Decorative Objects

19th Century French Louis XVI carved pedestal is the most exquisite way to display your prized sculpture, vase or objet d'art! Hand-crafted exclusively from old-growth quarter-sawn o...

A fine quality Louis XVI style bronze ormolu mantel clock. The case is made of gilt brass and bronze ormolu casted ornaments, Roman numerals in white enameled cartouches. On top of t...

A delightful and colourful matching pair of pretty porcelain cache pots, perfect for displaying indoor plants. Dating from the 19th century, the pots have been lovingly hand painted ...

Louis XVI style gilt bronze and white marble figural mantel clock Origin: French Date: circa 19th century Size: 26-1/2 in x 19 in x 10-1/4 in.  

This exquisite set of two French 19th-century hanging picture frames exudes timeless elegance and charm. Crafted from gilt bronze, each frame is adorned with intricate details, inclu...

A Pair of Early 19th Century English Ormolu Mounted Hand-Diamond Cut Crystal Two-Arm Candelabra. Each candelabra features finely hand-diamond cut crystal elements mounted with ormolu...

Three-tones gold oval snuff box. The hinged lid is decorated with a country trophy medallion. The medallion is framed by a garland of green gold foliage and roses. The medallion is d...

Domed oval pillbox in 925/1000 sterling silver gold plated with translucent fired enamels on guillochè, top and bottom, with fine hand-engravings. Viennese Art Nouveau style second h...

Louis XVI Style set of Gilt Bronze and Enamel Sconces by Gherardo Degli Albizzi. This fine set of wall sconces is crafted entirely of gilded bronze and decorated with elements typica...

Secessionist basket, Austria, 1900. Metal & glass. Enameled garlands of roses. Measures: width : 8.1"(20.5cm), depth : 2.4"6cm), height: 3.4" (8.7cm). Just small traces of age on the...

A very fine Louis XVI style figural mantel clock with matching flanking candelabra. The clock is bronze casted and has an ormolu f...

Small antique copper/brass photo frame. The frame has refined edits, made with great attention to detail. The back is covered with burgundy red fa...

Pill Box Silver is in 925/1000 sterling silver gold plated 24carats. Pill Box Silver has light blue translucent fired enamels on guilloché. Pill Box Silver has a sliding lid and hole...

Antique gilt brass and frosted glass mystery clock by Robert-Houdin French, c. 1850 Height 35cm, width 12cm, depth 11cm This intriguing mantel clock from the mid-19th century is by ...

This nice mortar is made of white marble. This is a French work from 18th Century

Exceptional Louis XVI style gilt bronze and malachite grandfather clock French, late 19th century Measures: Height 250cm, width 54cm, depth 33cm This superb longcase clock is a wonderful example of the Belle Époque impetus to draw inspiration from the styles of the past. The clock, crafted during the late nineteenth century—though the malachite finish is later—is inspired by a famous eighteenth-century original. The clock is of traditional form, which a cubic clock case inset with an enamel dial and a gilt bronze bezel cast with signs of the zodiac. The central section of the clock includes a window, which reveals the pendulum inside, while the lower section is in the form of a plinth. The malachite veneer is wonderfully varied, with lighter and darker shades of the stone utilised to add visual interest. The clock is surmounted by a sculpture in gilt bronze of Apollo in his chariot, pulled by a quadriga of horses. The dial is signed for Rosel Bruxelles...

