Ormolu Clocks

Fine antique French Empire Ormolu mantel clock of a chariot drawn by two winged horses carrying the chariot with a female figure. Thi...

An enchanting French 19th Century white marble and gilded ormolu clock garniture, having a mother and childly the white enamel clock face, striking on the hour and half hour on a bel...

A French Clock Garniture in the Louis XVI Manner The clock and its accompanying candelabra constructed in gilt bronze mounted Italian Carrara marble; the timepiece with stepped elli...

A good quality late 19th Century French Pink marble and gilded ormolu mounts, of a sun burst and swags above the Lyre. A white enamel clock face wit...

This splendid neoclassical style French mantel clock is beautifully crafted in ormolu and porcelain decorated in the Sevres style. 'ER', the mark of French clockmaker Ernest Royer, active in the later 19th Century, is stamped on the underside of the ormolu mounts. There are three Sevres style porcelain plaques in total, all set on turquoise ground: the plaque to the front of the clock depicts a cherub and a nymph as well as containing the clock face with Roman numerals. The two sides of the clock case feature further porcelain plaques, which portray Neptune, Aurora and mermaids. The rectangular ormolu clock case is surmounted by a putto with a dog. There is a neoclassical pilaster...

Gilt bronze cylindrical mantel clock with emblems of love French, 19th century Measures: Height 40cm, diameter 17cm This fabulously quirky mantel clock is modelled to depict Cup...

An Empire ormolu and painted bronze mantel clock attributed to Jean-Simon Deverberie. Fitted in an ormolu case shaped as a cotton bale, the round enamel dial features Roman numeral hours and Arabic fifteen-minute graduations, indicated by two pierced gilt bronze hands. Shirtless and barefoot, a young black sailor...

In classical mythology, Hebe, the personification of youth, is also cupbearer to the gods. She is the daughter of Juno and Jupiter (represented here by his eagle). Seated between his wings, she is holding the oinochoe (wine pitcher) in one arm while with her free hand she gracefully offers him divine nectar known as ambrosia, a drink which reinforced the Olympians' immortality. The three-piece clock garniture centred around the large silvered bronze figural group after the original by Albert-Ernest Carrier-Belleuse, supported on a gilt-bronze mounted onyx clock base, denoting the hours in Roman numerals, the central clock flanked by a pair of silvered and gilt bronze female figures in neoclassical garb, their amphoras issuing five scrolling candleholders...

A wonderful quality late 19th century French Louis XVI style gilded ormolu and Champlevé enamel clock garniture, the clock having a two handled turquoise enamel urn with swags above ...

A fine early to mid-19th century French Ormolu and Porcelain Mounted mantel (fireplace) Clock of outstanding Quality and impressive proportions. Eight-day duration movement, striking...

An exquisite 18th Century Louis XVI mantel clock crafted in ormolu and marble, adorned with intricate detailing. Housed within a meticulously carved marble case, the clock features a...

A stunning 19th century ormolu clock garniture in the Louis XV style by Ch. Drieu, the white enamel with Roman numerals signed “Ch. Drieu, 4 Rue de Thorigny”. The clock is flanked by...

An Exquisite Antique French Period Empire Neoclassical gilt bronze figural clock embellished with figure of a neoclassical woman and bird.

A most exquisite French mid-19th century Louis XVI st. ormolu, white Carrara marble and crystal clock. The clock is raised on a moulded oval white Carrara marble base supported by ri...

A very pleasing French gilded ormolu and white marble clock garniture in the Louis XVI style. The clock having a cherub holding a chicken, the white enamel clock face with an eight d...

French Empire ormolu mantel clock showing an allegory of spring, early 19th century fine work, Restauration period circa 1815 - 1820 (Restauration period). Beautiful chiseled model d...

Fine 19th century French gilt bronze mounted Rouge marble 3-piece figural clock set Clock: Height: 19.5" Width: 10.5" Candelabras: Height: 22.5" Width: 9"

This excuisite 3-piece 19th century French ormolu mounted porcelain clock set comprising a central clock and a pair of flanking candelabra. The clock in urn shape form over a gilt br...

A very finely cast gilt bronze clock depicting Psyche at her toilet. The reflective mirror of polished bronze and that each element is cast separately then screwed on is an excellent...

A sensational French 19th century Neo-Classical st. Ormolu, patinated Bronze, and marble clock signed by Germain, Paris, 1825. The clock is elegantly raised on a white Carrara marble...

French Art Nouveau bronze dore grandfather clock with marble & onyx pedestal top and base. *Not working

An exceptional French gilt bronze mantel clock marketed by Tiffany & Co, with classical cast gilt figures of a boy and girl reading on each side of the clock, a central raised panel ...

Late 19th century french Louis XVI ormolu gilt bronze mantel clock by Lemerle-Charpentier & Cie. By: Lemerle-Charpentier & Cie. Materi...

