Ifpda International Fine Print Dealers Association Prints and Multiples
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Blind Botanist
By Ben Shahn
Located in New York, NY
This 1963 lithograph, printed in color, is a fine example of Ben Shahn’s long preoccupation with the theme of the blind botanist and illustrates his con...
Category
Late 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Orientale à la croix trifoliée
By Henri Matisse
Located in London, GB
Lithograph on Arches Velin paper, Edition of 50
Paper size: 65 x 50.5 cms (25 1/2 x 19 7/8 ins)
Image size: 54.3 x 45 cms (21 3/8 x 17 3/4 ins)
Category
1920s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$40,000 Sale Price
27% Off
Sortie de Theatre a Londres
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Sortie de Theatre a Londres, etching and drypoint, 1911, signed in pencil lower left [also signed and dated in the plate upper right]. Reference: Laboureur 104, third state (of 3). Published for La Societe des amis de l’eau-forte, with the blindstamp with the inscription: Circle Librairie Estampes. From an edition in the third state of 109; there were also 5 impressions of the first state and five of the second state. In excellent condition, the full sheet with deckle edges bottom and sides, 6 3/4 x 14; a remarque lower left 2 x 3 1/2, the sheet 12 3/4 x 19 3/4 inches.
Provenance: unknown collector’s mark verso (GOE in oval)
A fine rich impression, printed in dark brown ink on cream laid paper with the Arches watermark.
The small remarque lower left is actually another print printed on a separate plate; it shows a man running after a London horse...
Category
1910s Naturalistic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
TAOS INDIAN JESTERS
By Gene Kloss
Located in Santa Monica, CA
GENE KLOSS (1903 – 1996)
TAOS INDIAN JESTERS, 1944
Etching and aquatint, Signed and titled in pencil. Edition 30. Image 11” x 13 7/8”, sheet 13 ¼ x 16 ½”. In very good condition sa...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
Untitled
By Robert Motherwell
Located in London, GB
Edition of 24
73.7 x 64.8 cms (29 x 25 1/2 ins)
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Sienna
By Betty Woodman
Located in Lyons, CO
Color woodcut/lithograph with chine collé, gold leaf and collage, Edition 30
Betty Woodman is a leading American ceramist whose dazzling inventions with form and color have moved be...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
$10,000
Red Sea I
By Robert Motherwell
Located in London, GB
105.4 x 74 cms (41 1/2 x 29 1/8 ins)
Edition of 100
Paper: Arches Cover
Signature: Signed "Motherwell" in pencil lower right
Inscriptions: Numbered in pencil lower right; artist's c...
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Etching, Aquatint
anyone who dreams of the ideal prefers illusion to reality
By William Tillyer
Located in London, GB
William Tillyer
"it seemed to him an undeniable fact that anyone who dreams of the ideal prefers illusion to reality"
1974/2018
Soft ground etching with intaglio and relief printing ...
Category
2010s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Double Trouble or Anthropology of the Clone
By Enrique Chagoya
Located in Lyons, CO
Color lithograph with collage, Edition 30
Enrique Chagoya makes paintings and prints about the changing nature of culture. “My artwork is a conceptual fusion of opposite cultural re...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Fatherwell
By Roberto Juarez
Located in Lyons, CO
Color lithograph, Edition 30.
In the studies for this print, Juarez combined casual, small sketches made daily, found botanical prints and magazine illus...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'St. Marks on the Bowery' - Famed New York City Landmark
By Leon Dolice
Located in Myrtle Beach, SC
'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed.
Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm).
Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums.
ABOUT THE ARTIST
Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world.
In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history.
During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead.
Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections.
ABOUT ST. MARKS CHURCH
St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan.
In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel.
Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter.
While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project.
St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
Night Visitor
By Barbara Takenaga
Located in Lyons, CO
Color lithograph, Edition 25
Barbara Takenaga is a painter who made her first lithograph at Shark's in the summer of 2002. Her abstract works are full of repeated, obsessive mark ...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Haiti II
By Rafael Ferrer
Located in Lyons, CO
Color monotype.
Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious relationships among his figures, Fe...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Monotype
Benches. [Central Park.]
By Harold Altman
Located in New York, NY
Signed, titled, and dated in pencil. Inscribed "21/285.." Edition 285. Very good condition.
