Ifpda International Fine Print Dealers Association Prints and Multiples
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Grapheme 1
By Matt Magee
Located in Houston, TX
Matt Magee
Grapheme 1, 2013
Lithograph
12 x 10 inches
ed. 15
Framed
Category
21st Century and Contemporary Abstract Geometric Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
ASTOR LOBBY, SHOWTIME
By Don Freeman
Located in Portland, ME
Freeman, Don (American, 1908-1978). ASTOR LOBBY,SHOWTIME. McCulloch 34. Lithograph, 1932. Edition of 30 or fewer. Signed in pencil lower right. 8 7/8 x 11 1/8, 225 x 283 mm.(image), ...
Category
1930s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
EARLY JACOULET - A DOWNPOUR AT METALANIM PONOPE EAST CAROLINAS
By Paul Jacoulet
Located in Santa Monica, CA
EARLY JACOULET
PAUL JACOULET (1896 – 1960)
UNE AVERSEA METALANIM, PONAPE , EST CAROLINES, 1935
A DOWNPOUR AT METALANIM PONOPE EAT CAROLINAS (Miles 29)
Color woodcut, with metallic ...
Category
1930s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut, Color
Manhattan Bridge
By Louis Lozowick
Located in New York, NY
This lithograph by Louis Lozowick was created in 1934. This scarce piece was printed in an edition of 10 and in very good condition. It is signed and dated in the lower right with ...
Category
Mid-20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
SNAPSHOT
By Antonio Frasconi
Located in Portland, ME
Frasconi, Antonio. SNAPSHOT. Cleveland 165. Woodcut in colors, 1950. Edition of 10. Titled, inscribed "Ed 4/10" and signed and dated in pencil. 22 1/4 x 14 15/16 inches in an oval fo...
Category
1950s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Backyard II
By Robert Kipniss
Located in Fairlawn, OH
Backyard II
Lithograph, 1972
Signed lower right
Signed lower right
Annotated: Printer's Proof
Reference: Karl Lunde 58
An impression is in the collection of the Art Institute of Chic...
Category
1970s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Tranquil Harbor (Gloucester, Massachusetts) — 1950s Cape Ann Regionalism
By Lawrence Wilbur
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'Tranquil Harbor' (Gloucester, Massachusetts), wood engraving, edition 55, 1958. Signed in pencil, and signe...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
S. LOEB (SOLOMON LOEB)
By Anders Zorn
Located in Portland, ME
Zorn, Anders. S. LOEB (SOLOMON LOEB). H&H76, Asplund 115, Delteil 113. Etching, 1897. Unsigned (signed in the plate). Apparently the 2d or 4th State of 4. All of the states are descr...
Category
Late 19th Century Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Slope w.five trees
By Robert Kipniss
Located in New York, NY
“Slope w/five trees” is a drypoint engraving created by Robert Kipniss in 2020. The paper size is 12.50 x 10.50 inches and the printed image size is 6.75 x ...
Category
21st Century and Contemporary Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving, Drypoint
'The Connectors' — Vintage American Realism, New York City
By James Allen
Located in Myrtle Beach, SC
James Allen, 'The Connectors', 1934, etching, edition not stated, Ryan 66. Signed in pencil. A superb, richly-inked impression, on handmade, cream laid paper, with margins (1/2 to 1...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Penny Passengers, Limehouse
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), Penny Passengers, Limehouse, 1860. Etching and drypoint, signed in pencil with a butterfly and inscribed imp, printed in black ink on laid paper, trimmed at the platemark, leaving a signature tab, an impression in the second (final) state, one of only six recorded, 31/4 x 81/8 inches (8.2 x 20.7 cm)
A fine impression of this great rarity.
Provenance: Otto Gerstenberg, stamp verso [Lugt 2785]
Reference: Kennedy 67; Glasgow 71
The buildings on the far bank of the Thames and the ship and their masts moored there show the distinctive draughtsmanship of the period 1859–1860 when Whistler worked in Limehouse and made an etching there which was published in the Thames Set. Penny Passengers, Limehouse is very rare, with only five impressions known, all but our impression in public collections. It shows in outline a group of passengers waiting for the ferry...
