16th Century Building and Garden Elements

16th Hand Carved Stone Relief Renaissance Building Façade. Modern Iron Foot

France / 16th century / set of 20 castle keys / metal / Antique / Rustic Rare charming set of 20 Antique keys from the 16th century, France. A beautiful ...

16th Century Italian Tuscan Old Chestnut 2 Door Stipo with Losanghe. Interesting architectural element composed of 2 framed and trimmed doors of single slabs of very old chestnut. ...

An antique Italian pair of Corinthian Capitals from the Renaissance period, hand carved in limestone. Minor fading, scratches due to age. Wear consistent with age and use. Circa 1500...

France / 16th century / set of 20 castle keys / metal / Antique / Rustic Rare charming set of 20 Antique keys from the 16th century, France. A beautiful ...

Group of 16th century (or earlier, possibly Gothic) Spanish or Italian wrought iron furniture mounts. These hand-wrought bosses and nails show incredible workmanship. These would have been used to decorate - and to structurally hold together an early chest or casket. The four geometric bosses beautifully made, eight ounces each without the nail! The nails are works of art in themselves, with their heavy geometric heads. Also two round bosses with the nail integral to the piece, one a mushroom form, the other like a parasol. And a single hand-wrought double sided nail. Great group of early iron. Provenance: Frances Pratt, Writer, Artist, Collector. New York City. Approximate sizes: 4 bosses 4.625 inches square 11.75 cm Round bosses 3 inches diameter the larger 2.5 the smaller 7.6/ 6.35 cm 4.5 in high 11.4 cm 5 nails...

An original antique burgundy hard stone bloc with a central lower part. Perfect to be used as a tabletop or for a Wabi Sabi spirit fireplace base and ca...

This is a terracotta olive jar from central Spain. It has a wonderful aged patina with chalky painted finish. It makes a great statement as a sculpture in a room on a pedestal, alone...

Sensational French antique fireplace surround for the connoisseur. Late 16th - early 17th century period chateau fireplace surround in great authent...

English Renaissance (Tudor-16th Century) oak carved linen fold design paneled room with a mantle, overmantle carving and a Pair of spindle design open doo...

French 16th century tiles Dimensions from the left top to the right of each tile. a) 5.25" x 1" x 5.25" - 5"x 1" x 5" - 4.5" x 1" x 4.5" - 4" x 0.7...

16th Century Spanish Terracotta Vase Hand made marks around the vase.

16th Century French Renaissance period fireback with the Arms of France. Coat of arms of the house of Bourbon, an originally French royal house that became a major dynasty in Europe....

A sensational pair of 16th century Capitales Sevillanos, fabricated in Italy of Carrara marble and then brought to Seville, Spain. Wonderful architectural elements to incorporate int...

16th Century Spanish Renaissance Coffered Ceiling. Tempura on Pine is brilliant colors of azure, red, black and white. Moorish Rosettes and intert...

Rich Renaiscance period half-columns in Belgian Saint-Remy Marble for eclectic interior design. These 2 original antique, 16th century period, columns are mounted on a stand and has ...

A monumental 16th century sandstone Renaissance fireplace mantel. Finely sculpted with a moulded beam and colomn supports. Decorated with flower motives, guirlandes and cirkels. Lov...

16th Century Spanish Terracotta Vase Hand made marks around the vase.

An outstanding and exceptional set of 3 16th century ceiling panels - beams from Barcelona. Hand hewn solid wood panels beautifully painted. Fabulous architectural elements to incorp...

Pair of Persian (16th Century) carved and painted open design window panels with floral decoration.

A rare pair of carved sandstone Burmese temple guards. Originates from paragode in Burma c. 15-17th century. Handcarved with fine details. Each guard ...

Palatial portal made of Medicean breccia, a type of marble that owes its name to its extensive use by the Medici family in Tuscany in the 16th century for facings and decorations. Co...

