Ifpda International Fine Print Dealers Association Prints and Multiples
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Summer Maple
By Sylvia Plimack Mangold
Located in New York, NY
A drypoint and aquatint by artist Sylvia Plimack Mangold.
Category
21st Century and Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
'Baigneuse Debout, à Mi-Jambes' — French Impressionism
By Pierre-Auguste Renoir
Located in Myrtle Beach, SC
Pierre Auguste Renoir, 'Baigneuse Debout, à Mi-Jambes (Woman Bathing, Standing Up to Her Knees in Water)', 1910, etching, edition not stated, Delteil 23. Unsigned as published. A fin...
Category
1910s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$600 Sale Price
20% Off
Wareham, Dorset
By Stanley Roy Badmin
Located in Storrs, CT
Beetles 36. 5 1/4 x 6 1/4 (sheet 9 1/4 x 11 1/4). Edition 50 for the Print Collector's Club. Exhibited: Royal Academy, 1934; Royal Society of Painter-Etchers and Engravers, 1934 and ...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$1,250 Sale Price
21% Off
Enterieur (Outside)
By Jurgen Peters
Located in Fairlawn, OH
Enterieur (Outside)
Screen print, 1973
Signed lower right in pencil (see photo)
Edition: A.P., annotated lower left corner
Published by Edition Ltd., Indianapolis
Image size: 21 3/4 ...
Category
1970s Op Art Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
Ascension (Traffic in front of St. Bartholomew / Park Ave bet 50th and 51s
By Frederick Mershimer
Located in New Orleans, LA
An overflow of traffic in front of St. Bartholomew's Episcopal Cathedral on Park Avenue between 50th and 51st
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
Venus and the Rose (2nd State)
By Giorgio Mantovano Ghisi
Located in Chicago, IL
Engraving after Luca Penni
Category
16th Century Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
'Inside the Flowers' (Java Sparrow and Peach Blossoms) — Mid-Century Japanese
Located in Myrtle Beach, SC
Shoko Uemura, 'Inside the Flowers (Java Sparrow and Peach Blossoms)', color woodcut, c. 1950s, edition 300. Signed in ink with the artist’s red seal beneath. A superb impression, with fresh, delicate colors, on cream wove Japan paper; the full sheet with margins (9/16 to 1 3/8 inches), in excellent condition. Archivally sleeved, unmatted.
Image size 12 3/4 x 18 1/2 inches (324 x 470 mm); sheet size 14 3/4 x 20 3/16 inches (375 x 513 mm).
Published by The Momose Print Company of Tokyo.
ABOUT THE ARTIST
Uemura Shoko (1902-2001) was the son of the famous shin-hanga artist Uemura Shoen...
Category
1950s Showa Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Dixie's
By Red Grooms
Located in Lyons, CO
Color lithograph, Edition 75.
Red Grooms is a painter, sculptor, printmaker, filmmaker, and showman par excellence. His major installations, “Ruckus Manhattan”, “The City of Chicago”, and “Tut’s Fever” have stretched the boundaries of sculpture and painting and excited the imaginations of thousands of viewers.
Red Grooms and Master printer Bud Shark began their many print collaborations in 1981 with “Mountaintime”, followed in 1982 by their first three-dimensional lithograph, “Ruckus Taxi”. The range of prints produced by Grooms and Shark include `flatsos’, flat-color lithographs, like “Elvis” and “Van Gogh with Sunflowers”, three-dimensional lithographs, “London Bus”, “Little Italy” and “Times Square”, three-dimensional lithographs with moving parts, “Red’s Roxy”, and “Holy Hula”, woodcuts, “Noa...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$1,000
(HUNTERS WITH REFLECTIONS) - RICH IMPRESSION
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 - 1968)
(Untitled) - HUNTERS with REFLECTIONS. ca 1925
Etching, signed and numbered 22, lower left. Plate, 13 1/2 x 10 1/2 inches. Sheet 15 3/4 x 11 3/4 inches. ...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$600 Sale Price
29% Off
'Westminster Abbey' — Royal Church, London
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Westminster Abbey', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. A superb, richly-i...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
'The Steps' — WPA Era Graphic Modernism
By Fritz Eichenberg
Located in Myrtle Beach, SC
Fritz Eichenberg, 'The Steps', wood engraving, 1933, edition 200. Signed, titled, and annotated 'Ed. 200' in pencil. Initialed in the block, lower right. A superb, richly-inked impr...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
CALLE EX CONVENTO, TASCO.