Direct from Paris, a magnificent pair of Louis XVI silver plate 3-candle candelabra by France's premier silversmith "Christofle - Gallia Collection", meticulously restored to near new condition, includes two anti-tarnish storage wraps for easy storage, you can't go wrong buying quality, circa early 1900s. The French silversmithing brand Christofle stands as a paragon of artistry, quality, and timeless sophistication in the world of fine silverware. Founded in 1830 by Charles Christofle, the company has built a reputation for exquisite craftsmanship and pioneering innovation. Over nearly two centuries, Christofle has become synonymous with opulence, earning the favor of royalty, securing prestigious awards, and adorning homes and dining tables worldwide. From their revolutionary silver-plating processes to their dazzling silver plate candelabra, Christofle’s creations epitomize the pinnacle of silversmithing artistry. Charles Christofle’s foray into silversmithing began when he took over his wife’s family jewelry workshop. His entrepreneurial vision and artistic sensibilities allowed him to transform the modest enterprise into a global luxury brand. Early on, Christofle recognized the demand for high-quality yet affordable silverware, leading him to explore innovative methods for producing silver-plated items. This ingenuity was paired with a deep commitment to artistry, ensuring that every piece bore the hallmarks of French elegance and meticulous craftsmanship. Christofle’s philosophy of blending tradition with innovation set the company apart. In 1842, Charles Christofle obtained an exclusive license for the electroplating process developed by the English inventors George and Henry Elkington. This technology allowed the company to produce silver-plated goods of unparalleled quality and durability, democratizing the availability of fine silverware. The decision to adopt and refine this technique marked the beginning of Christofle’s ascent to global renown. The electroplating process revolutionized silversmithing by enabling the application of a thin layer of silver onto a base metal, typically copper or nickel silver. This innovation significantly reduced costs without compromising quality, making silverware accessible to a broader clientele. Christofle’s mastery of this technique elevated the art form, as their artisans meticulously ensured that every piece retained the luster, weight, and elegance of solid silver. Christofle’s silver plating involved several intricate steps, each requiring skill and precision. The base metal was first meticulously cleaned to ensure that the silver coating would adhere uniformly. The item was then submerged in an electrolytic bath, where an electric current deposited a fine layer of silver onto its surface. Finally, the piece underwent polishing and finishing, a process that demanded an artisan’s eye for detail and dedication to perfection. The company’s innovations did not stop at electroplating. Christofle continually refined their techniques, developing proprietary methods to enhance the durability and brilliance of their silverware. Their relentless pursuit of excellence ensured that Christofle pieces would retain their splendor for generations, cementing the brand’s reputation for quality and longevity. Christofle’s commitment to excellence quickly attracted the attention of European royalty and nobility. The brand’s association with regal splendor began in 1851, when Napoleon III appointed Christofle as the official purveyor of silverware to the French court. This prestigious commission marked a turning point in the company’s history, solidifying its status as a symbol of luxury and refinement. The French court’s endorsement opened the doors to further royal patronage across Europe and beyond. Christofle created bespoke silverware for monarchs, aristocrats, and heads of state, often crafting pieces that were as much works of art as functional items. Their designs graced palaces, embassies, and luxury liners, including the opulent dining rooms of the Titanic and the Orient Express. Among Christofle’s most notable commissions was the creation of the Sèvres table service for Napoleon III, a stunning collection that showcased the company’s technical prowess and artistic flair. The service featured intricate designs inspired by classical motifs, reflecting the grandeur and sophistication of the Second Empire. Christofle’s ability to seamlessly blend tradition with innovation ensured that their creations remained relevant and desirable, even as tastes and styles evolved. At the 1855 Exposition Universelle in Paris, Christofle was awarded a gold medal for their groundbreaking electroplating technique. This recognition underscored the company’s role as a pioneer in the field of silversmithing and solidified their reputation as a leader in luxury silverware. Subsequent exhibitions in London, Vienna, and Philadelphia further showcased Christofle’s mastery, earning them accolades for both technical innovation and artistic excellence. Christofle’s enduring appeal lies in their ability to strike a harmonious balance between form and function. Their pieces are not only visually stunning but also practical, reflecting the company’s commitment to creating silverware that enhances everyday life. This dedication to excellence has earned Christofle a place among the world’s most esteemed luxury brands. One of Christofle’s most iconic creations is their collection of silver plate candelabra. These masterpieces exemplify the company’s dedication to artistry and craftsmanship, serving as both functional lighting fixtures and decorative centerpieces. Christofle’s candelabra...

An elegant and most attractive pair of French 19th century Louis XVI st. Ormolu candelabras. Each three arm candelabra is raised on a circular Ormolu base with finely chased acanthus...

Exceptional because it is a beautiful case of Carrara marble with black Fluted columns, with bronze dore eagle crest, framed by urns filled with fruit And flowers, white enamel dial ...

A Very Large and Rare German Ormolu Mounted Meissen Porcelain Three Piece Clock & Candelabra Garniture Set. This impressive set consists of three pieces: a center clock and two candelabras, each adorned with the most intricate and delicate details that have been executed to perfection. Each three armed candelabra is remarkably elaborate with foliate arms that are embellished with gilt-covered beautifully twisted branches and curling leaves on an ornate botanically-inspired base. Embraced by the arms of the candelabras are two 18th Century Meissen Porcelain figures of musical lovers, dressed in brightly detailed traditional clothes. The round clock face, with roman numerals, a white base, and ornate hands is surrounded by a flourish of gorgeous gilt foliage, exuding an air of elegance and refinement. Perched atop the clock is a stunning Meissen Porcelain figurine of a beautiful woman posed in mid-movement, her dress aflutter, and baring her leg as she gazes up at her left hand which is holding a bunch of grapes, while also grasping a wine goblet in her lowered right hand, representing the festivities of the moment. Surrounding the clock and extending down both sides the gilt foliate leads the eye to two cherubs each admiring tiny vases of exquisitely detailed flowers. Below the cherubs, on either side, are four white ceramic pillars...

Secessionist Porcelain Lidded Box by KARL KLAUS (1889-1925) for SERAPIS WAHLISS, Vienna, c. 1911, hand-painted in gold and black enamels in a stylized geometric diamond and holly mot...