Category
1860s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
PUMPING JACK
By Antonio Frasconi
Located in Portland, ME
Frasconi,Antonio. PUMPING JACK. Color woodcut, 1953. Edition of 8. Signed, titled, dated and numbered 3/8, all in pencil. 17 1/2 x 26 1/4 inches (image) on a...
Category
1950s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Besancon La Mouillere PLM
By Lucien Pillot
Located in New York, NY
Besancon La Mouillere PLM. Ca 1930. printed by Gerin Paris
Color lithograph. On Linen
Lucien Pillot registered as a member of the Société des Artistes Français. He had previo...
Category
1930s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Modern Art
By Arthur Wesley Dow
Located in New York, NY
Dow, Arthur Wesley. Modern Art, 1896. Color lithograph. Plate from Maitre de L’affiches.
Arthur Wesley Dow, ( American painter, printmaker, photographer,...
Category
1890s Art Nouveau Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Tutankhamon
By Roy Ahlgren
Located in Fairlawn, OH
Pencil signed, dated, titled and numbered.
Image 26" x 18"
Category
1980s Op Art Ifpda International Fine Print Dealers Association Prints and Multiples
'Pope' from 'In Praise of Folly' — Mid-Century Graphic Modernism
By Lynd Ward
Located in Myrtle Beach, SC
Lynd Ward, 'Pope' from the series 'Moriae Encomium (In Praise of Folly),' mezzotint, 1943, no edition, proofs only. Signed in pencil. Annotated 'POPE - CARDINAL - BISHOP' - 1943 in ink, lower left. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (1 3/8 to 1 7/8 inches) in excellent condition. Matted to museum standards, unframed. Scarce.
Created by the artist for 'Erasmus's Moriae Encomium,' or 'In Praise of Folly,' published by the Limited Editions Club, 1943. A rare, signed, proof impression apart from the Limited Editions Club publication.
Image size 7 3/4 x 4 3/4 inches (197 x 121 mm); sheet size 10 11/16 x 8 1/16 inches (271 x 204 mm).
ABOUT THE ARTIST
Lynd Ward is acknowledged as one of America’s foremost wood engravers and book illustrators of the first half of the twentieth century. His innovative use of narrative printmaking as a stand-alone storytelling vehicle was uniquely successful in reaching a broad audience. The powerful psychological intensity of his work, celebrated for its dynamic design, technical precision, and compelling dramatic content, finds resonance in the literature of Poe, Melville, and Hawthorne. Like these classic American writers, Ward was concerned with the themes of man’s inner struggles and the role of the subconscious in determining his destiny. An artist of social conscience during the Great Depression and World War II, he infused his graphic images with his unique brand of social realism, deftly portraying the problems that challenged the ideals of American society.
The son of a Methodist preacher, Lynd Ward, moved from Chicago to Massachusetts at an early age. He graduated from the Teachers College of Columbia University, New York, in 1926, where he studied illustration and graphic arts. He married May Yonge McNeer in 1936 and left for Europe for their honeymoon in Eastern Europe. After four months, they settled in Leipzig, where Ward studied at the National Academy of Graphic Arts and Bookmaking. Inspired by Belgian expressionist artist Frans Masereel's graphic novel ‘The Sun,’ and another graphic novel by the German artist Otto Nückel, ‘Destiny,’ he determined to create his own "wordless" novel. Upon his return to America, Ward completed his first book, ‘God's Man: A Novel in Woodcuts,’ published in 1929. ‘Gods’ Man’ was a great success for its author and publisher and was reprinted four times in 1930, including a British edition. This book and several which followed it, ‘Madman’s Drum,’ 1930, ‘Wild Pilgrimage,’ 1932, ‘Prelude to a Million Years,’ 1933, ‘Song Without Words,' 1936, ‘Vertigo,’ 1937; and ‘Last Unfinished Wordless Novel’ (created in the 1960s and published in 2001) were comprised solely of Ward's wood engravings. Ward designed each graphic image to occupy an entire page, the sequence of which conveys the story's narrative.
