Japanese Print Original

and color on paper Edo period 35x23.5cm each sheet These prints are original Nishiki-e prints

and color on paper Edo period 35x23,5cm each sheet These prints are original Nishiki-e prints

and color on paper Edo period 1859 35 x 23.5cm each sheet These are original Nishiki-e prints

) 35 x 23.5cm An original Nishiki-e print, realized in the 19th Century by the Japanese master

23.5cm each sheet These are original Nishiki-e prints, realized in the 19th Century by the Japanese

Onoe Kikugorô I as Matsuyama (left) 35 x 23.5cm each sheet These are original Nishiki-e prints

and color on paper Edo period 1859 35 x 23.5cm each sheet These are original Nishiki-e prints

23.5cm An original Nishiki-e print, realized in the 19th Century by the Japanese master Utagawa Yoshiiku

x 23.5cm each sheet These are original Nishiki-e prints, realized in the 19th Century by the

and color on paper Edo period 35 x 23.5cm An original Nishiki-e prints, realized in the 19th Century

and color on paper Edo period 35 x 23.5cm An original Nishiki-e print, realized in the 19th Century

and color on paper Edo period 1852 35 x 23.5cm each sheet These are original Nishiki-e prints

(Bunkyû 4/Genji 1), 7th month 35 x 23.5cm An original Nishiki-e print, realized in the 19th Century by

as Kiura Shingo, later Tokubei (left) 35 x 23.5cm each sheet These are original Nishiki-e prints

Triptych formed by three original woodblock prints by Toyonobu Utagawa representing the great

Artist: Kuniyoshi Utagawa (1798-1861) Title: Soga Juro Sukenari Prepares to Take Revenge on Kudo Suketsune Publisher: Yamaguchiya Tobei Date: c. 1843-1846 Dimensions: (L) 24.5 x 35 (...

Original woodblock print by Tsukioka Yoshitoshi representing Saito Kuranosuke leading his horse to

Dimensions: 27.3 x 40.6 cm Condition: Minor creases. Black pigment in the bottom right corner. Printed and

soon take over Nobunaga's position as the most powerful man in Japan. Arguably, Hideyoshi achieved this

onnagata dressed as geisha by a riverside. The importance of design and imagery throughout Japanese culture

Artist: Yoshitoshi Tsukioka (1839-1892) Title: Taira no Tadamori and the Oil Priest Series: Yoshitoshi's Courageous Warriors Publisher: Kobayashi Tetsujiro Date: 1885 Dimensions: 24....

An original Japanese woodblock print, probably from the 1950s-1980s, the signatures are

Original woodblock print by Tsukioka Yoshitoshi representing princess Kaoyo taking off her kimono

throughout his final oeuvre, One Hundred Famous Views of Edo. Gently resting on the upper part of the print

left print. Black smudges on the right side of the right print. Minor red smudges on the matoi (poles

trimmed, red pigment running, wormholes restored. This print shows the monk Mongaku Shonin in repentance

textures. Just in front of her is a suzuri-bako, a Japanese writing box that often works of art in

Artist: Yoshitoshi Tsukioka (1839-1892) Title: Zhang Fei at Changban Bridge Series: Essays by Yoshitoshi Publisher: Dobashi Masadaya Date: 1872 Dimensions: 24.8 x 36.8 cm Condition...

. spring pictures]. In Japan, the late eighteenth century saw such imagery banned under new laws, forcing

legendary hero in Japan for his countless military exploits recounted in the Japanese epic ‘The Tale of

the last virtuoso in traditional Japanese painting”. Inspired by his teacher's great series of 1847

Artist: Hiroshige Ando (1797-1858) Title: 19. Ejiri: Tago Bay and Miho no Matsubara Series: The Fifty-Three Stations of the Tokaido Road Date: 1855 Publisher: Tsutaya Kichizo Conditi...

. This print shows the monk Mongaku Shonin in repentance beneath a waterfall. The scene is based on the

in Japanese scroll and screen painting, woodblock prints depicting tigers are but few within Koson's

Condition report: Trimmed. Smudge of a pigment on the cartouche and bottom of the print. Kintarō, often

relaxation of Japan's strict closed door policy. Various artists have explored the intermingling of

day Tokyo) was relatively new. Japan's history was arguably dominated by Kyoto, which was considered

cursiveness of Japanese ink painting. With her eyes fixedly locked before her, along with the uprightness of

antlers and a crescent moon ornament, his totem and amulet. The armour has been printed with a jet black

peachy coloured pigment of her lips and shadows. The incorporation of shading in the woodblock print

: (L) 23.7 x 35.7 (R) 23.8 x 35.7 cm Condition: Pinholes. Some red pigment on right print. Toyonobu

, minor stains, holes and pinholes. This print shows the battle between the Minamoto and Taira families

Artist: Chikanobu Yoshu (1838-1912) Title: June - Sannō Festival Series: Customs of Edo Throughout Twelve Months Publisher: Yokoyama Ryohachi Date: 1889 Dimensions: (L) 24.7 x 35.5 ...