A stunning antique French ormolu clock set, circa 1870, mounted with exquisite Sèvres style porcelain with Rose Pompadour pink ground. Pan...

Pair of Porcelain and Dorè Bronze Vases Sèvres Circa 1845 With porcelain vessels in the iconic Sèvres cobalt blue, encased in lavish doré bronze armatures, this pair of Louis XVI-style urns epitomizes the masterful craftsmanship and refined beauty of the famed porcelain manufactory. Each urn is adorned with three finely chased caryatid figures joined by floral garlands, resting upon a reticulated circular gilt bronze base. Since its founding in the 18th century, the Sèvres porcelain manufactory has been synonymous with the finest porcelain wares. Established under the patronage of Louis XV and Madame de Pompadour, the firm quickly became the official royal porcelain producer. Throughout the 19th century, Sèvres expanded its repertoire, designing distinct vase forms that ranged from neoclassical grandeur to Gothic delicacy. These exceptional urns pay homage to Pierre Gouthière, one of the most renowned bronze artists of the preceding century. Appointed gilder to King Louis XV in 1767, Gouthière revolutionized metalwork, pioneering a gilding technique that achieved an exquisite matte finish. Similar caryatid figures appear on vases once owned by the Duke of Talleyrand, while similar mermaid motifs—prevalent in Gouthière’s work—can be found on a serpentine marble vase in the Louvre. These vases embody the grandeur of Louis XVI-style ornamentation, blending rich materials with impeccable detail. Each: 19 3/4 high x 13" diameter Marked under bronze Sèvres Louis Philippe...

Gilt bronze and Sèvres style porcelain Louis XVI style casket on stand This magnificent Louis XVI style ormolu casket is supported by a mirror-topped table stand, which sits on four tapered, fluted legs connected by a curving X-form stretcher. In the centre of this stretcher is an ormolu urn decorated with rams heads, four hoof feet and birds on the top. The legs of the table are also ornately decorated with draped garlands and scrolled detailing. The apron is inset with Sèvres style porcelain plaques depicting scenes of cherubs and children in landscapes as well as decorative floral detailing, and is surmounted with laurel leaf mounts. The casket itself is of oval architectural form, and is set on fourteen small feet. It features further porcelain plaques depicting cherubs, musical instruments and a central oval portrait of Queen Marie Antoinette within a crowned gilt cartouche. Her portrait is flanked by two cherubs and is sat within a decorative royal blue border, matching the turquoise colored borders of the other plaques. The reverse of the casket is similarly decorated and features a painted plaque of her husband King Louis XVI. The plaques are separated by mounted ormolu columns decorated with crowns and draped laurel leaves, and each column is surmounted by floral crowns. Each curved side of the casket features an ormolu mask of a female figure, and the hinged lid is surmounted by two reclining female figures wearing draped dresses and holding a central crown. The casket opens at the lid to reveal a velvet interior. There is an inscription below the portrait of Marie Antoinette which spuriously reads ‘This casket formerly property of Marie Antoinette, presented to my beloved wife as souvenir of our European tour / Sept 8th 1886 / Louis L...

A Fantastic 19th century French Louis XVI Style Dore Bronze Mounted Blue Opaline Crystal Box. The box is composed of two sections of French opaline crystal which are mounted to a fab...

A very good quality French 19th Century Boulle mantle clock, having a gilded ormolu putti seated on the top, Red tortoiseshell and brass inlay to the serpentine shaped case, wonderfu...

Beautiful pair of Louis XVI-inspired baluster-shaped serpentine cassolettes, with an elegant chiseled and gilded bronze mount. The lid, resting on an openwork gilded bronze frieze, i...

An impressive antique Belgian Boch Frères Keramis pottery 3-piece clock set includes a clock and two vases on ornate bronze bases and is decorated with lion heads on the sides. This ...

Antique 19th century French gilded bronze and white marble mantel clock of the period Louis XVI.  

Samson Paris 19th Century Meissen inspired porcelain bronze mount bowl and cover A gilt bronze Louis XVI style Athénienne-shaped base with rectuan...

A French dore bronze mounted blue opalescent and dore bronze finial covered box. This round form box is very unusual with a blue opalescent color and dore bronze mount. The top is fi...

In classic Louis XVI profile, these substantial pewter candlesticks from 19th century France will make a statement on any mantel or table. The baluster forms have soft patina, result...

A fine pair of Paris porcelain vases on pedestal bases, featuring landscape scenes within acid-etched gilt borders. The body of each vase with a green ground, above and below with gi...

Antique early 19C Old Paris Porcelain Inkwell Additional information: Materials: Porcelain Color: Gold Brand: Old Paris Designer: Old Paris Period: ...

