Ifpda International Fine Print Dealers Association Prints and Multiples
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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KITES
By Hector Saunier
Located in Portland, ME
Saunier, Hector (French, born Argentina, 1936-) . KITES. Aquatint and engraving in colors, 1974. Edition of 50. Titled, numberd, dated, and signed in pencil. 17 1/8 x 16 7/8 inches (...
Category
1970s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving, Aquatint
QUARTER OF NINE - SATURDAY'S CHILDREN
By Martin Lewis
Located in Portland, ME
Lewis, Martin (American, born Australia, 1881-1962). QUARTER OF NINE, SATURDAY'S CHILDREN. McCarron 79. Drypoint, 1929. McCarron says the intended edition was 100 , but 107 were prin...
Category
1920s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
THE TAILOR
By Will Barnet
Located in Portland, ME
Barnet, Will. THE TAILOR. Szoke 39, Cole 38, Johnson 30. Aquatint and etching, 1938. Edition of 25, titled, inscribed "25 Prints, and signed in pencil. Printed by the artist on Rives...
Category
1930s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
Financial District
By Howard Norton Cook
Located in New York, NY
Howard Cook (1901-1980), Financial District, lithograph, 1931, signed and dated in pencil lower right and numbered 75 lower left. Reference: Duffy 155, from the stated edition of 75....
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Ostend Horse
By Edmund Blampied
Located in New York, NY
Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926, signed in pencil lower margin [also signed and dated in the plate lower left], from the edition of 100, printed on ivory laid paper with full margins with deckle edges, 7 x 9, the sheet 9 1/4 x 12 1/2 inches, still in the original SFA Museum mat with extensive annotations.
Provenance: Kennedy Galleries (with their stock number A49359)
Ex Collection: Albert M...
Category
1920s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
Moonlight
By Howard Hodgkin
Located in London, GB
Lithograph from four aluminium plates using tusche and washes, printed in transparent red, orange and a red to orange blend, with hand colouring in ivory black watercolour and blue and green gouache. On two sheets of buff BFK Rives mould-made paper (300 gsm)
Hand-signed by artist, Signed with initials and dated 1980 in pencil, in the lower left on the left-hand sheet. Numbered in pencil in the lower right, verso
Published by Bernard Jacobson Ltd.
Exhibition History: 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, London, 02 March - 02 April 2013; 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022
Literature: Pat Gilmour, 'Howard Hodgkin', The Print Collector's Newsletter, vol. 12, no. 1, March-April 1981, p. 5 (ill. front cover); Deborah Phillips, 'New Editions: Howard Hodgkin', ARTnews, vol. 80, no. 7, September 1981, p. 161; 'Prints by Six British Painters: Stephen Buckley...
Category
1980s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Untitled (1)
By Alicia McCarthy
Located in Berkeley, CA
Color sugarlift aquatint on Rives BFK
Edition of 30
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Indiarum Occidentalium Tractus Littorales cum Insulis Caribicis / Pascaert van W
By Louis Renard
Located in New York, NY
This early 18th-century engraved map was published by Louis Renard in Amsterdam. The image size is 19 x 22 " (48.3 x 55.9 cm) plus margins.
A beautifully engraved Dutch sea chart. Shown is the entire Caribbean basin including the eastern seaboard up to Cape Cod and includes Bermuda. Florida is shown with the classic flattened southeastern coast that was derived by Hessel Gerritz. Noted are the routes taken by the Spanish treasure...
Category
18th Century Other Art Style Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
Portraits: Alba
By Alex Katz
Located in New York, NY
Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chalk or charcoal on brown paper, th...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Patitcha
By Henri Matisse
Located in London, GB
Henri Matisse
Patitcha
1947
Aquatint on BFK Rives paper, Edition of 25
Paper size: 55.5 x 38 cms (22 x 15 ins)
Image size: 34.9 x 27.6 cm (13 3/4 x 10 7/8 ins)
HM15405
Selected Coll...
