Clocks

An very fine quality burr walnut longcase clock from the Quenn Anne period with exceptionally well patinated case. With moulded stepped cornice above a fretwork border and silvered d...

Circa 1935 Rare Art Deco mantel clock exquisitely made with marble and onyx with surreal dog figurines in contrasting poses. Original patination. Statement piece.

ClockClock 24 is both a kinetic sculpture and a functioning wall clock. It has been a signature piece of Humans since 1982 since it was first launched in 2016. The individual clock h...

A beautiful Atmos Clock By Jaeger LeCoultre numbered 120482, with a square dial with gilded Arabic numerals and battens and smoked tip hands. Unusually this clock still has it’s orig...

A very important French gilt bronze and Rouge marble figural mantel clock by Japy Frères Movement: Japy Frères (1806-1930) Origin: French Date: 19th century Dimension: 30 3/4 i...

Louis XVI style garniture set. Torch and quiver design is centered at Bottom of the clock. A hand painted garden scene is presented at the Lower portion of the clock and a beautifu...

Mid-Century Space Age German Alarm Clock from Europa, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. Add...

Cool collection of five vintage casino ashtrays circa 1970s. All of the ashtrays are in good vintage condition and with clear graphics. On average, they...

René Lalique (1860-1945) 8-Day Clock “INSEPARABLES” (1926) Treat yourself to an exceptional piece with the 8-day clock “INSEPARABLES” (1926) by René Lalique, a treasure of Art Deco...

Presenting a lovely Art Deco style chrome or silveroid desk timepiece. Probably made circa 1980. The case is a solid circular shaped chrome or sil...

This is a Unique 100% Original Finished Swedish Gustavian Wall Clock.

A superb example of a Eureka wall clock made c1911. The electromagnetic movement is regulated by a large, slowly oscillating bi-metallic balance wheel, with the correct battery these clock will run for the duration of the battery life. Housed in a mahogany dial clock case with turned dial frame and brass bezel, the movement is visible through a cut out in the dial so the oscillation can be seen. The movement is numbered 5676 and stamped with the patent no 14614/1906 Made in England. The dial retains its original painted finish (cracked in places). This is the only model of wall clock Eureka made and is one of the rarer designs as they mostly concentrated on mantel clocks. The Eureka clock...

A fine quality empire ormolu-mounted patinated bronze and rouge royale marble mantel clock. The patinated bronze figures depicting cupid and psyche. Attributed to Pierre-Victor Ledure...

18th century oak longcase clock by James Draycot wells, circa 1790. Excellent quality golden oak longcase clock. Second hand dial, date and baring the makers disc at the top. Hood ...

A wonderful Atomic Starburst Hollywood Regency table or desk clock from the 1950s, executed by Junghans Germany. The clock has a beautiful withe and pastel yellow clocks face with go...

Vintage Industrial Kappa maritime clock made in South Korea during the 1980s . These clocks were used on large tankers and cargo ships. It features a da...

An art-deco desk clock designed by Silvercraft. This is an elegant vintage Art Deco desk clock made by the Silvercraft Clock Co. and retailed in New York City by the Farber Bros, a ...

German Art Deco walnut mantel clock with round chrome clock rim and numbers (with MAUTHE metal label, branded Jan 1936) (Not working).        

Russel Wright Harkerware Ceramic and General Electric Hanging Wall Clock. Featuring a rounded square and concave Coral Ceramic Front with glazed Off White Ceramic surround and back....

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

Mid-20th Century Modern Luxor Swiss 8-day movement bronze table clock with marine motif By: Luxor Material: bronze, copper, metal, glass, crystal Technique: cast, molded, metalwork,...

Northern Swedish rococo long case clock. The shape of the case is rococo and the expression is unique for the area Jämtland in Sweden. Made by hand during the late 1700s in pine with...

Louis XVI style gilt bronze and white marble figural mantel clock Origin: French Date: circa 19th century Size: 26-1/2 in x 19 in x 10-1/4 in.  