Pair of Louis XVI style cassolettes, in green marble with rich gilded bronze ornamentation: rams' heads, flower garlands Good general condition, regilded bronzes, old restorations a...

Shaped pill box in 925/1000 sterling silver gold plated with hand-painted miniature fire enamelled in Louis XVI style, second half of the 19th century, and fine hand engravings. Siz...

A high quality and most stunning pair of Japanese 18th century Imari Porcelain and French Louis XVI st. Ormolu mounted urns. This wonderful pair of urns are raised by Ormolu socles d...

Art Glass vase by Kralik (Bohemia), ca.1900. Eleonorenhain, art glass vase. Colorless glass with ''Eleonorenhain'' decoration in iridescent copper, yellow and violet. Beautiful iride...

Antique late 18th Century French magnificent three-coloured 18k gold snuff box. During the reign of Louis XVI, French artisans demonstrated their unparalleled skill in crafting magni...

This Louis XVI style gilt bronze and cobalt blue crystal oval bowl by Gherardo Degli Albizzi features high quality chiseled bronze. The upper ed...

A very imposing fine quality 19th Century French longcase clock, having an ormolu casting of Father Time on the hood, the white enam...

Antique French Louis XVI Blue Sèvres Porcelain and Ormolu Mounted Clock, circa 1875-85.

This beautiful set of four candelabra (or candlesticks) was made around 1900 by André Aucoc, a leading French silversmith of the time. Aucoc inherited the ...

A refined Louis XVI style mantel clock with matching candelabras. The case is made of gilt brass and bronze ormolu casted ornaments, the dial is enameled iron. Resting on a white marble base. Richly embellished with neoclassical ornaments, flower garlands and ribbons. The clock is made in France 1870-1880. The clock is in good condition, it have original gilding. On a wooden carved gilded pedestal. The clockwork have a 8-day movement and strikes every half our on a bronze silver plated bell...

Square table box in 925/1000 sterling silver gold plated with translucent fired enamels on sunburst guillochè and Louis XVI French Empire style ornaments. External measurements cm. 12 x 12 x 2.5. Weight gr. 636- Fine oval miniature cm. 3.2 x 4.2 hand painted in tempera on a vegetable ivory plate by the painter Anna Maria Manfriani reproducing a portrait of a Flemish lady...

A Louis XVI style cartel wall clock, made in France circa 1880-1890. The case is made of casted spelter (metal alloy) and fitted with four beveled mirror glass. The dial is covered w...

A marvelous 19th century English Dore bronze mounted crystal bowl centerpiece with dore bronze bird handles, signed on the bottom, Osler. The crystal bowl...

Antique French Louis XVI style sienna marble and ormolu urn Elegant 19th century sienna marble and ormolu urn converted as a table lamp. The baluster shaped urn is decorated with gr...

A superb pair of Gilt Bronze Candlesticks cast in the form of storks holding a single candle sconce in their beaks whilst balancing on turtles backs. The bases are stamped by the mak...

21st century hand carved clear crystal and golden bronze candelabra. This candelabra is finely chiseled lost wax castings and hand-grounded glass. This Candelabra has got 6-flames. O...

A very good quality French 19th Century Louis XVI style gilded ormolu and 'Severs' style pink porcelain mantel clock. In the form of a vase with an inset clock face, an eight day dur...

A charming and most elegant French 19th century Louis XVI st. Cranberry Glass and Gilt Metal box. The wonderful square lidded box is raised by four Gilt Metal butterfly shaped feet s...

Louis XVI style clock with Bacchante and musical satyrs. The body of the clock features two young satyrs in gilded bronze each holding twin horns; they lean back against the shaped w...

A cobalt blue and gold leaf porcelain box with gilt metal mounts and a decoration of fencers on the lid. Hand painted and marked inside the lid. 7.2 x 12.7 cm, height 4.7 cm.

Late 19th century gilt bronze French mantle clock with rose swags. Decorated with a large ribbon bow and clusters of roses swags around the face, and sides of the clock. A beautiful...

A beautiful pair of 19th century French Louis XVI style Sevres cobalt blue and ormolu-mounted vases with rams heads and wreaths. The porcelain body is beautifully painted with the signature Sevres Royal cobalt blue. The square shaped base is decorated with ormolu acanthus leaves and ribbon wreaths beautifully hand chizzeled and detailed ormolu work. These vases can easily be turned into a fabulous pair of...

A very unusual and quite rare set of four antique French Louis XVI period, three-light wall lights/appliqués, (sconces). Each having a Hercules mask to initialize each arm, with an o...

A Pair of highly important and large Magnificent Antique French Louis XVI style figural gilt bronze mounted hand carved rouge marble multi arm candelabras of exquisite craftsmanship ...