Valentino Suede And Lace Slip Dress

The mononymously known Italian designer Valentino Clemente Ludovico Garavani (b. 1932) is renowned for his fashion house of romantic styles and feminine shapes that he founded in Rome in 1960. Valentino dresses, skirts and other apparel captured the hearts of many of Italy’s wealthiest ladies in the couturier’s early days and led to commissions from Babe Paley, Gloria Guinness, Jayne Wrightsman and others on the international best-dressed list (when it still meant something). They sought out Valentino for gorgeous gowns, jackets, elegant daytime wear and even when they needed wedding dresses.

An early fascination with fashion developed when Valentino attended the theater as a child and was dazzled by the evening gowns on stage. While a teenager in Voghera, Lombardy, he studied under Italian designer Ernestina Salvadeo and soon moved to Paris, where he trained at the École des Beaux-Arts and the Chambre Syndicale de la Couture Parisienne. Valentino spent time apprenticing under haute couturiers Jean Dessès and Guy Laroche, learning how to design and construct high fashion while also thinking about how to strike out on his own.

In 1959, Valentino returned to Italy, and a year later, he opened his own salon, soon joining with longtime professional and personal partner Giancarlo Giammetti. It was located on Rome’s trendy Via Condotti and modeled after the French maisons. One of his earliest clients was Elizabeth Taylor, who discovered Valentino while she was in Rome filming Cleopatra and ordered the white dress that she wore to the premiere of Spartacus.

When the designer launched his first couture line in 1962 with its fiery red colors, it was internationally celebrated, with Valentino soon attiring fashion trendsetters including Princess Margaret and Audrey Hepburn. He formed an especially close friendship with Jacqueline Kennedy Onassis, for whom he designed numerous dresses. Luxurious drapery with fine needlework, bold uses of color and dramatic flourishes would define Valentino fashion across the decades.

As a fashion house, Valentino is best known for its signature Valentino Red color, though one of its iconic lines is the monochromatic “no colour” collection for which the designer won the Neiman Marcus Award in 1967. (The collection also debuted his trademark “V.”) The white dresses and beige dresses led to a demand for Valentino wedding gowns, with clients including Elizabeth Taylor, Jennifer Lopez and Anne Hathaway.

Valentino retired from his fashion empire in 2007, with Alessandra Facchinetti and then the duo Maria Grazia Chiuri (who departed in 2016) and Pierpaolo Piccioli succeeding him as creative directors. But Valentino still steps out of retirement for special occasions, such as designing a wedding gown for Princess Madeleine of Sweden in 2013.

Today, the brand offers a range of collections that include the Valentino Garavani line and REDValentino, a diffusion line that is aimed at a younger audience. The house has expanded far beyond women’s haute couture and prêt-à-porter to encompass various lines of accessories, including shoes, sunglasses, scarves and perfume. 

Find vintage Valentino evening dresses, handbags and other items on 1stDibs now.

For fashion lovers, the 1990s have become associated with styles adopted by today’s supermodels and influencers, who never wear the same thing twice. And because fast fashion didn’t yet exist, the design associated with 1990s fashion — vintage '90s handbags, clothing and accessories — has a quality appreciated by the millennial generation: authenticity.

If there was one concept unifying fashion in the 1990s, it was the lean silhouette. “Fashion is a game of proportion,” Alexander Fury wrote in the New York Times in 2016. “Narrow-shouldered and narrow-hipped, the ’90s were skinny.”

If it takes a practiced eye to identify that single concept, that’s because in truth, ’90s fashion was many things to many people. After the 1980s era of strong-shouldered working women, glossy aerobicized bodies and Madonna, fashion branched out.

The industry gained momentum from big-money relaunches of the great Paris houses Dior, Givenchy and Balenciaga, rescued at long last from the constraints of licensing. Japan and Belgium gave fashion new avant-garde ideas to play with. From America came denim, minimalism, '90s grunge fashion and hip-hop. From Italy came sex appeal. And Prada.

For the colorful corsets of her 1990 Portrait collection, audacious British designer Dame Vivienne Westwood drew on 18th-century oil paintings — her models donned the pearl choker necklaces that have become a social media star and a favorite of influencers and fashion lovers all over the world. For a jacket-and-shorts suit from her Fall/Winter 1996–97 Storm in a Teacup line, the designer used the extreme asymmetry of a tartan mash-up to confront, according to Westwood, “the horror of uniformity and minimalism.”

