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Gino Severini On Sale

Les Mans d'Arlequin - Pochoir by Gino Severini - 1930
By Gino Severini
Located in Roma, IT
Les Amans d'Arlequin is an artwork realized by Gino Severini in 1930. Pochoir from the Suite "Fleurs et Masques". Very good condition. Signed in plate on the lower right. Ref. Ca...
Category

1930s Futurist Figurative Prints

Materials

Stencil, Paper

Recent Sales

La Danseuse - Original Lithograph by Gino Severini - 1955
By Gino Severini
Located in Roma, IT
La Danseuse is an original artwork realized by Italian Futurist artist Gino Severini in 1955. Original colored lithograph. Limited edition series, numbered 88 of 95 on the lower l...
Category

1950s Futurist Abstract Prints

Materials

Lithograph

Pas de Deux - Original Lithograph by Gino Severini - 1952
By Gino Severini
Located in Roma, IT
Hand signed. Artist's proof. Original Prints. The artwork is dedicated by the author to the famous art critic L. Venturi: “A Lionello Venturi, ricordo amichevole da Parigi”. Image Di...
Category

1950s Futurist Abstract Prints

Materials

Lithograph

Danseuse - Original Lithograph by Gino Severini - 1957
By Gino Severini
Located in Roma, IT
Hand signed. Edition of 175 prints plus some Artist's proofs. Very good conditions. Bibliography: F. Meloni, Gino Severini. Tutta l’opera grafica, Libreria Prandi, Reggio Emilia 198...
Category

1950s Futurist Still-life Prints

Materials

Lithograph

Natura Morta con Fruttiera
By Gino Severini
Located in Roma, IT
Hand signed and numbered. Edition of 85 prints. Passepartout included : 60 x 40 cm Image Dimensions : 29.5 x 23.5 cm
Category

1960s Futurist Abstract Prints

Materials

Lithograph

Natura Morta con Fruttiera
H 19.69 in W 14.57 in D 0.04 in
Danseuse
By Gino Severini
Located in Lake Worth, FL
Lithograph on wove paper signed and numbered 87/200 provenance: Fairweather Hardin gallery, Chicago 26 x 17 in 32" x 22" in frame
Category

1950s Abstract Abstract Prints

Materials

Lithograph

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Finding the Right Prints and Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.