Located in Portland, ME
Pappe, Carl. CALLE EX CONVENTO, TASCO. Woodcut, c.1940s-60s. Edition unstated. This print is one of a series of 16 images, all of scenes in Taxco, distinguished by the strength of the carving and the richness of the blacks. 12 x 14 1/4 inches (image), 13 1/2 x 15 3/4 (sheet). Titled and signed in pencil. In excellent condition.
Carl Pappe...
Category
1940s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
PERU
By Johannes Jansson
Located in Santa Monica, CA
JOHANNES JANSSON (1588 - 1664)
PERU, engraving with early coloring. Platemark 15 1/8 x 19 3/8 inches, sheet 17 x 20 1/2
A nice example of one of the earliest maps of Peru. From the ...
Category
1630s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
'Blue Eyes' — Erotic Surrealism
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, 'Blue Eyes', engraving and drypoint, edition 99, 1971. Flahutez 89. Signed and numbered '74/99' in pencil. A fine impression, on Arches cream wove paper; the full sheet...
Category
1960s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving, Drypoint
$560 Sale Price
20% Off
On the Beach (Coney Island, New York) — 1930s Graphic Modernism, WPA
By Lou Barlow
Located in Myrtle Beach, SC
Lou Barlow (Louis Breslow), 'On the Beach' (Coney Island) wood engraving, c. 1937, edition c. 25. Signed and titled in pencil. Stamped 'FEDERAL ART PROJECT NYC WPA' in the bottom left margin. A fine, richly-inked impression, with all the fine lines printing clearly, on cream wove paper, with full margins (1 1/2 to 3 inches), in excellent condition. Matted to museum standards, unframed. Scarce.
Image size 11 x 8 1/8 inches; sheet size 16 x 11 3/8 inches.
Created during the Great Depression for the Works Progress Administration (WPA), Federal Art Project, New York City.
Impressions of this work are in the permanent collections of the Amon Carter Museum of Art, Illinois State Museum, and the New York Public Library.
ABOUT THE IMAGE
Due to Coney Island's proximity to Manhattan, Brooklyn, and other New York boroughs, it began attracting vacationers in the 1830s and 1840s. Most of the vacationers were wealthy and went by carriage roads and steamship services that reduced travel time from a formerly half-day journey to two hours. By the late 1870s, the development of Coney Island's amusement park attractions and hotels drew people from all social classes. When the Brooklyn Rapid Transit Company electrified the steam railroads and connected Brooklyn to Manhattan via the Brooklyn Bridge at the beginning of the 20th century, Coney Island turned rapidly from a resort to an accessible location for day-trippers seeking to escape the summer heat in New York City's tenements. In 1915, the Sea Beach Line was upgraded to a subway line, and the opening of the Stillwell Avenue station in 1919 ushered in Coney Island's busiest era. On the peak summer days, over a million people would travel to Coney Island. In 1937, New York City purchased a 400-foot-wide strip of land along the shoreline to allow the boardwalk to be moved 300 feet inland. At this point, Coney Island was so crowded on summer weekends that parks commissioner Robert Moses...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Dames charmante et charmante a tous egard
By Marc Chagall
Located in Fairlawn, OH
(A charming lady chatting with a lady perfect in every possible way)
Signed in the plate. No pencil signed impressions are existent.
Edition: 368 (including 50 imps on japan) includi...
