Figurative Sculptures

Fruit set - orange apple banana pine cone - in 999 silver Italy, a country that produces great wines and an ancient agricultural tradition, could not fail to dedicate its art also to create prestigious objects concerning this excellence for example this pure 990 silver fruit set...

Nauru sculpture The copper details of this sculpture are able to show different colors thanks to the concentric lines present on the surface that expand and contract the space whe...

Finely carved mythological roman subject of Aria in Lecce limestone. Excellent condition from an estate of Veneto. Measurements: Statues cm 160, base cm 85.

Contemporary Paolo Giordano Hermes abstract sculpture concrete cement cast grey Hermes is concrete sculpture. It's part of a large work that is also photographic: 'Digital Journey i...

Apple sculpture White bronze Hand Repoussé Limited edition Each piece is individually crafted and is unique. Repoussé is the traditional art of hand-hammering decorative relief...

Lima bean sculpture Brass Hand Repoussé Limited edition Repoussé is the traditional art of hand-hammering decorative relief onto sheet metal. The ...

This Futuro Christmas ball is by Dutch artist Bas van Beek who made this creation from a few of the highlights of the permanent collection of the Boijmans van Beuningen Museum in Rotterdam The Netherlands A small series of each collection object has been handcrafted in Poland by a company that is specialized in unique handcrafted glass ornaments for your Christmas tree Offered here is a Christmas Ornament of the prototype of the Futuro house...

Sculpture black cobra in ceramic and enameled ceramic in black finish with gold finish details.

Beautiful 20th century copper African currency. Set on a modern black stand 5" x 5". Andrianna Shamaris. The Leader In Modern Organic Design.

Carl Aubo¨ck model #4059 'Optimist/Pessimist' brass sculpture. Designed in the 1950s, this incredibly refined and sculptural figure is executed in polished and patinated brass. Can b...

Pair of 18th century Italian hand-carved gold leaf angels with tangerine quartz crystals and mounted on aragonite. The hand-carved angels were once part of a heavenly, angelic depiction in a historic church in Tuscany. The angel arms and feet are adorned with the tangerine quartz crystals to restore the broken aspects of the figurative pair. They appear partially crystalized in form. The aragonite is from Morocco and has many different formations. This one in particular emulates a cloud which is compliments the 18th century Italian gilded angels. The piece is put together by Jean O'Reilly Barlow, the artist and creative director of Interi. The date of manufacture reflects when she created the piece and the period shows that the pair of Italian angels...

Art Deco style spelter sculpture raised on a polychrome marble base depicting a lady with greyhound on a leash, apparently unsigned. 15.5" H x 15" W x 5" D. Provenance: Property from...

These handsome but quirky brothers designed by Miguel and Ilse Silva for Wooda are the result of an engaging mix of personality, love, fun and mischievousness. Los Hermanos Calavera(...

After Alberto Giacometti Sculpture "The Walking Man" Italy Height 80cm good condition

Great sculpture representing Pharaoh TutanKhamon in Capodimonte Italia porcelain decorated and designed by Mario Pegorami is one of the most important artists representing the ancien...

French Art Deco sculpture by J.d'Arsenes, France, 1930s. Robin Hood. Spelter, bakelite and marble. Height : 26"(66cm), Width : 19"(48.4cm), Depth : 7.1"(18cm). Fashionable theme at ...

Beautiful biscuit porcelain sculpture, depicting Mary with baby Jesus on her arm. The sculpture is marked on the bottom, but the sign is ...

Art Deco Hagenauer Bronze Figure of Josephine Baker, 20th century Impressed mark to foot: WHW Hagenauer workshops were opened in Vienna in 1898 by Carl, the father of both Karl and...