Category
1940s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
$100,000
STEAMBOAT SUITE PORTFOLIO WITH AN EXTRA MONOTYPE ADDED, 2013
By Katherine Bradford
Located in Portland, ME
Bradford, Katherine (American, born 1942) STEAMBOAT SUITE PORTFOLIO WITH AN EXTRA MONOTYPE ADDED, 2013. Edition of 10, plus 7 Artist's Proofs and Collaborators copies. Of the editio...
Category
2010s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Monotype
Becquet
By James Abbott McNeill Whistler
Located in Storrs, CT
J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...
Category
Mid-19th Century American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
INTERIORS VII: THE TRAIN FROM MUNICH
By Peter Milton
Located in Portland, ME
Milton, Peter (American, born 1930). INTERIORS VII: THE TRAIN FROM MUNICH. Milton 113. Resist-ground etching and engraving on copper, 1991. Edition of 175. Signed and dated in pencil. Printed on BFK Rives paper. 20 x 36...
Category
1990s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving, Etching
"Crossing the River: Chasing"
Located in Lyons, CO
Color lithograph, Edition 30.
Known for paintings based on historical Chinese photographs, Hung Liu's subjects over the years have been prostitutes, refugees, street performers, s...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
SUBWAY TECHNIQUE
By Minna Citron
Located in Portland, ME
Citron, Minna (American, 1896-1991). SUBWAY TECHNIQUE. Lithograph, 1933. Edition of 20, numbered 10/20, titled, and signed in pencil. A few spots of foxing in the margins, away from ...
Category
1930s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Orbelus
By Rodney Carswell
Located in Lyons, CO
Color lithograph with pochoir, Ed. 25
The artist describes his work:
My work has often been described as belonging to a category of ‘reductive, geometric abstraction’. In the l...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Spanish Woman with Guitar
By Jan Matulka
Located in New York, NY
Jan Matulka (1890-1972), Spanish Woman with Guitar, lithograph, 1925, an unsigned proof impression. Reference: Flint 13, only a few impressions known...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Kirill / Boy with Crossed Legs (peekaboo) - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
A signed Certificate of Authority will be included with all photographs. A nude boy...
Category
2010s Photorealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Digital, Photographic Paper
OLIVE TREES, CAPRI
By Clarence Holbrook Carter
Located in Portland, ME
Carter, Clarence Holbrook (American, 1904-2000). OLIVE TREES, CAPRI. Aquatint in colors, 1932. Titled,signed and dated in pencil. 5 1/2 x 6 7/8 inches (plat...
Category
1930s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
Fourteenth Street. The Wigwam. (Tammany Hall).
By John Sloan
Located in Storrs, CT
1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$2,560 Sale Price
36% Off
New York (from Ports of America)
By Louis Orr
Located in Myrtle Beach, SC
Louis Orr, 'New York' (from the portfolio 'Ports of America', published by Yale University Press, 1928), etching, 1925, edition not stated. Signed and titled in pencil. Signed in the...
Category
1920s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
PKZ [Man Tipping His Hat].
By Franco Barberis
Located in New York, NY
Barberis, Franco. PKZ [Man Tipping His Hat]. 1953, Color lithograph, 50 1/2 x 35 1/2”
On Linen. Ref: American Poster Renaissance, p. 41
As a graphic designer, Barberis was initial...
Category
1940s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
![PKZ [Man Tipping His Hat].](https://a.1stdibscdn.com/franco-barberis-prints-works-on-paper-pkz-man-tipping-his-hat-for-sale/a_2922/1610721000093/Barberis_PKZtippinghat_53_master.jpg?width=240 "man tipping hat")
EAST RIVER SWIMMERS
By Cecil Crosley Bell
Located in Portland, ME
Bell, Cecil. EAST RIVER SWIMMERS. Lithograph, 1937. Edition of 20.
Signed and dated by the artist's widow. 10 1/4 x 14 3/4 inches, 260 x
375 mm. (image), 1...
Category
1930s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Chemin De Fer Rhetique
By Emile Cardinaux
Located in New York, NY
Chemin De Fer Rhetique, Grisons, Suisse. Chateau De Tarasp.
1913. Color lithograph
Cardinaux created an extensive work of different media, he illu...