Category
1920s French School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
'The Aquarium' — WPA Era Graphic Modernism
By Fritz Eichenberg
Located in Myrtle Beach, SC
Fritz Eichenberg, 'The Aquarium', wood engraving, 1933, edition 200. Signed and titled in pencil. Initialed in the block, lower right. A superb, richly-inked impression, on pale yel...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Plymouth Street ( a twilight scene is set in the Brooklyn section of DUMBO)
By Frederick Mershimer
Located in New Orleans, LA
This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif & Salzer and is in the permanent collection of the Museum of City of New York...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint, Aquatint
Whaling – Vintage Monumental Zoology Lithograph
Located in Myrtle Beach, SC
Joseph Fleischmann, 'Whaling' (Hartingers Wandtafeln: Zoologie T. XXXII), monumental vintage color lithograph, 1900. Signed in the matrix, lower right. A superb, beautifully nuanced impression, on cream wove paper, the full sheet with margins (1 1/2 to 2 3/16 inches), in very good condition. Sheet size 28 x 38 1/2 inches (711 x 978 mm). The full sheet, unmounted and unmatted—shipped carefully rolled and protected.
Rendering by A. Berger after Joseph Fleischmann. Published by Carl Gerold’s Son, Vienna, 1900.
This Artic whaling scene depicts a Greenland whale in the foreground pursued by whalers. A whaling ship is seen in the background and at right, another whale among icebergs with seagulls overhead. The print by Albert Berger...
Category
Early 1900s Naturalistic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$1,125 Sale Price
25% Off
The Gargoyle and His Quarry
By John Taylor Arms
Located in Storrs, CT
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
$2,750 Sale Price
21% Off
City Scene II — Mid-Century Modernism, Precisionism
By Bernard Brussel-Smith
Located in Myrtle Beach, SC
Bernard Brussel-Smith, 'City Scene II', wood engraving, 1949, artist's proof, edition 100. Signed, titled, and annotated 'A.P.' in pencil. A superb, richly-inked impression, on whit...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
The Robot
By Mary Weatherford
Located in Houston, TX
Mary Weatherford
The Robot, 2018
Spit bite aquatint on gampi paper chine collé
35 1/4 x 28 1/2 in (89.5 x 72.4 cm)
Edition of 25
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
'Interlinear K50' — Mid-Century Geometric Abstraction
By Josef Albers
Located in Myrtle Beach, SC
Josef Albers, 'Interlinear K50', zinc plate lithograph offset to stone printing, 1962, edition 20, Danilowitz 151. Signed, titled, dated, and numbered '14/20' in pencil. A superb, ri...
Category
1960s Abstract Geometric Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$9,000 Sale Price
25% Off
#5 — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Dean, '#5', color lithograph, 1970, edition not stated but small. Signed, titled, and annotated 'AP' in pencil. Dated 'June 11, 70' in pencil in...
Category
1970s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
TEAHOUSE AND WILLOW TREE
By Junichiro Sekino
Located in Portland, ME
Junichiro Sekino (Japanese, 1914-1988). TEAHOUSE AND WILLOW TREE. Color woodblock print, not dated. Edition size not known. Signed in pencil and with the a...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
The Spire -- New York
By Lawrence Wilbur
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
$350 Sale Price
58% Off
OLD CHINATOWN - SAN FRANCISCO
By Childe Hassam
Located in Santa Monica, CA
CHILDE HASSAM (1859 – 1935)
OLD CHINATOWN - SAN FRANCISCO 1904 (Cortissoz 95 i/iii?)
Etching, 5 ¼ “ x 5”. Signed and dated in the plate and with his cypher in
pencil. An early state before additional work as in the example at Cornell
University. Very Scarce print. On old ledger paper. Sheet 9 5/8” x 7”. Pre
San Francisco earthquake. Based on a rare photograph by Arnold Genthe...
Category
Early 1900s American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$2,500 Sale Price
33% Off
Eros Vanne - Cupid Exhausted
By Henri de Toulouse-Lautrec
Located in Santa Monica, CA
HENRI de TOULOUSE-LAUTREC (French 1864 - 1901)
EROS VANNE (Cupid Exhausted), 1894 (Delteil 74; Adhemar 81; Adriani 92)
Original lithograph, cover of music / song sheet words by Maur...
