Abstract Paintings

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

Lin Ji, also known as Webson Ji, is a New York-based Chinese multimedia artist. He holds an M.A. degree in Sculpture from Savannah College of Art and Design and a B.F.A. degree in Public Art from China Academy of Art. Webson Ji is a member of the International Sculpture Center, a member of the New England Sculptors Association and an associate member of the National Sculpture Society. Ji’s practice focuses on the presentation of water, combining it with various industrial materials to present the viewer with a unique interpretation of his meditation. Webson Ji's works have been widely exhibited nationally and internationally. His most recent solo exhibition was held at Obition, Seoul, South Korea 2020. Other exhibitions include solo exhibitions at theBlanc Gallery in Manhattan, NY 2019; Besharat Museum Gallery, Atlanta, GA 2019; Garcia Wilburn Gallery, Atlanta, GA 2018, as well as group shows at the Oculus World Trade Center, Manhattan NY; Greenpoint Gallery, Brooklyn NY; La Mama La Galleria, Manhattan NY; Novado Gallery, Jersey City NJ; BINNAR Art Festival, Portugal; Antilia Gallery, Italy; Loosenart Gallery, Rome Italy; CICA Museum, Gyeonggi-do South Korea; Gustein Gallery, Savannah GA; Yonsei University, Seoul South Korea; Z-Art Center, Shanghai China. In July 2018, Webson Ji was honored as the Best Young Artist of the Year of 2018 GAMMA Young Artist Competition in Tokyo, Japan, out of 226 participants from over 26 different countries. In February 2019, Webson Ji exhibited his work in a group art exhibition curated by the Asian Cultural Center at New York City's landmark, the Oculus World Trade Center. His works and practice were covered by media and press like Art China, Sina, Sohu, Ifeng, Chinaweekly, The China Press...

Cloud sculpture. It is made up of a sculpture made of plaster and painted with acrylic and spray paint. The sculpture is assembled to a piece of painted wood, which in turn is assembled to a larger one, composing a single piece with several layers. The artwork is backlit with an LED light box...

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

You meet the Spanish artist Alexandro Santana and you think, cripes, can he be for real? So handsome, so flamboyant, so seductive, so amusing -- you’re not sure whether it’s intentional or inadvertent. And then you discover he is the son of a notorious Dominican admiral, that the tyrannical dictator Trujillo was best man at his parents’ wedding, that his mother was a fabled high-society beauty, that he grew up on battleships and estancias before going, inevitably, to Brown. Even more surprisingly, Santana stayed in Providence for graduate studies at the Rhode Island School of Design, where he received his degree in architecture, soon plying his trade in Manhattan and his adopted city of Savannah, where he eventually set up his own firm. Astonishingly, in this era of CAD, he draws every detail entirely by hand. Considering his tweeds, his bow ties, his drawl and debonair dress, it is perhaps not surprising to learn that Santana’s architectural taste is strongly neo-classical, inspired by the vernacular Palladianism of antebellum Georgia, with of course a touch of the Postmodern. Santana’s detailed and decorous architectural plans for his clients are complemented by drawings created for solely for himself -- exotic imaginary cityscapes and urban fantasias, like the dreams of Sir John Soane channeled through Aldo Rossi or John Hejduk...

Includes a Certificate of Authenticity

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

Powdered pigments with microcrystalline oilsticks

The painting is being offered with a work and authenticity certificate

'PS06' is a reminder that today happens only today, everything in life and beyond happens right in this moment. The Universe is full of endless possibilities for us. Get ready to rec...

The painting is being offered with a work and authenticity certificate

original and certificated by gallery

Jeremy Hoffeld's work plays with ambiguity, and subverts the notion that one must choose between "abstraction and figuration, the new and the borrowed or even clichéd, the bright and the muddy, the natural/primordial and the synthetic/modern." For Hoffeld, "paintings, both abstract and figurative, have always been linked with music and literature. He aims to infuse his paintings with...improvisation, spontaneity, and energy." Hoffeld has had several solo shows since 2006 at galleries in New York including John Davis Gallery, Varga Gallery, Sky-Tree Gallery and Art Center, and the Catskills Gallery, as well as Galerie Hugo Cassel in Berlin and the Emily Harding Gallery...

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

It’s 1963. I’ve quit my teaching job ($4,000 a year) at Fresno High to try working full time as a commercial artist. Got a new home (Trend Homes by Spano, $12,000). Decide my birthday party needs a bottle of red wine (about a half gallon of Gallo Chianti, the kind in a husk basket because I think it will look good with my books on their plank and cinderblock book case. I drive a couple blocks to Jackson Jones Liquor on the corner of Shields and West, park an old gray Chevy sedan I’ve named Moby, walk in, head straight for the wine display...