“The ethos of the time was, you could have style, you could be into all kinds of cool stuff. It wasn’t about money, it wasn’t about status,” says Katy Rodriguez, cofounder of Resurrection. In contrast, “our last 10 years have seen the domination of nonstop luxury, money and status.”

Vintage 1990s Chanel bags, for example, are among the most prized of the brand’s offerings — at Newfound Luxury, proprietor L. Kiyana Macon has "clients who only buy ’90s Chanel because they recognize that it is the best quality.” 

Things were different in the ’90s, and the difference is reflected in the clothes. Pull up any recent “How to Do the 1990s” fashion article (or look at photos of current supermodels Gigi, Kendall and Bella), and you’ll see iconic '90s outfits — knee socks, cardigans, fanny packs, fishnet stockings, slip dresses, flannel shirts and combat boots.

Rodriguez has recently noticed something similar happening. Before COVID, customers searched 1990s stock “for very sexy Galliano, Dior, Cavalli — that kind of thing,” she explains, noting that just a few months ago, “people were posting [on social media] the poshest things they could.” Now, in the age of shutdown, “that would just look out of touch.”

Instead, people are looking for “things that are cool but also easy and comfortable, not necessarily super-luxe,” Rodriguez continues. They’re “heading back to the more avant-garde, anti-fashion designers, like Helmut Lang, [Martin] Margiela and [Ann] Demeulemeester.”

Late designer Franco Moschino shocked and titillated the ’80s fashion elite with his whimsical, irreverent parodies of bourgeois finery. Whether emblazoning a sober blazer with smiley faces or embellishing a skirt suit with cutlery, Moschino rendered high style with a hearty wink. He famously said, “If you can’t be elegant, at least be extravagant” — words that, with all due respect to Susan Sontag, epitomize the essence of camp.

Vintage Moschino pants, jackets and other '90s Moschino garments remain so bold and fresh today that even the house's former creative director, Jeremy Scott, drew on the brand's past and the pop culture of the decade for his debut collection in 2014.

Find vintage 90s dresses, skirts, sweaters and other clothing and accessories on 1stDibs — shop Thierry Mugler, Miuccia Prada, Jean Paul Gaultier and more today.

Luxurious and versatile, designer day dresses are as well suited to tea at an upscale hotel as they are to your next garden or rooftop party.

Today’s featherlight unisex day dresses — as well as the vibrant vintage day dresses of the 1950s and ’60s — look quite different from the heavy, fabric-rich de rigueur garments of the Victorian era. In the late 19th century, a woman of a certain standing might have multiple dresses to wear throughout the day: specifically, one or two for the daytime and one for the evening. For example, a long-sleeve silk dress with a prominently flared back and a round collar of gold beaded lace that hugs the neck would be suitable for stepping out during the day, while a velvet gown trimmed in silk embroidery but overall comparatively informal in appearance would be worn for afternoon tea at home. At night, a silk velvet evening dress could feature natural world motifs such as butterflies (a characteristic of Art Nouveau design) and have short sleeves adorned with lace and ruffles and a scooped neckline — the perfect attire for the theater.

During the 1920s, after all the chores were done, a woman would change from her housework clothing into a more fashionable day dress to run her errands or socialize. Some 1920s day dresses were brightly colored and featured bold patterns — a cotton dress with a dazzling floral print, perhaps, or, in the case of the more venturesome Art Deco apparel sold in high-end couture fashion boutiques of the era, semi-sheer silk garments embellished with three-dimensional beadwork or rich metallic gold lamé.

Today, a closet full of casual vintage day dresses is a must-have. Whether you opt for black, crimson or beige, day dresses bring an element of glamour to your next appointment, and in the summer, who doesn’t love a wonderfully simple, lightweight day dress cut in cotton and linen?

Because different fashion designers of every decade have offered their own take on the widely loved day dress, you’ll be able to find a variety of vintage and designer day dresses on 1stDibs. Search by creator to find enduring designs by the likes of Emilio Pucci, Pierre Cardin, Yves Saint Laurent and Christian Dior, or browse by period to uncover a scintillating collection of cotton and satin patterned dresses of the 1950s and ’60s.