Category
1890s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$750 Sale Price
31% Off
VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma....
By Giovanni Battista Piranesi
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778)
VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma a Tivoli vicino a Ponte Lugan...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
RED ROCK CANYON
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958)
RED ROCK CANYON ca 1936
Color block print. Signed and titled in pencil. 10 x 11” on fibrous paper, sheet 13 3/8 x 15...
Category
1920s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Linocut
'Hostellerie des Chiens du Guet' — British Impressionism
By Sybil Andrews
Located in Myrtle Beach, SC
Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression.
Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm).
ABOUT THIS WORK
In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy.
In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market.
ABOUT THE IMAGE
The Hostellerie des Chiens du Guet is a small hotel at the edge of...
Category
1920s Post-Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Monotype
$4,320 Sale Price
20% Off
'Tree, Manhattan' — Classic American Realism
By Martin Lewis
Located in Myrtle Beach, SC
Martin Lewis, 'Tree, Manhattan', drypoint, 1930, edition 91 (including 10 trial proofs), McCarron 87. Signed in pencil. A superb, atmospheric impression, in warm black ink, on cream...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
Muse (a young novice in colorful swim suit struggles thru a pool of blue)
By Art Werger
Located in New Orleans, LA
Muse is #43 of 45. It depicts a young woman in a colorful swimsuit doing her best to swim through the blue waters of the pool. Her mouth is pursed and the bubbles flow out. I sold an impression of this image to an olympic swimming...
Category
Early 2000s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
XXXIII Fig. I Avanzo del Tempio di Castore e Polluce
By Giovanni Battista Piranesi
Located in Fairlawn, OH
XXXIII Fig. I Avanzo del Tempio di Castore e Polluce .View of the Remains of the Peristyle of the House of Nero,
Etching, 1756
Signed in the plate (see photo)
From: Le Antichità Roma...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Derriere le Miroir-Double Page (Behind the Looking Glass Double Page)
By Marc Chagall
Located in Fairlawn, OH
Derriere le Miroir-Double Page (Behind the Looking Glass Double Page)
Original color llithogragp created by the artist for this ublication, 1964
Unsigned as issued
From: Derriere le ...
Category
1960s French School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Financial District', New York City — American Modernism
By Howard Norton Cook
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed.
Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987.
Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum.
ABOUT THE ARTIST
Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker.
Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest.
Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937.
He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Tenant Farmers' — Depression Era, WPA
By Lou Barlow
Located in Myrtle Beach, SC
Lou Barlow (Louis Breslow), 'Tenant Farmers', color wood engraving, 1936, edition 25. Signed, titled, and numbered '15/25' in pencil. A superb, richly-inked impression, with fresh c...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
GRASS FIRE. - Very Scarce Early signed Impression
By Paul Landacre
Located in Santa Monica, CA
PAUL LANDACRE (1883 – 1963)
GRASSS FIRE, 1928 (Wien 53)
Wood engraving on tissue thin Japanese paper, signed in pencil and titled with full margins. Thee are only 20 signed, titled,...
Category
1920s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
'Archway' — American Modernism, WPA
By Leon Bibel
Located in Myrtle Beach, SC
Leon Bibel, 'Archway', color serigraph, 1939, edition 25. Signed, dated, titled, and numbered ' /25' in pencil. A rich, painterly impression, with fresh colors, on buff wove paper; ...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
'European Landscape' —Mid-century American Surrealism
By Lawrence Kupferman
Located in Myrtle Beach, SC
Lawrence Kupferman, 'European Landscape', drypoint, edition 50, 1942. Signed, dated, titled, and numbered '7/50' in pencil. A superb, finely nuanced impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches); in excellent condition.
Image size 10 7/8 x 13 3/8 inches; sheet size 13 1/8 x 16 1/2 inches. Archivally matted to museum standards, unframed.
