Joan Miró Prints and Multiples

Joan Miro, Spanish (1893 - 1983) - Anti Platon (D 312), Year: 1962, Medium: Etching on Rives, Edition: 125, Image Size: 5 x 3.5 inches, Size: 12 x 9 in. (30.48 x 22.86 cm), Printer:...

Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 150 Portfolio: DLM 151-152 Publisher: Maeght Ed...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Les Essencies de la Terra Exhibition (M. 625) Year: 1969 Medium: Lithograph on Gua...

Artist: Joan Miro Medium: Original lithograph Title: Miro Lithographe III, Plate IV Portfolio: Miro Lithographe III Year: 1977 Edition: Unnumbered Framed Size: 19 5/8" x 16 3/4" Imag...

Joan Miró La Mélodie Acide - 5 Color lithograph Year: 1980 Edition: 1500 Signed in the stone - lower right Numbered in pencil - lower left Size: 8.2 × 6.6 on 12.9 × 9.9 inches Catalo...

Joan MIRO Le Marteau sans Maitre XX, 1976 Original etching and aquatint From a limited edition of 175 copies (+ 25 Hors Commerce) On Arches vellum With the editor watermark "Au vent...

This exquisite lithograph by Joan Miro (1893–1983), titled La Melodie acide (The Acid Melody), from the folio 14 original lithographs by Joan Miro "La Melodie acide" (The Acid Melody...

This exquisite lithograph by Joan Miro (1893–1983), titled Empreinte de main sur fond bleu-vert (Handprint on Blue-Green Background), from the folio Derriere le miroir, No. 87–89, or...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme et Oiseau VIII/X (Woman and Bird VIII/X), from the folio Joan Miro, Femmes (Women), originates from the 1965 editio...

This exquisite lithograph by Joan Miro (1893–1983), titled Figure noire sur fond bleu (Black Figure on Blue Background), from the folio Derriere le miroir, No. 87–89, originates from...

Artist: Joan Miro Title: Astres et Danseurs Portfolio: Derriere le Miroir: 10 Ans d'Edition Medium: Etching with aquatint printed in colors Date: 1956 Edition: Unnumbered Frame Size:...

Joan Miró "Le Permissionnaire", 1974 Original etching and aquatint From the edition of 50 on arches paper, hand signed and numbered 3/50. Image measures: 45 x 29 inches Sheet measure...

Joan Miró Litografia Original VIII (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau,...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph IV, from the album Joan Miro Lithographs, Volume III 1964–1969, originates from the 1977 edition published by Ma...

This exquisite lithograph by Joan Miro (1893–1983), titled Figure noire sur fond bleu et Composition avec formules chimiques (Black Figure on Blue Background and Composition with Che...

This exquisite lithograph by Joan Miro (1893–1983), titled Empreintes de mains sur fond bleu-vert et jaune (Handprints on Blue-Green and Yellow Background), from the folio Derriere l...

Joan Miró La Mélodie Acide - 7 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9 ...

Cahiers d'Art is a splendid abstract artwork realized by Joan Miró in the 1960. Color lithograph. Not signed and not numbered. Good conditions except for some light foxings and so...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VI, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, N...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph XI, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, N...

Or De L'Azur By Joan Miro 1990 Signed: No Medium: Offset Lithograph Paper Size: 28.75 x 18.5 inches ( 73 x 47 cm ) Image Size: 22 x 18.5 inches ( 56 x 47 cm ) Edition Size: Un...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Joan Miro (1893–1983), titled Composition avec formules chimiques (Composition with Chemical Formulas), from the folio Derriere le miroir, No. 87–89, originates from the 1956 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. Composition avec formules chimiques showcases Miro’s unique blend of poetic abstraction and playful symbolism, merging scientific notations with his characteristic visual language of organic forms and vivid color harmonies. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Joan Miro (1893–1983) Title: Composition avec formules chimiques (Composition with Chemical Formulas), from the folio Derriere le miroir, No. 87–89 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 34. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 87–89, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1956 Notes: Excerpted from the folio (translated from French), Miroir Miro and Oasis Miro are extracted from the album by Jacques Prevert and Georges Ribemont-Dessaignes devoted to Miro. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for £23,561,250 (approximately $37 million) at Sotheby's, London, on June 19, 2012. Joan Miro Composition...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph V, from the album Joan Miro Lithographs, Volume III 1964–1969, originates from the 1977 edition published by Mae...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph I, from the album Joan Miro Lithographs, Volume IV 1969–1972, originates from the 1981 edition published by Maeg...