In 1937, Ward was named Director of the Graphic Arts Division of the Federal Art Project, a division of the Works Progress Administration (WPA). In the following years, Ward went on to illustrate more than one hundred books (some of which he wrote), including classics for the Limited Editions Club Goethe’s ‘Faust,’ Faulkner’s ‘A Green Bough,’ and Mary Shelley’s ‘Frankenstein,’ and several children’s books. He also produced single-subject wood engravings, paintings, and drawings. His print ‘Sanctuary,’ 1939, was shown at the 1939 New York World’s Fair, and ‘Clouded Over,’ 1948, received the 1948 Library of Congress Award and was included in ‘American Prize Prints of the 20th Century’ by Albert Reese. He received the National Academy of Design Print Award (1949), the New York Times Best Illustrated Award (1973), and the Regina Award (Catholic Library Association, 1975). ‘The Biggest Bear,’ a children’s book with illustrations by Ward, was the recipient of the esteemed 1952 Caldecott Medal of the American Library Association.
An Honorary Fellow of the Royal Society of Painter-Etchers and Engravers, Ward was a member and board member of the National Academy of Design and the Artists’ League of America. He served several terms as president of the Society of American Graphic Artists and was a member of the American Artists Congress and the Society of Illustrators. Ward exhibited at the American Artists Congress; the National Academy of Design; the John Herron Art Institute; and the Library of Congress. He had a one-person show at Associated American Artists, NY, on the publication of his monograph 'Storyteller Without Words,' 1974; AAA mounted a memorial exhibition in 1986. The May 1976 issue of 'Bibliognost,' a book collector’s publication, was dedicated to Ward. ‘Lynd Ward, His Bookplate Designs,’ an article by Dan Burne Jones, was published in the American Society of Bookplate Collectors and Designers Yearbook, 1981/82.
In 2001, sixteen years after his death, Rutgers University Libraries published ’Lynd Ward’s Last Unfinished Wordless Novel.’ The blocks were intended to be part of a novel in woodcuts, the first since Vertigo, but Ward did not live to complete the project. Master printer and book designer Barbara Henry collated and printed the twenty-six finished blocks out of the forty-four initially planned for the still unnamed narrative.
In 2010 the Library of America honored Ward’s achievements with the meticulous production of a collection of Ward’s woodcut novels—the first time the Library had gone wordless. The publication replicated his original editions with a single full-size image printed on the right page of each double-page spread. In his introduction to the books, renowned cartoonist/illustrator Art...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
'Modern Music' — WPA Modernism, New York City El
Located in Myrtle Beach, SC
Albert Potter, 'Modern Music' also Twilight Melodies', linocut, c. 1935, from the posthumous edition of 20, printed in 1977, authorized by the artist’s widow. Estate authenticated in...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Linocut
Portrait
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Portrait, 1917, engraving, signed in pencil lower left and numbered lower right (28/40). Reference: S. Laboureur 170, third state (of 3), from the e...
Category
1910s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
Four Color Quartets (Fourth Quartet)
By Mel Bochner
Located in New York, NY
Suite $20,000. Individual Quartets $6,000.
First Quartet 35 in. x 35 in.
Second Quartet 35 in. x 45 in.
Third Quartet 45 in. x 35 in.
Fourth Quartet 45 in. x 45 in.
Signed and ...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
UNTITLED [GENTLEMAN OBSERVING BILLIARDS GAME].
Located in Portland, ME
Brinton, D. UNTITLED [GENTLEMAN OBSERVING BILLIARDS GAME]. Drypoint, n.d. (c. early to mid-20th Century). 8 x 6 inches (image), 11 1/2 x 8 inches (sheet). In excellent condition, wit...
