Ifpda International Fine Print Dealers Association Prints and Multiples
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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PLOUGHING IT UNDER
By Thomas Hart Benton
Located in Santa Monica, CA
THOMAS HART BENTON (1889-1975)
PLOUGHING IT UNDER (aka Ploughing) 1934 (Fath 8)
Original lithograph, signed in pencil. Edition of 250 as published by Associated American Artists (AA...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Japanese Kimono Fabric Design — Vintage Color Woodblock Print
Located in Myrtle Beach, SC
Anonymous, Japanese Kimono Fabric Design, color woodcut, c. 1930. A superb impression, with fresh colors, fine graduations, and metallic gold motifs, on ...
Category
Early 1900s Showa Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
'Mountain Climber' — American Modernism
By Rockwell Kent
Located in Myrtle Beach, SC
Rockwell Kent, 'Mountain Climber', wood engraving, 1933, edition 250, Burne Jones 93. Signed in pencil. A brilliant, black impression, on cream, wove Japan paper; the full sheet with margins (2 9/16 to 3 5/8 inches); slight skinning at the top sheet edge verso, where previously hinged; otherwise, in excellent condition. Archivally matted to museum standards, unframed.
Image size 7 7/8 x 5 7/8 inches (200 x 149 mm); sheet size 14 x 11 1/8 inches (356 x 283 mm).
Printed by Pynson Printers, New York. Distributed by The Print Club of Cleveland, Publication No. 11, 1933.
Literature: 'Rockwellkentiana,' Harcourt, Brace and Company, New York, 1933. '101 of The World’s Greatest Books', edited by Spencer Armstrong, 1950.
Impressions of this work are held in the following museum collections: Akron Art Institute, Burne Jones Collection, IL; Cincinnati Art Museum; Cleveland Museum of Art; Columbus Gallery of Fine Arts; Crystal Bridges Museum of American Art; Davis Museum at Wellesley College; Fine Art Museums of San Francisco; H. M. de Young Museum; Hermitage Museum; Kent Collection, NY; Library of Congress; Memorial Art Gallery, University of Rochester; Metropolitan Museum of Art; New York Public Library; Philadelphia Museum of Art; Princeton University Library; Smithsonian American Art Museum, Spector Collection, NY; SUNY, Plattsburg.
ABOUT THE ARTIST
Rockwell Kent (1882-1971), though best known as a painter, graphic artist, and illustrator, pursued many careers throughout his life, including architect, carpenter, explorer, writer, dairy farmer, and political activist. Born in Tarrytown, New York, Kent was interested in art from a young age. These ambitions were encouraged by his aunt Jo Holgate, an accomplished ceramicist. Jo came to live with the family after Kent’s father passed away in 1887 and took him to Europe as a teenager, undoubtedly kindling his interest in exploring the world.
Kent attended the Horace Mann School in New York City, where he excelled at mechanical drawing. His family’s financial circumstances prevented him from pursuing a career in the fine arts; however, after graduating from Horace Mann in 1900, Kent decided to study architecture at Columbia University.
Before matriculating at Columbia, Kent spent the first of three consecutive summers studying painting at William Merritt Chase’s art school in Shinnecock Hills, Long Island. There he found a community of mentors and fellow students who encouraged him to pursue his interest in art. At the end of Kent’s third summer at Shinnecock, Chase offered him a full scholarship to the New York School of Art, where he was a teacher. Kent began taking night classes at the art school in addition to his architecture studies but soon left Columbia to study painting full-time. In addition to Chase, Kent took classes with Robert Henri and Kenneth Hayes Miller, where his classmates included the artists George Bellows and Edward Hopper.