Entrance door of a city Moughal XVI-XVII century North of India Deeply carved Teak wood with floral desigs With iron rings and sticks to avoid the elephant hits . Maharashtra, ...

Although when most people hear the word “gargoyle”, they probably envision small, winged creatures with grotesque visages. However, the phrase has a deeper meaning, encompassing any carved head (animal or human) that function as waterspouts. From the Early Renaissance (late 1400’s/early 1500’s), our gargoyle fountain spout features a human-like face with pointed ears, possibly representing a centaur or a satyr. The roughly rectangular block of marble was hand-carved in Arezzo, in the Tuscany region of Italy. All sides except the front of the cream-colored stone have a sawed finish, resulting in a rough texture. The back has been excavated, adding to the character of the gargoyle. A 1 ½” diameter hole has been cut all the way through, forming an open mouth of the gargoyle. The gaping mouth was often a symbol used to conjure images of devouring giants and used to remind people that they are susceptible to certain forces. Our 15th/16th century marble...

This outstanding Tonnerre stone fireplace is a masterpiece of the first French Renaissance. It was sculpted in 1534, under the reign of King François the 1st for Philippe Merlan (1503-1546), Baron of Montpont, Lord of Jully-lez-Arnay-le-Duc. This monumental fireplace...

Limestone, carved on four sides with acanthus and scrolls, with traces of primer.

Rare 500-600 year old sandstone relief statue of Saraswati, the goddess of speech, arts, music, knowledge and mind power. Original in three parts mou...

A fantastic pair of Gothic period hand carved stone capitals from the Avignon area of France. Exceptional fragments whether used architecturally or converted into end tables.

A rare & sculptural 16th C. Marble mortar from the ancient city of Salamanca, Spain. Likely used by chemists/alchemists of the time due to its size and wear Heavily, heavily patina...

Antique monumental fireplace, of great value and great size, in beige stone carved entirely by hand, wavy legs and protruding hat with large molure, built in the late 1500s / early 1...

Artempo Italian palazzo fireplace surround. Exquisite original wear for exceptional authentic interior design project. 16th century period and one of a kind castle element. This fire...

A very handsome 16th century Vasque or vessel from the Catalan region of Spain. Hand-carved with one whole to a side. An very wonderful piece to serve as a jardinière or planter. Ver...

16th century German Gothic fireback from the early days of casting firebacks. The fireback is made of cast iron and has a natural brown patina. Upo...

