Huge Wooden Mechanical Sculpture

Mirko Basaldella was born in Udine, Italy, in September of 1910 and died in Cambridge, Massachusetts, in November of 1969. He studied at the Art School of Venice, at the Academy of Florence, and at the School of Art in Monza. He worked at the studio of Arturo Martini and as a student until 1933, when he moved to Rome. Basaldella's first exhibition was in 1935 at the Galleria La Cometa. His trip to Paris in 1937 with his brother, Afro, was a huge influence on his art and opened up a whole new view of Mediterranean culture. In 1935 he settled in Rome and joined the Milanese group of Corrente. 

In New York, at the Knoedler gallery in 1947, Basaldella held an exhibition that he would repeat in the following two years. In 1949 and in 1951, he constructed three bronze gates for the Fosse Ardeatine. In 1957, he was called to direct the design workshop at the Carpenter Center for the Visual Arts at Harvard University in Cambridge, Massachusetts. Afterward, his sculptures shifted toward a technological and mechanical direction. In the 1960s, Basaldella dedicated himself to a new series of painted woods and bronze. Lastly, he worked on figurative themes inspired by Biblical stories.

While “expressionist” is used to describe any art that avoids naturalism and instead employs a bold use of flattened forms and intense brushwork, Expressionist art formally describes early-20th-century work from Europe that drew on Symbolism and confronted issues such as urbanization and capitalism. Expressionist artists experimented in paintings and prints with skewed perspectives, abstraction and unconventional, bright colors to portray how isolating and anxious the world felt rather than how it appeared. 

Between 1905 and 1920, Austrian and German artists, in particular, were inspired by Postimpressionists such as Paul Gauguin and Vincent van Gogh in their efforts to strive for a new authenticity in their work. In its geometric patterns and decorative details, Expressionist art was also marked by eclectic sources like German and Russian folk art as well as tribal art from Africa and Oceania, which the movement’s practitioners witnessed at museums and world’s fairs.

Groups of artists came together to share and promote the themes now associated with Expressionism, such as Die Brücke (The Bridge) in Dresden, which included Erich Heckel, Ernst Ludwig Kirchner and Karl Schmidt-Rottluff and investigated alienation and the dissolution of society in vivid color. In Munich, Der Blaue Reiter (The Blue Rider), a group led by Wassily Kandinsky and Franz Marc, instilled Expressionism with a search for spiritual truths. In his iconic painting The Scream, prolific Norwegian painter Edvard Munch conveyed emotional turmoil through his depiction of environmental elements, such as the threatening sky.

Expressionism shifted around the outbreak of World War I, with artists using more elements of the grotesque in reaction to the escalation of unrest and violence. Printmaking was especially popular, as it allowed artists to widely disseminate works that grappled with social and political issues amid this time of upheaval. Although the art movement ended with the rise of Nazi Germany, where Expressionist creators were labeled “degenerate,” the radical ideas of these artists would influence Neo-Expressionism that emerged in the late 1970s with painters like Jean-Michel Basquiat and Francesco Clemente.

​​Find a collection of authentic Expressionist paintings, sculptures, prints and more art on 1stDibs.

Revitalize your interiors — introduce drawings and watercolor paintings to your home to evoke emotions, stir conversation and show off your personality and elevated taste.

Drawing is often considered one of the world’s oldest art forms, with historians pointing to cave art as evidence. In fact, a cave in South Africa, home to Stone Age–era artists, houses artwork that is believed to be around 73,000 years old. It has indeed been argued that cave walls were the canvases for early watercolorists as well as for landscape painters in general, who endeavor to depict and elevate natural scenery through their works of art.

The supplies and methods used by artists and illustrators to create drawings and paintings have evolved over the years, and so too have the intentions. Artists can use their drawing and painting talents to observe and capture a moment, to explore or communicate ideas and convey or evoke emotion. No matter if an artist is working in charcoal or in watercolor and has chosen to portray the marvels of the pure human form, to create realistic depictions of animals in their natural habitats or perhaps to forge a new path that references the long history of abstract visual art, adding a drawing or watercolor painting to your living room or dining room that speaks to you will in turn speak to your guests and conjure stimulating energy in your space.

When you introduce a new piece of art into a common area of your home — a figurative painting by Italian watercolorist Mino Maccari or a colorful still life, such as a detailed botanical work by Deborah Eddy — you’re bringing in textures that can add visual weight to your interior design. You’ll also be creating a much-needed focal point that can instantly guide an eye toward a designated space, particularly in a room that sees a lot of foot traffic.

When you’re shopping for new visual art, whether it’s for your apartment or weekend house, remember to choose something that resonates. It doesn’t always need to make you happy, but you should at least enjoy its energy. On 1stDibs, browse a wide-ranging collection of drawings and watercolor paintings and find out how to arrange wall art when you’re ready to hang your new works.