Kent spent the summer of 1903 assisting the eccentric painter Abbott Handerson Thayer at his studio in Dublin, New Hampshire—a position he secured through the recommendation of his Aunt Jo. Thayer’s naturalist lifestyle and almost mystical appreciation for natural phenomena greatly influenced Kent; he returned to Dublin for many years to visit Thayer and his family. Thayer gave the young artist time to pursue his work, and that summer Kent painted several views of the New Hampshire landscape, including Mount Monadnock. In 1905 Kent moved from New York to Monhegan Island in Maine, home to a summer art colony, where he continued to find inspiration in nature. Kent soon found success exhibiting and selling his paintings in New York, and in 1907, he was given his first solo show at Claussen Galleries. The following year he married his first wife, Kathleen Whiting (Thayer’s niece), with whom he had five children. The couple divorced in 1924, and Kent married Frances Lee the following year. They divorced after 15 years of marriage, and the artist married Sally Johnstone.
For the next several decades, Kent lived a peripatetic lifestyle, settling in several locations in Connecticut, Maine, and New York. During this time he took several extended voyages to remote, often ice-filled, corners of the globe, including Newfoundland, Alaska, Tierra del Fuego, and Greenland, to which he made three separate trips. For Kent, exploration and artistic production were twinned endeavors, and his travels to these rugged, elemental locations inspired his visual art and his writings. He developed a stark, realist landscape style in his paintings and drawings that revealed both nature’s harshness and its sublimity. Kent’s human figures, which appear sparingly in his work, often allude to the mythic themes of isolation, individualism, heroism, and the quest for self-connection. Important exhibitions of works from these travels include the Knoedler Gallery’s shows in 1919 and 1920, featuring Kent’s Alaska drawings...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Modernist Nude — Atelier 17
Located in Myrtle Beach, SC
Russell T. Limbach, 'Untitled (Modernist Nude)', etching and aquatint, no known edition, c. 1930. Signed in pencil. A fine impression, on cream wove paper, with full margins (1 7/8 to 2 3/4 inches), in excellent condition. Image size 8 15/16 x 5 15/16 inches; sheet size 13 3/8 x 10 1/4 inches. Extremely rare. Matted to museum standards, unframed.
Probably created when Limbach was in Paris (1928-1934), where he was exposed to modernist printmaking explorations at Stanley William Hayter’s 'Atelier 17'.
ABOUT THE ARTIST
Born in Massillon, Ohio, Russell Limbach...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Magic Hour, Autumn
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Magic Hour, Autumn', chiaroscuro wood engraving, 1981, edition 160 in 1983. Signed, dated and titled in pencil. Signed in the block, lower right. A superb impression, on...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Portraits: Anne
By Alex Katz
Located in New York, NY
Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chal...
Category
Early 2000s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Canna Lily
By Nishimura Hodo
Located in Fairlawn, OH
Canna Lily
Color woodcut, 1939
Unsigned (as usual)
Publisher: Takemura Hideo
(active Yokohama 1926-1939)
Format: oban
Condition: Excellent
Image/Sheet size: 15 5/8 x 11 inches
Provenance: Robert O. Muller
There is little biographical data available about the Japanese printmaker Hodo Nishimura...
Category
1930s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Rowboat
By Alex Katz
Located in New York, NY
Although best known for his portraits, Katz has depicted landscapes both inside the studio and out of doors since the beginning of his career. This print of a boat on the water feat...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
$10,000
April: Otsuyu of Yanagibashi in Wisteria Arbor at Kameido
By Taiso Yoshitoshi
Located in Fairlawn, OH
April: Otsuyu of Yanagibashi in Wisteria Arbor at Kameido
Color woodcut, 1880
From the series: "Pride of Tokyo's Twelve Months" (Tokyo jiman juni kagetsu)
Signed and sealed lower rig...
Category
1880s Other Art Style Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
'Snow Shovellers, New York' — American Modernism
By Clare Leighton
Located in Myrtle Beach, SC
Clare Leighton, 'Snow Shovellers, New York', 1929, wood engraving, edition 45, Boston Public Library 146. Signed, titled, and numbered '29/45' in pencil. A...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Matsu (Pine)
Located in Fairlawn, OH
Matsu (Pine)
Woodcut, 1968
Signed: "'Matsu' Naoko Matsubara" in pencil by the artist (see photo)
Annotated in pencil "Ed 25" (see photo)
Edition: 25
Condition: 7" long waterstain at ...