Category
1980s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
![Benches. [Central Park.]](https://a.1stdibscdn.com/harold-altman-prints-works-on-paper-benches-central-park-for-sale/a_3312/1584715597222/97557_1_master.jpg?width=240 "famous benches in central park")
'Blast Furnace #1' — Mid-Century American Modernism
By Harry Sternberg
Located in Myrtle Beach, SC
Harry Sternberg, 'Blast Furnace #1', etching, aquatint and roulette, 1946, edition 250, Moore 147. Signed in pencil. A superb, richly-inked impression, w...
Category
1940s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
Sunset - Ardgour
By Percival Gaskell
Located in Myrtle Beach, SC
Percival Gaskell, 'Sunset - Ardgour", aquatint, edition not stated, c. 1920. A superb, atmospheric impression, in brown/black ink, on cream wove paper; the full sheet with margins (2 to 3 inches), in excellent condition. Signed, titled, and numbered '2' in pencil. Matted to museum standards, unframed.
Ardgour is a district of Lochaber on Ardnamurchan peninsula on the western shore of Loch Linnhe...
Category
1920s Post-Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
Interior with Red Shawl (Young woman reads in this calm Vermeer-like interior)
Located in New Orleans, LA
Interior with a red shawl conveys a quite different mood and feeling: one of calm, and suspension of time. Here the suggestion is that the woman is waiting ...
Category
Early 20th Century Dutch School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
La Bestia's Guide to the Birth of the Cool
By Enrique Chagoya
Located in Lyons, CO
Color lithograph with chine collé and gold powder, Edition 30
Enrique Chagoya's print "La Bestia’s Guide to the Birth of the Cool", is the twelft...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Limehouse
By James Abbott McNeill Whistler
Located in New York, NY
James McNeill Whistler (1834-1903), Limehouse, etching, 1859. References: Glasgow 48, fifth state (of 6), Kennedy 40, third state (of 3), signed with the butterfly in pencil in the lower margin. [Also signed and dated in the plate.]With margins, 5 x 7 7/8 inches, the sheet 6 1/2 x 9 1/2 inches. Published as no. 12 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects, otherwise known as the Thames Set. In good condition apart from a soft diagonal fold in the sky.
A very fine impression, in black ink on a thin Japan paper.
Provenance: Dr. John W. Randall (cf. Lugt 2130), without his mark, annotated on the mat.
Limehouse, the entrance to the West Indies Docks, lies opposite the Surrey Commercial Docks in Rotherhithe, along the lower Thames.
It’s unusual to find the signed butterfly (or any pencil signature) on the early London etchings, but it is known that Whistler signed...
Category
1850s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Deluvium
By Miho Morinoue
Located in Lyons, CO
Lithograph/diptych. Edition 25.
Miho Morinoue is an acclaimed dancer and a visual artist. As a member of the Complexions Contemporary Ballet Company she performed extensively in the...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Barcarolle.
By James McBey
Located in Storrs, CT
Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...
Category
1920s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
$9,000 Sale Price
33% Off
Flowers
By Bernard Buffet
Located in Fairlawn, OH
Flowers
Color lithograph
Signed in pencil (see photo)
Annotated in pencil "Eprueve HC" (see photo)
A trial proof reserved for the artist
Printed by Mourlot, Paris
First edition was 1...
Category
1950s Post-Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Four Color Quartets (Fourth Quartet)
By Mel Bochner
Located in New York, NY
Suite $10,000. Individual Quartets $3,000.
First Quartet 35 in. x 35 in.
Second Quartet 35 in. x 45 in.
Third Quartet 45 in. x 35 in.
Fourth Quartet 45 in. x 45 in.
Signed and ...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Torse à l'aiguière
By Henri Matisse
Located in London, GB
Henri Matisse
Torse à l’aiguière
1927
Lithograph on Chine paper, Edition of 50
Paper size: 49.5 x 34.5 cms (19 1/2 x 13 1/2 ins)
Image size: 36.4 x 26 cms (14 1/4 x 10 1/4 ins)
HM15...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Identical/Variation (red, yellow, blue)
By Amy Ellingson
Located in Lyons, CO
Color lithograph, Edition 30.
The artist describes this project:
“In early September, I made my second trip to Shark's Ink in Lyons, CO. It was wonderful to be invited back to crea...
Category
2010s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Acrobates
By Henri Matisse
Located in London, GB
Lithograph in colours based on the cut-out of the same title, 1952
From 'Verve' Magazine Volume IX, Nos 35 & 36: 'Dernières Oeuvres de Matisse 1950-54'
Pr...
