Japonisme Asian Art and Furniture
JAPONISME STYLE
In the late 19th and early 20th century, France developed an enduring passion for Japanese aesthetics and craftsmanship. Not only did this interpretation of Japanese culture — which became known as Japonisme — infuse fresh energy into French art and design, but it also radically transformed how Europeans, and subsequently the world, would come to understand visual culture.
Until 1853, Japan had been closely guarded against foreign visitors for over two centuries. However, American Commodore Matthew C. Perry sailed into Japan that year and initiated the first of its treaties with the United States and Europe, thereby opening its borders and giving the West its first-ever look at Japanese design.
For the next few decades, taken with Japonisme, sophisticated collectors in Paris, New York and elsewhere gorged themselves on lacquered screens, celadon ceramics and netsuke ornaments, along with artworks depicting various aspects of Japanese life. The East Asian country’s influence on Europe, particularly France, contributed to one of the most creatively prosperous periods in history, leaving an imprint on the Impressionist, Art Nouveau and Art Deco movements, and inspiring artists like Edgar Degas, Mary Cassatt, Vincent van Gogh as well as luxury houses such as Louis Vuitton and Hermès. Japonisme emerged at the time when the ornate Renaissance Revival style was the most prominent mode of decorating in Europe, and Japanese aesthetics seemed strikingly modern and elegant in comparison.
In addition to everyday practical objects from Japan, such as vases, tableware and decorative boxes, Japanese art, especially Japanese woodblock prints by masters of the ukiyo-e school, caught the eye of many artists — particularly those in the Art Nouveau poster community in 1880s Paris. The luscious organic colors associated with traditional Japanese design, motifs like cherry blossoms and carp and the vivid patterns found in woodblock prints, silks and more were adopted and appropriated by painters as well as ceramicists and those working in other fields of the decorative arts. Today, demand for Japanese lacquerware — furniture, trays, writing boxes, screens, incense burners — from the Edo period (1615–1868) and the late 19th century continues to be very strong among collectors.
Find a collection of antique Japonisme furniture and decorative objects on 1stDibs.
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Style: Japonisme
VIntage kimono textile art " Wish for prosperity " by ikasu Gold, Black, Japan
By Kimono ikasu
Located in Setagaya City, JP
This work is inspired by traditional Japanese nature colors symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers.
It is filled with storytelling ...
Category
1960s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Silk, Wood
Japanese Antique Fukusa Textile Art Meiji Period
Located in Atlanta, GA
A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested ...
Category
Early 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Silk, Beads
Japanese Ceramic Vase with Delicate Carvings by Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A delicate and rare Japanese ceramic vase by the important Meiji imperial potter Makuzu Kozan (1842-1916) circa 1887-1910. Dated to his underglaze phase post 1887 after he successful...
Category
1890s Japanese Antique Japonisme Asian Art and Furniture
Materials
Ceramic
Two Antique Japanese Hanging Scroll Paintings
Located in Atlanta, GA
Two Japanese scroll painting depicts scenes from the Tale of Genji (Genji-E), from Edo period. These painting were purchased from Odewara Shoten in the...
Category
Early 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Brocade, Paper
Throw Tan Sai 572
By Kenzo Takada
Located in Cadorago, CO
This is a vibrant pink and orange jacquard throw decorated with a pattern of large, elegant peonies and short fringes. The peony flower is a Japanese sy...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
Large Pair of circa 19th Century Japanese Kutani Porcelain Vases
Located in Brighton, Sussex
A magnificent pair of Japanese Meiji period (1868-1912) Kutani porcelain vases. Having wonderful hand painted images of attendants gathering in morning, having classical motif decora...
Category
Late 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Porcelain
Japanese Fukusa Relief Embroidery Textile Art of Dragon
Located in Atlanta, GA
A visually stunning Japanese fukusa panel with an embroidered dragon on a swirling cloud background, nicely displayed on a scarlet felt matt in a carve...
