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Flowers at Giverny
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Still-life Photography

Materials

Photographic Paper

Flowers at Giverny
H 14 in W 20 in D 0.1 in
Towers of San Gimignano
By Harold Davis
Located in Boston, MA
Review states that "Harold Davis is the digital black and white equal of Ansel Adams’s traditional wet
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Hecata Head
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Hecata Head
H 16 in W 20 in D 0.1 in
Tuscan Landscape
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Tuscan Landscape
H 16 in W 20 in D 0.1 in
Purple Haze
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Purple Haze
H 16 in W 20 in D 0.1 in
Down in the Valley
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Down in the Valley
H 16 in W 20 in D 0.1 in
Save the Last Dance for Me
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Manarola
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Manarola
H 16 in W 20 in D 0.1 in
Dawn on Lake Como
By Harold Davis
Located in Boston, MA
the digital black and white equal of Ansel Adams’s traditional wet photography." Harold is the
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Dawn on Lake Como
H 16 in W 20 in D 0.1 in
Blue Distance 2
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Blue Distance 2
H 16 in W 20 in D 0.1 in
Floral Blossoms
By Harold Davis
Located in Boston, MA
the digital black and white equal of Ansel Adams’s traditional wet photography." Harold is the
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Floral Blossoms
H 20 in W 16 in D 0.1 in
Zabriskie View
By Harold Davis
Located in Boston, MA
the digital black and white equal of Ansel Adams’s traditional wet photography." Harold is the
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Zabriskie View
H 16 in W 20 in D 0.1 in
Double Double
By Harold Davis
Located in Boston, MA
Review states that "Harold Davis is the digital black and white equal of Ansel Adams’s traditional wet
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Double Double
H 16 in W 20 in D 0.1 in
Red, Pink, and Blue
By Harold Davis
Located in Boston, MA
the digital black and white equal of Ansel Adams’s traditional wet photography." Harold is the
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Godafoss
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Landscape Photography

Materials

Photographic Paper

Godafoss
H 20 in W 24 in D 0.1 in
Panorama of the Kumano Sanzen Roppyaku Po
By Harold Davis
Located in Boston, MA
the digital black and white equal of Ansel Adams’s traditional wet photography." Harold is the
Category

21st Century and Contemporary Impressionist Landscape Photography

Materials

Photographic Paper

Road Less Traveled
By Harold Davis
Located in Boston, MA
digital black and white equal of Ansel Adams’s traditional wet photography." Harold is the inventor of a
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Photographic Paper

Road Less Traveled
H 16 in W 20 in D 0.1 in
Bus Window 1
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Bus Window 1
H 20 in W 24 in D 0.1 in
Bus Window 4
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Bus Window 4
H 20 in W 24 in D 0.1 in
Bus Window 3
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Bus Window 3
H 20 in W 24 in D 0.1 in
Melody with Dahlia
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Melody with Dahlia
H 16 in W 24 in D 0.1 in
Bus Window 5
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Bus Window 5
H 20 in W 24 in D 0.1 in
Reflections in the Maine Woods
By Harold Davis
Located in Boston, MA
white equal of Ansel Adams’s traditional wet photography." Harold is the inventor of a widely admired
Category

21st Century and Contemporary Impressionist Black and White Photography

Materials

Photographic Paper

Climbing the Columns
By Harold Davis
Located in Boston, MA
the digital black and white equal of Ansel Adams’s traditional wet photography." Harold is the
Category

21st Century and Contemporary Abstract Abstract Photography

Materials

Photographic Paper

Kiss from a Rose
By Harold Davis
Located in Boston, MA
Review states that "Harold Davis is the digital black and white equal of Ansel Adams’s traditional wet
Category

21st Century and Contemporary Impressionist Still-life Photography

Materials

Photographic Paper

Kiss from a Rose
H 20 in W 16 in D 0.1 in
Curled Epiphany
By Harold Davis
Located in Boston, MA
the digital black and white equal of Ansel Adams’s traditional wet photography." Harold is the
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Curled Epiphany
H 20 in W 16 in D 0.1 in
Dawn Chorus Unbound
By Harold Davis
Located in Boston, MA
Review states that "Harold Davis is the digital black and white equal of Ansel Adams’s traditional wet
Category

