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Material: Canvas
Hand-Painted French Boiserie Wall Panels, A Pair
Located in Bradenton, FL
Pair of Elegant 19th Century Hand Painted French Boiserie Wall Panels. Panels are painted on canvas and later mounted on a board. Framed in simple white wooden frames. Each panel fea...
Category

19th Century French Louis XV Antique Canvas Decorative Art

Materials

Paint, Canvas

Hand-Coloured Print on Canvas, 1929 Barcelona International Exposition
Located in Barcelona, ES
Framed print on canvas: " Exposición Internacional de Barcelona, Año 1929 " The 1929 International Exposition was one of the most important events to have shaped the urban landsca...
Category

20th Century Spanish Canvas Decorative Art

Materials

Canvas, Wood

French Napoleon III Period Painted Decorative Panels with Bouquets, circa 1860
Located in Atlanta, GA
A pair of French Napoleon III period painted decorative panels with floral motifs from the mid-19th century, set inside giltwood frames. Each of this pair of decorative panels featur...
Category

Mid-19th Century French Napoleon III Antique Canvas Decorative Art

Materials

Canvas, Giltwood

Parrots in the Jungle Haitian Acrylic on Canvas Painting
Located in Delray Beach, FL
Exceptional oil painting on canvas by Haitian artist depicts lush green jungle with bright and vivid colorful parrots overlooking beautiful lush jungle, acrylic paint on canvas, with...
Category

1970s Haitian Vintage Canvas Decorative Art

Materials

Canvas, Acrylic, Wood

19th Century French Still Life Oil Painting of Roses by Eugène Henri Cauchois
Located in West Palm Beach, FL
A red-yellow, antique French still life oil on canvas painting depicting a working table with a dark-blue vase with flowers, painted by Eugène Henri Cauchois in a hand carved, origin...
Category

Late 19th Century French Antique Canvas Decorative Art

Materials

Canvas, Giltwood

Early 20th Century French Oil on Canvas with Laundresses in Giltwood Frame
Located in Fayetteville, AR
Measuring 24 inches in height and 32 inches in width unframed, this large oil on canvas painting from the early 20th century depicts a pastoral scene at the riverside. In the lower l...
Category

Early 20th Century French Canvas Decorative Art

Materials

Canvas, Giltwood, Paint

20th Century Russian Oil Painting of a Dining Room by Vladimir Naïditch
By Vladimir Naiditch
Located in West Palm Beach, FL
A light-blue, red still life oil on canvas painting, portraying a sunny day in a dining room with colorful flowers in vases, decorated by detailed wallpaper, painted by Vladimir Naïditch in a hand carved original gilded wooden frame, in good condition. The room depicts a console, small side table and a black French armchair...
Category

Early 20th Century Russian Canvas Decorative Art

Materials

Canvas, Giltwood

Paris France Street Scene Oil on Canvas Painting, Signed Burnett
Located in Miami, FL
A beautiful oil on canvas painting of a street scene in Paris, France. This painting perfectly depicts life in the "City of Lights" with its restaurants, busy streets, cafes and wond...
Category

20th Century French Canvas Decorative Art

Materials

Canvas, Paint

End 19th Century Oil Painting Hunting Scene Herman Emil Pohle
Located in Casteren, Noord-Brabant
Oil on canvas. Signed lower right, Hermann Emil Pohle. The painting is a genre piece. A Renaissance style hunting scene. The hunting horn is blown before...
Category

Late 19th Century German Renaissance Antique Canvas Decorative Art

Materials

Canvas

Large Signed Southwestern Desert Landscape Painting
Located in Redding, CT
Large Signed Southwestern Desert Landscape Painting on board. Signed Jeanine 2003. Vast expansive view of the desert , its rolling clouds and its mountains in the background. Distres...
Category

Early 2000s Country Canvas Decorative Art

Materials

Canvas, Wood, Paint

ARKO Wall Art12 Contemporary Art Japanese Craft Rice Straw Art Wall Sculpture
By ARKO
Located in Shibuya-ku, Tokyo
Hand-sewed rice straw art by ARKO. Title: Composition Marcato (A) This is one of the series named "Composition XX" Her works have the feelings of...
Category

