Furniture

Pair 19th Century Antique Victorian Plaques

Voyage Pendant lamp by Bymars x AGO Lighting Silver Materials: Aluminum, Cotton fabric, PMMA Light Source: Integrated LED (SMD), DC Watt. 24 W Color temp. 2700 / 3000K Cabl...

Small presentation island made from an old Jieldé machinelamp, nice for lichting jewelry or other small items. Special “floating” effect with the switchable tree colored bottomlight ...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

Tall Bandaska pendant light by Dechem Studio. Dimensions: D 9 x H 180 cm. Materials: brass, glass. Also available: different colours and sizes available. Hand-blown into beech ...

Tall Bandaska pendant light by Dechem Studio. Dimensions: D 9 x H 180 cm. Materials: brass, glass. Also available: different colours and sizes available. Hand-blown into beech ...

A Square Table is founded in a collaboration between eliaselias & Ole Victor. The idea is to make a functional furniture but most of all a piece of art. The combination of different materials - the vintage tabletop adds warmth and age - the organic and soft shapes from the ceramic legs...

Fancy Gustavian-style sideboard with three drawers and three doors, 19th Century.

In excellent condition with original Giltwood frames... you can tell from the back. One painting is signed. Hard to read: Harold Holding?? Paintings look very real.

Antique Karachopf Kazak Rug, Late 19th Century The madder field with a central rectangular medallion within an indigo serrated leaf and rosette bo...

A Pair of Mid-19th Century Carved Baluster Pedestals Carved from mahogany, each bulbous baluster pedestal rising from a stepped plinth supporting the oversized acanthus base beneat...

Exceptional Louis XV period chest of drawers in amaranth and violet wood. This high chest of drawers opens with 4 drawers spread over 3 rows. It is inlaid with sycamore fillets and t...

Bring the magic of the forest into your home with PLANTASIA. A mural of majestic trees stretching out as far as the horizon in prismatic technicolour, PLANTASIA is our vision of an i...

"THE ORIGIN OF GOD", white egg light holes sculptural white ceramic table lamp by Lorenzo Ciompi limited edition 2023 a tribute to Lucio Fontana, inspired ...

Vintage English luggage maps & guide case and hat box English, 20th Century Round case: height 29cm, diameter 41cm Map case: height 27cm, width 27cm, depth...

Art Deco inspiration Door and cabinet handle made of solid patinated brass, hand made in our workshops. Measure: 13 cm.

Bespoke modernist tubular writing table made of chrome plated tubular steel and lacquered wood.

A Fine and Elegant Gilt Iron Chandelier ornated with chains of faceted beads. Maison Jansen, France, circa 1930. 8 lights. Dimensions: Height 29" Diameter 21" CW5364

A spectacular French 19th Century Rouge marble and gilded ormolu clock garniture, having a beautiful seated Madian holding an oil lamp above masked bracket supports with ring handles...

Palmette ceiling light made by 104 Murano pink glasses in a gold metal frame. Murano blown glass in a traditional way. Structure in gold colored metal. Period:1980s Dimensions:47,25 ...

Gorgeous pair of Italian 1950 design table lamps/lights in the style of stilnovo. Patinated brass frame with white metal shades. The shades can be ...

A Pair of Artistically created birds for table decor, silver-plated peacocks - ideal for a coffee table or bookends. These figures are Classic Hollywood Regency! They are each unique...

SUNDARA (सुन्दर) means beautiful in the Nepali language. Our Collection embodies the beauty of original artisan craftsmanship and natural materials, such as wool, allo, cotton, alpac...

Pair of 1950s Italian gilt metal and olive green light fixtures. Single light. Sold individually. Measurements: Drop:17" Diameter:4.5"

Set of 2 medium Pausa oak stool by Pierre-Emmanuel Vandeputte Dimensions: D 27 x W 35 x H 65 cm Materials: oak wood Available in burnt oak version and in 3 sizes. Pausa is a se...

Once an incredibly popular decorative piece among the European elite, this antique specimen marble table is a collector’s item of magnificent beauty. ...

Architectural oak Pillar nightstands or end tables. Early European modernism inspired - with a hint of Japanese minimalism - always focusing on the b...

Antique French Empire Chandelier circa 1900.

Afghan Large Ersari Rug, c. 1900 Additional Information: Dimensions: 9'3" W x 18'4" L Origin: Afghanistan Period: c. 1900 Rug ID: 17944

Antique Persian Afshar Bagface Bag, c. 1900 This highly graphic Afshar bag face draws a large central indigo-blue hexagon against a complimentary contrasting terra cotta field. Both...

Dimensions with Frame: 108″ x 37.5″ Artist: Albert Guillaume Medium: Original Stone Lithograph Vintage Poster c. 1900 Albert Guillaume was a talented artist and poster designer who...

Original Italian Sconce in the style of Stilnovo with ivory shade. The length of the sconce is articulated. Italy 1960s.

Modernist cantilever chair H-128 designed by Jindrich Halabala and manufactured by UP Závody, Brno. This item is restored on request and available in different amounts. Delivery...