21st Century and Contemporary Impressionist Abstract Photography

Materials

Photographic Paper

Double Rainbow over Paris
By Harold Davis
Located in Boston, MA
the digital black and white equal of Ansel Adams’s traditional wet photography." Harold is the
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Crepuscular Coast
By Harold Davis
Located in Boston, MA
digital black and white equal of Ansel Adams’s traditional wet photography." Harold is the inventor of a
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Crepuscular Coast
H 16 in W 20 in D 0.1 in
Giverny
By Harold Davis
Located in Boston, MA
the digital black and white equal of Ansel Adams’s traditional wet photography." Harold is the
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Giverny
H 16 in W 20 in D 0.1 in
Cusp of Spring
By Harold Davis
Located in Boston, MA
digital black and white equal of Ansel Adams’s traditional wet photography." Harold is the inventor of a
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Cusp of Spring
H 16 in W 20 in D 0.1 in
Bus Window 2
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Bus Window 2
H 20 in W 24 in D 0.1 in
Rollback
By Harold Davis
Located in Boston, MA
the digital black and white equal of Ansel Adams’s traditional wet photography." Harold is the
Category

21st Century and Contemporary Impressionist Abstract Photography

Materials

Photographic Paper

Rollback
H 16 in W 20 in D 0.1 in
Peonies, Campanulas, and Variegated Gladiolas
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Expressionist Color Photography

Materials

Photographic Paper

Sound of the Sea
By Harold Davis
Located in Boston, MA
digital black and white equal of Ansel Adams’s traditional wet photography." Harold is the inventor of a
Category

21st Century and Contemporary Expressionist Abstract Photography

Materials

Photographic Paper

Sound of the Sea
H 20 in W 48 in D 0.1 in
Klamath Bar
By Harold Davis
Located in Boston, MA
white equal of Ansel Adams’s traditional wet photography." Harold is the inventor of a widely admired
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Klamath Bar
H 16 in W 20 in D 0.1 in
Ansel Adams "Yosemite and the Range of Light" Poster Signed
By Ansel Adams
Located in San Francisco, CA
Offered is a Ansel Adams "Yosemite And The Range Of Light" poster. Signed bottom middle of the
Category

Vintage 1970s American Modern Posters

Materials

Paper

"Ansel Adams And The West" The Museum of Modern Art Signed Poster
By Ansel Adams
Located in San Francisco, CA
Offered here is a signed poster for "Ansel Adams And The West" The Museum of Modern Art September 8
Category

Vintage 1970s American Modern Posters

Materials

Paper

ANSEL ADAMS Yosemite Valley, Winter 29.25" x 22.5" Poster 1995
By Ansel Adams
Located in Brooklyn, NY
Poster Published by Little, Brown and Company. Printed by Gardner Lithograph.
Category

20th Century Prints and Multiples

Materials

Lithograph, Offset

Ansel Adams, Yosemite and the Range of Light, New York Graphic Society, 1981
By New York Graphic Society, Ansel Adams
Located in Rochester, NY
Ansel Adams, Yosemite and the range of light, authorized poster by The New York Graphic Society
Category

Vintage 1940s American Photography

Materials

Brass

Love is a Many Splendored Thing
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Let Poppies Reign Forever
By Harold Davis
Located in Boston, MA
the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel
Category

21st Century and Contemporary Impressionist Color Photography

Materials

Photographic Paper

Pale Garden
By Harold Davis
Located in Boston, MA
the digital black and white equal of Ansel Adams’s traditional wet photography." Harold is the
Category

21st Century and Contemporary Impressionist Still-life Photography

Materials

Photographic Paper

Pale Garden
H 16 in W 20 in D 0.1 in
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Ansel Adams Yosemite Poster For Sale on 1stDibs

On 1stDibs, you can find the most appropriate ansel adams yosemite poster for your needs in our varied inventory. You can easily find an example made in the Expressionist style, while we also have 2 Expressionist versions to choose from as well. You’re likely to find the perfect ansel adams yosemite poster among the distinctive items we have available, which includes versions made as long ago as the 20th Century as well as those made as recently as the 21st Century. On 1stDibs, the right ansel adams yosemite poster is waiting for you and the choices span a range of colors that includes gray, black, brown and blue. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in paper, photographic paper and lithograph can add an especially memorable touch.

How Much is a Ansel Adams Yosemite Poster?

The average selling price for a ansel adams yosemite poster we offer is $1,400, while they’re typically $75 on the low end and $6,000 for the highest priced.