2010s Japanese Organic Modern Canvas Decorative Art

Materials

Canvas, Thread, Straw

Very Large 19th Century French Seascape Oil Painting by Alfred Couturaud
Located in Miami, FL
A fine original seascape painting in its original hand carved gilt wood frame. This large work of art is painted on canvas and has recently been cleaned to display its delightful det...
Category

Late 19th Century French Art Deco Antique Canvas Decorative Art

Materials

Canvas, Giltwood, Paint

Impressionist Painting Titled Nancy by Savannah Georgia Artist Myrtle Jones
By Myrtle Jones
Located in Savannah, GA
Featured in the book A Savannah Experience, by Myrtle Jones, this large pastel painting is one of the artist's finest paintings. Acrylic on canv...
Category

1980s American Other Vintage Canvas Decorative Art

Materials

Canvas, Giltwood

ARKO Wall Art14 Contemporary Art Japanese Craft Rice Straw Art Wall Sculpture
By ARKO
Located in Shibuya-ku, Tokyo
Hand-sewed rice straw art by ARKO. Title: Composition Marcato (B) This is one of the series named "Composition XX" Her works have the feelings of...
Category

2010s Japanese Organic Modern Canvas Decorative Art

Materials

Canvas, Thread, Straw

Signed Oil on Canvas by French Artist Jean Hubert Gautier
Located in Redding, CT
Signed Oil on Canvas by Jean Hubert Gautier (1872-1930). Nice heavy impasto technique of a classic french riverscape. The composition includes heavy clouds with a basilica in the bac...
Category

Early 20th Century French French Provincial Canvas Decorative Art

Materials

Canvas, Wood, Paint

Jean Antoine Watteau, Circle of, 18th Century Large Old Master Painting, France
By Jean-Antoine Watteau
Located in Vero Beach, FL
Jean Antoine Watteau (1684-1721) circle of. 18th century old master painting, France. With great pride we offer an extremely rare masterpiece from the 18th century, France. This painting is unsigned as most of his works. It has no provenance, but carries with it all the earmarks of the great Rococo style school of Watteau. It pictures one of his famous outdoor parties with a group of frolicking young people. In the background is a reference to a swing, a favored subject in his paintings. The composition of the painting, colors, brushstrokes (especially in the fabric) is clearly Watteau’s studio. This large 18th century canvas...
Category

18th Century French Rococo Antique Canvas Decorative Art

Materials

Canvas

Original Antique Map of The London Underground. 1911
Located in St Annes, Lancashire
Superb map of The London Underground Published by Ward Lock, 1911 Folding map. Printed on paper Unframed. Good condition/ Minor repair to an edge tear on right edge ( shown in ...
Category

1910s English Vintage Canvas Decorative Art

Materials

Canvas, Paper

French Post Impressionist Painting After Monet Water Lillies by Alain Thimel
Located in Miami, FL
french Post Impressionist Painting After Monet Water Lilies signed Alain Thimel This stunning oil on canvas painting is a beautiful homage to Claude Monet’s iconic Water Lilies. Cre...
Category

20th Century French Canvas Decorative Art

Materials

Paint, Canvas

Norman C Black Surrrealist Painting
By Norman Black
Located in West Palm Beach, FL
Norman C Black Surrealist Painting Clean Surface Norman Black was an English Painter born in 1920 and died in 1999
Category

1960s English Vintage Canvas Decorative Art

Materials

Canvas

Abstract Oil Painting, "Nobody Could Sleep"
Located in Haddonfield, NJ
Nobody Could Sleep - Abstract painting by American artist Jim Condron The painting is one of a series based on the Maryland landscape where Condron reside...
Category

2010s American Modern Canvas Decorative Art

Materials

Canvas

Monumental Sailboat Painting by Lee Reynolds Vanquard Studios
Located in Redding, CT
Monumental Sailboat Painting by Lee Reynolds of Vanguard studios. Minimalist design of sailboats in muted cream and brown tones. Framed in a gun metal colored frame. White glove ship...
Category