Category
1960s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
MANHATTAN
By Anton Schutz
Located in Santa Monica, CA
ANTON SCHUTZ
MANHATTAN c 1940
Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Auction
By Bernhard Kretzschmar
Located in New York, NY
Bernard Kretzschmar (1889-1972), Auction, etching, drypoint, and burnished aquatint, 1921, signed and dated (’20) in pencil lower right [also initialed in the plate lower left] Refe...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching, Aquatint
Double Personage
By Wifredo Lam
Located in Fairlawn, OH
Double Personage
Color lithograph, 1975 (?)
Unsigned (as issued)
Edition: Large Edition Limited, (estimated to be approximately 2000)
Published in: XXe Siecle, No. 52, Juin 1979
Published: G. di San Lazzaro
Printer: Mourlot Imprimeur, Paris, France
Reference: Lam-Tonneau-Ryckelynck L7513
Condition: Excellent, fresh colors
Traces of glue residue along margin edge where it was bound in the book
Image/sheet size: 12 1/4 x 9 1/4 inches
Wilfredo Lam (1902-1982)
Biography
Wifredo Lam was born in Sagua la Grande, Cuba, on December 8, 1902. He was the eighth child born to Lam-Yam―born in Canton around 1820, an immigrant to the Americas in 1860―and to Ana Serafina Catilla―born in 1862 in Cuba of mixed African and Spanish ancestry.
The luxuriant nature of Sagua la Grande had a strong impact on Lam from early childhood. One night in 1907, he was startled by the strange shadows cast on the wall of his bedroom of a bat in flight. He often recounted the incident as his first magnificent awakening to another dimension to existence.
In 1916, Lam and part of his family settled in Havana. He was enrolled in the Escuela Profesional de Pintura y Escultura, Academia de San Alejandro, where he remained a student until 1923. This period, with exhibitions at the Salón de Bellas artes, was determinant in his choice to become a painter. In 1923, the municipality of Sagua la Grande awarded him a grant to study in Europe and by the autumn of that year, at the age of twenty-one, he left the country for Spain.
His time in Spain―initially intended as a short stay on his way to Paris―lasted 14 years. In Madrid, he was exposed to the ideas and movements of modern art. He spent long hours at the Archeological Museum and the Prado. He studied the great masters of Spanish painting, Velázquez and Goya, but felt particularly drawn to the works of Bosch and Bruegel the Elder. In 1931, his first wife, Eva (Sébastiana Piriz) and their son Wilfredo Victor died of tuberculosis. The terrible suffering he endured led to numerous paintings of mother and child. Lam found solace in the company of his Spanish friends and made contact with several political organizations. In 1936, with the help of his friend Faustino Cordón, he joined the Republican forces in their fight against Franco. He designed anti-Fascist posters and took part in the struggle by working in a munitions factory. The violence of the struggle inspired his painting La Guerra Civil.
In 1938, Lam left Spain for Paris. Shortly before leaving, he met Helena Holzer, who would become his wife in 1944. His meeting Picasso in his studio on the Rue des Grands Augustins proved decisive. Picasso introduced his new “cousin” to his painter, poet and art critic friends, Braque, Matisse, Miró, Léger, Eluard, Leiris, Tzara, Kahnweiler, Zervos. Lam also met Pierre Loeb, the owner of the Galerie Pierre in Paris, which hosted Lam’s first solo exhibition in 1939.
Shortly before the Germans arrived, Lam left Paris for Bordeaux and then Marseille, where many of his friends, for the most part surrealists, had gathered around André Breton in the Villa Air Bel: Pierre Mabille, René Char, Max Ernst, Victor Brauner, Oscar Domínguez, André Masson, Benjamin Péret. In the Villa Air Bel, a meeting place for creativity and experimentation, Lam worked and produced, most notably, a series of ink drawings that set the tone for what would become his signature style of hybrid figures, a vocabulary he would develop more fully during his years in Cuba from 1941 to 1947.
