Verner Panton Dondolo

Verner Panton introduced the word “groovy” — or at least its Danish equivalent — into the Scandinavian modern design lexicon. He developed fantastical, futuristic forms and embraced bright colors and new materials such as plastic, fabric-covered polyurethane foam and steel-wire framing for the creation of his chairs, sofas, floor lamps and other furnishings. And Panton’s ebullient Pop art sensibility made him an international design star of the 1960s and ’70s. This radical departure from classic Danish modernism, however, actually stemmed from his training under the greats of that design style.

Born on the largely rural Danish island of Funen, Panton studied architecture and engineering at Copenhagen’s Royal Danish Academy of Fine Arts, where the lighting designer Poul Henningsen was one of his teachers. After graduating, in 1951, Panton worked in the architectural office of Arne Jacobsen, and he became a close friend of Hans Wegner's.

Henningsen taught a scientific approach to design; Jacobsen was forever researching new materials; and Wegner, the leader in modern furniture design using traditional woodworking and joinery, encouraged experimental form.

Panton opened his own design office in 1955, issuing tubular steel chairs with woven seating. His iconoclastic aesthetic was announced with his 1958 Cone chair, modified a year later as the Heart Cone chair. Made of upholstered sheet metal and with a conical base in place of legs, the design shocked visitors to a furniture trade show in Copenhagen. 

Panton went on to successive bravura technical feats. His curving, stackable Panton chair, his most popular design, was the first chair to be made from a single piece of molded plastic.

Panton had been experimenting with ideas for chairs made of a single material since the late 1950s. He debuted his plastic seat for the public in the design magazine Mobilia in 1967 and then at the 1968 Cologne Furniture Fair. The designer’s S-Chair models 275 and 276, manufactured during the mid-1960s by August Sommer and distributed by the bentwood specialists at Gebrüder Thonet, were the first legless chairs crafted from a single piece of plywood.

Panton would spend the latter half of the 1960s and early ’70s developing all-encompassing room environments composed of sinuous and fluid-formed modular seating made of foam and metal wire. He also created a series of remarkable lighting designs, most notably his Fun chandeliers — introduced in 1964 and composed of scores of shimmering capiz-shell disks — and the Space Age VP Globe pendant light of 1969.

Panton’s designs are made to stand out and put an eye-catching exclamation point on even the most modern decor.

Find vintage Verner Panton chairs, magazine racks, rugs, table lamps and other furniture on 1stDibs.

The phrase “rocking chair” didn’t find its way into the dictionary until the mid-18th century. While most of the sitting furniture that we use in our homes originated in either England or France, the iconic rocking chair is a quintessentially American piece of furniture.

A Philadelphia cabinetmaker’s bill for a proto-rocking chair issued in 1742, which identified the seat as a “Nurse Chair with rockers,” is the earliest surviving evidence of this design’s humble beginnings. The nurse chair was a low side chair intended for nursing women, so giving it a soothing rocking motion made sense. Rocking chairs, which saw a curved slat affixed to the chairs’ feet so that they could be literally rocked, quickly gained popularity across the United States, garnering a reputation as a seat that everyone could love. They offered casual comfort without the expensive fabrics and upholstery that put armchairs out of many families’ budgets.

Rocking chairs are unique in that they don’t just offer a place to rest — they offer an opportunity to reminisce. The presence of one of these classic pieces stirs up our penchant for nostalgia and has the power to transform a space. They easily introduce a simple country feel to the city or bring the peaceful rhythm of a porch swing into a sheltered sunroom. Although craftsmen took to painting and stenciling varieties of the chairs that emerged in New England during the 19th century, the most traditional rocking chairs are generally unadorned seats constructed with time-tested materials like wood and metal. As such, a minimalist vintage rocking chair can be ushered into any corner of your home without significantly disrupting your existing decor scheme or the room’s color palette.

In the decades since the first rocker, top designers have made the piece their own. Viennese chair maker Michael Thonet produced a series of rockers in the middle of the 19th century in which the different curved steam-bent wood parts were integrated into fluid, sinuous wholes. Mid-century modernists Charles and Ray Eames added wooden rockers to their famous plastic shell armchair, while Danish designer Frank Reenskaug opted for teak and polished beech, introducing pops of color with small cushions (a precursor to the bold works that would follow in the 1970s and 1980s).

No matter your personal style, let 1stDibs pair you with your perfect seat. Deck out your porch, patio or parlor — browse the vintage, new and antique rocking chairs in our vast collection today.