1970s Mid-Century Modern Vintage Canvas Decorative Art

Materials

Canvas, Wood, Paint

French Oil on Canvas Painting Streets of Montmartre Paris France, Signed
Located in Miami, FL
A beautiful oil on canvas painting titled "Montmartre rue de l'Abreuvoir" signed by G. Denis. This very decorative work of art is painted in the manner of Edouard Cortes that delig...
Category

20th Century French Canvas Decorative Art

Materials

Canvas, Paint

After Raffaello Sanzio 1483-1520 Raphael La Madonna Della Seggiola Oil on Canvas
Located in Los Angeles, CA
A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...
Category

Late 19th Century Italian Baroque Antique Canvas Decorative Art

Materials

Canvas, Giltwood

A Study of Thomas Gainsborough's Portrait Of The Welsh Actress Sarah Siddons
Located in New Orleans, LA
A charming later Victorian textured canvas applied to wood, study of Thomas Gainsborough's three-quarter portrait of the Welsh actress Sarah Siddons, presented in a period Ebonized c...
Category

1890s English Late Victorian Antique Canvas Decorative Art

Materials

Giltwood, Wood, Canvas

William Keith Original Tonal Oil Painting Flock of Sheep by a Pond Landscape
Located in Tustin, CA
Original oil on canvas, tonal-style landscape painting by listed, deceased, famous artist, William Keith (1838-1911). Painting features a group of majestic trees near a pond of water...
Category

Late 19th Century American Barbizon School Antique Canvas Decorative Art

Materials

Wood, Canvas

Attributed to Giorgio Lucchesi, Oil on Canvas "Madonna & Child" After Murillo
By Bartolomé Esteban Murillo
Located in Los Angeles, CA
Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...
Category

1910s Italian Baroque Vintage Canvas Decorative Art

Materials

Canvas, Giltwood

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

Early 1900s Italian Baroque Antique Canvas Decorative Art

Materials

Canvas, Giltwood

Otto Pilny Orientalist Oil on Canvas "The Slave Market" a North African Scene
By Otto Pilny
Located in Los Angeles, CA
Otto Pilny (Swiss, 1866-1936) A very fine orientalist oil on canvas "The Slave Market", depicting a desert scene with the offering of two female slaves. Signed and Dated (l/r): Otto Pilny, 1910. Canvas height: 31 1/2 inches (80 cm). Canvas width: 47 1/4 inches (120 cm). Frame height: 37 inches (94 cm). Frame width: 52 inches (132.1 cm). Previously offered at Christie's New York, 19th Century European Art, Sale 2521 on October 12, 2011, Lot 84. Latest Otto Pilny Sale: Christie's London - The Orientalist Sale including Works from the Najd Collection on 30 March 2021 - Lot 49 "Dance in the Desert" was sold for £100,800 ($138,500) There is not that much information about Otto Pilny who began his artistic education in Prague. Pilny also lived in Vienna and ended up settling in Zurich. Just like Ludwig Deutsch (1855-1935), Rudolf Ernst (1854-1932), and Carl Leopold Müller (1834-1892), Pilny was encouraged to travel abroad. During his two trips to Egypt, a favorite destination of the Austro-Hungarian school, the first one in 1889 and later en 1892, he acquired the taste of painting Orientalist scenes of Middle Eastern landscapes...
Category

Early 20th Century Swiss Islamic Canvas Decorative Art

Materials

Giltwood, Canvas

Hans Zatzka 'Austrian, 1859-1945' a Very Fine Oil on Canvas "Spring Beauties"
Located in Los Angeles, CA
Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890-1900's, Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...
Category

Late 19th Century Austrian Belle Époque Antique Canvas Decorative Art

Materials

Canvas, Giltwood

Italian 17th Century Oil on Canvas Head of Christ Crowned with Thorns, Mignard
By (circle of) Pierre Mignard
Located in Los Angeles, CA
A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...
Category

17th Century French Baroque Antique Canvas Decorative Art

Materials

Canvas, Giltwood

Antique Still Life Fruits Oil on Canvas English Oil Painting Giltwood Frame
Located in Dublin, Ireland
An exceptionally fine quality example of an elaborately framed English Still Life of fruits Oil Painting on canvas, in the style of Oliver Clare or Eloise Harriet Stannard, second qu...
Category