Impressive three piece gilt bronze mounted Sevres robin egg porcelain clock set, center clock urn having amorial bow and quiver finial and rams head handles, body with hand painted c...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Late 19th century ormolu and white marble mantel clock by Linke French, Late 19th Century Height 56cm, width 39cm, depth 25cm This impressive mantel clock commands attention with i...

The clock with laurel wreath and torch finial over a clock set in a rectangular case, bronze feet. Together with a pair of two light candelabra.

A sophisticated Napoleon III Sèvres Porcelain mounted ormolu clock set by Grohé Paris with ram’s mask mounted ovoid clock case supported by twin putti terms on a shaped base set with...

Antique Swedish Mora clock dated 1849 in brown with hand painted traditional Swedish floral details and clockmakers initials on face AAL. Working Longcase clock mechanism of pendulum...

A Chronometerwerke Hamburg type 5 two day marine chronometer by Wempe numbered 5077. The free-sprung spotted movement with blued steel helical hairspring to a cut and compensated bim...

Beautiful authentic 18th century Italian tower turret clock mechanism. This mechanism was used for large clocks and bells you find up churches and public towers to keep time for the ...

19th Century English Twin Fusee Bracket Clock. Clock features carved foliate scroll and gadroon mahogany case on four bun feet. Case showcases a rich grain and carved acanthus scrollwork embellishing the base and pediment. The circular dial, adorned with Roman numerals and decorative flourishes, is set with a brass bezel and signed R. Cave, Dover. Silk backed filigree sound windows on sides. The clock houses an 8-day twin fusee movement, striking the hour on a bell, a hallmark of quality English bracket clocks from this period.. This R. Cave bracket clock offers both timeless style and mechanical excellence--an exceptional addition to any mantel, library, or antique clock collection.

A golfer belt watch designed by Gotham. This is a very special buckle watch made for golfers created by Gotham. The golfers buckle watch has been crafted back in the 1960 in polishe...

Masterful antique English grandfather clock, mahogany, 18th century. English grandfather clock, 18th century, mahogany veneer with ...

It is the perfect addition for any desktop because its simple and attractive design makes it possible to give a touch of personality to any room. Its hands move thanks to a UTS mechanism designed in Germany. Átomo T table...

Exceptional antique french clock with superb bronze workmanship. Created by hand in the late 19th century, with utmost craftsmanship. The way the bronze figure is made is unreal, if ...

A fine quality late 19th Century German, Meissen porcelain clock on stand, having wonderful bold traditional colours, the figures representing the four seasons. The clock striking on...

1900 Antique French Ormolu Gilt Bronze Elegant Lady Marble Base Ball Clock Here we are offering a beautiful French bronze elegant lady figure ball clock. The elegant lady is made of...

Orologio in bronzo raffigurante moschettiere con cavallo e cane

Large Work Stylisch Table Clock made by Jaeger LeCoultre 60s, good condition.

Mid Century French Degon Rouen ship's clock. Wall mounted brass case with painted face, Roman numerals, copper hands, fronted with thick glass. Works numbered 6 56 005042. Made in F...

Swedish antique mora clock dating from early/ 1800s featuring green paint with orange details that is painted on the body. The clockwork is sold 'as is' and should be considered as...

Large French marble figural mantle clock. Hippolyte Francois Moreau (1832-1927) famous for bronze statuettes of young women. Son of Jean Baptiste Moreau...

Gorgeous late 19th century gilt wood barometer thermometer made in Italy in the Louis XVI or baroque taste. The large barometer features a large carve...

19th Century J.E Caldwell Victorian 9 Tube Mahogany Tall Case Grandfather Clock Dimensions : 95" Tall X 24" Wide X 17" Deep This grandfather clock was made in the USA in the late 1...

This is a 15 jewels Swiss round clock. It depicts an enamel round frontal panel painted with a colorful beautiful bouquet of flowers framed by gilded bronze Roman numerals dial. In t...

Fine quality and attractive French champleve gilt bronze and light blue champleve enamel clock set. Retailed by Camerden & Forster, New York. Gilt bronze and champleve enamel. Or...

This stunning 20th Century "Hypnos" table clock by France's renowned Baccarat company has quartz movement, a glass case, a white dial, and black Arabic numerals. The clock has a few ...