Category
1890s Japanese Antique Japonisme Asian Art and Furniture
Materials
Silk, Wood
Vintage kimono textile art "On Coral Waves ~Everlasting~" by ikasu Pink, Japan
By Kimono ikasu
Located in Setagaya City, JP
<< About this canvas >>
This kimono canvas set of three pieces portrays mountains surrounded by the sea. While each of the three pieces is crafted from different kimonos, they all s...
Category
1970s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Silk, Canvas
Japanese Hanging Bamboo Ikebana Basket Signed
Located in Atlanta, GA
A Japanese bamboo Ikebana hanging basket circa 1920s-1940s, made with "sooted" bamboo (susutake in Japanese). This bamboo material was collected from traditional thatched-roof houses...
Category
Early 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Bamboo
Vintage Traditional Japanese Young Woman Ceramic Sculpture
Located in North Hollywood, CA
Japanese lady sculpture wood fired handmade ceramic pottery.
Traditional Japanese young woman small sculpture.
Unusual shape beautiful collectib...
Category
Late 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Ceramic
Japanese Imari Bowl Centerpiece with French Ormolu Mounts, circa 1900
Located in Austin, TX
An elegant French Louis XVI style Japonisme centerpiece comprised of a large 19th century Meiji Period Japanese Imari Porcelain bowl with French gilt metal ormolu mounts, late 19th-e...
Category
Late 19th Century French Antique Japonisme Asian Art and Furniture
Materials
Ormolu
Pair of Japanese Bronze Vase with Metal Inlays by Mitsufune
Located in Atlanta, GA
A pair of elegant vases of solid oiled bronze from the Meiji era, Japan (1868-1912). In a Classic Meiping shape, the pair has a mirrored inlay with gold, silver and red enamel that d...
Category
Late 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Bronze
A boxwood netsuke depicting a monkey trying to catch a turtle
Located in Milano, IT
A boxwood netsuke depicting a monkey trying to catch a turtle, which retracts its head and legs inside the carapace.
Origin: Japan
Period: Edo 19th century.
Dimensions: 3.4 x 3 x ...
Category
Early 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Boxwood
Japanese Mishima Ceramic Vase Meiji Period
Located in Atlanta, GA
A Japanese long neck slender ceramic vase in the style of Mishima, circa 19th century, Meiji period. Mishima pottery was originally imported from three islands in Taiwan and then fro...
Category
19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Ceramic
Japan kobako box lacquer samurai - Edo
Located in PARIS, FR
Takamaki-e and kirigane lacquer kobako box depicting two samurai entering an enclosure. Four guards block their access. The side is decorated with cherry blossoms in maki-e lacquer o...
Category
18th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Gold
A boxwood netsuke depicting a snake
Located in Milano, IT
Boxwood netsuke depicting a snake coiled around itself.
Signature engraved under the base.
Origin: Japan
Period: Meiji late 19th century.
Dimensions: 4 x 3.5 x 2 cm.
State of co...
Category
19th Century Antique Japonisme Asian Art and Furniture
Materials
Boxwood
Japan bronze cicada sculpture okimono Meiji
Located in PARIS, FR
Bronze sculpture with dark brown patina of a cicada.
The cicada (in Japanese, semi) is considered as a symbol of humanity. Together with a praying mantis and a spider, they represen...
Category
Late 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Bronze
Large Baluster Japanese Copper Vase, 1920s
Located in Lisboa, PT
Large baluster vase with copper leaf on a ceramic core, decorated in repoussé with two dragons passing through the clouds, the perimeter of the bas...
Category
Early 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Copper
Antique Japanese Iron Stirrups with Silver Inlay Signed
Located in Atlanta, GA
A pair of antique Japanese Abumis, stirrup for horse-riding, in cast iron with elaborate silver inlay, circa 16th century Muramachi to Momoyama period. The prototype of Japanese abum...
