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Fascination with the Jazz Age is endless, and even today jewelry designers continue to be inspired by authentic Art Deco jewelry and watches.

The Art Deco period, encompassing the 1920s and ’30s, ushered in a very distinct look in the design of jewelry. There were many influences on the jewelry of the era that actually began to take shape prior to the 1920s. In 1909, Serge Diaghilev brought the Ballet Russes to Paris, and women went wild for the company’s exotic and vibrant costumes It’s no wonder, then, that jade, lapis lazuli, coral, turquoise and other bright gemstones became all the rage. There already existed a fascination with the East, particularly China and Japan, and motifs consisting of fans and masks started to show up in Art Deco jewelry.

However, the event that had the greatest influence on Deco was the excavation of the tomb of King Tut in 1922. When the world saw what was hidden in Tut’s burial chamber, it sent just about everyone into a frenzy. Pierre Cartier wrote in 1923 that “the discovery of the tomb will bring some sweeping changes in fashion jewelry.” And he couldn’t have been more right. “Egyptomania” left an indelible mark on all of the major jewelry houses, from Cartier to Van Cleef & Arpels, Boucheron and Georges Fouquet. (Cartier created some of the most iconic jewelry designs that defined this era.)

While a lot of Art Deco jewelry was black and white — the black coming from the use of onyx or black enamel and the white from rock crystal and diamonds — there is plenty of color in jewelry of the era. A perfect accent to diamonds in platinum settings were blue sapphires, emeralds and rubies, and these stones were also used in combination with each other.

Many designers employed coral, jade and lapis lazuli, too. In fact, some of the most important avant-garde jewelers of the period, like Jean Després and Jean Fouquet (son of Georges), would combine white gold with ebony and malachite for a jolt of color.

A lot of the jewelry produced during this time nodded to current fashion trends, and women often accessorized their accessories. The cloche hat was often accented with geometric diamond brooches or double-clip brooches. Backless evening dresses looked fabulous with sautoir necklaces, and long pearl necklaces that ended with tassels, popular during the Edwardian period, were favored by women everywhere, including Coco Chanel.

Find unique Art Deco necklaces, earrings, bracelets and other jewelry on 1stDibs.

From vibrant to subtle, elegant to cheeky, vintage and antique enamel jewelry and watches encompass a wide range of colors and styles, and there are almost as many techniques for creating these distinctive pieces.

Enameling is one of the oldest forms of surface decoration, used to add color to jewelry without having to rely on gemstones. Evidence of enameling goes back to ancient Greece. Throughout history, far-flung cultures favored different techniques. For example, cloisonné enamel was popular during the Byzantine Empire, while artisans living in France and Germany in the Middle Ages preferred champlevé. And Art Nouveau jewelry designers favored plique à jour.

At its core, enamel is the fusion of powdered glass to metal, and artists like enameling because it allows them to add a painterly or illustrative quality to their work.

Cloisonné (“cell” in French) is a technique in the creation of enamel jewelry that sees the use of thin wires of fine silver or gold to outline a design, which is then filled with enamel. The piece is subsequently placed in a kiln where the enamel is melted. Cloisonné is distinct because the individual wires remain visible, forming an outline of the motif.

Champlevé (“level field” in French) enamel is almost the opposite of cloisonné. In this technique, depressions in the metal are made by etching, engraving or chiseling, and then layers of enamel are built up until they rise slightly above the surface of the metal. The enamel is then fired and polished.

Guilloché is a technique in which translucent enamel is applied to a piece of metal that has had designs cut into it using a lathe. After the firing, the patterns on the metal become visible. Guilloché was made famous by Peter Carl Fabergé, whose jewelry house used the technique on many of its objets d’art as well as jewelry.

Find antique and vintage enamel rings, bracelets, necklaces and other accessories on 1stDibs.

Also called Y necklaces as they are designed to hang a certain way, vintage drop necklaces are striking and adaptable. They can enhance everything from a casual sweater-and-jeans combo to an elegant heels-and-evening-dress pairing.

Adornment is an ancient human practice, with archeologists identifying early jewelry made from bones, claws and shells. As technology has advanced, so too have jewelry designs and the design of necklaces, from the simple to the intricate.

Drop necklaces come from lariat-style necklaces, which are chain necklaces that end in a tassel or pendant. A drop necklace’s design, meanwhile, is long with open ends, and it usually does not have a clasp. It consists of a single chain that wraps around the neck and a centerpiece — sometimes featuring a diamond or pearls — that hangs down to the middle of the chest. Drop necklaces frequently come in lengths from 16 to 20 inches, with the vertical lines making them appear longer than other necklaces of the same length.

Drop necklaces are extremely versatile, able to be worn knotted, draped or looped. They can be chunky statement pieces or thin, minimal designs. The range of drop necklaces that can be found on 1stDibs can accentuate the plunging necklines of modern looks or add flair to a basic ensemble.