Exceptionally Fine Wooden Sarcophagus Mask Third Intermediate Period, 21st Dynasty, circa 1069-945 BC. Acacia wood, rosewood, hippopotamus ivory Masterfully carved from a single piece of fine-grained hardwood, the present mask is characteristic of the most exquisite funerary art made during the 21st Dynasty, and was probably commissioned for a particularly high-ranking individual. The oval face displays a gently smiling mouth with full, outlined lips, furrows at the corners and a bow-shaped philtrum. The straight nose with rounded nostrils, the cheeks full and fleshy and the large, almond shaped eyes with heavy lids and tapering cosmetic lines, set below long, sweeping eyebrows. Social collapse across the Mediterranean in the Late Bronze Age meant that the 21st Dynasty in Egypt was a period of great turmoil. Trade routes were disrupted, governments collapsed, and mass migration occurred. Economic scarcity meant that traditional funerary practices in Egypt were also affected, with a lack of material and financial resources leading to the reuse of preexisting material. As a result, during the 21st Dynasty, 19th and 20th Dynasty coffins changed ownership rapidly and were heavily recycled for new purposes. Tombs were also unmarked allowing them to be shared by many people. These new practices brought forth a shift in the understanding of funerary paraphernalia. No longer important objects owned forever by the deceased, they were now simply seen as short-term transformative devices, whose symbolic and ritualistic meaning could be appropriated for others. However, paradoxically, the art of coffin-making also reached new heights during this period, and many of the richly dec- orated “yellow” coffins, characteristic of the 21st Dynasty, are remarkable works of art in their own right. Indeed, knowing that coffins were being reused throughout Egypt, the Egyptian élite set themself apart by commissioning lavish sarcophagi decorated with the images and texts meant to help guide them to the afterlife, and which would otherwise have adorned the tomb walls. As coffins were the chief funerary element which now identified the dead and allowed them a physical presence in the world of the living, their quality and appearance were of the utmost importance. The traditional coffin ensemble was made of three parts: a wooden mummy cover, which laid directly atop the mummy, an inner coffin, and an outer coffin, both made of a lid and case. Additional decorative elements, such as masks, were carved out separately and later glued or pegged to the lids. After the completion of the painted decoration, the sarcophagus was covered in a varnish to give it its yellow colour. Gilding was sometimes used for the coffins of the high priests’ families, notably on parts representing naked skin, such as the face mask. However, some of the élite tactically avoided gilding altogether as to ensure that their coffin would not be looted. When manufacturing the inner and outer coffins, particular attention was paid to the woodwork. Displaying the skill of the carpenter, this type of funerary art has largely remained unparalleled throughout Egyptian history. The principal wood used to craft the present mask is Acacia nilotica. The evergreen Egyptian acacia was considered sacred and said to be the tree of life, the birthplace of the god Horus, as well as symbolic of Osiris, the god of the dead and resurrection. The modelling of the face in the wood is superb, but the inlays also help mark this mask out as exceptional. Inlaid eyes and eyebrows were extremely rare and reserved to the finest and most expensive coffins. Traditionally, eyes were made of calcite, obsidian, or quartz, and eyebrows of coloured glass paste or bronze. Here, the pupils, eyebrows, and cosmetic lines are inlaid with Dalbergia melanoxylon, a rare type of wood which belongs to the rosewood genus. In antiquity, however, it was known as Ebony of the Pharaohs, from the Egyptian word “hbny”, meaning dark timber, because of its black, lustrous appearance. An extremely dense and hard wood requiring significant skill to work with, ebony was a luxury material highly coveted by the pharaohs themselves, to make furniture, decorative and funerary objects. The wood was imported with great effort from the southern Land of Punt, most likely modern Sudan, Ethiopia, Djibouti, and Eritrea, alongside other luxury goods such as gold and ivory. A magnificent ebony throne, recovered in the tomb of King Tutankhamun, illustrates the incredible aesthetic potential of this material and why it was so highly valued by Egyptian royalty. Only élite members of Egyptian society could have afford- ed Ebony of the Pharaoh inlays for their funerary mask. The sclerae on the present piece were once both inlaid with hippopotamus ivory. Whiter than elephant ivory, this type of ivory is also denser, and more difficult to carve. The use of this luxury material, reputed for its gleaming appearance, enhances the lifelikeness of the eyes. For the Egyptians, hippopotamus ivory was imbued with magic powers. The hippopotamus was indeed both feared and venerated due to its aggressive behaviour. Whilst the male hippopotamus was associated with danger and chaos, the female was benevolent and invoked for protection, especially of the house and of mothers and their children, through the hippopotamus goddess Tawaret. Thus, not only was hippopotamus ivory used as an inlay and to make practical objects, such as combs and clappers, but it was also used to make talismans like apotropaic wands or knives. Made during a time of scarcity where few could afford made-to-order coffins, the present mask could have only belonged to one of the highest-ranking individuals in society. Undoubtedly one of the finest Egyptian coffin...

Exceptional Karl Hagenauer statue of a female dancer sculpture, commonly titled as Josephine Baker, cast and nickel plated brass, circa 1930s. , manufactured by Werkstätte Hagenauer ...

The Murano Glass Goto collection brings a piece of authentic Italian art to your dining table. Hand-blown with artistic expertise, these glasses are inspired by the traditional Venet...