In January and February 1941, Lam illustrated Breton’s poem Fata Morgana which was censored by the Vichy government. On March 25, Lam and Helena Holzer embarked on the “Capitaine Paul Lemerle” headed for Martinique, in the company of some 300 other artists and intellectuals―André Breton and Claude Lévi-Strauss among them. Upon arrival, the passengers were interred at Trois Îles. It was during this forced passage in Martinique and before leaving for Cuba that Lam and Aimé Césaire met for the first time to become life-long friends.
Newly settled in his native land after almost twenty years, Lam delved deeper into his artistic investigations, finding nourishment for his ideas in the surroundings of his childhood and youth. His sister Eloisa, whom he was closest to, explained to him in much detail the workings of Afro-Cuban rituals and he began attending ritual ceremonies with some of his friends. This contact with Afro-Cuban culture brought new impetus to his art. He painted over one hundred canvases, most notably La Jungla, making the year 1942 his most productive of this period. Over the next few years, a number of exhibitions followed in the United States, at the Institute of Modern Art of Boston, at the MoMA of New York, at the Galerie Pierre Matisse, where La Jungla was presented and created a scandal.
In 1946, Lam and Helena travel to Haiti and attend voodoo ceremonies in the company of Pierre Mabille and André Breton. Talking about his experience in Haiti, Lam said, “It is often assumed that my work took its final form in Haiti, but my stay there, like the trips I made to Venezuela, Colombia or to the Brazilian Mato Grosso only broadened its scope. I could have been a good painter from the School of Paris, but I felt like a snail out of its shell. What really broadened my painting is the presence of African poetry.”
Picasso_Lam_Vallauris_1954_vignette
Wifredo Lam et Pablo Picasso, Vallauris, 1954
Lam then went on to New York where he renewed contact with Marcel Duchamp and made new acquaintances: Jeanne Reynal, James Johnson Sweeney, Arshile Gorky, John Cage, Roger Wilcox, Mercedes Matter, Ian Hugo, Jesse Fernández, John Cage, Sonia Sekula and Yves Tanguy. By the end of the 1940s, Lam divided his time between Europe, Havana and New York, where they stayed with Pierre and Teeny Matisse...
Category
1970s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Adoration of the Shepherds
By Peter Paul Rubens
Located in New York, NY
Adoration of the Shepherds after Peter Paul Rubens (Flemish, 1577-1640), engraved by Pierre-Franois Basan (French, 1723-1797), engraving, c. 1750, in black on ivory laid paper, 282 x 200 mm., with small margins. In very good condition.
A fine proof impression, before letters. A draft printing of letters is visible, lower left, below image: “P P Rubens inv.”; lower right: “F. Basan excudit”.
Basan’s engraving after Rubens may be modeled after another engraving of the Adoration after Rubens by Theodor Galle (1571-1633), which appeared as an illustration to the 1618 reprint of 1616 edition of “Missale Romanum...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
Shadows on the Ramp
By Martin Lewis
Located in Storrs, CT
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
Untitled (Horses)
By Laura Owens
Located in New York, NY
Los Angeles-based artist, Laura Owens' horse prints often incorporate her characteristic style, which challenges traditional assumptions about figuration and abstraction . Her work f...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
A Book of Silkscreen Prints 1973-76 (2nd Edition)
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
1980s Abstract Geometric Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
REFLECTIONS OF GLOUCESTER
By Joseph Margulies
Located in Santa Monica, CA
JOSEPH MARGULIES (1896 - 1984)
REFLECTIONS OF GLOUCESTER ca 1940
Aquatint signed in pencil. 8 ½ x 11 ¾”, sheet 10 ½” x 13”. Very good condition, asid...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
A Fierce Bull
By James McBey
Located in Storrs, CT
A Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of t...