Early 19th Century English Victorian Antique Canvas Decorative Art

Materials

Canvas, Giltwood

Sensual Original French Painting 1940s Reclining Nude Pin-Up Girl by Joan Mayor
Located in Tustin, CA
Exquisite and colorful original oil on canvas painting by 20th century French painter, Joan Mayor, from the 1940s, depicts a ravishing woman or pin-up girl ...
Category

Mid-20th Century French Art Deco Canvas Decorative Art

Materials

Canvas, Paint

Fine 19th Century Oil on Canvas "Triumph of Flora" Attr. Ferdinand Wagner II
Located in Los Angeles, CA
A very fine and large 19th century Louis XV style Whimsical Neoclassical Revival style Oil on Canvas "The Triumph of Flora" attributed to Ferdinand Wagner II (German, 1847-1927), school of François Boucher (French, 1703-1770). The impressive artwork depicting a semi-nude Flora hovering through the clouds surrounded by playful cupids, cherubs, love doves and a seated maiden, within white and grey clouds, offering her Spring flower bouquets and floral wreaths, within a banded giltwood frame. Note: Previously used as a ceiling painting. Unsigned, Circa 1870. Measures: Canvas height: 91 3/4 inches (233 cm) Canvas width: 59 inches (150 cm) Frame height: 61 3/8 inches (155.9 cm) Frame width: 93 1/2 inches (237.5 cm) Depth: 2 3/8 inches (6 cm) Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld...
Category

19th Century German Neoclassical Revival Antique Canvas Decorative Art

Materials

Giltwood, Canvas

1970s Tom Hayward Abstract Figurative Framed Textile Art
Located in Chicago, IL
Gorgeous and show-stopping art by Tom Hayward. 5 faces in a neutral palette with texture. Dimensions: 49"W × 2"D × 59"H Styles: Abstract, Figurative P...
Category

20th Century American Mid-Century Modern Canvas Decorative Art

Materials

Textile, Canvas

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

Early 1900s Italian Baroque Antique Canvas Decorative Art

Materials

Canvas, Giltwood

1950’s Robert Debiève Cubist Screen Print ‘Flight of Flamingos’
Located in Hastings, GB
Debiève was a French artist who specialised in cubism and contemporary art work, often referred to as tapestries these pieces are actually screen prints on a variety of medium. ‘The Flight of the Flamingos’, or ‘Le vol de Flamants’ is screen printed on canvas mounted on board and brilliantly illustrates Debiève’s mastery of cubism. Producing only a few of these incredible, huge works of art, it is signed by the artist ‘R Debiève...
Category

1950s French Vintage Canvas Decorative Art

Materials

Canvas

German 19th Century Oil on Canvas Triptych of Cherubs by Ferdinand Wagner II
Located in Los Angeles, CA
Ferdinand Wagner II (German, 1847-1927) A very fine and charming triptych group of three oil on canvas laid on board titled "An Allegory to Spring" each panel depicting different playful and joyous scenes of putti and a cherubs reminiscent of spring, love and peace. The center panel depicting a seated putto, crowned with flowers, a standing putto behind him holding a sack of arrows and a seated cherub facing him next to a watchful peace dove on top resting of a flower bouquet. The left panel depicting a seated putto next to a standing putto with a freshly harvested apple. The right side panel depicting a standing cherub holding a fig branches with leaves. All three-in-one panels within individually carved giltwood frames. All panels signed at the lower left: Ferd. Wagner, circa 1890. Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr...
Category

Late 19th Century German Rococo Revival Antique Canvas Decorative Art

Materials

Canvas, Wood

Charles Joshua Chaplin 'French, 1825-1891' 'Girl with Bird's Nest' Oil on Canvas
By Charles Joshua Chaplin
Located in Los Angeles, CA
Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and r...
Category

19th Century French Rococo Revival Antique Canvas Decorative Art

Materials

Canvas, Giltwood

'after' Georges Rouault "Le Vieux Roi or the Old King" Oil on Canvas Painting
Located in Miami, FL
A fine oil on canvas painting in the manner of Georges Roualt's "le Vieux Roi or The Old King". This painting is marked on the back indicating that ...
Category