A beautiful Souvenir building architectural model ash tray. Some wear with a nice patina, but this is old-age. Made of metal. This was bought as a souvenir in Rome, Italy and was mad...

Wonderful sculpture made of Soapstone and Belgian Blue Hardstone. Unfortunately not signed so we don't know much about the origin. Fits perfectly in a Wabi Sabi interior. Can be use...

A large vintage decorative Rolls Royce silvered bronze sculpture, The Spirit of Ecstasy, dating from the mid 20th century. The winged maiden was designed by Charles Robinson Sykes (1875-1950), and she stands on an attractive round black marble plinth base. In 1910 Rolls-Royce slowly became aware that some owners were affixing 'inappropriate' ornaments to their cars. Claude Johnson's brief to Sykes was to sculpt a mascot for Rolls Royce that embodied 'speed with silence, absence of vibration, the mysterious harnessing of great energy and a beautiful living organism of superb grace' to become the standard emblem of the Rolls-Royce brand and it was Sykes' daughter, Jo (born 1908) that believed it was on the road from London to Beaulieu that her father first became 'Very impressed with the smoothness and speed of the Rolls Royce car.... imagining that even so delicate a thing as a fairy could ride on the bonnet without losing her balance.' In early 1911 Sykes' presented his mascot, entitled "The Spirit of Speed", to Rolls-Royce. This figurine had her arms outstretched behind her and her gaze firmly fixed forward. She was soon retitled "The Spirit of Ecstasy" by Johnson and became the official symbol of Rolls-Royce automobiles on 6th February 1911. It is a striking piece thought to be a former Rolls Royce car showroom sculpture. Condition: In excellent condition, please see photos for confirmation of condition. Dimensions in cm: Height 70 x Width 31 x Depth 42 Dimensions in inches: Height 2 foot, 4 inches x Width 1 foot x Depth 1 foot, 4 inches The Spirit of Ecstasy is the bonnet ornament on Rolls-Royce cars. It is in the form of a woman leaning forwards with her arms outstretched behind and above her. Billowing cloth runs from her arms to her back, resembling wings. The Spirit of Ecstasy, also called "Emily", "Silver Lady" or "Flying Lady", was designed by English sculptor Charles Robinson Sykes and carries with it a story about secret passion between John Walter Edward Douglas-Scott-Montagu, (second Baron Montagu of Beaulieu after 1905, a pioneer of the automobile movement, and editor of The Car Illustrated magazine from 1902) and the model for the emblem, Eleanor Velasco Thornton. Eleanor (also known as Thorn) was the secretary of John Walter, who fell in love with her in 1902 when she worked for him on the aforesaid motoring magazine. Their secret love was to remain hidden, limited to their circle of friends, for more than a decade. The reason for the secrecy was Eleanor's impoverished social and economic status, which was an obstacle to their love. On the other hand, Montagu was married to Lady Cecil Victoria Constance Kerr since 1889. Eleanor died on 30 December 1915 when the SS Persia was torpedoed by a U-boat south of Crete. She had been accompanying Lord Montagu who had been directed to assume a command in India. He was thought to have been killed too, but survived and was saved after several days adrift in a life raft...

Beautiful glass sculpture made by Italian Murano Glass Master Pino Signoretto during the 1980s. The sculpture shows a woman with long hair, kneeling, with her head bowed. Her arms ar...

Made in Italy, 1930s. This fig is made by Napoleone Martinuzzi for Venini in Murano glass. This item might show slight traces of use since it's vintage as a chip on the top, but it ...

This is a truly magnificent antique Italian Grand Tour figural golden patinated bronze sculpture depicting a wounded gladiator known as "The Dying Gaul", and signed B Boschetti...

Art Deco sculpture of two deer. Measures: Width 75 cm. height 38 cm. Weight 17 kg.

Louis Mendez (American, 1929-2012) hand-built raku-fired ceramic pottery statue sculpture depicting a horned and winged male centaur creature glazed russet red on unglazed legs, text...

Pair of terra cotta decorative panels. Probably from a fireplace.

The sculpture was made from a single block of black marble, natural height sculpture, one of a kind piece. It is a unique piece for collectors. Dimensions of the sculpture: cm 170 ...

"Ulisse di Sperlonga" HEAD IN WHITE CARRARA MARBLE 19th Century good conditions Base in white Carrara marble with 15X15X15 steel pin included. HEIGHT 33 cm WIDTH 33 cm DEPTH 25 c...