Category
1910s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
$1,500 Sale Price
40% Off
Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts
Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923.
Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists".
Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$217 Sale Price
56% Off
Samurai
By Red Grooms
Located in Lyons, CO
Color lithograph, Edition 40.
Red Grooms and Master printer Bud Shark began their many print collaborations in 1981 with “Mountaintime”, followed in 1982 by their first three-dimensional lithograph, “Ruckus...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$1,000
Actor Portrait
By Utagawa Kunisada III
Located in New York, NY
Kunisada, Utagawa.
[Actor portrait.]
Japan, ca. 1855.
Original woodblock print.
Category
Mid-19th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Paper
Brittany Landscape with Figure
By Louis Oscar Griffith
Located in Fairlawn, OH
Brittany Landscape with Figure
Etching & color aquatint, c. 1920
Signed lower right (see photo)
Numbered lower left: "No. 21" (see photo)
An early color etching by the artist, based ...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
Benchmark
By William Wegman
Located in New York, NY
Edition of 7
"Benchwork" is part of Wegman's artistic exploration of photography and staged scenes. The artwork is representative of Wegman's distinctive approach to photography, wh...
Category
2010s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Pigment
Nicole
By Alex Katz
Located in New York, NY
signed and numbered lower right
edition of 60
Catalogue raisonné 00717
Published by Simmelink Sukimoto Editions
Internationally recognized painter and printmaker Alex Katz was born...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Linocut, Woodcut
$30,000
The Arch of Constantine and the Colosseum
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Arch of Constantine and the Colosseum
Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo
From: "Vedute di Roma" (Roman Views), part II
An early Paris edition,...
Category
1760s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
AMERICA
By John Speed
Located in Santa Monica, CA
IMPORTANT AMERICAN MAP - ONE OF THE FIRST TO SHOW CALIFORNIA as an ISLAND
JOHN SPEED (1552-1629)
AMERICA - With Those Known Parts In That Unknown Worlde (sic),
1626-(76)
(Burden 217 iv/iv) Engraving, uncolored. Engraved by Abraham Goos and
published by Thomas Basset and Richard Chiswell - 4th state of 4 in 1676
15 1/8 x 20 1/2” From “A Prospect of the Most Famous Parts of the
World”. Generally good condition. A repaired split in lower centerfold. This
is the most common version of this important map...
Category
1620s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
$4,000 Sale Price
52% Off
Ostend Horse
By Edmund Blampied
Located in Storrs, CT
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
Traditional Japanese Geisha (Kiba II)
By Tatsumi Shimura
Located in Burbank, CA
A beautiful Japanese geisha dressed in a traditional robe shyly claps her hands together. She stands in front of a backdrop of a bamboo screen. This print...
Category
Early 2000s Showa Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Giclée
$975 Sale Price
50% Off
Incandescent City
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Incandescent City” in 1960 in an edition of 35 pieces. This impression is signed and inscribed “34/35.” It is in good condit...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Convertible
By Isca Greenfield-Sanders
Located in Berkeley, CA
Color spitbite aquatint and aquatint with drypoint.
Edition of 35
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Intaglio
Zinnias and Bachelor Buttons.
By Margaret Jordan Patterson
Located in New York, NY
Margaret Patterson created this color woodcut print circa 1920. It is signed in pencil at the paper edge, lower right. Printed in areas to the paper edge -sheet size 10 1/16 x 7 1/...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
'The Steps' — WPA Era Graphic Modernism
By Fritz Eichenberg
Located in Myrtle Beach, SC
Fritz Eichenberg, 'The Steps', wood engraving, 1933, edition 200. Signed, titled, and annotated 'Ed. 200' in pencil. Initialed in the block, lower right. A superb, richly-inked impr...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Ruckus Tugboat
By Red Grooms
Located in Lyons, CO
Color 3-D lithograph in Plexiglas box, Ed. 45.
