Massive Modern Korean Celadon "Thousand Cranes" Moon Jar, 21st Century, Korea

A charming Korean high fired gray pottery stoneware footed vessel, Three Kingdoms Period, Silla Kingdom, circa 6th century. The vessel of traditiona...

A sublime Korean white glazed porcelain globular jar, Joseon Dynasty, 18th century, Korea. The squat jar is heavily potted, with a globular body, very short neck, and wide mouth r...

A subtle and sublime small Korean white glazed porcelain moon jar, Joseon Dynasty, 18th/19th century, Korea. The small moon jar of typical form, ...

A charming Korean celadon glazed stoneware bowl with white and black sangam inlay, Goryeo Dynasty, 12th - 13th century, Korea. The celadon glazed stoneware bowl of generous propor...

A delightful small Korean Goryeo ware celadon glazed stoneware bottle vase with sangam slip inlay, Goryeo Dynasty, 12th - 13th century, Korea. The sma...

A wonderful Korean celadon vase, called a maebyeong, in the Goryeo style, but of early 20th century manufacture. The maebyeong vase with a beaut...

A small ceramic celadon storage jar circa 18th century of Korean Joseon Dynasty. The melon shape jar with a mouth and base of the same size display a beautiful harmony in its form. T...

Korean Celadon  Jar with Four Handles. Goryeo dynasty, 12th century. A stoneware body of baluster form with bulbous high shoulder, four small strap ...

It's a wonderful moon jar. It is a rare size that is suitable for the alcove of a Japanese tea room. It is shaped at once without connecting the uppe...

On offer is a large Korean ceramic storage jar (hangari) with white glaze and iron red underglaze dragon design. The globular shaped jar derived its form from the Moon Jar of the ear...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...