Constructed in a fine quality two-tone ormolu case, and adorned with rose ground ‘Sevres’ style panels to both front and sides, depicting; rising from oblate toupie feet, the domed case is of modest breakfront form, with a flambeaux urn atop, having tea rose garlands conjoining the body; the clock face delineates the hours in Roman numerals in white cartouches, and is driven by an eight day movement, striking on a bell, with the backplate having the retailer’s stamp, ‘E & S Watson...

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...

A Louis XVI style gilt bronze and Sèvres style porcelain mounted figural clock, Allegorical of the Arts. The dial signed 'Colin, Paris'. The movement stamped 'Vincenti et Cie'. ...

Antique 18th Century French mantle clock, crafted from gilt bronze and marble, was made by one of the leading Parisian clockmakers of ...

French ormolu and blue porcelain mantel clock. The blue porcelain with blue ground and decorated with swags of flowers and having jewelling...

A French 19th Century gilt bronze clock garniture. The clock has two cherubs, holding the clock, on a white marble and Ormolu mounted ba...

Signed on dial "Jn Pre Calame A PARIS" with later key. Movement not guaranteed.

Antique Continental gilt bronze, cut glass, and porcelain clock set Continental, late 19th century Clock: Height 45cm, width 30cm, depth 22cm Candelabra: Height 46cm, width 23cm, ...

Quality 19th century French Louis XVI ormolu and porcelain mantel clock, the case cast as a seated farm boy with floral rimmed hat, holding a single rose, by a pair of Doves, rake, p...

First Empire repeating mahogany cabinet Clock ca 1804 Clock movement by Charles Oudin (1743-1803) Mahogany case attributable to Ferdinand Schwerdfeger (1734-1818); Charles Oudin, T...

A Louis XVI Ormolu and White Marble Mantel Clock of Cupid  A magnificent and large clock with gilt bronze Cupid mounted to the clock face. He is flanked by a painter's palette and a...

An elegant and high quality French 19th century Charles X Period Baccarat Crystal and Ormolu garniture set. This wonderful garniture set consists of a clock and pair of urns, raised ...

This exquisite French 19th-century clock set features a striking rouge marble base adorned with elegant gilded ormolu accents. The centerpiece showcases a detailed bronze statue of a...

A fabulous over one hundred and sixty year old Parisian neoclassical style Bardiglio marble three piece mantel set. Born in Paris, France in the mid 19th century, featuring an an...

A fine early repeating carriage clock in an engraved one piece case. With a gilt engin turned mask, and a white enamel dial and roman numerals. The gilded case is engraved with foliate scrollwork, the 8 day repeating movement with English lever platform escapement strikes on a gong, is regulated by a silvered english lever platform escapement, although unsigned this clock is of the highest quality and is likely to have been made by one of the great Parisian makers. The gong block is signed FD in an oval cartouche, this supplier was used by both Henri Jacot...

Antique 19th century quality French boulle bracket clock with original bracket, Fantastic quality boulle bracket clock inlaid with brass and ormolu moun...

19th century French decorative toleware garniture set, circa 1880. Fine example of a 3 piece garniture set, hand painted toleware decorated with ornate ormolu mounts. Clock fitted w...

A good quality 19th century French gilded ormolu wall clock, having Rococo influences to the scroll foliate decoration and cherubs above the eight day striking movement, circa 1880.

Mantel Clock "Atala and Chactas" Paris Bronze (fire-gilt and patinated), enamel Empire around 1810 Dimensions: H x W x D: 40 x 32 x 11 cm Description: Very rare and extremely high quality French mantel clock, so-called Pendule Au Bon Sauvage. Depicted are scenes from the love story "Atala or the love of two savages in the desert" written by Francois René Vicomte de Chateaubriand in 1801. At the beginning of the 19th century, this was probably the most famous love story in Europe, but today it has been forgotten. The story, set in present-day Louisiana (USA), is roughly rewritten about the forbidden love between Chactas, a young Indian, and Atala, the beautiful daughter of a Spaniard. Chactas is captured in a battle between two Indian tribes, chained to a palm tree and is to be sacrificed. Atala wants to save his life and convert him to Christianity. She unties him from the palm tree at night and they flee together into the wilderness of North America. Their love for each other grows stronger and stronger and they have prospects for a future together. The story takes a tragic turn when Atala, who must remain a virgin due to a vow made by her mother, can no longer withstand the conflict of her feelings and commits suicide. The main group of characters thus shows Chacta's liberation through Atala. Atala is leaning against a pile of logs. The animal fur thrown over the logs and the weapons leaning against the stack on the right give the impression of a night camp. The bronze is of rarely beautiful quality, finely chiselled and makes the scene appear very lively. The contrast of fire-gilded and patinated bronze adds tension to the composition. In the base we see the Entombment as the end of the tragic love story. This bronze work is also very detailed, the interplay of bright and matt gilding makes the flat relief appear much deeper than it is. The depiction of the mantel clock presented here shows that the exotic was only known from stories and that the bronzier had his own ideas about the appearance of this distant world. The Indian, for example, has very European facial features and his skin was not black in reality, of course. The palm tree was also certainly not found in the North American wilderness. The heart of the clock is a French pendulum movement, integrated into the wooden pile, with an eight-day power reserve and a lock plate striking a bell on the half and full hour. The pendulum is suspended on a thread, typical of the period. The classically shaped hands, so-called Breguet hands, are also typical of the time. The enamelled dial has black Roman hour numerals, Arabic quarter hours and bears the signature: Le Roy hr. de Madame A PARIS. Interesting facts: The period from 1795 to about 1815 saw the creation of probably the most spectacular group of bronzes: The "Au bon Sauvage" pendulums - depictions of the "Noble Savage". Today's viewers react to these objects with both fascination and irritation. Enthusiastic on the one hand about the obvious quality of the detailed bronzes and the allure of the exotic, on the other hand distanced and cautious because of the possible discrimination that is suspected behind them. The ambivalence of this feeling motivates the search for the conditions of origin of these pendulums. Europeans found their new ideal of the natural man primarily in fictional and realistic travelogues about the Indians of North America...