Category
1910s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
RUE ST. JACQUES
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald (American, 1898-1954) RUE ST. JACQUES. S.5 Lithograph, 1928. Edition of 36 per Sasowsky, citing Marsh's notebook, but inscribed, lower left, "35 Proofs," and signed in pencil, lower right. 12 1/2 x 8 1/2 inches, 317 x 215 mm. (image). One of the series of lithographs...
Category
1920s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Alkyd, Lithograph
French Cruiser
By Childe Hassam
Located in New York, NY
Childe Hassam (1859-1935), French Cruiser, lithotint, 1918, signed in pencil with the cipher lower right. Reference: Griffith 8. In very good condition, printed in black ink on cream...
Category
1910s American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Merieanna
By Almery Lobel-Riche
Located in Fairlawn, OH
Merieanna
Etching and aquatint, c. 1900
Signed by the artist in pencil lower right
Titled in pencil lower right corner of sheet
Annotated "4" lower left below image
Publisher's dryst...
Category
Early 1900s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
Tête-à-Tête in the Garden
By James Abbott McNeill Whistler
Located in Storrs, CT
Tête-à-Tête in the Garden. 1894. Lithograph. Way 54, Levy 85, Tedeschi, Stratis and Spink 90. 8 x 6 1/2(sheet 10 7/8 x 8 1/2). Edition of 25-lifetime impressions plus a few proofs re...
Category
Late 19th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$3,750 Sale Price
46% Off
Bridge, Amsterdam
By James Abbott McNeill Whistler
Located in New York, NY
James McNeill Whistler (1834-1903), Bridge, Amsterdam, etching, 1889, printed in brown ink on thin laid paper, signed with the butterfly on the tab and annotated “imp”, also signed with the butterfly on the verso and numbered 11. References: Kennedy 409, Glasgow 447, fifth state (of 5). In very good condition (slight nicks at edges), trimmed by the artist on the plate mark apart from the tab, 6 1/2 x 9 1/2 inches.
Provenance:
Vivian and Meyer P. Potamkin, Philadelphia;
sale, Sotheby’s, New York, May 11, 1989, lot 302
Samuel Josefowitz, Pully, Switzerland
A very fine, shimmering impression of this great rarity.
This impression is included in the Glasgow inventory, ID number K4090301; only about 11 lifetime impressions in all states are known (three were also printed posthumously by Nathaniel Sparks...
Category
1880s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
The Little Wheelwright's
By James Abbott McNeill Whistler
Located in Storrs, CT
The Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...
Category
Mid-19th Century American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$2,000 Sale Price
42% Off
Brooklyn Bridge No. 6 (Swaying)
By John Marin
Located in New York, NY
John Marin (1870-1953), Brooklyn Bridge No. 6 (Swaying), 1913, Etching.
Z112. Edition c. 12 (Steiglitz); 1924, unknown but small (New Republic). Signed in pencil. Signed and dated...
Category
1910s Cubist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
HULDA
By Walt Kuhn
Located in Portland, ME
Kuhn, Walt, (American, 1877-1949). HULDA. Lithograph, not dated, but likely 1925-1930. Edition size not stated, but likely 50. Signed in pencil, and inscribed at the lower edge of th...
Category
1920s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$675
'Navajo Reservation Landscape' — Southwest Regionalism
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'Navajo Reservation Landscape', lithograph, 1945, edition c. 30. Signed and titled in pencil. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper, the full sheet with margins (1 3/8 to 2 inches), in excellent condition. Matted to museum standards, unframed.
Image size 12 3/4 x 15 3/4 inches (324 x 400 mm); sheet size: 15 1/2 x 19 inches (394 x 482 mm).
ABOUT THE ARTIST
Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972.
After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001.
Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955).
Moskowitz’s lithographs of American Indian...
Category
1940s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
SEATED MAN
By Isabel Bishop
Located in Portland, ME
Bishop, Isabel. SEATED MAN. Ink drawing on paper, c. 1932. 5 1/4 x 4 3/4 inches. Signed in pencil.