Lithograph on vélin paper. Paper Size: 12.5 x 20 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, ...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph I, from the album Joan Miro Lithographs, Volume III 1964–1969, originates from the 1977 edition published by Mae...

"Original Lithograph III" is an original color lithograph by Joan Miro, published in "Miro Lithographs III, Maeght Publisher" in 1977. It depicts M...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VI, from the album Joan Miro Lithographs, Volume IV 1969–1972, originates from the 1981 edition published by Mae...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VIII, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel,...

Joan Miró Litografia Original VII (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau, ...

This exquisite lithograph by Joan Miro (1893–1983), titled Chien aboyant a la lune (Dog Barking at the Moon), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates from the 1953 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1953. This playful and dreamlike composition captures Miro’s characteristic blend of whimsy, symbolism, and abstraction. The image—an iconic motif of a small dog gazing up and barking at the moon—embodies both humor and mystery, evoking themes of desire, solitude, and wonder. Through bold shapes, floating lines, and radiant color, Miro transforms a simple scene into a poetic meditation on the connection between the earthly and the cosmic. Executed as a lithograph on velin du Marais paper, this work measures 14 x 21 inches, with centerfold and stitch perforations as issued. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the foremost modern artists of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Chien aboyant a la lune (Dog Barking at the Moon), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, 1953 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 21 inches, with centerfold and stitch perforations as issued Inscription: Signed in the plate and unnumbered as issued Date: 1953 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Miro, Joan, et al. Joan Miro: Lithographs. Leon Amiel, 1972, illustration 189. Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, published by Editions de la revue Verve, Paris, 1953 About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Miro’s collaborations with Teriade for Verve exemplify his capacity to blend spontaneous imagery with profound poetic resonance. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for £23,561,250 (approximately $37 million) at Sotheby's, London, on June 19, 2012. Joan Miro Chien aboyant a la lune, Miro Verve...

Joan Miro (1893-1983) - Composition Lithograph from 1974. Dimensions of work: 56.2 x 27.5 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

This exquisite lithograph by Joan Miro (1893–1983), titled Le prophete et L'oiseau et la femme (The Prophet and The Bird and The Woman), originates from the historic 1966 double issu...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Joan Miro (1893–1983), titled Les geants (The Giants), from the folio Derriere le miroir, No. 139–140, originates from the 1963 edition published by Maeg...

This exquisite lithograph by Joan Miro (1893–1983), titled Le scarabee sacre (The Sacred Scarab), from the folio Derriere le miroir, No. 139–140, originates from the 1963 edition pub...

This exquisite lithograph by Joan Miro (1893–1983), titled Empreinte de main sur fond jaune (Handprint on Yellow Background), from the folio Derriere le miroir, No. 87–89, originates...

This exquisite lithograph by Joan Miro (1893–1983), titled La femme dans la nuit (The Woman in the Night), from the folio Derriere le miroir, No. 139–140, originates from the 1963 ed...

Joan Miro Sunday Guest III (L'Invitée du Dimanche III), 1969 Etching on Arches paper. Image Size: 59.5 cm x 99 cm Sheet Size: 80 cm x 121 cm Hand signed lower right Edition HC apart ...

Joan Miró’s Ubu aux Baléares is a luminous example of the artist’s late graphic work, bringing together his unmistakable visual language—playful, instinc...

L'Eunuque Impérial is a contemporary artwork realized by Joan Mirò in 1975. Mixed colored lithograph hand signed and numbered in pencil. Edition of 13/50. Ref. Cramer 1023.

