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Material: Canvas
Daniel Van der Putten Torc Waterfall Killarney National Park Co. Kerry Ireland
Located in Dublin, Ireland
Painting by Daniel Van der Putten ‘Torc Waterfall Killarney National Park’. This Painting of the Torc Cascade scene in Kerry near Killarney at the world-famous national park is very ...
Category

Late 20th Century Irish Modern Canvas Decorative Art

Materials

Canvas

Norman C Black Surrrealist Painting
By Norman Black
Located in West Palm Beach, FL
Norman C Black Surrealist Painting Clean Surface Norman Black was an English Painter born in 1920 and died in 1999
Category

1960s English Vintage Canvas Decorative Art

Materials

Canvas

French Napoleon III Period Painted Decorative Panels with Bouquets, circa 1860
Located in Atlanta, GA
A pair of French Napoleon III period painted decorative panels with floral motifs from the mid-19th century, set inside giltwood frames. Each of this pair of decorative panels featur...
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Mid-19th Century French Napoleon III Antique Canvas Decorative Art

Materials

Canvas, Giltwood

Large & Impressive Oil on Canvas "Madonna & Child" After Murillo - V. Bianchini
By Bartolomé Esteban Murillo
Located in Los Angeles, CA
A Large and Impressive Early 20th Century Oil on Canvas "Madonna and Child" After Bartolomé Esteban Murillo (Spanish, 1618-1682) depicting a seated Virgin Mary with a baby Jesus Chri...
Category

1910s Italian Baroque Vintage Canvas Decorative Art

Materials

Canvas, Giltwood

Large Mid Century Painting Portrait of a Young Woman c1960 Acrylic on Canvas
Located in Trensacq, FR
Large mid century painting Portrait of a Young Woman c1960 Acrylic on canvas. Thought to be modelled on the Iconic French singer-...
Category

1960s European Mid-Century Modern Vintage Canvas Decorative Art

Materials

Canvas, Acrylic

Hand-Coloured Print on Canvas, 1929 Barcelona International Exposition
Located in Barcelona, ES
Framed print on canvas: " Exposición Internacional de Barcelona, Año 1929 " The 1929 International Exposition was one of the most important events to have shaped the urban landsca...
Category

20th Century Spanish Canvas Decorative Art

Materials

Canvas, Wood

Antique Still Life Fruits Oil on Canvas English Oil Painting Giltwood Frame
Located in Dublin, Ireland
An exceptionally fine quality example of an elaborately framed English Still Life of fruits Oil Painting on canvas, in the style of Oliver Clare or Eloise Harriet Stannard, second qu...
Category

Early 19th Century English Victorian Antique Canvas Decorative Art

Materials

Canvas, Giltwood

Collectible Rare Original Oil on Canvas Painting by Henri Pontoy, Parisian
By Henri Pontoy
Located in Miami, FL
A Rare Parisian Gem: "Le Vert Galant" by Henri-Jean Pontoy Collectible Rare Original Oil on Canvas Painting by Henri Pontoy, Paris France This captivating oil painting by Henri-Jean Pontoy (1888-1968) offers a unique perspective on the famed Paris, France landscape. While Pontoy is better known for his vibrant Orientalist works, this piece, titled "Le Vert Galant," showcases his mastery in capturing the essence of his adopted home city. This painting by Henri Pontoy (1888–1968) is an excellent example of French Impressionist or Post-Impressionist urban landscape painting...
Category

Early 20th Century French Art Deco Canvas Decorative Art

Materials

Canvas, Paint

Very Large 19th Century French Seascape Oil Painting by Alfred Couturaud
Located in Miami, FL
A fine original seascape painting in its original hand carved gilt wood frame. This large work of art is painted on canvas and has recently been cleaned to display its delightful det...
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Late 19th Century French Art Deco Antique Canvas Decorative Art

Materials

Canvas, Giltwood, Paint

Sensual Original French Painting 1940s Reclining Nude Pin-Up Girl by Joan Mayor
Located in Tustin, CA
Exquisite and colorful original oil on canvas painting by 20th century French painter, Joan Mayor, from the 1940s, depicts a ravishing woman or pin-up girl ...
Category

Mid-20th Century French Art Deco Canvas Decorative Art

Materials

Canvas, Paint

Original Antique Map of The London Underground. 1911
Located in St Annes, Lancashire
Superb map of The London Underground Published by Ward Lock, 1911 Folding map. Printed on paper Unframed. Good condition/ Minor repair to an edge tear on right edge ( shown in ...
Category