Harold Davis for sale on 1stDibs

Harold Davis is an artist and bestselling author of many books, the developer of a unique technique for photographing flowers for transparency, a Moab Master, and a Zeiss Ambassador. He is an internationally known photographer and a sought-after workshop leader. His website is www.digitalfieldguide.com. Harold Davis’s work has been exhibited in numerous venues including MacWorld, Photokina in Cologne, Germany, PhotoPlus Expo in New York, the Gallery Photo in Oakland, CA, Shoh Gallery in Berkeley, CA, the Arts & Friends Gallery in Heidelberg, Germany, and the Awagami Gallery in Japan. Harold is represented by the Weston Gallery, Carmel, CA. Harold Davis’s work is in collections around the world, and licensed by art publishers, in annual reports, and has appeared in numerous magazines and many publications. Harold's work combines innovative technology with digital painting and photographic techniques. As one collector puts it, "Harold Davis is a digital artist using photographs as his source material." Harold is an acknowledged master of digital black and white photography, and has created bodies of work related to night photography and surrealist, impossible imagery. An innovator in post-production, he has coined the now widespread terms "hand-HDR" and "multi-RAW processing". His black and white prints have been described as “hauntingly beautiful” by Fine Art Printer Magazine, and the Seattle Book Review states that "Harold Davis is the digital black and white equal of Ansel Adams’s traditional wet photography." Harold is the inventor of a widely admired technique for photographing flowers for transparency on a light box, and a pioneer in adopting in-camera multiple exposures to studio photography in the digital era. His floral prints have been called “ethereal,” with “a purity and translucence that borders on spiritual” by Popular Photography. According to Rangefinder Magazine, Harold Davis is "a man of astonishing eclectic skills and accomplishments." One area of his particular interest is extreme color post-production techniques using LAB color, an alternative way of thinking about and interacting with color. Recently, he has been working with x-ray apparatus, and combining the results with translucent photos, to create unique "fusion" x-ray imaging. Harold is the winner of a NANPA (North American Nature Photography Association) Judge’s Choice award, and his photos have won numerous juried competitions around the world. His one-person exhibits include Shoh Gallery, Arras Gallery, New York, the New-York Historical Society, and Discovery Gallery, New York. In addition, Harold’s photography is included in collections including First Boston Corporation, Tishman Realty, and the Museum of the City of New York. His photographs have been featured and anthologized in Photography for the Art Market (Amphoto), Masked Culture (Columbia University Press), by the New York Open Center and the Maine Photographic Workshop, Rangefinder Magazine, Nikon World, Popular Photography, Digital Photography Magazine, and elsewhere. Harold’s art has been used as book covers by major publishers including St. Martin’s Press, Prentice-Hall, and many others.

A Close Look at impressionist Art

Emerging in 19th-century France, Impressionist art embraced loose brushwork and plein-air painting to respond to the movement of daily life. Although the pioneers of the Impressionist movement — Claude Monet, Edgar Degas, Paul Cézanne, Berthe Morisot, Camille Pissarro, and Pierre-Auguste Renoir — are now household names, their work was a radical break with an art scene led and shaped by academic traditions for around two centuries. These academies had oversight of a curriculum that emphasized formal drawing, painting and sculpting techniques and historical themes.

The French Impressionists were influenced by a group of artists known as the Barbizon School, who painted what they witnessed in nature. The rejection of pieces by these artists and the later Impressionists from the salons culminated in a watershed 1874 exhibition in Paris that was staged outside of the juried systems. After a work of Monet’s was derided by a critic as an unfinished “impression,” the term was taken as a celebration of their shared interest in capturing fleeting moments as subject matter, whether the shifting weather on rural landscapes or the frenzy of an urban crowd. Rather than the exacting realism of the academic tradition, Impressionist paintings, sculptures, prints and drawings represented how an artist saw a world in motion.

Many Impressionist painters were inspired by the perspectives in imported Japanese prints alongside these shifts in European painting — Édouard Manet drew on ukiyo-e woodblock prints and depicted Japanese design in his Portrait of Émile Zola, for example. American artists such as Mary Cassatt and William Merritt Chase, who studied abroad, were impacted by the work of the French artists, and by the late 19th century American Impressionism had its own distinct aesthetics with painters responding to the rapid modernization of cities through quickly created works that were vivid with color and light.

Find a collection of authentic Impressionist art on 1stDibs.

Finding the Right color-photography for You

Color photography evokes emotion that can bring a viewer into the scene. It can transport one to faraway places or back into the past.

The first color photograph, taken in 1861, was more of an exercise in science than art. Photographer Thomas Sutton and physicist James Clerk Maxwell used three separate exposures of a tartan ribbon — filtered through red, green and blue — and composited them into a single image, resulting in the first multicolor representation of an object.

Before this innovation, photographs were often tinted by hand. By the 1890s, color photography processes were introduced based on that 1860s experiment. In the early 20th century, autochromes brought color photography to a commercial audience.

Now color photography is widely available, with these historic photographs documenting moments and scenes that are still vivid generations later. Photographers in the 20th and 21st centuries have offered new perspectives in the evolving field of modern color photography with gripping portraiture, snow-capped landscapes, stunning architecture and lots more.

In the voluminous collection of photography on 1stDibs, find vibrant full-color images by Slim Aarons, Helen Levitt, Gordon Parks, Stefanie Schneider, Steve McCurry and other artists. Bring visual interest to any corner of your home with color photography — introduce a salon-style gallery hang or another arrangement that best fits your space.