Dijnn Chair

With its undulating, futuristic and playful form, it’s easy to see why filmmaker Stanley Kubrick chose to use Olivier Mourgue’s iconic Djinn chair in his 1968 masterpiece 2001: A Space Odyssey. But the French artist and industrial designer is known for much more than the Space Age Djinn. From his whimsical Flower floor lamps to his anthropomorphic Bouloum chair, Mourgue is renowned as an important contributor to the 1960s Pop art era of modern furniture design.

Born in Paris in 1939, Mourgue grew up in an apartment filled with Empire-style antique furniture, which he derided as having “nothing to do with life.” He later studied art at Paris’s École Boulle, graduating in 1958. He then attended the École Nationale Supérieure des Arts Décoratifs.

In 1959, his former teacher at École Boulle, Marcel Merpillat, encouraged him to present a chair he designed at a competition hosted by furniture manufacturer Airborne. Airborne founder Charles Bernard was impressed by Mourgue’s design, which featured a leather-upholstered seat attached to a chrome steel frame; it was produced by the company under the name the Joker. Mourgue designed several other mid-century modern pieces for Airborne throughout the 1960s, including the Whist chaise longue, the rotund Montreal chair, the unique Cubique chair and the Djinn series, which first appeared in 1964.

In addition to Airborne, Mourgue has designed for furniture manufacturers such as Disderot and Prisunic, and collaborated with British architect and designer Sir Norman Foster and Finnish architect Juhani Pallasmaa.

Mourgue worked for Le Mobilier National to design the French Pavilion for Montreal’s Expo ‘67. In 1968, he received the International Design Award from the Institute of Interior Designers in New York for the Djinn lounge chair. He also exhibited several of his works at Expo ‘70 in Osaka, Japan.

Today, Mourgue’s pieces are part of the permanent collections at the Museum of Modern Art in New York and the Centre Pompidou in Paris.

On 1stDibs, discover a range of vintage Olivier Mourgue seating, lighting and more.

Organic modern furniture is characterized by clean lines, an overall uncomplicated aesthetic and a prioritizing of natural, sustainable materials, such as wood and stone. There are lots of earth tones and natural-world textures rather than bright color palettes or fabrics embellished with busy patterns.

Organic furniture is minimalist and, owing to the ideas of venerable architect Frank Lloyd Wright, designed for warm spaces that promote harmony between human habitation and the great outdoors. Organic modern design, including in furniture and architecture, emerged in the 1930s.

Designers such as Andrianna Shamaris, Alguacil & Perkoff and Jörg Pietschmann — all known for organic modern design — have created furniture that brings dynamic and unpredictable energy to home interiors while emphasizing the importance of a relationship with the natural world.

Striking an appealing balance between our living spaces and nature doesn't have to be an arduous task — the broad selection of original organic modern furniture on 1stDibs includes solid wood tables, bamboo seating options, hand-knotted wall tapestries and more.

While this specific seating is known to all for its comfort and familiar form, the history of how your favorite antique or vintage lounge chair came to be is slightly more ambiguous.

Although there are rare armchairs dating back as far as the 17th century, some believe that the origins of the first official “lounge chair” are tied to Hungarian modernist designer-architect Marcel Breuer. Sure, Breuer wasn’t exactly reinventing the wheel when he introduced the Wassily lounge chair in 1925, but his seat was indeed revolutionary for its integration of bent tubular steel.

Officially, a lounge chair is simply defined as a “comfortable armchair,” which allows for the shape and material of the furnishings to be extremely diverse. Whether or not chaise longues make the cut for this category is a matter of frequent debate.

The Eames lounge chair, on the other hand, has come to define somewhat of a universal perception of what a lounge chair can be. Introduced in 1956, the Eames lounger (and its partner in cozy, the ottoman) quickly became staples in television shows, prestigious office buildings and sumptuous living rooms. Venerable American mid-century modern designers Charles and Ray Eames intended for it to be the peak of luxury, which they knew meant taking furniture to the next level of style and comfort. Their chair inspired many modern interpretations of the lounge — as well as numerous copies.

On 1stDibs, find a broad range of unique lounge chairs that includes everything from antique Victorian-era seating to vintage mid-century modern lounge chairs by craftspersons such as Hans Wegner to contemporary choices from today’s innovative designers.