Kofod Larsen Horseshoe

Furniture maker and architect Ib Kofod-Larsen was one of the greatest design minds to emerge from mid-century Denmark, and his impact was felt across the world, especially in the United States. Kofod-Larsen, who is known for his exemplary seating, tables and storage solutions, understood that the attention to detail, quality materials and functional design ethos of the Scandinavian modernism style he followed would become part of a major international movement.

Due to his foresight and innovation, Kofod-Larsen was one of the best-selling Danish designers in the U.S. in the 1950s, when mid-century modernism was at its most popular.

Originally trained as a cabinetmaker, Kofod-Larsen later studied at the Royal Danish Academy of Fine Arts and was most interested in designing practical yet graceful furniture, although he also dabbled in things like wallpaper and textiles. He favored natural grains and woods like teak and rosewood combined with leather, steel and fabric upholsteries to create inviting pieces. Working with manufacturers such as Faarup Møbelfabrik, Christensen & Larsen and Bovenkamp, he brought his sculptural aesthetic to the world.

Some of his seating designs have earned legendary status: The U-56 chair (1956) was renamed the Elizabeth because England’s Queen Elizabeth II is said to have picked up a pair during a 1958 trip to Denmark. With OPE Möbler, he created the Seal chair (1956) with a wooden frame shaped around leather upholstery. The sculptural Penguin chair (1953), produced by Selig and named for its curved back, became Denmark’s most frequently exported piece of furniture to the U.S. at the time. Its bentwood shell echoes the work of Kofod-Larsen’s modernist contemporaries Eero Saarinen and Charles and Ray Eames, while its options as a dining, lounging and rocking chair offer versatility for the home.

As mid-century modern furniture experiences a fresh wave of popularity in the U.S. — although, one could argue that it never really went away — Kofod-Larsen’s timeless pieces are among the most coveted vintage finds. Several of his designs continue to be produced, such as the Penguin chair, which has been manufactured by Brdr. Petersen since 2012.

Find vintage Ib Kofod-Larsen furniture today on 1stDibs.

While this specific seating is known to all for its comfort and familiar form, the history of how your favorite antique or vintage lounge chair came to be is slightly more ambiguous.

Although there are rare armchairs dating back as far as the 17th century, some believe that the origins of the first official “lounge chair” are tied to Hungarian modernist designer-architect Marcel Breuer. Sure, Breuer wasn’t exactly reinventing the wheel when he introduced the Wassily lounge chair in 1925, but his seat was indeed revolutionary for its integration of bent tubular steel.

Officially, a lounge chair is simply defined as a “comfortable armchair,” which allows for the shape and material of the furnishings to be extremely diverse. Whether or not chaise longues make the cut for this category is a matter of frequent debate.

The Eames lounge chair, on the other hand, has come to define somewhat of a universal perception of what a lounge chair can be. Introduced in 1956, the Eames lounger (and its partner in cozy, the ottoman) quickly became staples in television shows, prestigious office buildings and sumptuous living rooms. Venerable American mid-century modern designers Charles and Ray Eames intended for it to be the peak of luxury, which they knew meant taking furniture to the next level of style and comfort. Their chair inspired many modern interpretations of the lounge — as well as numerous copies.

On 1stDibs, find a broad range of unique lounge chairs that includes everything from antique Victorian-era seating to vintage mid-century modern lounge chairs by craftspersons such as Hans Wegner to contemporary choices from today’s innovative designers.