1910s English Vintage Canvas Decorative Art

Materials

Canvas, Paper

Daniel Van der Putten Reenadinna Woods Killarney National Park Co. Kerry Ireland
Located in Dublin, Ireland
Painting by Daniel Van der Putten ‘Deer in Reenadinna Woods in Killarney National Park’. This woodland scene in Kerry near Killarney at the world famous national park is very beautif...
Category

Late 20th Century Irish Modern Canvas Decorative Art

Materials

Canvas

Abstract Mid Century on Canvas
Located in Redding, CT
Abstract Mid Century on Canvas. This custom frame has been painted white since being photographed. Nice bright colors make up this abstract modern composit...
Category

Mid-20th Century Mid-Century Modern Canvas Decorative Art

Materials

Canvas, Wood, Paint

Abstract Mid Century on Canvas
Abstract Mid Century on Canvas
$910 Sale Price
62% Off
Arts & Crafts Impressionist Landscape Painting, Chicago Artist, 1926
Located in Vero Beach, FL
Arts & crafts impressionist landscape painting, Chicago Artist, 1926 This painting is a perfect example of the Arts & Crafts movement. It is a matur...
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1920s Arts and Crafts Vintage Canvas Decorative Art

Materials

Canvas

Mid Century Standing Nude Portrait Oil on Canvas by American Artist Jane White
Located in Port Jervis, NY
Classical standing nude by American artist Jane White. Painted in the 1950s and once owned by the Estate of Eva Gabor. There is no provenance.
Category

1950s American Vintage Canvas Decorative Art

Materials

Canvas

Pair of French 18th Century Hand-Painted Decorative Panels with Fruits and Birds
Located in Atlanta, GA
A pair of French 18th century hand-painted decorative panels with birds in foliage motifs. Each of this pair of French panels features a simple s...
Category

18th Century French Antique Canvas Decorative Art

Materials

Canvas, Wood

Ted Jones Dublin Ireland Irish Oil Painting on Canvas Winter Farm Scene Sheep
By Ted Jones
Located in Dublin, Ireland
Stunning Irish oil on canvas framed painting painted during the last quarter of the 20th century, by Ted Jones (Irish 1952-2017. This Painting by Ted Jones (Irish 1952-2017) is a won...
Category

20th Century Irish Victorian Canvas Decorative Art

Materials

Canvas, Giltwood

'Callin the Red' Giclée on Canvas by Andy Thomas
Located in West Palm Beach, FL
'Callin the Red' Giclée on canvas by Andy Thomas 2000s, complete with custom frame Giclée on Canvas: 12.5 inches high x 17.5 inches wide Custom Framed: 19 inches high x 25 inches wide x 2 inches deep This now-iconic work, suitable for any free-thinking student of politics/history, will amuse and spark conversation features of Democratic presidents shooting pool...
Category

21st Century and Contemporary American Modern Canvas Decorative Art

Materials

Canvas, Wood

Parisian Street Scene Oil on Canvas Painting, Signed Burnett
Located in Miami, FL
A beautiful oil on canvas painting of a Parisian street scene. This painting perfectly depicts life in the "City of Lights" with its restaurants, busy streets, cafes and wonderful ar...
Category

20th Century French Canvas Decorative Art

Materials

Canvas, Paint

Early 20th Century French Oil on Canvas with Laundresses in Giltwood Frame
Located in Fayetteville, AR
Measuring 24 inches in height and 32 inches in width unframed, this large oil on canvas painting from the early 20th century depicts a pastoral scene at the riverside. In the lower l...
Category

Early 20th Century French Canvas Decorative Art

Materials

Canvas, Giltwood, Paint

Italian 18th Century Oil on Canvas "Madonna and Child" after Giovanni Lanfranco
By Giovanni Lanfranco
Located in Los Angeles, CA
A very fine Italian 18th century oil on canvas "Madonna and Child" after Giovanni Lanfranco (Italian, 1582-1647). The young Virgin Mary attending to...
Category

18th Century Italian Baroque Antique Canvas Decorative Art

Materials

Canvas, Giltwood

Oil on Canvas by José Herrera
Located in Los Angeles, CA
Oil on Canvas by José Herrera (Spanish, 1943-). Signed and dated 1973. Original stainless steel frame. A beautiful piece.
Category

1970s Spanish Modern Vintage Canvas Decorative Art

Materials

Stainless Steel

Attributed to Giorgio Lucchesi, Oil on Canvas "Madonna & Child" After Murillo
By Bartolomé Esteban Murillo
Located in Los Angeles, CA
Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...
Category

