Pesce Gaetano Glass
1990s Italian Modern Wine Coolers
Resin
21st Century and Contemporary Italian Modern Chandeliers and Pendants
Crystal
Early 2000s Italian Post-Modern Contemporary Art
Glass, Wood, Paper
Early 2000s Italian Post-Modern Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
1990s Italian Post-Modern Vases
Blown Glass
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
21st Century and Contemporary Italian Tableware
Resin
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Pesce Gaetano Glass For Sale on 1stDibs
How Much is a Pesce Gaetano Glass?
Gaetano Pesce for sale on 1stDibs
Gaetano Pesce was of a generation of Italian architects who in the early 1960s rebelled against the industrial perfection of modernism by conceiving new furniture and objects that were at once expressive and eccentric in form; or you might say they were more like art than functionalist design.
Born in the picturesque coastal Italian city of La Spezia in 1939, Pesce was a precocious talent who could have forged a career as an artist but opted instead to go to Venice to study architecture because, as he has said, it was “the most complex of all the arts.” Rather than having new worlds opened to him at design school, however, Pesce found the rationalist curriculum oppressive in its insistence on standardization and prescribed materials and technologies.
Pesce wanted to explore the latest of both materials and technologies to create objects and buildings never before imagined, with what he called “personalities” that spoke to the issues of the day. He was keen to examine ways to diversify mass production so that each manufactured work could be distinct.
In 1964, Pesce met Cesare Cassina, of the forward-looking furniture company C&B Italia in Milan (now known as B&B Italia), for whom he would create many important designs, beginning with a collection of what he called “transformational furniture” — two chairs and a loveseat — made entirely out of high-density polyurethane foam. To make the pieces easy to ship and cost-efficient, he proposed that after being covered in a stretch jersey, they be put in a vacuum, then heat-sealed flat between vinyl sheets. Once the foam was removed from its packaging, the piece returned to its original shape — hence, the name Up for the series, which debuted in 1969.
In addition to these pieces, Pesce proposed for the collection something he referred to as an “anti-armchair,” which took the shape of a reclining fertility goddess, the iconic Donna.
Producing the piece's complex form turned out to be a technical challenge. Bayer, the foam’s manufacturer, deemed it impossible to accomplish. Pesce persisted and came up with a new procedure, demonstrating not only the designer’s key role in researching the nature and potential of new materials but also his vital importance in “doubting rules.” The Up chair and accompanying ottoman were born, and they were revolutionary in more ways than one.
In the early 1970s, Pesce began exploring one of his key concepts, the idea of the industrial originals. Employing a mold without air holes, and adding a blood-red dye to the polyurethane, he cast a bookcase that resembled a demolished wall, the rough edges of the shelves and posts resulting from fissures in the material made by trapped air.
Through his research into polyurethane, Pesce figured out a way to make a loveseat and armchair using only a simple wood frame and strong canvas covering as a mold. Since the fabric developed random folds during the injection process, the pieces were similar but not identical. Cassina named the suite of furnishings Sit Down and introduced it in 1975. By experimenting with felt soaked in polyurethane and resin, Pesce conceived I Feltri, another collection of armchairs introduced by Cassina in 1987.
Pesce went on to live a life that defied expectation and convention and along the way became one of the most seminal figures in art and design.
Find vintage Gaetano Pesce chairs, sofas, vases and more on 1stDibs.
Finding the Right dining-entertaining for You
Your dining room table is a place where stories are shared and personalities shine — why not treat yourself and your guests to the finest antique and vintage glass, silver, ceramics and serveware for your meals?
Just like the people who sit around your table, your serveware has its own stories and will help you create new memories with your friends and loved ones. From ceramic pottery to glass vases, set your table with serving pieces that add even more personality, color and texture to your dining experience.
Invite serveware from around the world to join your table settings. For special occasions, dress up your plates with a striking Imari charger from 19th-century Japan or incorporate Richard Ginori’s Italian porcelain plates into your dining experience. Celebrate the English ritual of afternoon tea with a Japanese tea set and an antique Victorian kettle. No matter how big or small your dining area is, there is room for the stories of many cultures and varied histories, and there are plenty of ways to add pizzazz to your meals.
Add different textures and colors to your table with dinner plates and pitchers of ceramic and silver or a porcelain lidded tureen, a serving dish with side handles that is often used for soups. Although porcelain and ceramic are both made in a kiln, porcelain is made with more refined clay and is more durable than ceramic because it is denser. The latter is ideal for statement pieces — your tall mid-century modern ceramic vase is a guaranteed conversation starter. And while your earthenware or stoneware is maybe better suited to everyday lunches as opposed to the fine bone china you’ve reserved for a holiday meal, handcrafted studio pottery coffee mugs can still be a rich expression of your personal style.
“My motto is ‘Have fun with it,’” says author and celebrated hostess Stephanie Booth Shafran. “It’s yin and yang, high and low, Crate & Barrel with Christofle silver. I like to mix it up — sometimes in the dining room, sometimes on the kitchen banquette, sometimes in the loggia. It transports your guests and makes them feel more comfortable and relaxed.”
Introduce elegance at supper with silver, such as a platter from celebrated Massachusetts silversmith manufacturer Reed and Barton or a regal copper-finish flatware set designed by International Silver Company, another New England company that was incorporated in Meriden, Connecticut, in 1898. By then, Meriden had already earned the nickname “Silver City” for its position as a major hub of silver manufacturing.
At the bar, try a vintage wine cooler to keep bottles cool before serving or an Art Deco decanter and whiskey set for after-dinner drinks — there are many possibilities and no wrong answers for tableware, barware and serveware. Explore an expansive collection of antique and vintage glass, ceramics, silver and serveware today on 1stDibs.