An impression of this work is included in the permanent collection of the Syracuse University Art Museum.
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
Bowling Green, New York
By Louis Conrad Rosenberg
Located in Myrtle Beach, SC
Louis Conrad Rosenberg, 'Bowling Green, New York', etching, 1940. Signed in pencil. A superb, richly-inked impression, with all the fine lines printing c...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
REFLECTIONS OF GLOUCESTER
By Joseph Margulies
Located in Santa Monica, CA
JOSEPH MARGULIES (1896 - 1984)
REFLECTIONS OF GLOUCESTER ca 1940
Aquatint signed in pencil. 8 ½ x 11 ¾”, sheet 10 ½” x 13”. Very good condition, asid...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
BRIDGE AT CHARTRES
By Ernest David Roth
Located in Portland, ME
Roth, Ernest (American, 1879-1964). BRIDGE AT CHARTRES. Etching, 1927. A Trial Proof before the edition (if any). Inscribed in pencil "Trial Proof A (Bridge at Chartres) 1927." Signe...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Palazzo, Florence
By Rudy O. Pozzatti
Located in Fairlawn, OH
Palazzo, Florence
Etching, engraving, aquatint, soft ground and lift ground, printed in colors from three copper plates. 1954
Signed in pencil lower right (see photo)
Edition 250 plis 10 on Rives wove paper, printed by the artist
Published by The Print Club of Cleveland, No. 33 for 1955
REFERENCE: Geske #32
Condition: Mint
Image size: 9 3/16 x 13 1/8 inches
Impressions of this image can be found in the following museums:
National Gallery of Art, Washington
Toledo Museum of Art
Oberlin, Allen Museum of Art
Cornell Univeristy
Cleveland Museum of Art
Indianapolis Museum of Art
Baltimore Museum of Art
Georgetown University
Indiana Univeristy, Eskenazi Museum of Art
David Museum of Art at Wellesley College
"Painter and printmaker Rudolph Otto "Rudy" Pozzatti was born in Telluride, Colorado, on January 14, 1925. Upon graduation from high school, he received a scholarship to attend the University of Colorado in Boulder where he enrolled as an art major. In 1943, his studies were interrupted by his induction into the U. S. Army. After his discharge in 1946, he re-enrolled in the University of Colorado where he studied under Wendell...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
TOD UND FRAU (DEATH AND WOMAN)
By Käthe Kollwitz
Located in Portland, ME
Kollwitz, Kathe. TOD UND FRAU (DEATH AND WOMAN). Knesebeck 107, State VII; Klipstein 103. Line etching, drypoint, sandpaper, soft ground with imprint of granulated tone paper and Zie...
Category
1910s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
Nets – Mid-Century Modernism, Atelier 17
By Sigismond Kolos-Vari
Located in Myrtle Beach, SC
Sigismond Kolos-Vari, 'Nets', color etching with soft-ground and aquatint, edition 200 (1 of 60 artist's proofs), 1952. Signed and dated in pencil. Numbered L/LX in pencil. A superb, richly-inked impression, on heavy, off-white, Arches wove paper; the full sheet with margins (1 3/8 to 3 1/2 inches), in excellent condition. Published by the Guide de la Gravure, Switzerland, with their blindstamp in the bottom left sheet corner. Matted to museum standards, unframed.
Image size 11 3/4 x 15 5/8 inches (298 x 397 mm); sheet size 15 x 22 1/4 inches (381 x 565 mm).
ABOUT THE ARTIST
Sigismund Kolos-Vari was born in Hungary and attended the School of Applied Arts in Budapest from 1915 to 1918 and then the School of Decorative Arts until 1925. The artist settled in Paris, and his first one-person show in 1928 at Galerie Miromesnil, which was highly successful, led to numerous subsequent exhibitions, including with the prestigious Galerie Bonaparte in 1929 and Galerie Povolosky in 1930.