Category
Early 20th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
![UNTITLED [GENTLEMAN OBSERVING BILLIARDS GAME].](https://a.1stdibscdn.com/unknown-prints-works-on-paper-untitled-gentleman-observing-billiards-game-for-sale/a_3673/1527774112831/Brinton_Billiards_master.jpg?width=240 "UNTITLED [GENTLEMAN OBSERVING BILLIARDS GAME].")
Spanish Woman with Guitar
By Jan Matulka
Located in New York, NY
Jan Matulka (1890-1972), Spanish Woman with Guitar, lithograph, 1925, an unsigned proof impression. Reference: Flint 13, only a few impressions known...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Advice
By Walt Kuhn
Located in New York, NY
Walt Kuhn (1877-1949), Advice, etching and drypoint, 1915, signed in pencil lower right and titled lower left. In generally good condition but obviously a proof impression, with marg...
Category
1910s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU?
By Georges Rouault
Located in Santa Monica, CA
GEORGES ROUAULT (1871-1958)
MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU? 1927
( Chapon/Rouault 97; Wofsy 151) Miserere XLIV Aquatint, 1927, on laid Arches. watermark...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
Lone Pintail.
By Frank Benson
Located in New York, NY
This drypoint from 1930 was printed in an edition of 150. It is signed in pencil just under the image in the lower left. Listed in the catalogue raisonne on Frank W. Benson by Adam Paff #303.
Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
Canyon Floor
By John Ross
Located in New York, NY
This collagraph print was created during the mid-1970's when John Ross and his family were spending summers in the Southwest. Ross brought forward and mastered the collagraph. “A c...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Intaglio
MANHATTAN MINARETS
By Walter Tittle
Located in Portland, ME
Tittle, Walter. MANHATTAN MINARETS. Drypoint, 1931. Titled, lower left and signed, lower right. Edition of 75. 14 1/2 x 8 7/8 inches (plate), 17 3/4 x 11 1/8 inches (sheet). In excel...
Category
1930s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
Switch Engines, Erie Yards, Jersey City, Stone No. 3
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Switch Engines, Erie Yards, Jersey City, Stone No. 3, lithograph, 1948, signed in pencil lower right. Reference: Sasowsky 30, o...
Category
1940s American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
MEN IN STREET
By Lester Johnson
Located in Portland, ME
Johnson, Lester. MEN IN STREET #2.
Etching in colors, 1973.
Edition of 35, numbered 33/35, titled, and signed in pencil.
19 1/2 x 25 inches, 494 x 635 mm. (plate); 25 x 31 inches,...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
'Blast Furnace #1' — Mid-Century American Modernism
By Harry Sternberg
Located in Myrtle Beach, SC
Harry Sternberg, 'Blast Furnace #1', etching, aquatint and roulette, 1946, edition 250, Moore 147. Signed in pencil. A superb, richly-inked impression, w...
Category
1940s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
A Sandstorm on the Little Colorado River, Arizona
By George Elbert Burr
Located in Storrs, CT
A Sandstorm on the Little Colorado River, Arizona. 1920. Soft-ground etching. Seeber 189. 6 7/8 x 9 3/4 (sheet 9 5/8 x 13). Edition 40, #6. Series: Desert Set. Illustrated: American ...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Watercolor
$750 Sale Price
25% Off
Brooklyn Waterfront
By Adolf Arthur Dehn
Located in Fairlawn, OH
Brooklyn Waterfront
Lithograph, 1931
Signed, titled, and dated in pencil by the artist
Edition: Undetermined (very small), plus artist's proofs
Printed by Meister Schulz, Berlin
Provenance:
Estate of the artist
Virginia Dehn, the artist's widow
Dehn Quests
Bibliography:
Lumsdaine and O'Sullivan 152
Illustrated: Adams, The Sensuous Life of Adolf Dehn, Fig. 9.14, page 213 (This impression)
Adolf Dehn, American Watercolorist and Printmaker, 1895-1968
Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art.
In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art.
If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques.
Early Years, 1895-1922
For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
THE PLANETS
Located in Portland, ME
Tyler, Richard Oviet (American, 1926-1983).