Grooms, who has devoted much of his distinguished career to portraying his New York City home, turns his eye to New York’s harbor and its hardworking tugboats in this three-dimensional lithograph. This tug, the ”Lysiane”, steams through rolling waves…with smoke billowing from the smokestack. Sailing past a buoy with a seagull perched on top….the deck hand prepares to throw a lifesaver to a man overboard. Hidden in the waters are a green suited man with concrete...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Crab Print
By Mathurin Meheut
Located in New York, NY
Plate number 6, Etrille, Ebalia, Portune, from "Étude de la Mer" by Mathurin Meheut. Heliochrome print. Paris, Éditions Albert Levy, 1924.
Category
1920s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Paper
$400
'Tree, Manhattan' — Classic American Realism
By Martin Lewis
Located in Myrtle Beach, SC
Martin Lewis, 'Tree, Manhattan', drypoint, 1930, edition 91 (including 10 trial proofs), McCarron 87. Signed in pencil. A superb, atmospheric impression, in warm black ink, on cream...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
Ruckus Taxi
By Red Grooms
Located in Lyons, CO
Color 3-D lithograph in Plexiglas box. Edition 75
Red Grooms and Master printer Bud Shark began their many print collaborations in 1981 with “Mountaintime”, followed in 1982 by their first three-dimensional lithograph, “Ruckus Taxi...
Category
1980s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$14,000
Wareham, Dorset
By Stanley Roy Badmin
Located in Storrs, CT
Beetles 36. 5 1/4 x 6 1/4 (sheet 9 1/4 x 11 1/4). Edition 50 for the Print Collector's Club. Exhibited: Royal Academy, 1934; Royal Society of Painter-Etchers and Engravers, 1934 and ...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$1,250 Sale Price
21% Off
'George Washington Bridge (Under Construction)' — 1920s New York City
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'George Washington Bridge' (under construction) also titled 'The Cables That Hold it All', etching, 1928, edition unknown. An uns...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
CALIFORNIA VISTA
By Harold Lukens Doolittle
Located in Santa Monica, CA
HAROLD L. DOOLITTLE (1883 – 1974)
CALIFORNIA VISTA, 1923
Aquatint signed and titled in pencil. 8 7/8 x 6 7/8 inches. Sheet 11 x 14 inches. Good condi...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
$780 Sale Price
20% Off
The Bathers
By Winslow Homer
Located in Fairlawn, OH
The Bathers
Woodengraving, 1873
As published in Harper's Weekly, August 2, 1873 (p. 668)
Provenance:
Wunderlich & Co., Inc., New York, NY (Their stock no. 84.003.8 in pencil recto a...
Category
1870s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Narrow Street in Rouen (Petite Rue Nationale, a Rouen)
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), Narrow Street in Rouen (Petite Rue Nationale, a Rouen), etching, drypoint, maniere grise, aquatint, 1896, signed in pencil lower right, numbered (No 6) ...
Category
1890s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching, Aquatint
LEAFLESS TREE
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. LEAFLESS TREE. Tahir 65. Woodcut, 1965. Signed, titled dated and inscribed "Trial Proof" in pencil. 24 x 19 1/4 inches, framed to 34...
Category
1960s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Le Cheval (The Horse) — Mid-Century Cubism
By Léopold Survage
Located in Myrtle Beach, SC
Léopold Survage, 'Le Cheval' (The Horse), color etching, edition 60, 1953. Signed and numbered '46/60' in pencil. Initialed in the plate, lower right. A superb, richly-inked impressi...
Category
1950s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
DEAUX FEMMES MAORIES ACCROUPIES
By Paul Gauguin
Located in Santa Monica, CA
PAUL GAUGUIN (French 1848 - 1903)
DEAUX FEMMES MAORIES ACCROUPIES. 1894-5 (Kornfield 26: Guerin 87 )
Zincograph (Lithograph) on smooth, cream imitation Japan paper, edition 200. Pu...