Category
1950s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
The Singers
By Adriaen van Ostade
Located in Chicago, IL
The Singers (4th State), 1667
Etching printed with tone
240 x 190 mm.; 9 1/2 x 7 1/2 inches
Provenance:
W. Benoni White (Lugt 2592)
Karl Herweg (not in Lugt)
References:
Godefroy 19 IV/VII
Hollstein 19 IV/VII
Pelletier, Georgia Museum of Art, 1994: nos. 46 and 47
Notes:
A very fine impression of the rare 4th state (of seven) of this major Van Ostade.
Godefroy illustrates differences between this 4th state and the following 5th state. In the latter state, there are several “escaped lines”, going obliquely from left to right, directly above the central post. These lines are not visible in the 4th state.
Ostade was one of the most important of the printmakers within the Rembrandt circle. His prints, avoiding religious subjects, depicted beggars, peasants and artisans. Combining great artistic sensitivity with thorough mastery of the medium of etching, Ostade etchings present a unique artistic panorama of life in seventeenth-century Holland.
Pelletier (S. William Pelletier, Adrian Van Ostade...
Category
17th Century Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
A DIAMOND HYPNOTIST - Le Diamant Magnetiseur
By Honoré Daumier
Located in Santa Monica, CA
HONORE DAUMIER (1808 - 1879)
LE DIAMANT MAGNETISEUR.....1859 (DR 3227 iii/iii: LD 3227)
Original lithograph 9 1/2 x 11 incl. text. Published in Le Chariv...
Category
1850s Barbizon School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$380 Sale Price
20% Off
Put out all Flags
By Robert Motherwell
Located in London, GB
Aquatint, lift-ground etching and aquatint on German Etching paper
53.3 x 73.7 cms (21 x 29 ins)
Edition of 50
Category
1980s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
The Print Shop
By Gustave Baumann
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971)
THE PRINT SHOP 1910 (Chamberlain 27)
Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the
Hills o’ Brown Portfolio, (plate 11 of 12). Image 9 x 13 1/8, sheet 10 ¼ x 13 7/8 with
deckle edge at the bottom. The print portrays the Brown County...
Category
1910s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Church with House and Tree' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 V. Inscribed 'J. F. note paper', in pencil, in the artist’s hand; with the Feininger estate stamp and catalog no. 'W 859' in pencil. Annotated 'W.290 V state 3609' in pencil, in the bottom right sheet corner.
A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 3/8 x 2 3/4 inches; sheet size 10 x 7 5/16 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; NY, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public. Still, he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU?
By Georges Rouault
Located in Santa Monica, CA
GEORGES ROUAULT (1871-1958)
MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU? 1927
( Chapon/Rouault 97; Wofsy 151) Miserere XLIV Aquatint, 1927, on laid Arches. watermark...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
'Karl Michel Exhibition' — German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Austellung Karl Michel', woodcut, 1924, edition 20. Signed, dated, numbered 'op. 173' (the artist's inventory number) and '7/20' (the impression number/edition size) and annotated 'Vorgesdruck' (artist's proof) in pencil.
A fine, richly-inked impression on hand-made cream, wove paper, with full margins (1 1/16 to 1 1/2 inches); toning to the right sheet edge deckle, otherwise in good condition. With the artist's blind stamp in the bottom center margin. Designed and printed by the artist. Very scarce. Matted to museum standards (unframed).
An elegantly designed, dynamic exhibition announcement with the German copy in the block: 'Austellung Karl Michel – Deutsches Buchmuseum Leipzig/Zeitzer str 12, Berlin S.W. 61 Teltower str 33 / Buchschmuck/ Plakate/ Anzeige/ Schultzmarke/ Illustrations/ Ex Libris'. English translation: 'Karl Michel Exhibition – German Book Museum, Leipzig Zeitzer Street 12, Berlin, S.W. 61 Teltower St. 33. / Book Decoration / Posters / Announcements / Illustrations / Ex Libris.'
Image size 6 x 4 inches (152 x 102 mm); sheet size 8 1/16 x 5 1/2 inches (205 x 140 mm).
ABOUT THE ARTIST
Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine 'Das Plakat' (The Poster) in 1920. An anti-war advocate, Michel created a suite of 12 wood engravings depicting his impressions of the humanitarian toll of WWII entitled ‘Humanitas’ (Humanity). The German publishing house Greifenverlag published the series in a folio of unsigned prints.