1910s Italian Baroque Vintage Canvas Decorative Art

Materials

Canvas, Giltwood

Otto Pilny Orientalist Oil on Canvas "The Slave Market" a North African Scene
By Otto Pilny
Located in Los Angeles, CA
Otto Pilny (Swiss, 1866-1936) A very fine orientalist oil on canvas "The Slave Market", depicting a desert scene with the offering of two female slaves. Signed and Dated (l/r): Otto Pilny, 1910. Canvas height: 31 1/2 inches (80 cm). Canvas width: 47 1/4 inches (120 cm). Frame height: 37 inches (94 cm). Frame width: 52 inches (132.1 cm). Previously offered at Christie's New York, 19th Century European Art, Sale 2521 on October 12, 2011, Lot 84. Latest Otto Pilny Sale: Christie's London - The Orientalist Sale including Works from the Najd Collection on 30 March 2021 - Lot 49 "Dance in the Desert" was sold for £100,800 ($138,500) There is not that much information about Otto Pilny who began his artistic education in Prague. Pilny also lived in Vienna and ended up settling in Zurich. Just like Ludwig Deutsch (1855-1935), Rudolf Ernst (1854-1932), and Carl Leopold Müller (1834-1892), Pilny was encouraged to travel abroad. During his two trips to Egypt, a favorite destination of the Austro-Hungarian school, the first one in 1889 and later en 1892, he acquired the taste of painting Orientalist scenes of Middle Eastern landscapes...
Category

Early 20th Century Swiss Islamic Canvas Decorative Art

Materials

Giltwood, Canvas

After Raffaello Sanzio 1483-1520 Raphael La Madonna Della Seggiola Oil on Canvas
Located in Los Angeles, CA
A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...
Category

Late 19th Century Italian Baroque Antique Canvas Decorative Art

Materials

Canvas, Giltwood

19th Century French Still Life Oil on Canvas Painting by Dominique Hubert Rozier
By Dominique Hubert Rozier
Located in West Palm Beach, FL
A pink-yellow, antique French still life oil on canvas painting, depicting a white ceramic vase with many roses, painted by Dominique Hubert Rozier in a handcrafted, original gilded ...
Category

Late 19th Century French Antique Canvas Decorative Art

Materials

Canvas, Giltwood

Vintage Obi textile art " Golden Landscape ~ Perennity ~" by ikasu Gold Japan
Located in Setagaya City, JP
<> This obi is a stunning example of traditional Japanese textile artistry. It showcases a waterside landscape using a visual technique known as "kumodori," where ocean waves a...
Category

1970s Japanese Japonisme Vintage Canvas Decorative Art

Materials

Canvas, Silk

Louis XVI Style Trumeau Panel with Trompe L'oeil Mirror Panel
Located in Nashville, TN
Possibly late 18th century but most likely 19th century painted arched painted panel. Either a panel intended for a trumeau or to be inset into wall boiserie as a trumeau. The upper ...
Category

1830s French Louis XVI Antique Canvas Decorative Art

Materials

Canvas, Paint

Charles Joshua Chaplin 'French, 1825-1891' 'Girl with Bird's Nest' Oil on Canvas
By Charles Joshua Chaplin
Located in Los Angeles, CA
Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and r...
Category

19th Century French Rococo Revival Antique Canvas Decorative Art

Materials

Canvas, Giltwood

Large Oil on Canvas "Beggar Boys Playing Dice" After Bartolomé Esteban Murrillo
By Bartolomé Esteban Murillo
Located in Los Angeles, CA
A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...
Category

Late 19th Century German Baroque Antique Canvas Decorative Art

Materials

Gesso, Canvas, Wood

After Fragonard French 19th Century Oil on Canvas Progress of Love-Lover Crowned
By (After) Jean-Honoré Fragonard
Located in Los Angeles, CA
A large French 19th century oil on canvas (laid down on a masonite) "Les progrès de l'amour dans le cœur d'une jeune fille" The Progress of Love: The Lover Crowned, after Jean-Honoré...
Category

19th Century French Rococo Antique Canvas Decorative Art

Materials

Masonite, Gesso, Canvas, Giltwood

Architectural Capriccio of Roman Ancient Ruins with Figures
Located in Vero Beach, FL
Architectural Capriccio of Roman Ancient Ruins with Figures. Italian, 18th century large painting in oil on canvas is from the school of Giovan...
Category

18th Century Italian Other Antique Canvas Decorative Art

Materials

Canvas

Mersad Berber 'Bosnia, 1940-2012' Oil on Canvas, Woman with Flowers
Located in Bridgeport, CT
Signed lower left. A lovely pensive woman dressed in 19th c. style holding flowers. She looks to the left with fruits in an abstract composition on a tab...
Category