Kolos-Vari’s early success was abruptly interrupted by the outbreak of WWII when he was arrested by the Gestapo and imprisoned in the Gurs internment camp. During this period, he created a sketchbook for a little girl, which is now preserved at the Centre de Documentation Juive Contemporaine at the Mémorial de la Shoah in Paris. He managed to escape after two years, crossing the border into Switzerland. After the war, he returned to Paris with a renewed dedication to his painting, producing increasingly powerful compositions. His work was highly acclaimed when shown at an important 1946 exhibition at the Musée National d’Art Moderne de Paris, organized by Jean Cassou. The artist was then approached by the eminent art dealer Jean Bucher, who gave Kolos-Vary a major one-person show at his gallery in 1948. During this post-war period, Kolos-Vary participated in the radical Salon de Mai, 1949-1958, the Salon des Réalités Nouvelles, 1956-1961, and the Salon des Comparaisons, 1960-1962.
Supported by his association with Stanley William Hayter and the landmark printmaking workshop Atelier 17...
Category
Mid-20th Century Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
Cabbage Rose and Spotted Munia— 19th century woodblock print
Located in Myrtle Beach, SC
Imao Keinen, 'Cabbage Rose and Spotted Munia' from the series 'Birds and Flowers of the Four Seasons', color woodblock Oban diptych, 1882. A fine impression, with fresh colors, on cream Japan paper, in excellent condition. Archivally sleeved, unmatted.
Image size: diptych 12 5/8 x 17 7/8 inches (321 x 452 mm).
ABOUT THE ARTIST
Born in Kyoto, Imao Keinen (1845-1924) studied painting and calligraphy with Umegata Tokyo and Suzuki Hyakunen. He taught at the Kyoto Prefecture School of Painting and exhibited in shows in Japan and Paris. One of the most well-known Japanese painters of his time, Keinen was honored by his country with the title of 'Artist of the Japanese Empire...
Category
1880s Naturalistic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
$440 Sale Price
20% Off
Plate VI, Le Cocu Magnifique
By Pablo Picasso
Located in Fairlawn, OH
Plate VI, Le Cocu Magnifique
etching & aquatint, 1968
Unsigned as usual
From the unsigned edition of 200 impressions printed on Rives BFK paper
There is also a signed edition of 30 i...
Category
1960s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
Le Soir: Cerf et Herons (The Evening: Stag and Herons)
By Karl Bodmer
Located in Fairlawn, OH
Le Soir: Cerf et Herons (The Evening: Stag and Herons)
Lithograph printed with brown tint stone, 1858
From: Animaux et Paysages d’apres Nature
Published by Goupil, 1858
Signed in the stone lower left, Karl Bodmer Pinx. et lith. (see photo)
Published by Goupil et Cie, Paris, with their blindstamp center, below image
Printed by Bertauts, Paris (see photo)
Condition: Excellent
One stain verso, not visible on recto
Full sheet
Image size: 11 1/4 x 18 inches
Sheet size: 17 3/4 x 24 3/4 inches
Reference: Delteil 70
IFF 22, No. 1
Karl Bodmer
(1809—1893)
Painter, draftsman, and printmaker. Although he spent only two years in the United States and its territories, Bodmer's depictions of Western Indians...
Category
1850s Barbizon School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
LA SORCIERE - (The Witch)
By Kurt Seligmann
Located in Santa Monica, CA
KURT SELIGMANN (1900–1962 American, born in Switzerland,)
LA SORCIERE - (The Witch) 1934
Etching and aquatint, unsigned ? possibly a proof aside from The ...
Category
1930s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
'Sylvan Maze' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Sylvan Maze', color lithograph, 1946, edition 20. Signed, dated, titled and numbered '112' and '11/20' in pencil. A fine, richly-inked impression with fresh colors, on heavy, off-white wove paper; full margins (1 to 1 1/2 inch), in excellent condition. Image size 13 11/16 x 9 11/16 inches; sheet size 16 1/8 x 12 5/16 inches. Scarce. Matted to museum standards, unframed.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
The Monumental Tablet
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Monumental Tablet
Etching, engraving, drypoint and burnishing, c. 1748
Series: Grotteschi (Grotesques, 4 plates)
Original, unwashed condition. Excellent.
