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Emma Fordyce MacRae Art

American, 1887-1974
Philadelphia Ten Woman Artist, Emma Fordyce Macrae grew up in New York City where she attended the Art Students League (1911-13) and (1915-18). She had studios in New York City and Gloucester, Massachusetts where she summered. In 1937 she began exhibiting with the Philadelphia Ten Women Painters. She was also the only Philadelphia Ten member to attain full membership in the National Academy of Design in New York. She rarely sold her work due to her wealth and in 1983 Richard York Gallery held an exhibit of 30 of her works. Her paintings combine floral arrangements with a patterned, often figural, background in a fresco style that she developed after visiting the Roman wall paintings at Pompeii and Herculaneum. She never varnished her work as to maintain the frescoed appearance.
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Artist: Emma Fordyce MacRae
Yellow Roses in Hopi Pot, American 20th Century Female Artist
By Emma Fordyce MacRae
Located in London, GB
Oil on board Image size: 15 3/4 x 11 1/2 inches (40 x 29 cm) Framed Provenance By descent from the estate of the artist Emma Fordyce MacRae Emma Fordyce MacRae was an American representational painter. She was a member of the Philadelphia Ten, a group of women artists who worked and exhibited together. Her work — including still lifes and paintings of women — shows the influence of Asian flower paintings and of Seurat. MacRae grew up in New York City, where she attended Miss Chapin's School and the Brearley School. She enrolled at the Art Students League in 1911, studying first with Frank DuMond and Kenneth Hayes Miller, and beginning in 1915, with Luis Mora, Ernest Blumenschein, and John French Sloan. She also attended one of Robert Reid's summer courses. MacRae's painting, "Green Jade," was shown at the Anderson Galleries in 1928, at an exhibit of artist members of the American Woman's Association. Many exhibitions and gallery showings followed. In 1937, MacRae's painting "A Persian Girl," was listed as deserving of special mention by The New York Times critic Edward Alden Jewell. In the 1940s, MacRae was chairman of the awards jury of the National Association of Women Artists. Galleries rediscovered MacRae's art in the 1980s; the Richard York Gallery in New York exhibited thirty of her paintings in December 1983. In 1987, her painting of a Venetian cafe was part of "American Women Artists, 1830-1930," an exhibition displayed at the National Museum of Women in the Arts in Washington, D.C. and in four other museums. MacRae had studios in New York City and in Gloucester, Massachusetts. Where MacRae painted her New England landscapes form the Cape Ann Landscapes...
Category

20th Century American Modern Emma Fordyce MacRae Art

Materials

Oil, Board

White Roses and Red Berries, Signed 20th Century American Female Artist
By Emma Fordyce MacRae
Located in London, GB
Oil on board, signed top left Image size: 15 3/4 x 11 1/2 inches (40 x 29 cm) Bespoke gilt cased frame Provenance By descent from the estate of the artist Emma Fordyce MacRae Emma Fordyce MacRae was an American representational painter. She was a member of the Philadelphia Ten, a group of women artists who worked and exhibited together. Her work — including still lifes and paintings of women — shows the influence of Asian flower paintings and of Seurat. MacRae grew up in New York City, where she attended Miss Chapin's School and the Brearley School. She enrolled at the Art Students League in 1911, studying first with Frank DuMond and Kenneth Hayes Miller, and beginning in 1915, with Luis Mora, Ernest Blumenschein, and John French Sloan. She also attended one of Robert Reid's summer courses. MacRae's painting, "Green Jade," was shown at the Anderson Galleries in 1928, at an exhibit of artist members of the American Woman's Association. Many exhibitions and gallery showings followed. In 1937, MacRae's painting "A Persian Girl," was listed as deserving of special mention by The New York Times critic Edward Alden Jewell. In the 1940s, MacRae was chairman of the awards jury of the National Association of Women Artists. Galleries rediscovered MacRae's art in the 1980s; the Richard York Gallery in New York exhibited thirty of her paintings in December 1983. In 1987, her painting of a Venetian cafe was part of "American Women Artists, 1830-1930," an exhibition displayed at the National Museum of Women in the Arts in Washington, D.C. and in four other museums. MacRae had studios in New York City and in Gloucester, Massachusetts. Where MacRae painted her New England landscapes form the Cape Ann Landscapes...
Category

20th Century American Modern Emma Fordyce MacRae Art

Materials

Oil, Board

“The White Boat", Gloucester, Massachusetts, dock scene by Emma Fordyce MacRae
By Emma Fordyce MacRae
Located in Rockport, MA
"The White Boat" is a wonderful large-scale example of MacRae's mature style. Her work has soared in value lately - this Gloucester scene is prime example of her Cape Ann work. 22...
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Mid-20th Century Emma Fordyce MacRae Art

Materials

Oil

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Emma Fordyce Macrae art for sale on 1stDibs.

Find a wide variety of authentic Emma Fordyce MacRae art available for sale on 1stDibs. You can also browse by medium to find art by Emma Fordyce MacRae in oil paint, paint and more. Not every interior allows for large Emma Fordyce MacRae art, so small editions measuring 30 inches across are available. Customers who are interested in this artist might also find the work of Robert Richter, Barbara Rachko, and Johnny Banks. Emma Fordyce MacRae art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $24,000 and tops out at $24,000, while the average work can sell for $24,000.

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