lyons, CO
Color 3-D lithograph in wood frame In Red Grooms’ newest three-dimensional print, "The Carriage Trade", the artist once again casts his acute eye on ...
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

September 13, 1918. St. Mihiel [The Great Black Cloud].
By Kerr Eby
Located in Storrs, CT
September 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...
Category

Early 20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Mixed Media, Etching, Aquatint

Miss Taylor
By Paul César Helleu
Located in Fairlawn, OH
Miss Taylor Drypoint, c. 1900 Signed in pencil lower left (see photo) Small edition, about 10 Very rich impression, full of burr Condition: Excellent Image size: 21-1/4 x 13-1/4" She...
Category

Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint

Returning to the Stable.
By Edmund Blampied
Located in Storrs, CT
Returning to the Stable. 1920. Drypoint. Appleby 64. 8 3/4 x 12 1/4 (sheet 11 7/16 x 16 1/8). Edition 100. A rich impression printed on cream laid paper wi...
Category

1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint, Etching

Doe Bow (Christmas Bow Features Santa's Reindeer, Word Play)
By Carol Wax
Located in New Orleans, LA
A series of prints was commissioned by the Met Museum in NY in a regular edition of 40 This impression is from an edition of 5 artist proofs. This impression is #4/5 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...
Category

2010s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Intaglio

Study for a Decoration (Marguérite).
By Gerald Leslie Brockhurst
Located in Storrs, CT
Study for a Decoration (Marguérite). 1926. Etching. Fletcher catalog 46 state ii/iii. 6 7/8 x 5 (sheet 11 3/16 x 9 1/16). 5 proofs in this state (total 76 proofs). Illustrated: Salam...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

Resting Bull Lithograph
By Thomas Sidney Cooper
Located in New York, NY
Original lithograph hand-colored at the time of publication from "Groups of Cattle Drawn from Nature" by Thomas Sydney Cooper. Mounted on artist'...
Category

1830s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Paper

Mawu's Gaze (goddess, associated with the Sun and Moon in Dahomey mythology)
Located in New Orleans, LA
Rudolph Taylor created this single color lithograph at Tamarind Institute in PTP. It was printed by Emery Spina in an edition of 15. This is impression #8. Mawu-Lisa is a creator goddess, associated with the Sun and Moon in Dahomey mythology. In some myths, she is the wife of the male god Lisa. Mahu and Lisa are the children of Nana Buluku, and are the parents of Xevioso, The Kingdom of Dahomey was a West African kingdom located within present-day Benin that existed from approximately 1600 until 1904. Dahomey developed on the Abomey Plateau amongst the Fon people in the early 17th century and became a regional power in the 18th century by conquering key cities...
Category

21st Century and Contemporary Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Lithograph

FROZEN CUSTARD and STUDY FOR FROZEN CUSTARD
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald. FROZEN CUSTARD. S.183. Etching and engraving, 1939. Second State of two. Edition of only 18, printed by Marsh and signed and titled in pencil. 7 x 10 inches, 178 x 2...
Category

1930s Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Ink, Engraving, Etching

Untitled (Venice canal, man departing the gondola)
By Levon West
Located in Fairlawn, OH
Untitled (Venice canal, man departing the gondola) Drypoint, c. 1930-1931 Signed in pencil lower right (see photo) Annotated in the lower margin: "Just a souvenir made ___ Monclair L...
Category

1930s American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Drypoint

Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29)
By John Taylor Arms
Located in Storrs, CT
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29). 1930. Etching. Fletcher catalog 227 state ii. 12 3/8 x 6 9/16 (sheet 15 13/16 x 9 15/16). Edition 148 in this state (...
Category

1920s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples

Materials

Etching

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