Let’s stop and profoundly analyze this stage… When in a relationship the woman or man doesn’t feel that emotion, that passion, the actions in that being change. One of them is now ...

« I believe painting is all about gesture and flow. Painting is nowness. » I wanted to represent the magnificent of the oak trees ,how they grow as island in the landscape and creat...

Acrylic on canvas with whispers of glitter coated with heavy resin.

Oil on canvas

Donatella Violi was born in Ovada (AL), moved to Milan and subsequently to Reggio Emilia. As she was taking lessons at the Institute of Science, she wa...

Adhesives on galvanized sheet 3 layers satin varnish Thickness 4cm Signed on the back

Josef Presser (Poland, United States, 1907 - 1967) Abstracted Shapes signed in red lower right 19 ¾ ” x 14 3/4” 25 1/4 ” x 20 1/4” Medium: Gouache on paper Provenance: Woodstock, NY About Josef Presser was born in Lublin, Poland. He studied at the Boston Museum of Fine Arts School and in Europe, with Bryant Baker...

You meet the Spanish artist Alexandro Santana and you think, cripes, can he be for real? So handsome, so flamboyant, so seductive, so amusing -- you’re not sure whether it’s intentio...

Encaustic and oil on canvas

The word "Baram" has two meanings in Korean: "wish (feel or express a strong desire or hope for something that is not easily attainable)" and "wind (the perceptible natural movement of the air)." The "Baram Series" portrays the moment of the air that's stopped in a simple two-dimensional form. Thus, the wind in the Baram Series represents the "present", which means the wind that has already blown represents the "past", and the wind that is about to blow represents the "future". Our wind in the past may be calm or turbulent. Regardless, the present is filled with hope, strongly wishing for the future wind to guide us to happiness. Maybe, these winds in our lives are dictated by our choices, and Baram Series embodies wish to deliver hope to all viewers facing the winds of their choices. <Geonwoo Lee...

-- Artwork comes with a certificate of authenticity and a premium quality frame -- Signed by Eduard Grossman

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...

The painting is being offered with a work and authenticity certificate

She did paint a lot about the small fishermen villages on the South East of Asia that today are big cities. She is fascinated by the idea of that past and that memories under the ski...

I believe a painting (story) must have an initial dramatic impact and at second glance should include tantalizing nuances of drawing (plotting) and gestures (conflict) to stay alive....

« I believe painting is all about gesture and flow. Painting is nowness. » An abstract painting for Shanghái city .Acrylic medium with Chinese ink and pencil to write the memories o...

Description: Liu Gang(b.1965) 440201202 water-based and oil-based pigments on rice paper 138.6 by 290 cm Dated 2020 mounted and framed The artwork comes wi...

This abstract painting is illustrating the ancient writer symbols and drawing attention to the accient writer acrylic on canvas on 100x80 cm canvas

« I believe painting is all about gesture and flow. Painting is nowness. » I wanted to represent the magnificent of the oak trees ,how they grow as island in...

