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Neil Young Jeep

Neil Young "Jeep, " Malibu, 1975
By Henry Diltz
Located in New York, NY
Limited Edition Signed, Titled, and Numbered by Henry Diltz Please allow extra production time.
Category

20th Century Contemporary Portrait Photography

Materials

Silver Gelatin

Neil Young "Jeep, " Malibu, 1975
By Henry Diltz
Located in New York, NY
Limited Edition Signed, Titled, and Numbered by Henry Diltz Please allow extra production time.
Category

20th Century Contemporary Portrait Photography

Materials

Silver Gelatin

Neil Young "Jeep, " Malibu, 1975
By Henry Diltz
Located in New York, NY
Limited Edition Signed, Titled, and Numbered by Henry Diltz Please allow extra production time.
Category

20th Century Contemporary Portrait Photography

Materials

Silver Gelatin

Recent Sales

Neil Young "Jeep"
By Henry Diltz
Located in New York, NY
16x20“ Limited Edition Signed, Titled, and Numbered by Henry Diltz Please allow extra production time.
Category

20th Century Contemporary Portrait Photography

Materials

Silver Gelatin

Neil Young's Jeep 1971
By Henry Diltz
Located in New York, NY
30x40 Limited Edition Signed, Titled, and Numbered by Henry Diltz
Category

Contemporary Color Photography

Materials

Archival Pigment

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Henry Diltz for sale on 1stDibs

Music photographer Henry Diltz shot more than 250 album covers and thousands of publicity shots in the ‘60s and ‘70s, including the iconic Morrison Hotel cover for The Doors. 

Known for his fly-on-the-wall-style portraits, Diltz has shot other musical legends including the Eagles, Joni Mitchell, Neil Young, Crosby Stills & Nash, Jackson Browne, America, Steppenwolf, James Taylor, Jimi Hendrix, The Monkees and David Cassidy. He was the official photographer at the Woodstock festival in August 1969, and Diltz’s work has also appeared in The New York Times, Los Angeles Times, LIFE, People, Rolling Stone, High Times and Billboard

A popular musician in the 1960s himself, Diltz’s career, taking some of the most iconic photographs of our era, just happened. After a globetrotting childhood, he attended colleges in Munich, West Point and Honolulu, where he became known as a musician and founding member of the Modern Folk Quartet. When Phil Spector produced one of the group’s last singles, this led to many friendships with emerging recording artists in the California rock communities of the ‘60s and ‘70s. 

Immersed in this world, Diltz discovered a passion for photography, which turned into an obsession and, later, an occupation. His gift did not go unnoticed by musician-friends, whom Diltz documented as he hung out in the scene. 

“I only wanted to remember exactly what I saw,” he says. “It was all about capturing images and moments, filling the frame with the essence of what I saw.” 

Diltz’s professional career began with the serendipitous sale of a single shot of Buffalo Springfield in 1966. Through a memorable six-year partnership with design legend Gary Burden, the list of album covers and artists he shot grew to read like a “Who’s Who” of rock ‘n’ roll history. Musicians liked him for the natural quality of his photos and because he was not part of the “establishment” press. His work graced magazines like Rolling Stone and included a LIFE cover of Paul and Linda McCartney in April 1971. 

Diltz’s photos are distinguished by a lyrical sense of composition that actor Harrison Ford once referred to as “Henry’s framing Jones.” There’s an intuitive, naturalistic luminosity that only available light — which he prefers — can deliver. Whether working with conventional film or digital images, he always finds the perfect balance of illumination, color and reportage. 

Diltz and his images are such fixtures in rock culture that he is often interviewed for books, articles and documentaries about the era and speaks regularly on college campuses. He continues to document the music scene from his base in Southern California today. 

“I am amazed at the accumulation of images that has resulted, simply by doing what I love to do, day after day after day,” says Diltz. “It’s a result of being with countless people over the years, waiting at the sidelines for the moment to happen. Photography has been my passport, and I have arrived in the present, where I have always been, camera in hand. There! That says it best for me!”

Find original Henry Diltz photography on 1stDibs.

(Biography provided by Rosenbaum Contemporary)

A Close Look at contemporary Art

Used to refer to a time rather than an aesthetic, Contemporary art generally describes pieces created after 1970 or being made by living artists anywhere in the world. This immediacy means it encompasses art responding to the present moment through diverse subjects, media and themes. Contemporary painting, sculpture, photography, performance, digital art, video and more frequently includes work that is attempting to reshape current ideas about what art can be, from Felix Gonzalez-Torres’s use of candy to memorialize a lover he lost to AIDS-related complications to Jenny Holzer’s ongoing “Truisms,” a Conceptual series that sees provocative messages printed on billboards, T-shirts, benches and other public places that exist outside of formal exhibitions and the conventional “white cube” of galleries.

Contemporary art has been pushing the boundaries of creative expression for years. Its disruption of the traditional concepts of art are often aiming to engage viewers in complex questions about identity, society and culture. In the latter part of the 20th century, contemporary movements included Land art, in which artists like Robert Smithson and Michael Heizer create large-scale, site-specific sculptures, installations and other works in soil and bodies of water; Sound art, with artists such as Christian Marclay and Susan Philipsz centering art on sonic experiences; and New Media art, in which mass media and digital culture inform the work of artists such as Nam June Paik and Rafaël Rozendaal.

The first decades of the 21st century have seen the growth of Contemporary African art, the revival of figurative painting, the emergence of street art and the rise of NFTs, unique digital artworks that are powered by blockchain technology.

Major Contemporary artists practicing now include Ai Weiwei, Cecily Brown, David Hockney, Yayoi Kusama, Jeff Koons, Takashi Murakami and Kara Walker.

Find a collection of Contemporary prints, photography, paintings, sculptures and other art on 1stDibs.

Finding the Right black-white-photography for You

There’s a lot to love about black and white photography.

The unique and timeless quality of a black and white photograph accentuates any room. Some might argue that we’re naturally drawn to color photography because it’s the world we know best. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. Composition and textures are crisp and engaging. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints.

When decorating with fine photography, keep in mind that some color photographs may not be suitable for every space. However, you can be more daring with black and white photos. The gray tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.

Black and white photography adapts to its surroundings like a chameleon might. A single large-scale black and white photograph above the sofa in your living room is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography — a hallmark of minimalist decor — is a particularly natural choice for such a setting.

Another advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing color scheme. Black and white photographs actually harmonize well with accent colors such as yellow, red and green. Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.

Black and white photography also complements a variety of other art. Black and white photos pair well with drawings and etchings in monochromatic hues. They can also form part of specific color schemes. For example, you can place black and white prints in colored picture frames for a pop of color. And while there are no hard and fast rules, it’s best to keep black and white prints separate from color photographs. Color prints stand out in a room more than black and white prints do. Pairing them may detract attention from your black and white photography. Instead, dedicate separate walls or spaces to each.

Once you’ve selected the photography that best fits your space, you’ll need to decide how to hang the images. If you want to hang multiple photos, it’s essential to know how to arrange wall art. A proper arrangement can significantly enhance a living space.

On 1stDibs, explore a vast collection of compelling black and white photography by artists such as Mark Shaw, Jack Mitchell (a photographer you should know), Berenice Abbott and David Yarrow.