Sea monster Carrara marble mouth fountain Italy, late 16th century It measures 13.8 x 31.5 x 18.9 in (35 x 80 x 48 cm) State of conservation: some small evident gaps and widespread signs of wear due to outdoor exposure. The gray marks crossing it do not come from restoration, but are rather the natural veins of the marble. This work has some morphological characteristics typically associated with the iconography of the sea monster: an elongated muzzle, sharp teeth, protruding eyes, elongated ears, and a coiled serpent's tail. An in-depth series of studies on artistic depictions of the sea monster attempted to verify how this symbol evolved in antiquity in the European and Mediterranean contexts and how it gradually changed its image and function over time. The iconography itself is mutable and imaginative and its history is rich with cultural and artistic exchange, as well as the overlapping of ideas. This occurred so much that it is difficult to accurately pinpoint the "types" that satisfactorily represent its various developments. However, we can try to summarize the main figures, starting from the biblical Leviathan and the marine creature that swallowed Jonah (in the Christian version, this figure was to become a whale or a "big fish", the “ketos mega”, translation of the Hebrew “dag gadol”). Other specimens ranged from the dragons mentioned in the Iliad (which were winged and had legs) to "ketos” (also from Greek mythology), the terrifying being from whose Latinized name (“cetus”) derives the word "cetacean". See J. Boardman, “Very Like a Whale” - Classical Sea Monsters, in Monsters and Demons in the Ancient and Medieval Worlds, in Papers presented in Honor of Edith Porada, Mainz am Rhein 1987, pp. 73-84). In Italy the monster underwent yet further variations: it can be found in Etruscan art on the front of some sarcophagi representing the companion of souls, while among the Romans we find the “Pistrice” (cited by Plinio in Naturalis Historia PLIN., Nat., II 9, 8 and by Virgilio in Eneide: VERG., Aen., III, 427), which appeared in the shape of a stylized hippocampus or a very large monstrous cetacean and evolved into a hideous being with a dragon's head and long webbed fins. During the Middle Ages, the sea monster was the object of new transformations: at this time, it is often winged, the head is stretched like a crocodile, the front legs are often very sharp fins - sometimes real paws - until the image merges with dragons, the typical figures of medieval visionary spirituality widely found throughout Europe (on this topic and much more, see: Baltrušaitis, J., Il Medioevo fantastico. Antichità ed esotismi nell’arte gotica, Gli Adelphi 1997). In Italy during the 15th and 16th centuries, the revival of classicism - representative of the humanistic and Renaissance periods - led to a different reading of these "creatures". Indeed, the sea monster was also to find widespread use as an isolated decorative motif, especially in numerous fountains and sculptures where dolphins or sea monsters were used as a characterizing element linked to water (on this theme see: Chet Van Duzer, Sea Monsters on Medieval and Renaissance Maps, London, The British library, 2013). From the morphological point of view, the "sea monsters" of this period are mostly depicted as hybrid figures, in which the body of a mythological or real being (a hippocampus, a sea snake, a dolphin), is joined to a head with a rather indistinct appearance. It was usually characterized by large upright ears, an elongated snout, sharp teeth and globular, protruding eyes; a complex and indefinite figure, both from the symbolic point of view and from that of its genesis. The work we are examining is placed as a cross between the medieval sea serpent and the Renaissance dolphin, with stylistic features which recall the snake as often used in heraldry (such as the "snake" depicted in the coat of arms of the Visconti - the lords and then dukes of Milan between 1277 and 1447 - and which, for some, may be derived from the representations of the “Pistrice” that swallowed Jonah). In the search for sources, Renaissance cartography and in particular woodcuts should not be neglected. See for example the monsters of Olaus Magnus, from the editions of the “Historia de gentibus septentrionalibus” (“History of the peoples of the north”) and the natural histories of Conrad Gesner, Ulisse...

Ghostly Gargoyle or Water Spout fragment in Pierre de Bourgogne (Limestone). Mounted to the top of generally religious buildings to ensure water is taken away from the side of the bu...

No doubt originally intended for a palatial interior, this elegant chimneypiece is carved in three different specimens of prized coloured marbles: yellow Marmo Giallo Siena, a favour...

Often when centuries-old trunks did not survive the passage of time, 19th-century menuisiers (French woodworkers) would salvage the surviving wood and carve new furniture such as desks and similar trunks. The facade was typically the most ornate section of these antique trunks, making intact frontages highly valued antiques. Hand-carved from oak in Picardie, France, circa 1550, this period Gothic architectural is a beautiful example of an antique trunk facade that was not incorporated into a more recent furnishing. Picardie is a former administrative region in northern France that is home to many Gothic cathedrals. The Amiens Cathedral (mid-13th century) is the largest standing cathedral in Europe and is truly a masterpiece of Gothic architecture. Our trunk frontage has five vertically oriented inset panels embellished with various forms of Gothic tracery, including high-arching niches...

Rectangular frieze in carved pine wood, gilded and polychrome decorated with figurative reliefs. An architectural piece with garland serves as the axis for the symmetrical compositio...

16th Hand Carved Stone Relief Renaissance Building Façade. Modern Iron Foot

Very ancient and very important portal in walnut wood, richly carved by hand with bambocci and columns typical of the time, built entirely by hand by Italian artists in the 16th cent...

