Andreas H Bitesnich

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The Austrian photographer and filmmaker Andreas H. Bitesnich does not pursue subtlety. In his main bodies of work — erotic nudes, cityscapes and travel shots, in addition to a sizable portfolio of advertising stills, music videos and television commercials — he tends to play up moments of confrontation and aggressive seduction, whether through shouting street signs or daring poses.

Bitesnich, born in Vienna in 1964, initially attracted attention with his high-drama female nudes; his first volume of them, 1998’s NUDES, won the Kodak Photography Book Award. He has produced several more such books over the past two decades, including WOMAN (2001), POLANUDE (2006) and MORE NUDES (2007).

Some of these works reveal (or conceal) erogenous zones with clever studio lighting, while others use textured backdrops like desert dunes and leather sofas to emphasize exposed skin.

Still others capture elaborately choreographed couples with interlaced limbs (as in Yvonne & Tom) — quasi-abstractions that seem to nod to Robert Mapplethorpe and George Platt Lynes.

Bitesnich is also known for a multipart black-and-white series titled “Deeper Shades,” in which he ventures outside the controlled environment of the studio and explores major cities, including Vienna, Berlin, Pais and New York. The images are stark and frequently ominous, with their liberal use of silhouettes and evocations of the dangers of the urban environment; in a 2011 picture from “Deeper Shades #01 New York,” a sign reading WET PAINT has been suggestively cropped (the work is titled WET PAIN).

Bitesnich has a slightly more sentimental side, too, one that’s best expressed in his travel photographs, taken in such countries as Cambodia, Cuba and Kenya. In this part of his oeuvre, famous sites seen from a distance (the Statue of Liberty, Angkor Wat, the Taj Mahal, Burj Khalifa) alternate with close-up portraits of locals: a deeply wrinkled 104-year-old woman staring straight into the camera in Cairo, a young man getting a shave at a barber shop in Phnom Penh.

A new hardcover edition of his 2011 book India (teNeues) includes 175 photographs shot throughout that country — in color, black and white, and nostalgia-inducing sepia — that delight in different, if equally obvious, textures; the crepey folds of an elephant’s trunk, the mud puddles on the streets of Varanasi, the shimmering scales around the neck of a snake charmer.

In the foreword, Bitesnich writes, “India is eternally in motion — it moves sideways, backwards, rises higher, and moves forward all at once. India is where the past meets the future; time seems to pass by its own strange rules here.” Admirers of the photographer’s celebrated nudes may also appreciate his desire to broaden his horizons.

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The first permanent image created by a camera — which materialized during the 1820s — is attributed to Joseph Nicéphore Niépce. The French inventor was on to something for sure. Kodak introduced roll film in the 1880s, allowing photography to become more democratic, although cameras wouldn’t be universally accessible until several decades later. 

Digital photographic techniques, software, smartphone cameras and social-networking platforms such as Instagram have made it even easier in the modern era for budding photographers to capture the world around them as well as disseminate their images far and wide. 

What might leading figures of visual art such as Andy Warhol have done with these tools at their disposal?

Today, when we aren’t looking at the digital photos that inundate us on our phones, we look to the past to celebrate the photographers who have broken rules as well as records — provocative and prolific artists like Horst P. Horst, Lillian Bassman and Helmut Newton, who altered the face of fashion and portrait photography; visionary documentary photographers such as Gordon Parks, whose best-known work was guided by social justice; and pioneers of street photography such as Henri Cartier-Bresson, who shot for revolutionary travel magazines like Holiday with the likes of globetrotting society lensman Slim Aarons.

Find photographers you may not know in Introspective and The Study — where you’ll read about Berenice Abbott, who positioned herself atop skyscrapers for the perfect shot, or “conceptual artist-adventurer” Charles Lindsay, whose work combines scientific rigor with artistic expression, or Massimo Listri, known for his epic interiors of opulent Old World libraries. Photographer Jeannette Montgomery Barron was given a Kodak camera as a child. Later, she shot on Polaroid film before buying her first 35mm camera in her teens. Barron's stunning portraits of Jean-Michel Basquiat, Warhol and other artists chronicle a crucial chapter of New York’s cultural history.

Throughout the past two centuries, photographers have used their medium to create expressive work that has resonated for generations. Shop a voluminous collection of this powerful fine photography on 1stDibs. Search by photographer to find the perfect piece for your living room wall, or spend some time with the work organized under various categories, such as landscape photography, nude photography and more.