Category
16th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Silver, Iron
Elegant Japanese Lacquered Ikebana Bamboo Basket
Located in Atlanta, GA
A vintage Japanese ikebana made from lacquered bamboo basketry circa first half of the 20th century. This piece of bamboo art displays an very light and delicate classic tapered squa...
Category
Early 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Bamboo, Rattan
Japanese Sterling Silver Centerpiece Pedestal Bowl by Hattori Kintaro
By Hattori Kintaro
Located in Atlanta, GA
An exquisite Japanese presentation bowl in sterling silver by Hattori Kintaro (1860 - 1934), circa 1910-1920s, late Meiji era to early Taisho era. This rare and rather large piece wa...
Category
Early 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Malachite, Sterling Silver
A boxwood netsuke depicting a snake wrapping around a pumpkin
Located in Milano, IT
Boxwood netsuke depicting a snake wrapping around a pumpkin.
The snake is a symbol often associated with rebirth, transformation while the pumpkin is a symbol of fertility, abundanc...
Category
19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Boxwood
Collection of Four Japanese Tamba Tokkuri Sake Bottles
Located in Atlanta, GA
A set of four Japanese Ceramic Tokkuri Sake storage bottles circa early 20th century (Meiji to Taisho period). The bottles were made in Tamba (Tanba) kil...
Category
Early 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Ceramic
Pair of Japanese Meiji Period Bronze and Gilt Vases
By Zo Miyao 1
Located in Brighton, Sussex
Pair of fine quality Japanese Meiji period (1868-1912) patinated bronze Miyao style gold and silver overlay two handled vases, each with twin handles, classical motif decoration with...
Category
Late 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Bronze
Japanese Lacquer Maki-e Sake Ewer Meiji Period
Located in Atlanta, GA
A Japanese lacquered wood sake ewer with maki-e design, circa late 19th century, Meiji period. The nicely decorated lacquerware is of a Classic sake ewer for...
Category
1890s Japanese Antique Japonisme Asian Art and Furniture
Materials
Lacquer
A Satsuma bowl decorated with a striking landscape
Located in Milano, IT
Satsuma bowl decorated with a striking landscape that evokes the beauty and serenity of the Japanese hills, with a gently flowing river surrounded by trees and mountains.
The bowl i...
Category
19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Ceramic
Tsumikasanattamono by Wataru Hatano BK Small_A
Located in Sammu-shi, Chiba
Japan / 2021s
Size : W900 D25 H1200 mm
Kuroya Washi artist Hatano Wataru's masterpiece "Stacked Things" series. Japanese paper, soil, pigments, etc. are layered on top of each other to express the beauty of what has been accumulated over the years.
[Wataru Hatano...
Category
2010s Japanese Japonisme Asian Art and Furniture
Materials
Sandstone
VIntage kimono textile art " Monochrome Geometry " by ikasu Gold, Grey, Japan
By Kimono ikasu
Located in Setagaya City, JP
This work is inspired by traditional Japanese nature colors symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers.
It is filled with storytelling ...
Category
1960s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Silk, Wood
Throw Botanshima 150
By Kenzo Takada
Located in Cadorago, CO
This is a yarn-dyed jacquard throw decorated with blue, green, and brown stripes, with a pattern of peony flowers and finished with short fringes. The blue tones are characteristic o...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
Vintage kimono textile art "Sunset Timelapse ~Ephemerality~" by ikasu Red, Japan
By Kimono ikasu
Located in Setagaya City, JP
The art piece uses two sides - front and reverse - of the same kimono, to show beautiful sea surrounding Japan, in hues and in late sunset, as a timelapse.
The frame for this work is made of paulownia wood taken from antique Kiritansu - chest-of-drawers for kimono.
I use antique kiritansu that can’t be used as furniture anymore to create basis and frames for my works. It adds them even more authentic atmosphere of traditional wabisabi spirit. Can you feel it?
<< Period / Story >>
The kimono used in this piece was originally crafted during Showa period (around 1960ies).
