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Classicon Tube Lamp

ClassiCon Tube Light Floor Lamp by Eileen Gray
By Eileen Gray
Located in New York, NY
. Light tube: LED linear lamp 13.5 W / 110 V 900LM / 2700K Energy class A Dimensions: H 104 cm.
Category

21st Century and Contemporary German Modern Floor Lamps

Materials

Steel

ClassiCon Tube Light Floor Lamp by Eileen Gray
ClassiCon Tube Light Floor Lamp by Eileen Gray
H 40.95 in W 0.04 in D 40.95 in
ClassiCon Roattino White Floor Lamp by Eileen Gray
By Eileen Gray
Located in New York, NY
and the lamp head bend. An S-shaped bent steel tube guides the cable and rests on a round base
Category

2010s German Floor Lamps

Materials

Steel

ClassiCon Roattino Black Floor Lamp by Eileen Gray
By Eileen Gray
Located in New York, NY
and the lamp head bend. An S-shaped bent steel tube guides the cable and rests on a round base
Category

2010s German Floor Lamps

Materials

Steel

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Recent Sales

1927, Eileen Gray for ClassiCon, Floor Lamp Tube Lamp
By Eileen Gray
Located in Amsterdam IJMuiden, NL
Eileen gray lamp. The floor lamp is in good condition, although the tube has some colored spots in
Category

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Materials

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Standing Tube Light by Eileen Grey
By Eileen Gray
Located in Long Island City, NY
Standing Tube Light by Eileen Grey. Labeled Classicon Munich on the underside.
Category

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ClassiCon REPLACEMENT BULB TUBE LIGHT
By Eileen Gray
Located in New York, NY
Light tube: LED linear lamp 13.5 W / 110 V 900LM / 2700K Energy class A Dimensions: H 104 cm.
Category

21st Century and Contemporary German Modern More Lighting

Materials

Glass

ClassiCon REPLACEMENT BULB TUBE LIGHT
ClassiCon REPLACEMENT BULB TUBE LIGHT
H 40.95 in W 0.04 in D 40.95 in
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Eileen Gray for sale on 1stDibs

Designer, artist and architect Eileen Gray was one of the most fascinating creative figures of the 20th century. Her body of work includes lustrous lacquered pieces — her Dragons chair set an auction record for modern furniture ($28 million) at the 2009 sale of the Yves Saint Laurent estate — and sleek chrome furnishings that rival the work of Le Corbusier and the members of the Bauhaus as exemplars of pure, modernist design.

The independent and unconventional daughter of Irish landed gentry, Gray studied painting at London’s Slade School of Fine Art in her early twenties before moving to Paris in 1906 to pursue her artistic dreams. Gray had become captivated by lacquerware after seeing an exhibit in the Victoria & Albert Museum, and in Paris persuaded an expatriate Japanese master of the painstaking process, Seizo Sugawara, to teach her. Within a few years, Gray had become known among the cognoscenti for her sculptural lacquered furnishings, which she incorporated into the homes of interior design clients.

Gray was ever evolving as a designer. By the early 1920s she was creating geometric works that embodied the essence of Art Deco and the nascent modernist design movement. Some pieces — such as her Bricks screen, an assemblage of pivoting rectangular panels — employ the planar forms favored by Gerrit Rietveld and other De Stijl architects of the Netherlands. Others feature the tubular chrome framing used by Marcel Breuer and Ludwig Mies van der Rohe. These include the Bibendum chair — named for the resemblance of its semicircular back and armrest to the character known in English as the Michelin Man — and the adjustable E 1027 side table, conceived in 1927 for the interiors of a stark white villa she designed for herself in the South of France.

Never a self-promoter, Gray drifted out of the limelight in the 1930s. Interest in her work was revived in the early ’70s, however, when the estates of her early clients came to auction. Her original lacquer pieces are the most coveted, but, as the sale of the Dragons chair shows, are rare and extremely expensive.

None of Gray’s designs were made in large numbers until, a few years before her death, she granted a production license. These pieces range in price from $1,000 to $2,500, depending on furniture type and condition. Gray’s work has become iconic of practical and elegant modernist design. Yet, as you will see on 1stDibs, many of her creations have a simplicity that makes them welcome even in a traditional setting.

Finding the Right floor-lamps for You

The modern floor lamp is an evolution of torchères — tall floor candelabras that originated in France as a revolutionary development in lighting homes toward the end of the 17th century. Owing to the advent of electricity and the introduction of new materials as a part of lighting design, floor lamps have taken on new forms and configurations over the years. 

In the early 1920s, Art Deco lighting artisans worked with dark woods and modern metals, introducing unique designs that still inspire the look of modern floor lamps developed by contemporary firms such as Luxxu

Popular mid-century floor lamps include everything from the enchanting fixtures by the Italian lighting artisans at Stilnovo to the distinctly functional Grasshopper floor lamp created by Scandinavian design pioneer Greta Magnusson-Grossman to the Paracarro floor lamp by the Venetian master glass workers at Mazzega. Among the more celebrated names in mid-century lighting design are Milanese innovators Achille and Pier Giacomo Castiglioni, who, along with their eldest brother, Livio, worked for their own firm as architects and designers. While Livio departed the practice in 1952, Achille and Pier Giacomo would go on to design the Arco floor lamp, the Toio floor lamp and more for legendary lighting brands such as FLOS

Today’s upscale interiors frequently integrate the otherworldly custom lighting solutions created by a wealth of contemporary firms and designers such as Spain’s Masquespacio, whose Wink floor lamps integrate gold as well as fabric fringes. 

Visual artists and industrial designers have a penchant for floor lamps, possibly because they’re so often a clever marriage of design and the functions of lighting. A good floor lamp can change the mood of any room while adding a touch of elegance to your entire space. Find yours now on 1stDibs.