Category
1890s French School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$3,700 Sale Price
22% Off
The Nodding Renealmia from Temple of Flora
By Dr. Robert John Thornton
Located in New York, NY
"The Queen Flower" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, color...
Category
1810s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Paper
'Search' — Australian Romanticism
Located in Myrtle Beach, SC
Thomas Balfour Garrett, 'Search', monotype in colors, c. 1910, a unique impression. Signed and titled in pencil. A superb, painterly impression with fresh colors on off-white, wove p...
Category
1910s Romantic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Monotype
The Martyrdom of Saint Agatha
By Giovanni Domenico Tiepolo
Located in Fairlawn, OH
The Martyrdom of Saint Agatha
after the painting by his father, Giovanni Battista Tiepolo (see photo)
Etching, c. 1780
Signature: unsigned
Watermark: Letter A (similar to Bromberg 4...
Category
1780s Baroque Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Lithographie originale pour XXe Siecle, No. 20
By Max Ernst
Located in Fairlawn, OH
Lithographie originale pour XXe Siecle, No. 20
Color lithograph, 1962
Unsigned (as issued)
From: XXe Siecle, No. 20, Christmas
Publisher: G. di San Lazzaro, Paris.
Printer: Mourlot?
Large edition: c. 1500?
Condition: Excellent/Mint
usual glue on reverse from binding in book
Image/Sheet size: 12 3/16 x 9 1/2 inches
New series of XXe Siecle
Back in Paris in 1949, Gualtieri di San Lazzaro resumed 20TH century publishing in 1951.
It hosts many of the most important writers and art critics of the 1950s and 1960s, including Alain Bosquet , Genevieve Bonnefoi, Camille Bourniquel , Georges Borgeaud, Marcel Brion , Georges Boudaille, Jacques Brosse , Michel Butor , Jean Cassou , Denys Chevalier, Pierre Courthion, Hubert Damisch , Pierre Descargues, Bernard Dorival , Jacques Dupin , Mircea Eliade , Jean-Louis Ferrier , Pierre Francastel , André Frenaud , Roger Van Gindertael...
Category
1960s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Untitled (Nude with Horse)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Nude with Horse), lithograph, edition 250, 1929. Signed and numbered 10 in pencil. Number 10 of Volume 1, a series of 10 ...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Church at Chichicastenango
By Jesse F. Reed
Located in Myrtle Beach, SC
Jesse F. Reed, 'Church at Chichicastenango', color etching and aquatint, 1963. Signed and titled in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (1 3/8 to 2 1/2 inches), in excellent condition.
Chichicastenango, also known as Santo Tomás Chichicastenango, is a town in the El Quiché department of Guatemala, located in a mountainous region about 140 km northwest of Guatemala City. Chichicastenango is a K'iche' Maya cultural center, with the great majority of the municipality's population indigenous Mayan K'iche. The church depicted is the 400-year-old church Iglesia de Santo Tomás. Built atop a Pre-Columbian temple platform, the steps which remain venerated today, originally led to a temple of the pre-Hispanic Maya civilization. K'iche' Maya priests still use the church for their rituals, burning incense and candles. Each of the 18 stairs that lead up to the church stands for one month of the Maya calendar year.
ABOUT THE ARTIST
Jesse Floyd Reed (1920-2011) studied art in New York City at the Grand Central School of Art and the Art Students’ League. He held degrees in History and English and completed special advance studies in Asian, African, and Latin American art, history and culture. At the time of his retirement, he was a Professor of the Arts Emeritus at Davis & Elkins College, a position he held for over forty-nine years.
A nationally recognized artist since 1947, Professor Reed’s art has been shown in hundreds of museums, libraries, colleges, and universities, including the Boston Museum, National Museum, The Library of Congress, Brooklyn Museum, and Seattle Museum. In his native West Virginia, he is represented in the permanent collections of the Huntington Museum and the Charleston Museum at Sunrise.