<< Explanation and meaning of pattern and colors >>
Sea waves, depicted in two color variations here, are a symbol of transience and Impermanence in Japanese culture. The ebb and flow of the tides, the ever-changing currents, and the relentless motion of the waves serve as reminders of the fleeting nature of life. This artwork featuring the sea convey themes of impermanence, reminding viewers to cherish the present moment and appreciate the beauty of life's fleeting moments.
The theme of impermanence is strengthen by two colors of the sea - the lighter in early hues and the darker when the sun is just about to set in the sea.
<< About the frame >>
This artwork frame is crafted from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos, and it serves to convey the refined beauty of Japanese nature.
Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.
Paulownia wood is closely linked to kimono culture. During the Edo period (17th cent.~), it became customary to store cherished kimonos in paulownia chests...
Category
1960s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Silk, Wood
Large Japanese Lacquer Tray with Maki-e Carp Design Meiji Period
Located in Atlanta, GA
A large rectangular tray with scalloped corners and slightly raised gallery rim circa late 19th century to early 20th century (end of Meiji period). The center image showcases a live...
Category
Early 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Lacquer
One of The Two Japanese Ceramic Vases Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
Two small nearly identical ceramic vases by Japanese Meiji imperial potter Makuzu Kozan (1842-1916), circa 1890-1900s. The vases were made in the form of jarlet with swelled shoulder...
Category
Late 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Ceramic
Rare Japanese Lacquer Writing Box Suzuribako Meiji Period
Located in Atlanta, GA
A Japanese Lacquer writing box Suzuribako Meiji Period (1868-1912), likely circa late 19th century. This suzuribako is one of the most unusual boxe...
Category
19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Lacquer
Japanese Bamboo Basket Ikebana Suzuki Gengensai
Located in Atlanta, GA
An elegantly woven bamboo basket with handle as an ikenana container by Suzuki Gengensai (1891-1950) circa 1923-50. Suzuki Gengensai was from Kansai region and active in Osaka. He studied bamboo art under Yamashita Kochikusai (1876-1947) and became an independent artist in 1913. He received his artist name Gengensai in 1914 and in 1923 he changed the characters to Gen, a slight written variation of the character. This basket was signed in this later variation, which helps to date the piece to post 1923.
The basket is woven entirely in a free style irregular plating on the body and with a twisted bundled handle. The surface is lacquered in a deep reddish color. The seemingly less rigid technique renders the piece a more rustic and natural aesthetic that is more suitable for certain occasions. It is singed on the base with artist's signature in the variation post 1923.
A very similar basket of the irregular weaving but without the handle is illustrated in plate 72 in "Baskets Masterpieces of Japanese Bamboo Art...
Category
20th Century Japanese Japonisme Asian Art and Furniture
Materials
Bamboo
Japanese Antique Lacquer Maki-E Miniature Hasami-Bako with Copper Mounts
Located in Atlanta, GA
A Japanese lacquered box with lid in the shape of a miniature Hasami-Bako (traveling chest) circa late 18 to early 19th century of the Edo period....
Category
Early 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Copper
Japanese Porcelain Glazed Vase with Dragon Design Mazuku Kozan
By Makuzu Kozan
Located in Atlanta, GA
A porcelain vase with dragon design by Japanese imperial potter Makuzu Kozan (1842-1916), circa 1900s. The vase is made in what is considered early phase of his underglaze period during late Meiji era. In a classic baluster form, the surface of the vase was decorated with a slithering dragon in underglaze iron red circulating the exterior among pink clouds. The animated rendering of the dragon is fine and detailed, with five claws, scales, long tails and highlighted eyes. The pink cloud is misty and called Morotai or the hazy style, created with a unique technique developed in Kozan's studio called fuki-e by blowing the pigment powders onto the surface. Kozan Studio experimented with newly available colors from the west starting in the 1880s, which resulted in the expansion of the palette and style that bridged the east and west aesthetic tradition. Marked in underglaze blue on the base.