Michel’s graphic work is held in the permanent collections of the Auckland War Memorial Museum (New Zealand), Frederikshavn Kunstmuseum & Exlibrissamling (Denmark), Museum of Applied Arts (Budapest), The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, and the German Expressionism...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
A Sunset in Ireland.
By Seymour Haden
Located in Storrs, CT
A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman catalog number 47 state vii/xiv. 5 1/2 x 8 1/2 (sheet 6 7/8 x 9 1/2). An extremely rich impression with drypoint burr, p...
Category
19th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
$1,600 Sale Price
20% Off
Nude at Piano
By John Sloan
Located in Myrtle Beach, SC
John Sloan, 'Nude at Piano', 1933, etching, edition 100, (only 85 printed), Morse 265. Signed, titled and annotated '100 proofs' in pencil. Signed and dated in the plate, lower right...
Category
1930s Ashcan School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Marron
By Kenneth Noland
Located in London, GB
Kenneth Noland
Marron
1990
Etching and Aquatint on Guarro Paper
40cm x 59cm
Initialed and numbered in pencil on recto, with publisher's blindstamp
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
The Hold Up, First State
By George Wesley Bellows
Located in Fairlawn, OH
Signed in pencil by the artist lower right
Titled "Hold Up" by the artist in pencil.
Signed by the printer Bolton Brown lower left.
Edition: 42 in this state
Note: In The Hold Up, se...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
The Loop III (the artist's memories of days at Chicago's Art Institute)
By Richard Gilbert
Located in New Orleans, LA
The Loop III was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...
Category
1990s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Rio Osmarin (boats on the canal Rio de S. Provolo o de l'Osmarin, Venice)
By Judith Rothchild
Located in New Orleans, LA
Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...
Category
21st Century and Contemporary American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
'The Connectors' — Vintage American Realism, New York City
By James Allen
Located in Myrtle Beach, SC
James Allen, 'The Connectors', 1934, etching, edition not stated, Ryan 66. Signed in pencil. A superb, richly-inked impression, on handmade, cream laid paper, with margins (1/2 to 1...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
If you're too cool, you lose.
By Darius Steward
Located in Fairlawn, OH
Signed, dated and numbered in pencil
Printer: Rebekah Wilhelm, Zygote Press, Cleveland
Created at Zygote Press, Cleveland, 2015, while the artist was an Artist in Residence.
Exhib...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
The Yarn
By John Buck
Located in Lyons, CO
Color woodcut/relief, Edition 15
Using a pen, a nail or his fingernail, Buck incises the wood planks that form the base and background of his prints with images and symbols drawn ...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
$4,500
La Persane
By Henri Matisse
Located in London, GB
Henri Matisse
La Persane
1929
Lithograph on Arches Velin paper, Edition of 50
Paper size: 63 x 44.5 cms (24 3/4 x 17 1/2 ins)
Image size: 44.8 x 29 cms (1...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Quintet' — Mid-Century Modernism, Atelier 17
By Terry Haass
Located in Myrtle Beach, SC
Terry Haass, 'Quintet', etching and aquatint, edition 20, c. 1948. Signed, titled, and numbered '12/20' in pencil. A superb, richly-inked impression, on off-white wove paper, with fu...
Category
1940s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
View of Venice II - Bacino
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled "View of Venice II – Bacino" in 1968. It is signed, titled, dated, and inscribed “13/18” in pencil. The paper size is 24 x 36 inch...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
'Flight to Tomorrow' — Mid-Century American Modernism — Atelier 17
By Minna Citron
Located in Myrtle Beach, SC
Minna Citron, 'Flight to Tomorrow', aquatint and engraving, edition unknown but small, 1948. Signed, titled, dated, and annotated 'engr & aqua' in pencil. A superb, richly-inked impression with selectively wiped plate tone, on heavy cream wove paper, the full sheet with margins (1 3/4 to 3 1/2 inches), in excellent condition. Image size 6 7/8 x 8 7/16 inches (175 x 214 mm); sheet size 11 1/8 x 14 7/8 inches (283 x 378 mm). Matted to museum standards, unframed.
Literature: The Women of Atelier 17, Modernist Printmaking in MidCentury New York, Christina Weyl, Yale University Press, 2019, p. 186.
Collections: Davis Museum (Wellesley), Five Colleges and Historic Deerfield Museum Consortium, Harvard Art Museums, Museum of Fine Arts, Boston, Palmer Museum of Art (Penn State...