This rare fragment was salvaged from an entryway on a building in Fontvieille, near the city ancient Arles, France. There is a worn and carved center cartouche depicting a very small...

Beautifully decorated antique fireback or "ofenplatte". This used to be one of the sides of an antique stove made from several decorated firebacks. B...

An Ottoman Empire Damascus square tile, late 16th century, the glazed fritware body painted in underglaze green, blue, turquoise and black with four lobed medallions and four split p...

These important Gothic cast iron fireplace chenets are close to 500 years old. Sometimes called fire dogs or andirons, chenets are fireplace accessories designed to elevate firewood....

16th Century pair of Spanish wooden footings with medieval scenes of fantastic animals and floral motifs. Polychrome in dark colors on a vivid red background. Two pieces with grea...

These magnificent andirons are period French Renaissance, and they date to the 1500s. There are fluted columns with balusters and a shield with a crown beneath. Pairs of winged angel...

A Rare and Finely Carved Weser Renaissance Stone Head Stone Germany 16th Century Size: 23cm high, 21cm wide, 21cm deep - 9 ins high, 8¼ ins wide, 8¼ ins deep / 33cm high ...

Important and imposing sixteenth-century slate portal, richly carved with winged lions in the cymatium that support the noble coat of arms of a wealthy Genoese family of the time. Large in size and with an important historical and artistic level, it is certainly a luxury decoration for your main entrances, important doors or charming shops. Classic and historic, it also fits well with contrasting modern interiors. Maximum external measure cm W 190 x H 323 x D 3, internal passage light...

This pair of important Italian Renaissance marble baths belonged to the Warrior Pope Julius II, one of the most powerful and influential Pop...

This is a nice size capital from Italy. Normally these were top a column inside cathedrals throughout the world. It’s beautifully hand carved by an artesian out of wood. The gold gil...

Unique and wonderful folk art coat of arms, Depicting a eagle holding a rabbit, two crosses and two castle's and on the top a grotesque head. This beautiful period piece is made out ...

Beautiful Italian Fireplace dating from the 16th Century with engraved date (1596) in basaltic grey stone.

An impressive pair of large 18th century brass fireplace andirons. In remarkable antique condition. Most likely English.

A panel of two square Ottoman Empire ‘Dome of the Rock’ tiles, painted in underglaze cobalt blue, black and apple green with a trellis of split and winged palmettes with cloud-scroll...

Pair Of Istrian Stone Columns, Venice 16th Century

Column of carved and polychrome wood that has a capital reminiscent of the classical order (volutes, acanthus leaves in levels), a series of moldings separating the shaft from the re...

Brazier. Copper. Possibly Castile, 16th century. Brazier made of copper with a circular foot decorated with vertical bands, a low tubular shaft enhanced with a fine roped molding and a semicircular body, with a wide mouth that flares outwards, and two halfrectangle-shaped metal handles with a torso part on the sides. Of the piece. These types of pieces were used both in civil and ecclesiastical interiors with the aim of heating the occupants of the room as much as possible, and their conservation is rare because they are utilitarian elements that were discarded over time or due to be damaged They used to be objects destined for the upper class, and followed the same typologies whether they were destined for a sacristy or a private residence. This case, possibly intended for use in the sacristy, shows a typical typology in the Spanish school of the time. Compare, for example, with the brazier present in The Birth of the Virgin Mary of the Altarpiece assembled around 1520 by Pedro de Guadalupe from Valladolid and found in the church of San Esteban...

Ancient monumental fireplace, large hand-sculpted mantle with noble coats of arms and caryatids in Serena stone, from Tuscany (Italy), original from the 16th century, the patina and ...

16th century Venetian bronze door knock with children figures on the sides and faces in the middle.

16th century Spanish round shaped keystone wedged in the ceiling, where arches meet the apex of a vault.   

Leathermaché Putti, architectural decorations These very rare pieces are made in Leathermaché, two of them are characters in the forms of Putti or ...