Shortly before Walt Esslinger died a few years ago, we talked in his small yellow painted studio in Bakersfield. Sixteen years my senior, he’d been my close friend, mentor and running mate since 1960. “You still writing?” he asked. “Yes,” I answered, taking in the space’s renovations he’d recently sub-contracted. Ninety one years old, and he was thinking ahead. “Do me a favor,” he said. “Write the Andy Warhol story.” Walt was a Central Valley guy, an L.A. guy, a Las Vegas guy. A man who knew his way around. “I want you to put on record what happened back then when I bought the soup can painting.” Back then was the fall of 1962. The two of us had been exhibiting our paintings in the L.A. Art Institute’s gallery for locals only. Walt had given legendary Ad Rhinehardt a story about how he and I had been working in both Edward Kienholz’s and John Altoon’s studios (false—we’d only been visiting). One morning, the Institute’s Director, who hadn’t suspected us to be charlatans yet, introduced us to a reed thin, tow headed young man leaning against the main gallery’s wall. “Meet Andy Warhola,” he said. “Andy is from New York.” “Warhol,” the boy/man said. “Painter?” Walt asked him. “Shoe Illustrator.” The director made a snorting noise I took to mean that Warhola or Warhol’s modesty was posed. He mentioned something about Andy having a show on the La Cienega strip of galleries. We exchanged mumbles about how the art world was in flux, nothing more than that, and Walt and I moved on. If this strange cat had anything to look at, we’d see it. It was a Monday, and La Cienega’s twenty some galleries would be opening new shows and serving champagne that evening. North La Cienega Avenue, laid over a network of oil veins decades before, had become the street for the Cool School, a group of artists and gallery people trying to bring Los Angeles’s art scene to life. The galleries were small but proud. Sure, Jazz was born on the Delta and raised in New Orleans, St, Luis and Chicago, but L.A. had fifty-three jazz joints according to Chet Baker, who’d blown with the best. Why then should the West Coast be lagging behind New York in the other truly American expression, abstract art? At the Ferus Gallery that night we found Warhol’s exhibit. “Shit,” I said. Walt grinned. “You no like?” “Not exactly my can of soup,” I said, peeking into the small space, loaded now wall to wall with paintings of Campbell’s Tomato Soup. Walt stepped into the space. “How about the idea of it?” I made my way through spectators looking at once to be confused, amused, enthused and abused. When I came back to Walt he was still smiling. “Why didn’t he silk screen ‘em?” I asked. “That’s probably his next move,” Walt said. “You wanna stay?” Walt’s keen eyes cased the joint. “I see Irving Bloom over there,” he said. “Believe I’ll stick around and talk with him.” Bloom had been operating this popular gallery for some time now. “One hundred a month,” he’d told me. “It’s not like I’m getting rich.” I stood around for a bit, heard a fellow abstract expressionist I’d met tell a young lady who looked to be lost, “Okay that’s the soup. Come with me, baby, and I’ll show you the juice.” Two doors down I stopped at the Primus-Stuart Gallery. A group of people had gathered around a display of soup cans, stacked grocer’s pyramid style in the window. All Campbell’s. All Tomato. A sign leaning against the grouping stated: “Get the real thing. Thirty cents each.” That’s the way it was. Twenty-four galleries forming a gauntlet between La Cienega’s 300 block, all the way up to Barney’s Beanery at the corner of Santa Monica. Hollywood types dressed to the nines, Beats dressed for the times just gone. Champagne popping...

Starting with inspiration from the visible world around him, Saleh Mohammadi reaches beyond the tangible and reproduces his own mind's eye. Geometric shapes with a reference to the...

Always fascinated by the uncertainty of human perception, and the duplicitous nature of vision, which can be both revealing and deceitful, Lodato creates paintings that delve into th...

Description: Liu Gang(b.1965) 480309102 water-based and oil-based pigments on rice paper 146.5 by 145.2 cm Dated 2019 mounted and framed The artwork comes ...

The first time I heard the words “abstract expressionism” I was in New York, trying to grab another day of leave before the army shipped me overseas. At that time in 1952, while brow...

Curtis Ripley’s newest abstractions are sublime musings on expression itself. Concerned with capturing those phenomena which are most difficult to describe with words, Ripley’s paint...

Acrylic on stretched canvas 80X60 cm Abstract expressionism. Pollock Style. Action painting. Drip painting. Artiste internationale, reconnue dans le mouvement de l'expressionisme ...

This lithograph is part of my private collection. It is limited in edition artist pencil signed lower right and is in very good condition. Roger Bezombes a print maker born in Paris ...

Richard Garrison collects information from typically overlooked aspects of daily life. Observed data from places like big box stores and parking lots are systematically transformed i...

Rene Genis (French 1922-2004) “Les Grues” - The Cranes. Oil on matt board. Scene of a merchant ship being loaded in port (noted on back as possibly Bordeau...

Painting: Acrylic on Canvas. I have used acrylic paints in to make the composition and generate relief and shapes. If you sit down, in front of this painting, your feelings calm down...

This oil painting makes part of my series dedicated to the scenes of a summer period. This abstract vibrant floral painting called "Vase with pink roses...

"Entrelacs 4" by internationally recognized artist Sophie Dumont is an exploration into the realm of abstract landscape. Through a subtle palette of hues, the artist breathes life in...

Original vintage watercolor painting by twentieth century San Francisco woman artist, Hildegarde Haas (1926-2002). "Bach - English Suite No.2 in A Minor...

Very impressive mid 20th century abstract landscape. Oil on canvas. Framed.

This lively graphic contemporary composition was painted by Burton Kramer, internationally renowned as a fine graphic designer. Kramer now expresses his modernist and minimalist aest...

Alicia Gimeno, born in Barcelona (1989), trained in graphic design during her time in Mexico. From the beginning, she was captivated by calligraphy, the gestuality of brush strokes, ...

On this captivating canvas, measuring approximately 13.8 x 10.6 inches and framed at approximately 16.5 x 13.4 inches, geometric shapes engage in a vibrant dance, evoking the richnes...