Category
1930s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Ink
$520 Sale Price
20% Off
River of Ponds I
By Frank Stella
Located in London, GB
Lithograph in colours, 1971, on special Arjomari paper, signed, dated and numbered an AP aside from the edition of 78, published by Gemini G.E.L., Los Angeles, sheet: 96.5 x 96.5 cm....
Category
1970s Minimalist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
UNTITLED (RESTING WOMEN; SLEEPING WOMEN)
By Doel Reed
Located in Portland, ME
Reed, Doel (American, 1894-1985). UNTITLED (RESTING WOMEN; SLEEPING WOMEN). Etching and Aquatint, 1940. Signed in pencil, lower right. 10 1/2 x 15 inche...
Category
1940s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
Betsy. [Girl in Cowboy Boots and Hat]
By Pascal Bastia
Located in New York, NY
Betsy, [Girl in Cowboy Boots and Hat]. Color lithograph. On Linen.
Excellent composer Pascal Bastia is also a talented writer who wrote most of the lyrics and librettos of his operettas . Author -songwriter, has been interpreted by the greatest : Jean Sablon, Josephine Baker, Luc Barney ... He is also the author of music and film scripts...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
![Betsy. [Girl in Cowboy Boots and Hat]](https://a.1stdibscdn.com/archivesE/upload/a_2922/1488828051954/Bastia_Betsy_27_master.jpg?width=240 "pascal bastia")
A Monmartre (Moulin Rouge).
By Eugène Delâtre
Located in New York, NY
Ca 1895. Printed and stamped by Eugene's father, August Delatre. Signed in pencil lower right, and signed in the plate. Sheet size 13 3/4 x 9".
Image size 10 x 4"
Eugène Delâtre...
Category
Late 19th Century Art Nouveau Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
La Portentosa Vida de la Muerte II
By Enrique Chagoya
Located in Lyons, CO
Color lithograph, Edition 30.
Enrique Chagoya makes paintings and prints about the changing nature of culture. My artwork is a conceptual fusion of opposite cultural realities that I have experienced in my lifetime. I integrate diverse elements: from pre-Columbian mythology, western religious iconography and American popular culture.
On the border of this print surrounding the image the following is written:
An American tourist is approached by a Mexican kid holding a small human skull in his hand. He asks him: “Hey Mister, do you want to buy Pancho Villa...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Portrait
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Portrait, 1917, engraving, signed in pencil lower left and numbered lower right (28/40). Reference: S. Laboureur 170, third state (of 3), from the e...
Category
1910s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
Dimanche en Bretagne
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Dimanche en Bretagne, etching, 1939, signed in pencil lower left and inscribed “ep d’artite” lower right. Reference: Laboureur 543, second state (of...
Category
1930s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Everyone is an Alienígeno
By Enrique Chagoya
Located in Lyons, CO
Color lithograph with plastic eyes, Edition 30.
Enrique Chagoya makes paintings and prints about the changing nature of culture. “My artwork is a conceptual fusion of opposite cultu...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'The Lamentation' — Mid-century Modernism, WWII
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
'The Lamentation', lithograph, 1941, edition 35, Fine and Looney 198. Signed, titled, and annotated 'Ed 35' in pencil. Initialed in the stone, lower ri...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$1,120 Sale Price
20% Off
'Three Masted Ship, 2' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Three Masted Ship, 2 (Dreimastiges Schiff, 2)', woodcut, 1937, one of a small but unknown number of letterhead proofs; Prasse W296. Feininger estate stamp and inventory no. 'W 865' in pencil, bottom left sheet corner. Annotated 'W 296' and 'on block : 3702a' in pencil, bottom right sheet corner.
A fine impression, on cream, laid, letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 1/4 x 2 11/16 inches; sheet size 10 x 6 3/4 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
COUPLE DE PAYSANS
By Camille Pissarro
Located in Portland, ME
Pissarro, Camille. COUPLE DE PAYSANS. D.125. Etching and aquatint on laid paper. Unsigned. From the posthumous edition of 10 printed in 1923. 4 3/4 x 3 1/8 inches, 118 x 78 mm. (plat...