Known also as Miyagawa Kozan...
Category
Early 1900s Japanese Antique Japonisme Asian Art and Furniture
Materials
Porcelain
Vintage obi textile art " Camellia ~ Serendipity ~ " by ikasu Blue, Japan
By Kimono ikasu
Located in Setagaya City, JP
This work is inspired by traditional Japanese nature motifs symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers.
In this artwork, the aim was to capture the the auspicious symbol of camellia used in antique kimono. Traditional Japanese culture, represented by the kimono, and wood, an integral element of Japanese craftsmanship, were used to bring this vision to life.
I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece.
<< Explanation and meaning of pattern and colors >>
This delicate piece features hand-drawn camellia motifs flowing gracefully on a softly brightened grayish background.
Camellias, native to Japan, bloom from winter to early spring. As an evergreen tree with green leaves throughout the year, it symbolizes the anticipation of spring and is considered an auspicious plant. Due to its seasonal significance and auspicious meanings, camellias have been used as motifs symbolizing good fortune. Additionally, they were highly valued for their use in oil, cosmetics, and medicine, representing nobility. Believed to possess the power to ward off misfortune, camellias also carry the meaning of "protection from calamity" and have strong ties to traditional ceremonies. In this artwork, camellias are delicately depicted alongside flowing branches, subtly representing good fortune with their pale pink and white hues.
"Sora-iro nezumi 空色鼠" refers to a light grayish color with a hint of blue, reminiscent of the slightly brightened sky on a lightly cloudy day. Popular during the late Edo period (19th cent.), it elegantly captures the slightly brighter sky pattern seen on lightly overcast days. Notably, the term "nezumi-iro" (mouse gray), popular during the late Edo period, was paired with brown tones, collectively known as "Forty-eight Teas and a Hundred Mice 四十八茶百鼠." Colors within the "nezumi" (gray) spectrum, particularly "sora-iro nezumi," were favored by young people for their cool and sophisticated appeal.
<< Characteristics of the fabric >>
The fabric features intricately woven patterns that reveal subtle gradations through dyeing, creating a grid pattern that transforms depending on the light conditions.
Originally, this fabric was part of a formal kimono known as a "hōmongi 訪問着," featuring motifs along the hem, shoulders, and sleeves. These motifs have been carefully selected and combined to create a unified piece of artwork.
<< About the frame >>
Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos.
Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.
During the Edo period, it became customary to store cherished kimonos in paulownia chests...
Category
1960s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Silk, Wood
Antique kimono textile art "Kobachi ~ Green Collection ~" by ikasu Green, Japan
By Kimono ikasu
Located in Setagaya City, JP
This work is inspired by the green color palette, and is framed in paulownia wood originally used for a kimono chest-of-drawers.
In this artwork, the aim was to capture the wide pal...
Category
1920s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Silk, Wood
Vintage kimono textile art " Turquoise Forest ~Strength~ " by ikasu Blue, Japan
By Kimono ikasu
Located in Setagaya City, JP
Fabrics featuring iconic Japanese plants like chrysanthemum, maple, and bamboo were gathered from various long underwear and kimono pieces to create a set of canvases (diameter 30, 25 and 20cm) showcasing exquisite gradations.
The top canvas, in pristine white, originates from long under-kimono, while the middle and bottom canvases are skillfully upcycled from kimono fabrics.
<< Period / Story >>
The long under-kimono and kimono fabrics used in these canvases were originally crafted and worn during the late Showa period (1960-80ies).
<< Explanation and meaning of pattern and colors >>
The pattern on the top canvas features a chrysanthemum, an auspicious emblem symbolizing longevity. It is affectionately referred to as the "raccoon dog chrysanthemum" due to the large, overlapping petals resembling the fur of a muzina, a creature similar to a raccoon dog or badger. This motif is highly popular in various plant-inspired designs and frequently seen in Edo komon, katazome, and jimon textiles.
