Paul Jenkins More Prints
American, 1923-2012
Born in Kansas City, the multimedia artist, poet and playwright Paul Jenkins began his studies at Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese-American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past 30 years, numerous retrospectives have been curated across the globe and Jenkins’s work can be found in national collections from Europe and the United States to Israel, Australia and Japan.
The diversity of Jenkins’s work springs from a wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes” influenced by ancient natural forms. Frequent student visits to the Frick Collection in New York fostered a love of the great masters, while trips to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful responses to a monumental Chinese fresco of Buddha, polychrome sculptures of the enlightened Bodhisattva, the Buddhist goddess of mercy Kuan-Yin, Indian bronzes of Hindu god Shiva and statues of meditative Buddhist lohans. Serving in the US Naval Air Corps during the Second World War, Jenkins painted watercolours of Japanese Kabuki dancers and read the ancient Chinese poetic teachings of the I Ching and Lao Tse Tung’s Tao Te Ching, described by him as "masterpieces in simplicity.” Jenkins’s discovery of psychoanalyst Carl Jung’s book Psychology and Alchemy was as illuminating for his practice as were formative meetings with dancer Martha Graham, architect Frank Lloyd Wright and Abstract Expressionist painters Mark Rothko, Jackson Pollock and Barnett Newman.
Concerned with colour and texture, nearness and distance as well as reality and mysticism, Jenkins’s work — considered to be part of the second wave of Abstract Expressionism — is a spiritual meditation on the nature of chance, balance, synchronicity, change and transformation. His ejection from an early art class in Kansas City for eating the still life appears instructive: "For me the pear is to be eaten and experienced, not painted.” Jenkins sought to reject the traditional Neo-Platonic approach to art as well as life in favour of a Taoist concern for the “present moment.” In this sense his paintings become spiritual reflections on the transitory present, life merely a rippled dance upon the water’s surface. Jenkins’s death in 2012 and the subsequent release of important works onto the market by his estate increased global interest in his work and they have grown in value and popularity. Jenkins’s works can be found in public and private collections worldwide.
(Biography provided by Stern Pissarro Gallery)
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Artist: Paul Jenkins
Paul Jenkins - Metamorphosis Exhibition Poster 1979
By Paul Jenkins
Located in Winterswijk, NL
The color lithograph "Metamorphosis" by Paul Jenkins (1979) is an abstract artwork that embodies Jenkins’ signature style of fluid, vibrant color and expressionist movement. In excel...
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20th Century Paul Jenkins More Prints
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Paper
Seeing Voice Welsh Heart
By Paul Jenkins
Located in New York, NY
A very good impression of this color lithograph on Rives BFK. Signed and numbered 30/40 in pencil. Printed by Mourlot, Paris. Published by Galerie Karl Flinker, Paris. From the same-...
Category
1960s Abstract Expressionist Paul Jenkins More Prints
Materials
Color, Lithograph
Paul Jenkins - Composition - Original Lithograph
By Paul Jenkins
Located in Collonge Bellerive, Geneve, CH
Paul Jenkins - Composition - Original Lithograph
1964
Dimensions: 30 x 20 cm
Edition of 200 (one of the 200 on Vélin de Rives)
Mourlot Press, 1964
Paul Jenkins, American (1923 - 2012)
Paul Jenkins, an artist originally associated with abstract expressionism, exhibits in his mature works a redefining of color, light and space on the canvas surface.
Born in Kansas City, Missouri in 1923, Jenkins worked as a teenager in a ceramics factory, where he was first exposed to color intensity and the creation of form. From age 14 to 18, he studied drawing and painting at the city's Art Institute.
Initially interested in drama, Jenkins received a fellowship to the Cleveland Playhouse, then continued his dramatic studies in Pittsburgh at the Drama School of the Carnegie Institute of Technology.
Deciding to become an artist, Jenkins moved to New York City in 1948 and studied at the Art Students League. During Jenkins's three years at the League, Yasuo Kuniyoshi and Morris Kantor were his influential instructors.
While Jenkins continued to live and paint in New York City, his personal explorations took a metaphysical turn, which would ultimately become dominant in his work.
P.D. Ouspensky's The Search of the Miracu/ous changed the artist's thoughts on human growth and limitations, while the Chinese I Ching, through its thematic emphasis on constant change, heightened his interest in flowing paint on canvas. Painting for Jenkins became an intuitive, almost mystical process. He commented, "I paint what God is to me."
In 1953, Jenkins traveled to Paris, where, a year later, he had his first one-man show. While working at the American Artists Center, he continued to experiment with flowing paints, pouring pigment in streams of various thicknesses, with white thin spills as linear overlays.
Jenkins's intent was to deny stasis and create a literal and metaphysical sense of dynamism, while maintaining a sense of unity. Beginning in 1958, Jenkins titled each canvas Phenomena, with additional identifying words. He believed the work to be descriptive of the discovery process inherent in each painting.
Paralleling his beliefs, the artist's paintings have undergone subtle but definite changes. Beginning in the early 1 960s, a shift of color saturation and exposure of the white areas gave Jenkins's canvases an enhanced feeling of illumination.
If Jenkins's technique is unorthodox, he is in many other ways a traditional artist. He works in an acrylic medium on traditional linen canvas or fine rag paper. Often he uses an ivory knife...
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1960s Modern Paul Jenkins More Prints
Materials
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Red Parrot
By Paul Jenkins
Located in New York, NY
A very good impression of this scarce color lithograph on Arches. Artist's proof, aside from the edition of 65. Signed and dated in pencil. Published by the Martha Jackson Gallery...
Category
1960s Abstract Expressionist Paul Jenkins More Prints
Materials
Color, Lithograph
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Paul Jenkins more prints for sale on 1stDibs.
Find a wide variety of authentic Paul Jenkins more prints available for sale on 1stDibs. If you’re browsing the collection of more prints to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of red and other colors. You can also browse by medium to find art by Paul Jenkins in lithograph and more. Much of the original work by this artist or collective was created during the 1960s and is mostly associated with the abstract style. Not every interior allows for large Paul Jenkins more prints, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of Pat Steir, John Chamberlain, and Richard Diebenkorn. Paul Jenkins more prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,337 and tops out at $3,500, while the average work can sell for $2,500.