Sculpture Majordome colonial in hand carved plaster. Original piece, on plaster base.   

Mixed-media thoughtful assemblage sculpture of a leather gloved hand embellished with porcelain flowers, floral beaded adornments, and skull, provocatively holding a pink clock...

Roger Capron's Wall-mounted Sculpture Portrays a Face Inspired by Picasso. A Unique piece created in Vallauris, France. Raku, glazes, engravings, and slips. Signed. R. Capron. Emblem...

20th century WHITE STATUARIO MARBLE SINK BODY Italy Handmade in white statuary carrara marble HEIGHT 15cm WIDTH 52cm DEPTH 50cm Material White carrara marble.

Rare, and beautiful, vintage Murano hand blown black and red bands Italian art glass flower sculpture. Documented, and signed by designer Archi...

Beautiful Murano glass miniature depicting a kneeling angel. Clear glass with amber and gold shaped applications with bronze and gold leaf inclusions. In the style of Licio Zanetti, ...

21 Century Contemporary Black Marble Rovinette Candleholder Handmade in Italy by Ilaria Bianchi. Hand-turned candleholder in black Marquina marb...

Impressive pair of Art Deco figural table lamps of a standing nude holding a glass shade, Lumina. H. 65 cm or 25.6 inch tall. Designed by Max Le Verrier in France, 1928. Original pos...

Mathurin Moreau (French, 1822 - 1912) bronze sculpture of young woman under an umbrella peering down at a crab by her feet, bearing signature "Moreau Math Scpt" to base, circa late 1...

This rare 19th century free-standing child's mannequin is probably from Siegel & Stockman, a Paris, France company that made tailor's dummies, window bustforms, mannequins and access...

“Meditation” Designed in France during the roaring 1920s by “Fayral”, which is one of the pseudonyms from “Pierre Le Faguays” (1892-1962), signed. Original “Max Le Verrier” Art De...

Set of three Industrial glove molds, which look great as sculptures. Each glove is labeled and dated: One is dated January and the other two August. The gloves have scratches which s...

Bruce Friedle (American, XX) Brutalist forged metal sculpture depicting a tree in the wind, signed on plaque to underside. In good vintage condi...

Exotic thinker man sculpture, 1950-1970. Wooden sculpture of a thinker man. The model underlines harmonious and supple curves. Measures: Height: 11.8"(30cm), Width: 7"(18cm), Depth: ...

Elegant Art Deco style sculpture of a woman with hoop signed by the French artist C. Charles, cast at the Max Le Verrier foundry. The art metal sculpture has a lovely green patina an...

French Metal Iron Crown Architectural Fragment Sculpture, Paris 1920's Remarkable and unique best describe this solid crown made of iron. This substantial sculpture was found in a ...

An expressive figurative abstract by Bay Area artist John Larkin, he was a local artist who was active in the 1960s but little is known about the artist. A thin figure done in a text...

Auguste Moreau (1834 - 1917) Fine quality bronze sculpture of a young boy being confronted by a mother goose as he holds her baby. rich light brown patina. Signed and mounted on a ro...

Discover the allure of modern minimalism with the Aluminum Sphinx sculpture by Gary Slater. This piece, boasts a sleek, reflective surface that plays with light and shadow, creating...

A whimsical modernist bronze sculpture titled "Le Grand Chapiteau (The Big Top)" from France. Marked FG100. Circa 1950s. Complete with small figures depicting classic circus characte...

Immerse yourself in the grandeur of imperial China with this captivating pair of seated figures, masterfully crafted in cherry resin. Adorned with intricate carvings that showcase th...

This exquisite pair of green Chinese Sancai-glazed Fu Dogs from circa 1900 is a stunning representation of historical artistry. With their vibrant emerald hues and tri-color detailin...

Art Déco french nude lady in chains bronze sculpture with stone base in the style of Demetre Chiparus By: Demetre Chiparus (in the style of) Material: bronze, copper, metal, stone T...

Female Sculpture in Joined Wood 3-D Cubist Surrealist by Reuben Karol, USA 1990s Composed of cut Red Oak slats laminated into a three-dimensional sculpture, this piece is entitled "S...

19th century French bronze sculptures of young farm boys by Emile Laporte (1858 - 1907), France. One boy carrying a basket of flowers, the other a bundle of sticks. Signed, mounted o...

Included in this fine group: Amager Boy in typical costume designed by Carl Martin-Hansen circa 1906 - 1925. From the Danish National Costume series by Carl Martin-Hansen. Figurine ...