The top canvas naga-juban under-kimono, being entirely white and devoid of any additional dyes, suggests its use as formal wear. Its pristine white hue accentuates the silk's luster when exposed to light and highlights the beauty of the woven patterns.
The fabric used here is rinzu, a type of fabric thinner than crepe de chine, characterized by its soft, smooth texture and subtle sheen. This particular lintel distinguishes itself with the way its ground pattern emerges and also incorporates a woven chrysanthemum pattern.
The central canvas showcases a maple tree, symbolizing longevity, which changes its colors with the seasons, bringing joy and happiness to people's lives.
The bamboo featured on the lower canvas has been regarded as a symbol of good fortune since ancient times, given its straight and vigorous growth, along with the Chinese legend that a phoenix consumes its fruit. It embodies concepts such as "immortality," "longevity," and "strength" because it remains green even in winter. The hollow stem also signifies "innocence," suggesting that there are no hidden agendas.
All three canvases are adorned with ground patterns that, when viewed from a distance, appear as modern works of art, yet upon closer inspection, they reveal a distinct Japanese ambiance.
<< Characteristics of the fabric >>
All three canvases are made of fabrics with jimon. The unique and high level of Japanese weaving...
Category
1970s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Canvas, Silk
A Cloisonné hexagonal potiche
Located in Milano, IT
Cloisonné potiche with a hexagonal shape, embellished with delicate floral decorations on reserves held by silver threads with geometric motifs. The lid features a spherical socket.
...
Category
Late 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Metal
Japanese Bamboo Basket Ikebana
Located in Atlanta, GA
A Japanese woven bamboo basket in the shape of crescent with open top and a wrapped handle circa 1920s-1940s. The basket was woven with "sooted" bamboo (susutake in Japanese). This b...
Category
Early 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Bamboo
Two Japanese Mother of Pearl Wood Dishes
Located in Brea, CA
Two Japanese mother of pearl wood dishes, very beautiful pieces. Measures: Large one H 2” x L 13.5” x W 10”.
Category
Early 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Lacquer
Japanese Porcelain Vase Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes.
Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...
Category
Early 1900s Japanese Antique Japonisme Asian Art and Furniture
Materials
Ceramic
Antique kimono textile art " Peacock Feathers ~Royalty~ " by ikasu Blue , Japan
By Kimono ikasu
Located in Setagaya City, JP
This work uses an antique furisode (festive kind of kimono with long sleeves) with peacock feathers - a symbol of royalty and prosperity. Can be used both vertically and horizontally...
Category
Early 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Gold Leaf, Silver Leaf
Vintage kimono textile art " Plum Gradation " by ikasu Pink, White, Japan
By Kimono ikasu
Located in Setagaya City, JP
This canvas featuring a plum color gradient kimono showcases a unique decorative variation of the popular seigaiha (青海波) sea waves pattern.
The artwork got a Mr. & Mrs. Abe Arts & Cu...
Category
1980s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Canvas, Silk
Japanese Ink and Wash Scroll Painting by Watanabe Seitei
Located in Atlanta, GA
Watanabe Seitei, also known as Watanabe Shotei (1851–1918), was born in late Edo period. He was one of the earliest Japanese artists who visited and be...
Category
Early 1900s Japanese Antique Japonisme Asian Art and Furniture
Materials
Brocade, Silk, Paper
Unusual Japanese Lacquer Inkstone Box with MOP Inlays
Located in Atlanta, GA
A Japanese black lacquer box with mother of pearl inlays circa early 20th century, end of Meiji period. It was likely to be used to store inkstone or other scholarly items. The piece displays several interesting characteristics that appear puzzling initially. First, the form is not typical Japanese, but more Chinese and Korean, with its scalloped base. Second, the decoration of MOP inlays also suggests a Korean and Chinese affiliation, especially with the linear borders and the scrolling cloud patters on the sides of the box. These two observations suggest that the box may be from Ryukyu Island instead of Japanese mainland. Third, strikingly in the center of the cover, a bold quarterly floral pattern outlined with MOP was filled with a striking mottled red lacquer using tsugaru nuri...