THE PLANETS. Uranian Press, New York, 1958.
Uranian Press, New York, 1958.
The Second Edition of 20, with the plates loose in a portfolio, and with each of them titled, inscribed "Ed 2," numbered "6/20, signed in pencil by Tyler, and bearing the emossed seal of the Uranian Press at the lower right (the First Edition, of 5 copies, was a bound set of the plates, signed on the Justification page by Tyler, but with the individual plates unsigned).
Quarto, string-tied boards covered in white linen printed in black from woodblocks, endpapers printed in purple and red, paper folder enclosing 20 woodblock plates printed in colors.
The portfolio 14 x 10 1/2 inches, the plates each about 12 1/2 x 9 3/4 inches.
The whole in excellent condition except that the paper folder containing the plates is foxed.
We have seen a copy of the bound edition, but the work seems to very rare in either iteration.
The plates are as follows:
Plate 1: Title "The Planets,"
Plate 2: "Sun,"
Plate 3: "The Sun ever generous force of his being in the flow of self strength striving,"
Plate 4: "Moon,"
Plate 5: "The moon of our emotions surrounding memory influenced reflections of pleasant remembrance,"
Plate 6: "Mercury,"
Plate 7: "Mercury messenger of mind influence most observant and discriminating reaches attracts resembles snake a tree a heavy ___??," Plate
8: "Venus," Plate
9: "Venus upon us as into us the longing of love rules existence,"
Plate 10: "Mars,"
Plate 11: Mars infinitely delicate degree of devotion leads to deeds against falsehood destruction for the sake of creation inalienable dream of passion,"
Plate 12: "Jupiter,"
Plate 13: Jupiter father of forgiveness and sustaining belief of plenty keep faith favorable and optimism omnipresent,"
Plate 14: "Saturn,"
Plate 15: "Last planet of limitation leads us through purification into silence,"
Plate 16: "Uranus,"
Plate 17: "Cause ruler of spirit inspired in matter unknown and omnipotent,"
Plate 18: "Neptune,"
Plate 19: "Neptune dissolution unity divinity,"
Plate 20: "The Planets."
Richard Oviet Tyler...
Category
1950s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
PORTRAIT OF A VASE
By John Murray Barton
Located in Portland, ME
Barton, John Murray. PORTRAIT OF A VASE. Color Woodcut, 1959. Edition of 100. Titled, numbered 1/100, signed and dated in pencil. 23 5/8 x 7 3/4 inches (image), 11 1/2 x 27 inches (s...
Category
1950s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Woodcut
'The Lamentation' — Mid-century Modernism, WWII
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
'The Lamentation', lithograph, 1941, edition 35, Fine and Looney 198. Signed, titled, and annotated 'Ed 35' in pencil. Initialed in the stone, lower ri...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$1,120 Sale Price
20% Off
IN THE BOWERY
By Charles Frederick William Mielatz
Located in Portland, ME
Mielatz, Charles. IN THE BOWERY. Etching, 1891. Edition size not known. Signed and dated in the plate. 9 7/8 x 7 inches. In excellent condition. Mielatz, taught etching at the Nation...
Category
1890s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Bougival
By Maurice de Vlaminck
Located in Fairlawn, OH
Bougival
Woodcut, 1914
Signed and numbered in pencil
Edition 30, this numberd 22
Printed on laid Van Gelder Zonen paper
Published by Henri Kanweiler, Paris
Printed by Paul Birault, P...
Category
1910s Fauvist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Arch of the Pont Neuf, Paris
By Sir Frank Brangwyn
Located in Fairlawn, OH
Arch of the Pont Neuf, Paris
Etching on heavy wove paper, 1923
Signed in pencil lower right (see photo)
From: Brangwyn Portfolio (12 original etchings and thr...
Category
1920s Post-Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Circle of Life
By Rudolf Bauer
Located in Fairlawn, OH
Circle of Life
Lithograph on tan paper, c. 1910's
Signed in pencil lower right; signed in the plate lower right
(see photo)
Annotated "No. 50" in pencil lower left (see photo)
...