George III style Statuary and Verde Antico marble chimneypiece, early twentieth century, the inverse breakfront shelf above inlaid frieze centred by relief carved frieze of the Godde...

Pair of post-modern chairs in metal and resin, French production, circa 1980. This pair of armchairs has an imposing appearance and is composed of geometric shapes drawn on differe...

By Ming Keng Lu Ming Keng Lu's uncle would always brings snacks to his studio in the afternoons, and one day he brought freshly steamed water caltrops. It is a small, white nut that...

The 6-globe chandelier features six arms that are centered on a brass rod. Three of the globes are angled down with brass shades. The other three have white or black powdercoated sha...

This amazing lumbar pillow is handmade using the iconic Leoni Bizantini - XII-XIV century design - silk heddle velvet in indigo blue color from "Tessitura ...

This amazing lumbar pillow is handmade using the iconic Leoni Bizantini - XII-XIV century design - silk heddle velvet in olive green color from "Tessitura ...

The shapes of this candlestick, take inspiration from the story of Noah's Ark, re-enacted in a not too distant future, where rising sea levels have submerged everything. The protagon...

This lamp, crafted from hand-carved french limestone, is shaped and polished by hand to reveal the inherent beauty of the stone. The stone's texture and color variations create a un...

Mid-Century Modern set of 4 chairs by Laura de Lorenzo & Stefano Stefani, Italy,1980s.

Freyja Dorren, Projection, 2023, glazed earthenware- 54cm Height X 35cm Width Unique piece. Freyja Dorren, born and raised in Edinburgh and now based in London, is a recent graduate at the Royal College of Art Ceramics & Glass MA which follows a Degree in Textiles at Central Saint Martins. Freyja has always been influenced by the life of cities, exploring the marriage of old historical aspects of architecture with new and modern developments into our ever-growing cities. Her interest in architecture stems from taking walks through the city of London, discovering old classical buildings, brutalist creations and high-tech features all within a short distance walk from each other. This led her to create work that is a nod to the past and the present, with a graphic style and finish, combining the undiscerning elements of a city. Each piece she has created is influenced by interior detailing, deriving from places such as the V&A Museum and other historic landmarks within London. Freyja's textile print background enables her to transform the tactile surface to create a unique interwoven surface, giving a current relevance to the object, bringing a contemporary twist to each landmark detail, magnifying repetition, and significance of history when we design. The starting point of this sculptural vase is Victorian architectural...

Upgrade your space with these beautiful Wegner-style side tables! Handcrafted from solid Black Walnut, these small tables are designed in the style of Hans Wegner, but feature a few ...

“PLAY” armchair has an unusual shape that was assembled from several geometric elements. The bagel-shaped detail serves the back of the chair. Handcrafted in Ukraine, this armchair embodies the perfect blend of comfort and style. Its sleek design and attention to detail make it a true statement piece for any space. With its ergonomic features, it offers superior comfort, allowing you to relax and unwind in style. Armchair PLAY...

The Lichia sconce has a modern design. It's structure is made of polished, brushed or aged brass. It also has one light difusor in a round shape, made of acrylic, which can be the colors milky, nude, smoked or black, where there's a translucent round glass that covers the lamp. The lamp used is a G9 bi-pin led. The light emitted by the sconce is diffused, soft and calming. The sconce is named Lichia (lychee in english) after en exotic chinese fruit...

Eroded wood from an old house. Beautiful organic peace wood from an old house with stunning erosion detail. Oiling the root gives its special unique finish.

Superb Scandinavian armchair. Structure with three legs in Chrome Steel, seats and backs in cowhide leather in excellent condition. This piece of furniture comes from the premises ...

Antique Persian Karadagh Runner Rug, 19th Century Additional Information: Dimensions: 3'4" W x 11'9" L Origin: Persia Period: 19th Century (4th Quarter) Rug ID: 14467

A fantastic emerald green sputnik, with a surprising design and for its very low height, which allows it to fit in both high and low ceilings. Very elega...

outstanding iron wine rack by Arthur Umanoff. features a shelf and cane wrapped basket shelf with 45 circular spaces to hole wine bottles.

Aubusson Rug, Mid-19th Century Additional Information: Dimensions: 11'6" W x 13'8" L

Contemporary Brass and Bamboo Console, Italy

Mid-Century Modern Pendant Lamp by Achille Castiglioni , Italy, 1960s.

Belgium / 1920s / filing cabinet / wood and mint site panels, cardboard boxes / mid-century / industrial / vintage design An exquisite filing cabinet in warm dark wood with 30 origi...

Stool designed by Uno and Östen Kristiansson for Vittsö, Sweden, 1960s. Teak and leather. H: 40 cm W: 42 cm D: 42 cm.

ENYO est une tête de lit en trois modules qui s'adapte à la taille de votre lit. Cette version est proposée en Velours Titan Nobilis, autres couleurs sur ...

Onda vase, small, in metallic lavender n. 01 / 20 numbered serie Unique Handmade piece Glazed earthenware by Daria Dazzan Earthenware, glazes Measures : 17 X 18 cm ab. Handmad...