Category
Early 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Wood, Lacquer
Vintage Japanese Gauze Kimono with Embroidery Modern Design
Located in Atlanta, GA
A Japanese formal Kimono made with a very fine black linen gauze augmented with applied modern circle pattern. The garment was hand-stitched and dated to circa 1930-50s. The black ga...
Category
Mid-20th Century Japanese Japonisme Asian Art and Furniture
Materials
Silk, Linen
JAPANESE 1920'S WOODBLOCK TRIPTYCH WATERCOLOUR PRINT GEISHA GIRLS PLAYING MUSiC
Located in West Sussex, Pulborough
Royal House Antiques
Royal House Antiques is delighted to offer for sale this stunning Antique Japanese Woodblock Triptych watercolour print of Ge...
Category
1920s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Wood
Antique kimono textile art " Kobachi ~Marine Collection~ " by ikasu Blue, Japan
By Kimono ikasu
Located in Setagaya City, JP
This work is inspired by the blue color palette, and is framed in paulownia wood originally used for a kimono chest-of-drawers.
In this artwork, the aim was to capture the wide pale...
Category
1920s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Silk, Wood
Vintage kimono textile art "Flowers ~Life Circle~" by ikasu Pink, Black, Japan
By Kimono ikasu
Located in Setagaya City, JP
<< About this canvas >>
This canvas is crafted from three different haori fabrics, each adorned with a shibori dyeing flower motif going through entire fabric. These fabrics tell a ...
Category
1970s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Canvas, Silk
Vintage obi textile art "Broken Vase ~kintsugi~" by ikasu Black / Gold, Japan
By Kimono ikasu
Located in Setagaya City, JP
This textile artwork uses a vintage obi dated around 1980ies, with a feather motif, and arranges it so that it looks like a vase.
Antique obi, just as it is a broken vase, is united back again with black obijime - a string used to tie up obi when it’s worn. Framed in kiritansu (antique chest) paulownia wood.
It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury.
I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece.
<< Explanation and meaning of pattern and colors>>
Feathers hold various meanings and symbolism in Japanese traditional culture, often reflecting themes of spirituality, symbolism, and folklore. Here are some of the meanings associated with feathers in Japanese tradition:
・Divine Protection: Feathers are often seen as symbols of divine protection and spiritual guidance. Feathers, especially those from birds, are considered to be imbued with the protective energy, offering spiritual guardianship and safeguarding against negative forces.
・Connection to the Spirit World: Feathers are sometimes associated with the spirit world and the realm of the divine. In folklore and mythology, feathers are depicted as messengers between the earthly realm and the celestial realms.
・Symbol of Beauty and Elegance: Feathers are admired for their natural beauty, grace, and elegance. In traditional Japanese arts such as Noh theater, Kabuki, and dance performances like Kagura, actors and performers often use feathered costumes or accessories to enhance their appearance and convey a sense of refinement and sophistication.
・Sign of Good Luck and Prosperity: In Japanese folklore, certain birds like cranes and pheasants are considered symbols of good fortune, longevity, and prosperity. Feathers from these birds are often depicted in art and craftwork as auspicious symbols believed to bring blessings and positive energy to the bearer.
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Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos.
Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.
During the Edo period, it became customary to store cherished kimonos in paulownia chests...
Category
1980s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Silk, Wood
Japan mice treasure bag Meiji
Located in PARIS, FR
Japanese bronze representing two mice, one of them pulling a treasure bag.
The mouse or the rat (both called nezumi in Japanese), one of the zodiac signs, is a symbol of fortune. T...
Category
Late 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Bronze
Japanese golden kobako flowers Edo period 18th century
Located in PARIS, FR
Quadrangular kobako box decorated with flowers in gold and blue lacquer with aogai inlay. Lid and sides in fundame lacquer, underside and interio...
