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Artek Beehive

Beehive Pendent by Alvar Aalto for Artek
By Alvar Aalto
Located in San Francisco, CA
A classic beehive pendant model A331 by Alvar Aalto for Artek of white aluminum and chrome-plated
Category

Vintage 1950s Finnish Modern Chandeliers and Pendants

Materials

Aluminum, Steel

Artek Pendant Light A331 “Beehive“ by Alvar Aalto
By Alvar Aalto
Located in Centreville, VA
The A331, nicknamed “Beehive,” is one of Alvar Aalto’s most popular lighting designs. Suitable for
Category

Vintage 1950s Finnish Mid-Century Modern Chandeliers and Pendants

Materials

Aluminum, Steel

Golden Bell and Beehive: Light Fittings Designed by Alvar and Aino Aalto (Book)
Located in North Yorkshire, GB
Beehive - Light fittings by Alvar and Aino Aalto" which were designed for three different buildings - the
Category

20th Century Books

Materials

Paper

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Coffee Table, Alvar Aalto, Oy Huonekalu- ja Rakennustyötehdas Ab, 1930s
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Recent Sales

Authentic Pendant Light A331 "Beehive" in White with Brass, Alvar Aalto & Artek
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Authentic Pendant Light A331 "Beehive" in White with Chrome, Alvar Aalto & Artek
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Alvar Aalto Beehive Lamp from Artek Model A331 in White with Brass
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Alvar Aalto A331 "Beehive" Pendant Light, 1950s, Valaistustyö Ky Finland
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Alvar Aalto A331 "Beehive" Pendant Light, 1950s, Valaistustyö Ky Finland
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Alvar Aalto Model 44 Lounge Chair
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"Maija Mehiläinen" Standing Lamp by Ilmari Tapiovaara, Finland 1950s
By Ilmari Tapiovaara, Hienoterä
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Alvar Aalto for sale on 1stDibs

An architect and designer, Alvar Aalto deserves an immense share of the credit for bringing Scandinavian modernism and Nordic design to a prominent place in the global arena. In both his buildings and his vintage furniture — which ranges from chairs, stools, tables and lighting to table- and glassware — Aalto’s sensitivity to the natural world and to organic forms and materials tempered the hardness of rationalist design.

Relatively few Aalto buildings exist outside Finland. (Just four exist in the United States, and only one — the sinuous 1945 Baker House dormitory at M.I.T. — is easily visited.) International attention came to Aalto, whose surname translates to English as “wave,” primarily through his furnishings.

Instead of the tubular metal framing favored by the Bauhaus designers and Le Corbusier, Aalto insisted on wood. His aesthetic is best represented by the Paimio armchair, developed with his wife, Aino Aalto, in 1930 as part of the overall design of a Finnish tuberculosis sanatorium.

Comfortable, yet light enough to be easily moved by patients, the Paimio chair’s frame is composed of two laminated birch loops; the seat and back are formed from a single sheet of plywood that scrolls under the headrest and beneath the knees, creating a sort of pillow effect. Aalto’s use of plywood had an enormous influence on Charles and Ray Eames, Arne Jacobsen, Marcel Breuer and others who later came to the material.

Concerned with keeping up standards of quality in the production of his designs, Aalto formed the still-extant company Artek in 1935, along with Aino, whose glass designs were made by the firm. In the latter medium, in 1936 the Aaltos together created the iconic, undulating Savoy vase, so-called for the luxe Helsinki restaurant for which the piece was designed.

Artek also produced Aalto pendants and other lighting designs, many of which — such as the Angel’s Wing floor lamp and the Beehive pendant — incorporate a signature Aalto detail: shades made of concentric enameled-metal rings graduated down in diameter. The effect of the technique is essential Alvar Aalto: at once precise, simple, and somehow poetic.

Find a collection of vintage Alvar Aalto stools, vases, dining tables and other furniture on 1stDibs.