Category
1920s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
Raised Eyebrows / Furrowed Foreheads: Crooked Made Straight
By John Baldessari
Located in New York, NY
9-color silkscreen print on plexiglass,
5 x 12” (12,5 x 31cm)
Printed by Atelier für Siebdruck,
Lorenz Boegli, Zurich
Ed. 45/XX, signed and numbered certificate
Category
Early 2000s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
Coxuria, from The Geldzahler Portfolio
By Frank Stella
Located in London, GB
Screenprint in colours, 1997, on White Lana mouldmade paper, signed and dated in pencil, 69th from edition of 75 (there were also 15 artist’s proofs), printed by Tyler Graphics, Ltd....
Category
1990s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
Osmosis (process of gradual /unconscious assimilation of ideas, knowledge, etc.)
By Paolo Ciampini
Located in New Orleans, LA
Osmosis refers to the assimilation of ideas
Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in 1962, he comple...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
MANHATTAN MINARETS
By Walter Tittle
Located in Portland, ME
Tittle, Walter. MANHATTAN MINARETS. Drypoint, 1931. Titled, lower left and signed, lower right. Edition of 75. 14 1/2 x 8 7/8 inches (plate), 17 3/4 x 11 1/8 inches (sheet). In excel...
Category
1930s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
UNTITLED - DECANTER AND TWO GLASSES
By Asa Cheffetz
Located in Portland, ME
Cheffetz, Asa. UNTITLED - DECANTER AND TWO GLASSES. Not in Springfield. Wood engraving, undated, but likely 1935-1945. Signed in pencil. 7 x 6 1/8 inches (image) plus margins. A tiny...
Category
1930s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving, Woodcut
LES PETITS HALEURS
By Jacques Villon
Located in Portland, ME
Villon, Jacques. LES PETITS HALEURS. GP 176. Etching and Aquatint, 1907. Edition of 50 on Arches laid paper, signed and numbered in pencil, 5 3/4 x 7 3/4 inch...
Category
Early 1900s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
Still Life
By Howard Hodgkin
Located in London, GB
Screenprint from 18 screens. On Velin Arches mould-made paper
Based on 'Still Life', textile dyes on hand-made Indian paper, 1978
Signed with initials and dated 1980 in pencil, lower...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
Morning Walk. [Central Park.]
By Harold Altman
Located in New York, NY
Signed and titled in pencil. Inscribed "192/285." Edition 285.
Category
1980s Naturalistic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
![Morning Walk. [Central Park.]](https://a.1stdibscdn.com/harold-altman-prints-works-on-paper-morning-walk-central-park-for-sale/a_3312/1584647925659/97561_master.jpg?width=240 "harold altman prints")
Parachute Class
By Isca Greenfield-Sanders
Located in Berkeley, CA
Isca Greenfield-Sanders
Parachute Class
Direct to plate photogravure and aquatint.
Edition of 50
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
MO ASLEEP
By David Hockney
Located in Portland, ME
Hockney, David. MO ASLEEP. S.A.C. 124. Etching and aquatint, 1971. Edition of 75 plus 16 proofs. Proofed by Maurice Payne and printed by Shirley Clement at The Print Shop, Amsterdam. Published by Petersburg Press. 27 x 21 inches, 680 x 535 mm. (plate), 35 1/2 x 27 3/4 inches (sheet).Mo McDermott...
Category
1970s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
$12,500
'Little Girl' — American Modernism
By Milton Avery
Located in Myrtle Beach, SC
Milton Avery, 'Little Girl', drypoint, 1936, edition 60, Lunn 11. Signed, dated, and numbered '22/60' in pencil. A superb impression, in warm black ink with delicate overall plate tone, on off-white wove paper, with wide margins (2 5/8 to 4 1/8 inches); hinge stains on the top sheet edge, verso, otherwise in excellent condition. Matted to museum standards, unframed.
Image size 8 3/4 x 4 3/4 inches (222 x 121 mm); sheet size 14 7/8 x 13 1/8 inches (378 x 333 mm).
Collections: Cantor Arts Center, National Gallery of Art.
ABOUT THE ARTIST
"I never have any rules to follow; I follow myself."