This is an original etching and drypoint realized by Joan Miró in 1975. Hand signed in pencil on the lower right and numbered on the lower left. Edition of 75 prints. It represent...

Original poster for the 75th Anniversary of "Futbol Club Barcelona" by Joan Miro. Printer: Poligrafa, Barcelona. Publisher: Futbol Club Barcelona. Reference: M.931

This exquisite lithograph by Joan Miro (1893–1983), titled La Melodie acide (The Acid Melody), from the folio 14 original lithographs by Joan Miro "La Melodie acide" (The Acid Melody...

Joan Miró (Spanish, 1893-1983) Signed: Miro (Lower, Right) " Archipel Sauvage IV ", 1970 (Titled on Verso) Etching Aquatint Printed in Colours Numbered: 22/35 Sheet Size: 29 5/...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 29–30, originates from the 1950 edition published by Maeght E...

Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 150 Portfolio: DLM 151-152 Publisher: Maeght Ed...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph III, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, ...

Joan Miro - Night Sky - Original Lithograph Artist: Joan Miro Editor: Maeght Year: 1956 Dimensions: 23 x 20 cm Reference: Mourlot 235 Unsigned and unumbered as issued.

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph II, from the album Joan Miro Lithographs, Volume IV 1969–1972, originates from the 1981 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, August 31, 1981. Lithograph II reflects Miros poetic mastery of line, movement, and color, capturing his lifelong pursuit of visual rhythm and lyrical abstraction. Combining spontaneity and control, this composition embodies Miros signature balance of playful geometry and poetic energy—translating instinct and imagination into a harmonious field of motion and light. Executed as a lithograph on velin paper, this work measures 12.5 x 9.625 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship and technical mastery of Mourlot Freres, Paris, one of the foremost printmaking ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Lithograph II, from the album Joan Miro Lithographs, Volume IV 1969–1972, 1981 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.625 inches (31.8 x 24.4 cm) Inscription: Unsigned and unnumbered as issued Date: 1981 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne Des Livres Illustres. P. Cramer, 1989, illustration 249. Miro, Joan, and Patrick Cramer. Joan Miro: VI 1976–1981. Maeght, 1992, illustration 1256. Condition: Well preserved, consistent with age and medium Provenance: From the album Joan Miro Lithographs, Volume IV 1969–1972, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, August 31, 1981 Notes: Excerpted from the album, Final printing in Paris on 31 August 1981 at Imprimerte Moderne du Lion. The wide margin lithographs as well as the supplementary lithographs were printed by the Mourlot press. Documentation: Brigitte Videcoq. I̅V̅ examples of this English language edition, numbered I- I̅V̅, have been printed. A deluxe edition of CL examples, numbered I- CL, with two additional original lithographs signed by Joan Miro, and LXXX suites, numbered I-LXXX, containing the VIII original lithographs on velin with wide margins and with each lithograph signed by the artist, have also been printed. About the Publication: Joan Miro Lithographs, Volume IV 1969–1972, published in 1981 by Maeght Editeur, Paris, represents the culminating volume of the definitive four-part catalogue series devoted to Miros original lithographs. Printed by Mourlot Freres and completed on August 31, 1981, the volume documents the final phase of Miros printmaking career, uniting eight original lithographs with scholarly commentary and documentation compiled by Brigitte Videcoq. The album exemplifies the collaboration between Miro and the renowned Maeght and Mourlot workshops, which together set the benchmark for 20th-century fine art lithography. Each plate embodies Miros mastery of line, gesture, and chromatic resonance, capturing the dynamic interplay between intuition and structure that defines his late work. As both a visual record and an aesthetic testament, Volume IV serves as a culmination of decades of creative partnership between Miro and his printers, reflecting a synthesis of technical innovation, lyrical freedom, and poetic abstraction that continues to inspire collectors and scholars worldwide. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby's, London, on June 19, 2012. Joan Miro Lithograph II...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph X, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, Ne...