Category
18th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Gold
Vintage obi textile art "Under the Sun ~Serendipity " by ikasu Red / Beige Japan
By Kimono ikasu
Located in Setagaya City, JP
This artwork creatively uses tree bark to evoke the imagery of woods and mountains during both the morning and nighttime on left and right. It is elegantly framed with paulownia wood, a tree closely connected to kimono culture, and is filled with storytelling and sense of luxury.
By incorporating both the front and back sides of the same obi fabric woven in different colors, the play of light and shadow on the mountains is depicted through the contrasting appearances of these surfaces.
The intention behind this piece is to convey the exquisite beauty of Japanese mountains and the lush forests that inhabit them. To achieve this, traditional elements of Japanese culture, such as obi textiles and craftsmanship involving wood, were used.
The outer side and inner linings of the same obi, no longer suitable for clothing, along with bark material that would normally be discarded, have been repurposed to create this exceptional upcycle artwork.
The fusion of Japanese natural materials – silk, paulownia wood, and pine bark for the central decoration – along with the so-called "Tozan" pattern, a unique Japanese natural design showing mountains from far-away point, captures the magnificent beauty of Japanese nature from various perspectives.
The central bark decoration stands out as a distinctive feature of this work. Pine, oak, and other tree barks are interwoven among the mountains woven into the obi, creating a tangible and authentic natural atmosphere.
<< Period / Story >>
The obi used in this piece was originally crafted during the late Showa period (1960-80ies).
<< Explanation and meaning of pattern and colors >>
This upcycle artwork uses an obi with a tozan pattern woven in two colors. The design is inspired by a distant mountain range, a motif that has been used in paintings and crafts since ancient times. However, in this particular design, the mountains are depicted not as distant peaks but as graceful semicircles giving it a mild atmosphere.
<< Characteristics of the fabric >>
This upcycled Fukuro-obi (two-side obi) showcases a festive color pattern of mountains intricately woven with gold threads against a beige front and red on the back.
The way this obi interacts with light allows it to shift in expression, much like a mountain revealing different facets over time. It can transform from deep shades of color to the appearance of gold shimmering against bright hues, depending on the lighting and viewing angle.
<< About the frame >>
Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos.
Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.
During the Edo period, it became customary to store cherished kimonos in paulownia chests...
Category
Late 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Silk, Wood
Hagi Ikebana Vase by Kyusetsu Miwa X Japanese Studio Pottery
By Kyusetsu Miwa X
Located in Atlanta, GA
A stoneware vase with white dripping glaze from Hagi by Kyusetsu Miwa X (1895-1981), Showa Period. The vase is in the shape of "Double Gourd" with a bulbous ...
Category
20th Century Japanese Japonisme Asian Art and Furniture
Materials
Ceramic
VIntage kimono textile art "Geometry ~Marble~" by ikasu Gold, White, Grey, Japan
By Kimono ikasu
Located in Setagaya City, JP
This work is inspired by traditional Japanese nature motifs symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers.
It is elegantly framed with pau...
Category
1960s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Silk, Wood
Pair of Large Japanese Carved Wood Temple Candleholders Edo Period
Located in Atlanta, GA
A tall pair of Japanese carved wood candle holders circa early 19th century (late Edo Period). The pair is carved in the typical form with a block base in the shape of stylized chrysanthemums and long fluted stem with changes in diameter that supports a grooved holder fitted with metal pricket. These types of oversized candle holders were traditionally used in Buddhist temples or Samurai's resident where they were placed on the altar table for worshiping. What is extraordinary of these candle stickers is that they feature a wonderfully conserved surface with lacquered gold leaf. The sparkling gold on the well weathered surface is visually striking. The professional conservation was performed in 2007 and as a result, the pieces display a wonderful aged Wabi-Sabi patina.
The piece retains an original invoice from Far Eastern Antiques...
Category
Early 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Gold Leaf
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