20th Century French Expressionist Canvas Decorative Art

Materials

Canvas, Paint

17th Century Large Dutch Painting Still Life with Fruit and Game, Oil on Canvas
Located in Vero Beach, FL
This large, old master still life painting is a perfectly balanced composition of fruit and game birds. In the foreground a rabbit is stretched out. A copper kettle and a basket are ...
Category

17th Century Dutch Baroque Antique Canvas Decorative Art

Materials

Canvas, Paint

Adolf Constantin Baumgartner Stoiloff Oil on Board Cossacks Warriors on Horsback
By Adolf Constantin Baumgartner-Stoiloff
Located in Los Angeles, CA
Adolf Constantin Baumgartner Stoiloff (Austrian/Russian, 1850-1924) a fine oil on board "Charging Cossack Warriors on Horseback" within an ornate giltwood frame, circa 1890 Born in 1850 in Linz (Austria) Stoiloff died in Vienna in 1924. According to a research of Russian literature, he studied in the 1880s at St. Petersburg Imperial Academy of Fine Arts. He was very well known for his Russian horse...
Category

Late 19th Century Russian Baroque Antique Canvas Decorative Art

Materials

Gesso, Canvas, Giltwood, Paint

French Framed Oil on Canvas Still-Life Painting Signed Morin, Depicting Fruits
Located in Atlanta, GA
A French framed oil on canvas still-life painting from the 19th century depicting fruits, signed Morin. Created in France during the 19th century, this oil on canvas painting features mouth-watering cherries and prunes displayed in wicker baskets and flanked with a copper strainer...
Category

19th Century French Antique Canvas Decorative Art

Materials

Canvas, Giltwood

19th C. Oil on Panel, Portrait of a Lady with Lace Collar
Located in Bridgeport, CT
Unsigned. Ca. mid-19th c. portrait of a lovely seated lady wearing a black dress with a fine broad lace collar, a sign of her high status in socie...
Category

19th Century Victorian Antique Canvas Decorative Art

Materials

Canvas, Wood

Original Louis Ritman Impressionist Still Life Oil Painting of Flowers in a Vase
By Louis Ritman
Located in Tustin, CA
Vividly colorful and classically composed, yet loosely painted, this original still life oil on canvas painting of flowers in a vase on a table is a fine example of the work of famous, listed, deceased American Impressionist painter, Louis Ritman...
Category

Early 20th Century French Other Canvas Decorative Art

Materials

Canvas

Collectible Rare Original Oil on Canvas Painting by Henri Pontoy, Paris France
Located in Miami, FL
A Rare Parisian Gem: "Le Vert Galant" by Henri-Jean Pontoy This captivating oil painting by Henri-Jean Pontoy (1888-1968) offers a unique perspective on the famed Paris, France land...
Category

Early 20th Century French Canvas Decorative Art

Materials

Canvas, Paint

19th Century Oil Portrait of an Elegant Young Woman Arranging Flowers
Located in San Francisco, CA
Oil portrait of an elegant young woman arranging flowers 19th century, initialed "J.M." Wonderful oil painting housed in a gilded frame. The painting shows a young woman arr...
Category

Late 19th Century English Antique Canvas Decorative Art

Materials

Canvas

Mid Century Standing Nude Portrait Oil on Canvas by American Artist Jane White
Located in Port Jervis, NY
Classical standing nude by American artist Jane White. Painted in the 1950s and once owned by the Estate of Eva Gabor. There is no provenance.
Category

1950s American Vintage Canvas Decorative Art

Materials

Canvas

Postmodern Triangular 3d Splatter Paintings - Set of 3
Located in Delray Beach, FL
Incredible postmodern three piece wall art. Each piece is comprised of wood in the shape of a triangle. Displays and green paint over paper.
Category