A Magnificent Large Antique French 19th Century Ormolu and Rouge Griotte marble clock set of exquisite craftsmanship. This spectacular clock set is comprising a pair of very large ni...

Swedish Mora clock from the 1960's in original colour with painted floral decoration. Working Longcase clock mechanism of pendulum and 2 weights and a bell chime on the hour. Width:...

A high quality and most decorative Chinese Export Porcelain and French 19th century Ormolu mounted garniture set, stamped S.F.R.A. This stunning three piece garniture set consist of ...

A beautiful brass clock with gold dore finish. Beveled glass panels with a porcelain dial and time and strike. French works. Running condition. Corner crack in one glass panel.

Marks to movement: ELR, 1903, R73 to underside of lid. Origin: French Date: circa 1880 Dimension: 19 x 22 x 8 inches Notes: Zacharie Joseph Raingo (1775-1847) The Raingo...

A wall clock made of leather and brass manufactured in midcentury, circa 1960. The clock hangs with golden toned cords on a brass knob. A removable key is used for winding the move...

A superb sub miniature silver and light blue guilloche enamel carriage or boudoir clock by Juvenia, in leather carry case. The superb engine turned enamel, which is even applied to both sides of the handle. White enamel dial with arabic numerals and cut gilt hands. The inside of the back door marked 'Sterling silver Swiss, silver content 0.935, Aristo Import Co., argent dore...

Large station clock with three integrated lights. The clock has been fully restored with respect for its original appearance. Efforts were made to ...

Fortuna Freiburg Wall Clock with Brass Elements, circa 1885-1886 We present you this clock from the manufactory of Regulatoruhren Fabrik Fortuna F...

An Exceptionally Rare 18th Century Louis XV Ormolu Mounted Meissen Porcelain Chinoiserie Elephant, Snail, and Flower Mantel Clock. The clock drum is painted with floral reserves on a yellow-ground porcelain case, surmounted by a seated monkey modeled in cream-glazed porcelain. The dial is inscribed “MILLOT / Her DU ROY,” referring to the Parisian clockmaker Millot, horloger du roi, and retains its original single-barrel movement with platform lever escapement. The interior of the case bears a stamped “B.” The entire composition is supported by a scrolling structure of polychrome porcelain flowers mounted on ormolu branches, leading to a central Meissen figure seated on a saddled elephant, positioned on an elaborately cast gilt bronze rocaille base. The composition centers around a chinoiserie theme, which was highly fashionable in mid-18th century France, particularly during the reign of Louis XV. In this example, the chinoiserie elements are expressed through the seated porcelain figure in Chinese dress, riding atop a caparisoned elephant with a vibrantly painted red and gold saddle and bright yellow cushion. The elephant, modeled with expressive naturalism, features finely detailed ears, trunk, and legs in Meissen’s distinctive hand-painted porcelain, with further ornamentation in applied gilding. Surrounding the central figure and timepiece is an elaborate framework of metal branches issuing dozens of individually modeled porcelain blossoms. These include peonies, roses, and tulips in various stages of bloom, each petal uniquely hand-shaped and painted in hues of lilac, ivory, pink, and violet, with naturalistic green leaves extending outward on slender bronze stems. The gilt bronze mount is executed in the Rococo taste, with asymmetrical shell forms, Snails, C-scrolls, and foliate scrollwork typical of French bronze work from the Louis XV period. The ormolu is mercury-gilded, a process common in the 18th century which involved the application of an amalgam of gold and mercury to the surface of the bronze, followed by firing to vaporize the mercury. This technique created a matte yet luminous surface, prized for its depth and lasting quality. The ormolu is cast in a deeply three-dimensional style, with scrolled feet and boldly molded foliate ornaments that cradle the base of the Meissen elephant...

A fine example of the Waltham “Willard” presentation model weight driven banjo clock. Waltham banjo clocks of Willard Design are faithful reproduc...

Period French Empire Bronze Doré and Patinated Clock Depicting Atlas with original gilt edged and velvet lined case. Atlas son of Titan, from Greek mythology is holding the clock on ...