The recipient of many national and regional awards, Reed was a member of the Salmagundi Club in NY, the Boston Printmakers, the Print Club of Albany, and was a founding member of the West Virginia Water...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
All
By Emmi Whitehorse
Located in Lyons, CO
Color lithograph, Edition 25.
Emmi Whitehorse is a painter and printmaker. Using a private language of symbols and memories, Whitehorse makes 'personal diaries' of her life as an ...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$3,000
'African Idol' — American Modernism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, untitled (African Idol), serigraph, c. 1940, edition 6. Signed in pencil. A fine impression, with fresh colors, on buff wove paper; the full sheet with margins(5/8 to 1 3/8 inches), in excellent condition. Very rare. Matted to museum standards, unframed.
Image size 8 3/4 x 6 inches (222 x 152 mm); sheet size 11 x 7 1/2 inches (279 x 192 mm).
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
La Capeline de Paille d'Italie (The Italian Straw Hat).
By Henri Matisse
Located in Storrs, CT
La Capeline de Paille d'Italie (The Italian Straw Hat). 1923. Lithograph. Duthuit 430. 17 3/4 x 15 3/4 (sheet 23 1/8 x 17 7/8). Trial proof, apart fr...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$48,000 Sale Price
20% Off
HERCULES FIGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA left
By Giulio Bonasone
Located in Santa Monica, CA
GIULIO BONASONE (Italian 1500/10-1574)
HERCULES FiGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA left 1531–76 (Bartsch XV.157.178; Massari 1983, no.230)
Engraving. Lettered in roundel held by putto at right: 'Iulio / Bonasone' Sheet 10 5/8 x 16 7/8 inches. Thread margins outside border line. A fair impression. Early annotations lower left verso, as well aa a collectors stamp: Lugt 2773 - A. Freiherr von...
Category
16th Century Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
WORKING ON IT INCESSANTLY
By Mary Corita (Sister Corita) Kent
Located in Santa Monica, CA
CORITA KENT (Sister Mary Corita) 1918–1986
WORKING ON IT INCESSANTLY, ca. 1970 Color serigraph. Signed and numbered in ink 200/. In generally good condition. Image 22 3/8 x 11 1/2, sheet 23 x 12 1/4 inches.
Provenance: Marjorie Kauffman Graphics on original period label.
Sister Corita is highly important in the development of modern use of serigraphy with highly charged social and political content expressed in strong colors and dynamic composition. She often made biblical and well as literary references as a major part of the composition. She taught printmaking at Immaculate Heart...
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
The Ponte and Castel S. Angelo (Veduta del Ponte e Castello Sant' Angelo)
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Ponte and Castel S. Angelo
Veduta del Ponte e Castello Sant' Angelo
Etching, 1754
Signed in the plate lower right above the caption
From: Vedute di Roma
A proper Roman printing w...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
'Judgment of Souls' — Surrealist Fantasy
Located in Myrtle Beach, SC
Zena Kavin, 'Judgment of Souls', lithograph, c. 1935, edition 20. Signed, titled, and numbered '17/20' in pencil. A fine, richly-inked impression, on cream wove paper, with full marg...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano (View of the Exterior of St. Peter's Basilica in the Vatican)
Etching, 1748
From the first printing of the "Vedute di Roma"
An early impression with strong contrasts
Before the price and the addition of numbers in the later states.
A view of Michelangelo's done from behind the Piazza, redesigned in 1547
Condition: Excellent
Plate size: 15 3/4 x 24 3/4 inches
Reference: Robison 5 a/g
Hind 5 i/VII
Focillon 54.789
Designed principally by Donato Bramante, Michelangelo, Carlo Maderno and Gian Lorenzo Bernini, St. Peter's is the most renowned work of Renaissance architecture and the largest church in the world. While it is neither the mother church of the Catholic Church nor the cathedral of the Diocese of Rome (these equivalent titles being held by the Archbasilica of Saint John Lateran in Rome), St. Peter's is regarded as one of the holiest Catholic shrines...
Category
1740s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
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