Category
1910s Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Diana Raised 1
By Larry Rivers
Located in Fairlawn, OH
Diana Raised 1
Lithograph from four stones, 1970
Signed and dated lower right (see photo)
Annotated "PP" for Printers Proof lower right (see photo)
Publisher: ULAE
ULAE blindstamp lo...
Category
1970s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
THE REVELATION OF SAINT JOHN THE DIVINE.
Located in Portland, ME
Crite, Alan Rohan. THE REVELATION OF SAINT JOHN THE DIVINE. Limited Editions Club, NY, 1995. Number 88 of the edition of 300 copies. Large folio (22 x 16 inches) clamshell box in black cloth with morocco label, book in Black Cloth, with morocco label, 58 pages with the text of Revelations in the King James Version, and fifteen "relief engravings" (wood-engravings?) by Alan Crite...
Category
1990s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
FARMHOUSE WITH YELLOW FIELDS
By Junichiro Sekino
Located in Portland, ME
Sekino, Junchiro (Jaoanese, 1914-1988), FARMHOUSE WITH YELLOW FIELDS. Color Woodblock, not dated. Signed, Lower right. 13 3/8 x 19 inches, framed to 20 x 25 inches. In excellent cond...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Shadows, Garage at Night
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962, Shadows, Garage at Night, drypoint, 1928, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 69, only state, from the t...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
'Flight to Tomorrow' — Mid-Century American Modernism — Atelier 17
By Minna Citron
Located in Myrtle Beach, SC
Minna Citron, 'Flight to Tomorrow', aquatint and engraving, edition unknown but small, 1948. Signed, titled, dated, and annotated 'engr & aqua' in pencil. A superb, richly-inked impression with selectively wiped plate tone, on heavy cream wove paper, the full sheet with margins (1 3/4 to 3 1/2 inches), in excellent condition. Image size 6 7/8 x 8 7/16 inches (175 x 214 mm); sheet size 11 1/8 x 14 7/8 inches (283 x 378 mm). Matted to museum standards, unframed.
Literature: The Women of Atelier 17, Modernist Printmaking in MidCentury New York, Christina Weyl, Yale University Press, 2019, p. 186.
Collections: Davis Museum (Wellesley), Five Colleges and Historic Deerfield Museum Consortium, Harvard Art Museums, Museum of Fine Arts, Boston, Palmer Museum of Art (Penn State...
Category
1940s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving, Aquatint
Umewaka Shrine in the Rain
By Kobayashi Kiyochika
Located in Burbank, CA
Umewaka Shrine, from an untitled series of prints depicting Tokyo. A woman braces her umbrella against the rain and a man waits out the storm next to his jinriksha in this view of th...
Category
1870s Edo Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Handmade Paper, Mulberry Paper, Woodcut
RUE ST. JACQUES
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald (American, 1898-1954) RUE ST. JACQUES. S.5 Lithograph, 1928. Edition of 36 per Sasowsky, citing Marsh's notebook, but inscribed, lower left, "35 Proofs," and signed in pencil, lower right. 12 1/2 x 8 1/2 inches, 317 x 215 mm. (image). One of the series of lithographs...
Category
1920s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Alkyd, Lithograph
UNTITLED
Located in Portland, ME
Yoshida, Masao (Japanese, born 1934.) UNTITLED. Aquatint with soft-ground etching, 1963. Edition of 30, printed on Arches paper. Signed, dated, and numbered 21/30 in pencil. 30 X 22...
Category
1960s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
Combination-Cross No. 3
By Katsunori Hamanishi
Located in Fairlawn, OH
Combination-Cross No. 3
Mezzotint, 1979
Signed, titled and numbered in pencil
Edition: 30 (9/30)
Provenance: Ninion and Sheldon Landy, Chicago
The Landy's donated a large collection of Hamanishi to the Art Institute of Chicago in 2013, which formed the core of the exhibitions of his works at AIC in 2014 and again in 2019.