"I paint not by sight but by faith. Faith gives you sight."
—Milton Avery
'His is the poetry of sheer loveliness.'
—Mark Rothko in his 1965 eulogy to Avery.
Milton Avery (1885-1965) is recognized as one of America's foremost modernist artists, renowned for his uniquely expressive style, evocative use of color, and captivating compositions.
Growing up in a working-class family in Altmar, New York, Avery's early life was marked by the struggles and realities of rural New York. Despite lacking formal artistic training, he displayed an innate talent for drawing from an early age. In 1905, his family relocated to Hartford, Connecticut, where he worked various odd jobs while developing his artistic skills through self-study and experimentation. In 1915, he enrolled at the Connecticut League of Art Students, where he received formal instruction and began to refine his distinctive style.
In 1918, Avery transferred to the School of the Art Society of Hartford and worked in the evenings so that he could paint during the day. He became a member of the Connecticut Academy of Fine Arts in 1924. That summer in Gloucester, Massachusetts, he met the artist Sally Michael...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
In The Green
By Christopher Brown
Located in Berkeley, CA
Chris Brown
In The Green
Color soapground and spitbite aquatints with softground.
Edition of 20
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
THE PLANETS
Located in Portland, ME
Tyler, Richard Oviet (American, 1926-1983).
THE PLANETS. Uranian Press, New York, 1958.
Uranian Press, New York, 1958.
The Second Edition of 20, with the plates loose in a portfolio, and with each of them titled, inscribed "Ed 2," numbered "6/20, signed in pencil by Tyler, and bearing the emossed seal of the Uranian Press at the lower right (the First Edition, of 5 copies, was a bound set of the plates, signed on the Justification page by Tyler, but with the individual plates unsigned).
Quarto, string-tied boards covered in white linen printed in black from woodblocks, endpapers printed in purple and red, paper folder enclosing 20 woodblock plates printed in colors.
The portfolio 14 x 10 1/2 inches, the plates each about 12 1/2 x 9 3/4 inches.
The whole in excellent condition except that the paper folder containing the plates is foxed.
We have seen a copy of the bound edition, but the work seems to very rare in either iteration.
The plates are as follows:
Plate 1: Title "The Planets,"
Plate 2: "Sun,"
Plate 3: "The Sun ever generous force of his being in the flow of self strength striving,"
Plate 4: "Moon,"
Plate 5: "The moon of our emotions surrounding memory influenced reflections of pleasant remembrance,"
Plate 6: "Mercury,"
Plate 7: "Mercury messenger of mind influence most observant and discriminating reaches attracts resembles snake a tree a heavy ___??," Plate
8: "Venus," Plate
9: "Venus upon us as into us the longing of love rules existence,"
Plate 10: "Mars,"
Plate 11: Mars infinitely delicate degree of devotion leads to deeds against falsehood destruction for the sake of creation inalienable dream of passion,"
Plate 12: "Jupiter,"
Plate 13: Jupiter father of forgiveness and sustaining belief of plenty keep faith favorable and optimism omnipresent,"
Plate 14: "Saturn,"
Plate 15: "Last planet of limitation leads us through purification into silence,"
Plate 16: "Uranus,"
Plate 17: "Cause ruler of spirit inspired in matter unknown and omnipotent,"
Plate 18: "Neptune,"
Plate 19: "Neptune dissolution unity divinity,"
Plate 20: "The Planets."
Richard Oviet Tyler...
Category
1950s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
'Descente de Croix' (Descent from the Cross) — 1920s French Cubism
By Albert Gleizes
Located in Myrtle Beach, SC
Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed.
Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm).
ABOUT THE IMAGE
After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production.
ABOUT THE MEDIUM
Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique.
ABOUT THE ARTIST
Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions.
Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style.
After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris.
In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...
Category
1920s Cubist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Stencil
Aboriginal Child Frightened by Abstraction and Time
By William T. Wiley
Located in Lyons, CO
Color lithograph with chine collé, Edition 30.
William Wiley uses current political and social issues to comment on life in our time. His stunning draftsmanship, and freeform lov...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
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