Pierre Cardin Ties

While Pierre Cardin enjoyed great success in a range of fields, most notably furniture, he is best known for creating groundbreaking fashion designs from the 1950s onward. The French designer’s attention-getting aesthetic, along with his talent for self-promotion, made him a household name on several continents, and his mid-century dresses, jackets, gowns and skirts were modern, flattering and no less than transformative. 

Cardin was born in a village near Venice, Italy, and raised in central France. Always interested in fashion, he left home at age 17 to train with a Vichy tailor. After the end of World War II, Cardin moved to Paris and worked for a succession of couture houses that included Paquin and Schiaparelli, before taking a job with Christian Dior in 1946, where he helped conceive the legendary New Look collection of 1947. When Cardin left to open his own salon, in 1950, Dior sent flowers and referred clients to his young protégé. 

The designer quickly won attention for his novel style. The first Pierre Cardin couture collection debuted in 1952, and his futuristic looks were catnip for the free-spending consumers of the postwar years. Unlike Dior’s New Look, which featured reams of fabric and 19-inch waists enforced by wire corsets, Cardin’s clothes de-emphasized a woman’s curves; his breakthrough pieces like the Bubble dress of 1954 had, instead, a sculptural quality. 

Cardin became an international celebrity with his Bubble dress, and the business expanded rapidly, attracting clients like Jacqueline Kennedy, Mia Farrow, Lauren Bacall and Jeanne Moreau. Perhaps his most significant achievement was introducing ready-to-wear fashion, a radical concept that would ultimately be adopted by every other high-fashion house. He was also a pioneer in marketing to Japan, China and the countries behind the Iron Curtain. 

The Soviet Union’s launch of the satellite Sputnik in 1957 kicked off the space race. Soon after, fashion designers adopted styles worn by astronauts and drew further inspiration from science fiction. In the swinging 1960s, Cardin’s Space Age design led an international pack of fashion progressives influenced by the Mod movement including Paco Rabanne, André Courrèges, Mary Quant and Rudi Gernreich, that changed the shape of the industry. 

Cardin introduced bright tunic dresses and shifts, marketed as the Space Age look and accessorized with vinyl hats and visors. His work was architectural, streamlined and minimalist: A-line shapes with keyhole necklines and bold geometric appliques. In addition to his Bubble dress, the designer became known for his Target and Car Wash dresses as well as his Cosmocorps unisex bodysuits and jumpers. Cardin innovated constantly, using new materials like heat-molded Cardine (his own invention) and creating glittery evening wear and garments that incorporated LED lights. His omnipresent logo — a swirling black P that cleverly created a white C in the negative space around it — was a commercial touch that horrified fashion’s stuffed shirts. 

In the 1970s Cardin expanded his design work into furniture, jewelry and watches as well as automobiles. Later, licensing agreements would put Cardin’s name on goods ranging from perfume to sunglasses. 

Cardin has been the subject of several books and exhibitions at major museums, including New York’s Brooklyn Museum and the Metropolitan Museum of Art, London’s Victoria and Albert, and the Montreal Museum of Fine Arts.

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