20th Century Aesthetic Movement Canvas Decorative Art

Materials

Canvas, Wood

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

Early 1900s Italian Baroque Antique Canvas Decorative Art

Materials

Canvas, Giltwood

Mid-20th Century Signed Painting of a Lighthouse
Located in Redding, CT
Mid-20th Century Signed painting of a lighthouse in a harbor. Colorful, happy composition of colors. Signed Vera Bettinger? Solid wooden frame. This item can parcel ship domestically...
Category

Mid-20th Century Canvas Decorative Art

Materials

Canvas, Wood, Paint

Pair French 18th-19th Century Chinoiserie Circle of Jean B. Pillement
By Jean-Baptiste Pillement
Located in Los Angeles, CA
A fine pair of French 18th-19th century whimsical rococo style chinoiserie oil on canvas, circle of Jean-Baptiste Pillement. (French, 1728-1808). One oil painting depicting an outdoor patio scene of a standing young mother, holding a fan, with her three young children playing with a horse-toy, a parrot and a cat, all surrounded by flowers, plants, trees, planters and flanked by a dragon fountain...
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Late 18th Century French Chinoiserie Antique Canvas Decorative Art

Materials

Canvas, Giltwood

20th Century Blue-Green Abstract Books, French Painting by Daniel Clesse
Located in West Palm Beach, FL
A French blue, green abstract portrait of books, oil on wood in canvas by Daniel Clesse, painted in France, signed and dated in 1964. Measures: Without the frame: 18" H x 21.5" W x ...
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Mid-20th Century French Mid-Century Modern Canvas Decorative Art

Materials

Canvas, Wood, Paint

Pair of 17th Century Chinese Huaniaohua Paintings with Gilded Frames
Located in Dublin, Dalkey
A pair of 17th century Chinese Huaniaohua paintings created in 1665 with the watercolor mixture Gouche. The pair showcases beautiful floral scenes in the centuries old tradition of...
Category

17th Century Chinese Qing Antique Canvas Decorative Art

Materials

Quartz

17th Century Large Dutch Painting Still Life with Fruit and Game, Oil on Canvas
Located in Vero Beach, FL
This large, old master still life painting is a perfectly balanced composition of fruit and game birds. In the foreground a rabbit is stretched out. A copper kettle and a basket are ...
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17th Century Dutch Baroque Antique Canvas Decorative Art

Materials

Canvas, Paint

Italian 17th Century Oil on Canvas Head of Christ Crowned with Thorns, Mignard
By (circle of) Pierre Mignard
Located in Los Angeles, CA
A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...
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17th Century French Baroque Antique Canvas Decorative Art

Materials

Canvas, Giltwood

Painting, Oil on Canvas of Aristocracy, by Johann Heinrich Tischbein
By Johann Valentin Tischbein
Located in Miami, FL
A studio portrait of aristocracy, half-length, wearing a cream and pink lace-trimmed dress, holding a folded hand fan.Painted by Johann Heinrich Tisch...
Category

18th Century German Rococo Antique Canvas Decorative Art

Materials

Canvas

Warm Hearted Painting of Duck Family with Adorable Chicks
Located in Hopewell, NJ
Beautiful detailed original painting of a family of ducks in gorgeous jewel tones. The darling newborn chicks will melt your heart. Ornate gilded frame. Canvas is 16 x 12
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1980s American Vintage Canvas Decorative Art

Materials

Canvas

20th Century Grey-Brown French Landscape Painting by Daniel Clesse
Located in West Palm Beach, FL
A French painting, self-portrait on wood by Daniel Clesse, painted in Paris, France, signed and dated circa in 1963. Daniel Clesse was a French pain...
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Mid-20th Century French Mid-Century Modern Canvas Decorative Art

Materials

Canvas, Wood, Paint

Italian Rococo 1770s Framed Still-Life Painting Depicting a Bouquet of Flowers
Located in Atlanta, GA
An Italian Rococo period framed still-life oil on canvas painting from the late 18th century, depicting a colorful bouquet. Created in Italy during the third quarter of the 18th cent...
Category

Late 18th Century Italian Rococo Antique Canvas Decorative Art

Materials

Canvas, Paint

Italian School Painting of Madonna and Child
Located in Woodbury, CT
19th century Italian School oil on canvas of Madonna and child. Gilt frame.
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19th Century Italian Renaissance Revival Antique Canvas Decorative Art

Materials

Canvas

Impressionist Painting Titled Nancy by Savannah Georgia Artist Myrtle Jones
By Myrtle Jones
Located in Savannah, GA
Featured in the book A Savannah Experience, by Myrtle Jones, this large pastel painting is one of the artist's finest paintings. Acrylic on canv...
Category