Second edition first is...
Category
1740s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Roofs, Summer Night.
By John French Sloan
Located in Storrs, CT
Roofs, Summer Night. 1906. Etching. Morse catalog 137 state ii. 5 1/4 x 7 (sheet 9 1/2 x 12 1/8). Series: New York City Life. A fine impression on cream ...
Category
Early 1900s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$3,400 Sale Price
20% Off
Nude Dancer — 1920s Modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Nude Dancer in Modernist Stage-setting), lithograph, edition 250, 1929. Signed and numbered 20 in pencil. Number 20 of Volume ...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
WINTERSONNE
By Erich Heckel
Located in Portland, ME
Heckel, Erich (German, 1883-1970). WINTERSONNE. Dube 318. Drypoint, 1913. Edition size not known. Signed and dated "Heckel 1913" in pencil. Printed on heavy wove paper. 4 3/4 x 6 1/...
Category
1910s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut, Drypoint
'Interior of the Kannon Temple at Asakusa' — Tokyo Landmark, Early Edition
Located in Myrtle Beach, SC
NARAZAKI EISHO (1864-1936), 'Asakusa Kannon-do no naido' (Interior of the Kannon Temple at Asakusa), color woodblock print, 1932. Signed Eisho lower right, with the artist’s red seal beneath. A fine impression with fresh colors; the full sheet with slight overall age toning, a drying tack...
Category
1930s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Vedute di Roma (3rd state) (Frontispiece of series, with Statue of Minerva)
By Giovanni Battista Piranesi
Located in Chicago, IL
Views of Rome (Vedute di Roma): Frontispiece for the whole series, with Statue of Minerva.
A fine impression of the rare 3rd state (of seven) of this m...
Category
Mid-17th Century Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Phrosine and Mélidore
Located in Fairlawn, OH
Phrosine and Mélidore
Etching, 1879
Signed in the polate lower left of image
This etching is after the Dantan painting, a copy after the Pierre-Paul Prud’hom painting
Published by Vv...
Category
1870s Romantic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
HAMBURGER KNIEPPE
By Käthe Kollwitz
Located in Santa Monica, CA
KATHE KOLLWITZ (1867-1945)
HAMBURGER KNIEPPE, 1901) (K.58 IIIb)
Soft Ground Etching, Plate 9 ¾ x 8 ¼ sheet 10 ½ x 13 ¾. With the von de Becke blind stamp in the lower right. Prin...
Category
Early 1900s Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Sister Kate — Mid-century, Jazz-inspired Modernism
By James Houston McConnell
Located in Myrtle Beach, SC
James Houston McConnell, 'Sister Kate', color serigraph, 1947, edition 24. Signed, dated, titled, and numbered '24' in pencil. Annotated '10.00 - 19 colors - 24 copies - #24' in pencil. A fine impression, with vibrant, fresh colors, on heavy tan wove paper, with full margins (11/16 to 1 1/2 inches). Tack holes in the four margin corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Scarce.
Another of McConnell's mid-century modernist, jazz-inspired serigraphs, 'Combo', is featured in the British Museum's 2008 publication (and traveling exhibition) 'The American Scene: Prints from Hopper to Pollock'.
ABOUT THE IMAGE
"I Wish I Could Shimmy Like My Sister Kate", often simply "Sister Kate", is an up-tempo jazz dance song, written by Armand J. Piron and published in 1922. The lyrics of the song are narrated in the first person by Kate's sister, who sings about Kate's impressive dancing skill and her wish to be able to emulate it. She laments that she's not quite "up to date", but believes that dancing like "Sister Kate" will rectify this, and she will be able to impress "all the boys in the neighborhood" like her sister.
Over the years this song has been performed and recorded by many artists, including Frances Faye and Rusty Warren, a 1959 version by Shel Silverstein...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
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