Condition: Excellent
Image size: 13 5/8 x 14 1/8 inches
HAMANISHI Katsunori...
Category
1970s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
'Bacchus' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Bacchus', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original by Giovan...
Category
1730s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
Ladies Dress Shoes. Plate X.
By T. Watson Greig 1
Located in New York, NY
LADIES DRESS SHOES. Plate X.
The charming color lithograph from “Ladies’ Dress Shoes of the Nineteenth Century” was assembled by the antiquarian/shoe ...
Category
Early 1900s Naturalistic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Vellum Sketches I
By Ida Applebroog
Located in New York, NY
Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences and the School of the Art Institute of Chicago. She received a MacArthur Foundation Fellows...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
$2,800 Sale Price
20% Off
Elvis
By Red Grooms
Located in Lyons, CO
Color lithograph, Edition 75
Red Grooms and Master printer Bud Shark began their many print collaborations in 1981 with "Mountaintime", followed in 1982 by their first three-dimensional lithograph, "Ruckus...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$5,000
Le Souper des Dockers
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Le Souper des Dockers, engraving, 1919-1920, signed in pencil lower left, titled lower left, and numbered (27/35) lower right. Reference: Laboureur ...
Category
1910s Cubist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
THE BOWERY - UPRIGHT
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald. THE BOWERY - UPRIGHT. S.26. Lithograph, 1932. Edition of 21, signed and numbered 3/21 in pencil. 9 1/2 x 7 1/4 inches, 241 x 184 mm (image), Chine colle to a sheet 1...
Category
1930s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Untitled I, II, III
By Robert Mangold
Located in New York, NY
numbered and signed lower margin
S&S Cat. no. 2007.01
edition 6/30
Published by Simmelink/Sukimoto Editions, Kingston, New York
Associated with the Minimalist art movement of the 1...
Category
Early 2000s Abstract Geometric Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
RED RADISHES
By Ryohei Tanaka
Located in Portland, ME
Ryohei, Tanaka (Japanese, 1933- 2019). RED RADISHES, Etching and aquatint, 2000. Edition of 100. Signed and numbered 22/100 in pencil, image 3 ¼ x 4 ¾ inches, with full margins. fram...
Category
1960s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
GUERRE CIVILE
By Édouard Manet
Located in Portland, ME
Edouard Manet, French, (1832-1883). GUERRE CIVILE (CIVIL WAR). Lithograph on chine colle, 1871-73. The second state of two. Printed and Published by Lermercier, Paris, 1874. 15 5/8 ...
Category
1870s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Blom & van der AA.
By Louis Raemaekers
Located in New York, NY
Raemakers, Louis. Blom & van der AA. Ca 1920s.
Color lithograph
Louis Raemaekers, was a Dutch cartoonist who gained international fame with his anti-German cartoons during World W...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
SLEDGEHAMMERS
By Sybil Andrews
Located in Portland, ME
Andrews, Sybil (English/Canadian, 1898-1992), C. SA26.
"SLEDGEHAMMERS", Color Linocut, 1933, ed. 60 plus 4 trial proofs,
Ref. C. SA 26, 10-1/4 x 12-1/2, signed, titled and numbered 6...
Category
1930s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Linocut
Bellhop
By Roberto Juarez
Located in New York, NY
Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that seem...
Category
Late 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Stencil
$960 Sale Price
20% Off
BROADWAY
By John Ross
Located in Portland, ME
Ross, John American, (1921-2017), BROADWAY, Color Woodcut, 1957, Ed. 9/10, signed, titled dated and numbered in pencil, on a cream japan paper. 15-1/8 x 19-1/8 inches (image), 18 1/4 x 23 3/8 inches (sheet). A fine impression with strong, fresh colors, but with thin spots and adhesive residue in the left and right margins, well away from the image, resulting from careless removal from an earlier mount. This is one of Ross's most effective and striking prints, presenting New York City at night, under a moon and clouds...
Category
1950s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
$4,200
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