1980s American Other Vintage Canvas Decorative Art

Materials

Canvas, Giltwood

20th Century Dark-Blue Abstract Interior, French Painting by Daniel Clesse
Located in West Palm Beach, FL
A dark-blue, black abstract interior with chairs and window surround, oil on wood in canvas on a blue frame by Daniel Clesse, painted in France, signed and dated circa in 1970. Dani...
Category

Mid-20th Century French Mid-Century Modern Canvas Decorative Art

Materials

Canvas, Wood, Paint

19th Century Oil on Canvas Bacchante Group Attributed to Leopold Schmutzler
Located in Los Angeles, CA
A large 19th century oil on canvas Bacchante group depicting two allegorical young semi-nude maidens dancing with pan, attributed to Leopold Schmutzler...
Category

Early 20th Century German Greco Roman Canvas Decorative Art

Materials

Canvas, Giltwood

Scandinavian Swedish 1960s Wall Hanging Crewel Picture Wall Art Blue Green
Located in Stow on the Wold, GB
Scandinavian Swedish 1960s Wall Hanging Crewel Tapestry Picture Wall Art A very well executed hand produced Swedish crewel needlework, wood and silk th...
Category

Mid-20th Century Swedish Mid-Century Modern Canvas Decorative Art

Materials

Wool, Canvas, Silk

French 19th Century Old Master School Oil on Canvas Titled "Leda and The Swan"
Located in Los Angeles, CA
A fine and large French 19th century old master school oil on canvas titled "Leda and The Swan" within a giltwood frame. Leda and the swan is a motif from Greek mythology, in which Z...
Category

19th Century French Renaissance Revival Antique Canvas Decorative Art

Materials

Giltwood, Canvas

Large Mid-Century Modern Orange Brown Tree Landscape Painting Signed Williams
Located in Chattanooga, TN
Rendered with dramatic flair and architectural precision, this large-scale landscape painting by “Williams” captures the serene majesty of a tree grove at dusk. It unfolds in a richl...
Category

1980s American Organic Modern Vintage Canvas Decorative Art

Materials

Metal

"Shibori Sky" Kite by Michael Thompson
Located in Chicago, IL
Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...
Category

21st Century and Contemporary American Organic Modern Canvas Decorative Art

Materials

Canvas, Bamboo, Silk

"FANTASY" Oil on Canvas by Thomas Hart Benton
By Thomas Hart Benton
Located in New York, NY
"FANTASY" by Thomas Hart Benton. Oil on canvas laid on wood with a gorgeous gold gilded frame. Price upon request.
Category

1940s American Mid-Century Modern Vintage Canvas Decorative Art

Materials

Canvas, Paint

Ornately Giltwood Framed Floral Painting by Charles Franzini D’issoncourt
Located in Miami, FL
Magnificent French Floral Oil Painting by Charles Henri Franzini d’Issoncourt A striking original oil on canvas by the distinguished French artist Charles Henri Franzini d’Issoncour...
Category

Early 1900s French Baroque Antique Canvas Decorative Art

Materials

Canvas, Paint, Giltwood

18th-19th Century Oil on Canvas "The Triumph of Venice" After Paolo Veronese
By Paolo Veronese
Located in Los Angeles, CA
A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...
Category

Early 1800s Italian Renaissance Antique Canvas Decorative Art

Materials

Wood, Gesso, Canvas

1970s Jaime Parlade Designer Hand Painting "Tiger" Oil on Canvas
Located in Marbella, ES
1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.
Category

Late 20th Century Indian Canvas Decorative Art

Materials

Canvas

"Study in Stripes" Kite by Michael Thompson
Located in Chicago, IL
Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...
Category

21st Century and Contemporary American Modern Canvas Decorative Art

Materials

Canvas, Silk, Bamboo

French 18th-19th Century Oil on Canvas Portrait of Lady, after Jean-Marc Nattier
By Jean-Marc Nattier
Located in Los Angeles, CA
A very fine French 18th-19th century oil on canvas portrait of a posing lady with flowers, after Jean-Marc Nattier (1685-1766) within an ornate gilt wood carved frame, circa 1800. ...
Category

Early 19th Century French Louis XV Antique Canvas Decorative Art

Materials

Canvas, Giltwood

19th Century Style Painting of Children Playing with Geese
Located in Moreno Valley, CA
Countryside children from the late 19th century playing and attacked by geese on a farm. 19th century style oil on canvas style painting. Stretched on a piece of wood frame. Left sid...
Category

Late 20th Century Unknown Country Canvas Decorative Art

Materials

Canvas

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

19th Century Italian Baroque Antique Canvas Decorative Art

Materials

Gesso, Canvas, Wood

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