Pink Wedgwood Jasperware

Arguably the most celebrated of all English ceramics makers, Wedgwood was founded in 1759 by potter Josiah Wedgwood (1730–95) in Staffordshire, which was home at one time to hundreds of pottery workshops. The company is famed for its Jasperware — molded neoclassical stoneware vases, plates and other pieces inspired by ancient cameo glass, featuring white figures, scenes and decorative elements set in relief on a matte-colored background. The best-known background hue is light blue, but Wedgwood’s iconic silhouettes also appear on green, lilac, yellow, black and even white grounds. Some antique Wedgwood dinnerware pieces and other items feature three or more colors.

The Wedgwood firm first came to prominence for its tableware, which quickly gained favor in aristocratic households throughout Britain and Europe. In 1765, Wedgwood was commissioned to create a cream-colored earthenware service for Queen Charlotte, consort of King George III. The queen was so thrilled with her new china that Wedgwood was given permission to call himself “Potter to Her Majesty,” and the decorative style became known as Queen’s Ware. 

Not to be outdone, Catherine the Great of Russia commissioned her own set of Wedgwood china in 1773. Nearly 200 years later, the firm created a 1,200-piece service for the coronation of Queen Elizabeth II. In recent years, leading designers including Jasper Conran and Vera Wang have collaborated with Wedgwood — in the tradition of such distinguished 18th-century artists such as the painter George Stubbs and metalsmith Matthew Boulton.

From plates and other dinnerware to decorative items like urns, cachepots and candlesticks, Wedgwood designs lend a traditional air to Anglophile interiors. And even if you have to make your own tea, you may find it comforting to sip it from a delicate cup that was manufactured in the same Stoke-on-Trent kiln that produced Her Majesty’s tea service. Be sure to keep your pinky raised.

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Neoclassical design emerged in Europe in the 1750s, as the Age of Enlightenment reached full flower. Neoclassical furniture took its cues from the styles of ancient Rome and Athens: symmetrical, ordered, dignified forms with such details as tapered and fluted chair and table legs, backrest finials and scrolled arms.

Over a period of some 20 years, first in France and later in Britain, neoclassical design — also known as Louis XVI, or Louis Seize — would supersede the lithe and curvaceous Rococo or Louis XV style.

The first half of the 18th century had seen a rebirth of interest in classical antiquity. The "Grand Tour" of Europe, codified as a part of the proper education of a patrician gentleman, included an extended visit to Rome. Some ventured further, to sketch the ruins of ancient Greece. These drawings and others — particularly those derived from the surprising and rich archaeological discoveries in the 1730s and ’40s at the sites of the Roman cities of Pompeii and Herculaneum — caused great excitement among intellectuals and aesthetes alike.

Neoclassical furniture is meant to reflect both grace and power. The overall appearance of neoclassical chairs, tables and cabinetry is strong and rectilinear. These pieces are, in effect, classical architecture in miniature: chair and table legs are shaped like columns; cabinets are constructed with elements that mirror friezes and pediments.

Yet neoclassicism is enlivened by gilt and silver leaf, marquetry, and carved and applied ornamental motifs based on Greek and Roman sculpture: acanthus leaves, garlands, laurel wreaths, sheaves of arrow, medallions and chair splats are carved in the shapes of lyres and urns. Ormolu — or elaborate bronze gilding — was essential to French design in the 18th and 19th centuries as a cornerstone of the neoclassical and Empire styles.

As you can see from the furniture on these pages, there is a bit of whimsy in such stately pieces — a touch of lightness that will always keep neoclassicism fresh.

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Antique, new and vintage decorative art is crucial to personalizing your interior.

Bringing art into your home will help you create a warm and welcoming atmosphere, whether you are expecting to regularly host guests for cocktails in your living room or you are inclined to soak up some “me time” on weekends by curling up with a book in your library. After all, a room isn’t quite complete until you hang some art on the walls.

Choosing a piece of art for your interior is a matter of finding something that resonates with you. You should also consider what will work with your current decor. Keep in mind that a wide range of objects counts as decorative art — antique and vintage prints, paintings, wall-mounted sculptures and more. There is so much to choose from! And art can feel as deeply personal with the vintage posters that promoted your favorite classic films as it can with framed photographs of your loved ones.

Decorative art can set the mood for a room and will typically make for great conversation. When you find wall decor and decorations that speak to you, why not introduce them into your space? It will give you and your guests the opportunity to meaningfully engage with the art every time you see it. You can play with different styles, eras and colors. Mix and match pieces to integrate a refreshing pop of color or create a theme by dedicating a room to a color palette or certain time period. A great way to tie your layout together is to choose wall art that complements your decor and color scheme.

Folk art is an interesting category for its wide range of works across various media and the array of textures it can offer. Paper art is another versatile option because it will be easy to find a home for portraits, collages, drawings and other works in your space. With decorative paper art, you can also get creative with how you arrange your wall art. There are plenty of options that include hanging the works salon-style.

On 1stDibs, find a constantly growing collection of antique and vintage decorative art today.