Artist: Chikanobu Yoshu (1838-1912) Title: The Battle of Sekigahara Publisher: Yorozuya Magobei Date: 1881 Dimensions: (L) 24.5 x 35.5 (C) 24.1 x 35.2 (R) 24.7 x 35.6 cm Condition: W...

front of them. Shirasuka is located in Shizuoka Prefecture of modern Japan. During the Edo period, it

. This print shows Lin Chong, a fictional character from 'Suikoden' (Water Margin), a 14th century

attack. Their equal strength is reflective of the Tiger and Dragon symbology often depicted in Japanese

traditional Japanese painting”. Inspired by his teacher's great series of 1847, 'Stories of True Loyalty of

flowers, insects, waterfalls and dragons. In this print, three travelers are taken by surprise by a

. This print depicts the moment when Shuten-doji is about to drink the saké that will bring his downfall

itself, belies Goyo's eloquent amalgamation of Japanese and Western art forms. The silver mica background

Beauties Publisher: Watanabe Shozaburo Date: 1936 Dimensions: 28.5 x 43.7 cm Condition: Test print

strong flowing outlines of the draped robe hark back to the woodblock prints of Utamaro Kikugawa (1753

Western arts in Meiji period Japan (1868-1912), seemingly pushed woodblock print artists to explore more

Père Tanguy (1887). When Japanese woodblock prints began to circulate around Europe in the late

: 25.2 x 37.2 cm Condition: Stamp on back of print. Minor stain centre right. As night approaches, a

19th century mostly depict beautiful women (bijinga) or actor prints (yakusha-e). In this print, a

A framed woodcut print of a Japanese Lady originally by Utagawa Kunisada (Toyokuni III). one of the most famous Japanese Ukiyo-e artists, Utagawa Kunisada, also known as Utagawa Toy...

'Plissé White Edition' pleated textile table lamp by Folkform for Örsjö. This unique table lamp was awarded “Lighting of the Year 2022” by Residence Magazine Sweden, who called it “...

Neatly proportioned with exceptional detailing, the constant nightstand is your perfect bedside partner. In our furniture making, the IDEA is to create special pieces that you can bu...

England, third quarter of the 19th century On two scrolling foliate feet with casters, above which a rectangular two-side glazed frame, with on top a two-sided shield with initial...

Jim’s of Lambertville is proud to offer this artwork by: John Francis Murphy (1853 - 1921) John Francis Murphy is increasingly recognized today as one of the leading American Tona...

Woodcut shunga print attributed to Keisai Eisen and realized in the early 19th century. Good condition except for some signs of time.

An antique Japanese Edo period diptych woodblock print from the early to mid 19th century, signed by Utagawa Kuniyoshi. Immerse yourself in the Japanese Edo period artistry with this...

Kiyomi Barrier & Seiken Temple Near Okitsu - Japanese Woodcut Print on Rice Paper Woodblock print of boats in a harbor by Utagawa Hiroshige (Japanese, 1797-1858). Originally publish...

Set of 12 woodblock prints in colors on handmade, laid mulberry paper, 6 3/4 x 10 1/4 inches (170 x 258 mm), printed in Ka-ei 4 (1851). Each print with minor handling wear, otherwis...

This is Kutani 1950th Century. This plate was made with porcelain, style of kutaniyaki. It is a traditional craft of ceramics with overglaze painting and was born in the early Edo pe...

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called a Shunga and depicting a couple making...

Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century. Oban yokoe. Erotic scene from the series "Koshuko zue juni ko" (...

Elegant Amusements of Eastern Genji - Japanese Triptych Woodblock Print on Paper Dynamic woodblock print with several elegantly dressed figures by Utagawa Kunisada I (Toyokuni III) ...

Kikukawa Eizan (1787-1867) Dated 1810-1820. The text is about thing happening between lovers. Shunga Print Nicely framed Additional information: Material: Paper Region of Origin: Ja...

Utagawa Hiroshige (1797–1858) One Hundred Famous Views of Edo - Koume Embankment mounted on a cardboard Artist: Utagawa Hiroshige is recognized as a master of the ukiyo-e woodblock ...

A fine pair of antique Japanese Woodblock Prints attributed to Keisai Eisen (1790-1848), original and presented in gilded bamboo wood frames. About the attributed Artist: Keisai Ei...