Category
1940s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving, Aquatint
'Bird Dog' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Bird Dog', color lithograph with relief collagraph, 1946, edition 14. Signed, dated, titled, and numbered '123' (the artist's inventory number) and '12/14' in pen. A fine impression, with fresh colors, on heavy, cream, wove paper; the full sheet with margins(1 3/4 to 3 1/2 inches), in excellent condition. Scarce. Matted to museum standards, unframed.
Image size 10 1/8 x 6 7/8 inches (257 x 174 mm); sheet size 17 x 11 7/16 inches (432 x 291 mm).
A collagraph is a relief print made from a collage of various materials adhered to a metal, plastic, hardboard, or other type of ground plate. In this work, the artist appears to have combined a lithograph with a collagraph to achieve the intricately textured image.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal of Chicago. The Brooklyn Museum mounted a show of Vanguard artists' work in 1946, which subsequently toured several other institutions in the United States.
Faro's visionary graphics from the 1940s are a sophisticated blend of Abstract Expressionism, Surrealism, and Indian Space...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$600 Sale Price
20% Off
Memorandum
By Matt Magee
Located in Houston, TX
Matt Magee
Memorandum, 2022
Lithograph
65 x 49 in (165.1 x 124.5 cm)
JPHB 5286
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Children's Ward' — Socially-Conscious Realism
By Robert Riggs
Located in Myrtle Beach, SC
Robert Riggs, 'Children's Ward', 2-color lithograph, c. 1940, edition c. 50, Beall 11, Bassham 76. Signed, titled, and numbered '14' in pencil. Signed in the stone, lower right. A su...
Category
1940s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Subway No. 3' — Mid-century Modernism, New York City
By August Mosca
Located in Myrtle Beach, SC
August Mosca, 'Subway No. 3', lithograph, c. 1946-56, edition 50. Signed, titled and numbered '28/50' in pencil. A fine, richly-inked impression on off-white, wove paper; the full sh...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
The Workshop (Stirling)
By Sir David Young Cameron, R.A.
Located in Storrs, CT
The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Drypoint
$1,000 Sale Price
50% Off
Birthday Party
By Howard Hodgkin
Located in London, GB
Lithograph from a stone printed in sepia and green, with hand colouring in two shades of blue gouache. On Velin Arches mould-made paper (300 gsm)
Signed and dated 77 in pencil, lower...
Category
1970s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph, Color
Ramblas
By Helen Frankenthaler
Located in London, GB
Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed in pencil, numbered from the edition of 75, printed and published by Polígrafa Obra Gráfica, Barcelo...
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching, Lithograph
'Forest Woman' — Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'Forest Woman', engraving, 1945, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack E...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
'Feast of Passover' — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, Untitled 'Feast of Passover', woodcut, 1920, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 30. Signed in pencil...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Landscape at Stanton Street
By Willem de Kooning
Located in London, GB
Lithograph, 1971, on paper, signed and dated in pencil, numbered from the edition of 60,
published by Hollanders Workshop and Fourcade, New York, 75.7 x 56 cm. (30 x 2 2in.)
Category
1970s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Untitled (Plate 2) DLM
By Alexander Calder
Located in Fairlawn, OH
Untitled (Plate 2) DLM
Color lithograph, 1963
Unsigned and unnumbered (as issued)
From: Derriere le Miroir, No. 141
Published by A. Maeght, Paris
Printer: Mourlot Freres, Paris
Note...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Pair of Hand-Colored Pelican Engravings
By George Edwards
Located in New York, NY
The Merican Pelican and The Pelican from George Edwards "A Natural History of Birds, Most of which have not been figured or described and others very little known..." published in Lo...
Category
1740s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Paper
'A Very Funny Story, Mongols' — Mid-Century Woodblock Print
By Paul Jacoulet
Located in Myrtle Beach, SC
Paul Jacoulet, 'Une Histoire très Drôle, Mongols', color woodblock print, 1949. A fine impression, with fresh colors, on the artist's handmade, personally watermarked Japan paper, in...
Category
1940s Showa Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
'Set Pieces: Vanity of Trust' — Mid-Century American Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
'Set Pieces: Vanity of Trust', color lithograph, 1949, edition 40, Fine and Looney 279. Signed, titled, dated and numbered '23/40' in pencil. A fine, impression with fresh colors, on...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
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