1980s American Post-Modern Vintage Canvas Decorative Art

Materials

Canvas, Wood, Paint, Paper

Contemporary Oil on Canvas Painting, Signed Lanci in the Manner of Rene Magritte
Located in Miami, FL
A unique oil on canvas painting that is so perfectly executed that it almost appears to be a machine made print. However, it is not. Instead it's a work that is masterfully painted w...
Category

20th Century French Mid-Century Modern Canvas Decorative Art

Materials

Paint, Canvas

Large Mid-Century Modern Orange Brown Tree Landscape Painting Signed Williams
Located in Chattanooga, TN
Stunning large scale Mid-Century Modern tree grove landscape painting. The lovely brown, beige and burnt orange painting features a grove stand at dusk. Concentric wrings of white at...
Category

1980s American Organic Modern Vintage Canvas Decorative Art

Materials

Metal

Original Ernest Lawson Plein Air New York Painting of Wooded Landscape
By Ernest Lawson
Located in Tustin, CA
Beautiful original plein air impressionistic and realistic style, oil on canvas painting, features a wooded landscape, with magnificent trees which dwarf a woman and child, who are w...
Category

Early 20th Century American Other Canvas Decorative Art

Materials

Canvas

Dana 1980s Large Black Pink and Blue Geometric Memphis Style Painting
Located in Chattanooga, TN
Vintage 1980s geometric Memphis style painting… capturing the full essence of the era. This large scale painting is the 1980s in a nutshell. Anyone who lived the period immediately gets flashback of Miami Vice, Trapper Keeper...
Category

1980s American Post-Modern Vintage Canvas Decorative Art

Materials

Brass

1970s Jaime Parlade Designer Hand Painting "Tiger" Oil on Canvas
Located in Marbella, ES
1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.
Category

Late 20th Century Indian Canvas Decorative Art

Materials

Canvas

Large Oil on Canvas "Beggar Boys Playing Dice" After Bartolomé Esteban Murrillo
By Bartolomé Esteban Murillo
Located in Los Angeles, CA
A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...
Category

Late 19th Century German Baroque Antique Canvas Decorative Art

Materials

Gesso, Canvas, Wood

18th-19th Century Oil on Canvas "The Triumph of Venice" After Paolo Veronese
By Paolo Veronese
Located in Los Angeles, CA
A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...
Category

Early 1800s Italian Renaissance Antique Canvas Decorative Art

Materials

Wood, Gesso, Canvas

Richard Frank 'Palm's Parade' Painting, Oil On Canvas 1980s Art Painting Artwork
Located in London, GB
A large oil-on-canvas painting, representing an exotic dreamy palm tree on a colourful pastel backdrop. Entitled ‘Palm’s Parade’, and dated 1980, the painting borders a palm tree with a snapshot of three palm trees on the top right. This painting is the epitome of 1980s American interiors, with its bold pastel shades and abstract shapes. A true 1980s Florida/Palm Beach and Miami artwork...
Category

1980s American Post-Modern Vintage Canvas Decorative Art

Materials

Canvas, Wood

Pair of Large Painted French Pastoral Canvas Panels
Located in West Palm Beach, FL
Decorative pair of French Pastoral painted panels on wood stretchers.
Category

20th Century French Canvas Decorative Art

Materials

Canvas

Lovers by a Fountain 19th Century Painting Oil on Canvas, Modesto Faustini, 1860
Located in Rome, IT
Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 Maggio 1839 - Roma, 23 marzo 1891. Born i...
Category

19th Century Italian Neoclassical Revival Antique Canvas Decorative Art

Materials

Canvas

Framed Antique Spanish Colonial Painting Cuzco School
Located in Atlanta, GA
A lovely antique oil on linen painting from Spanish Colonial period late 18th-early 19th century. In the style of Classic Cuzco School, the painting depic...
Category

19th Century Peruvian Spanish Colonial Antique Canvas Decorative Art

Materials

Canvas, Wood

Mid-20th Century Signed Painting of a Lighthouse
Located in Redding, CT
Mid-20th Century Signed painting of a lighthouse in a harbor. Colorful, happy composition of colors. Signed Vera Bettinger? Solid wooden frame. This item can parcel ship domestically...
Category

Mid-20th Century Canvas Decorative Art

Materials

Canvas, Wood, Paint

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