This oversized 'Carriage clock' in an xquisite rouge marble case with gilded mounts and handle, has an eight day movement with english lever platform escapement striking on a bell. T...

Desk Travelling Cartel Clock in chiseled and gilded bronze Rocaille decoration of scrolls, acanthus leaves and lyre Enamel dial signed Lenoir in Paris Plate mechanism No. 13287 and w...

An exceptional ormolu Charles X clock garniture set. France c.1830s. Top quality! Dimensions: Candelabra: H76 x 21 x 21 cm. H29.92 x 8.27 x 8.27 inch. Cloc...

AN EMPIRE ORMOLU BUST OF HOMER After the Antique The bearded bust of Homer on a rectangular clock decorate with lyres and gryphon heads on the side

An enchanting 19th century French gilded ormolu and patinated bronze Louis XVI style clock garniture. The four branch, Rococo influenced candelabra each supported by three classical...

A wonderful French Louis XV1 style striking figural ormolu-mounted white marble clock. The beautifully cast figures of Venus and Cupid are springi...

Late 19th century french gilt bronze/ormolu cloisonné champlevé enameled mantle clock garniture set by Japy Frères By: Japy Frères Material: bronze, enamel, glass, metal, ormolu, paint, cork Technique: cast, champlevé, cloissoné, cold-painted, enameled, gilt, hand-painted, metalwork, molded Dimensions: 6 in x 19.5 in x 15 in Date: late 19th century, circa 1890 Style: Napoleon III, Rococo Revival, Neoclassicism, Louis XVI, Empire Place of origin: France The Japy family is a french industrial dynasty originally from Beaucourt in the Territoire de Belfort. They owned the second largest french company in terms of capital during the Second Empire. Its influential members left their mark on the french industrial landscape through numerous innovations, particularly in clockmaking, typewriters and pumps, as well as in labor organization and workers' social life in the 19th century. This magnificent late 19th century french mantle clock garniture, work of the eminent Japy family, radiates the opulent decorative style of the Rococo Revival. A four glass...

A Fine French 19th Century 'Belle Époque' Gilt-Bronze and Rouge Griotte Marble Table Clock by François Linke (1855-1946) Index Number 86. The clockcase modelled as a tambourine amidst blossoming roses, a mask and fan, on an oval bead-edged marble plinth with recessed panels mounted with fruiting vines, on turned feet, the reverse of the white enamel clock dial with Roman hours and Arabic minutes signed 'F. Linke, Paris', timepiece movement. Circa: Paris, 1895. François Linke (d. 1946) was awarded the gold medal for his Grand Bureau at the 1900 Paris Exposition Universelle. He was the most celebrated Ébéniste of his time. Born in Bohemia in 1855, he moved to Paris in 1881. He produced furniture of the highest quality at his workshops at 170, rue du Faubourg-Saint-Antoine, and established showrooms at 26, Place Vendme. A much simpler version of this commode, with fewer ormolu mounts and with no marquetry, is illustrated in Christopher Payne's "François Linke 1855-1946 The Belle Epoque of French Furniture" Antique Collectors' Club, 2003 Edition, Index 720, Page 498. Literature Payne, C., François Linke 1855-1946: The Belle Epoque of French Furniture, 2003, models illustrated pp. 160, 182, 247 and the black and white cliché on p. 487. Another example of this model was sold at Sotheby's New York, Sale 19th Century Furniture, Sculpture, Ceramics, Silver and Works of Art on April 22, 2010, Lot 448 'Lot 448: FRANÇOIS LINKE 1855 - 1946 A GILT-BRONZE AND ROUGE GRIOTTE MARBLE TABLE CLOCK PARIS, CIRCA 1895, INDEX NUMBER 86' Sold for $10,000 USD Another example of this model was sold at Christie's New York, Sale '500 Years: Decorative Arts Europe' (PROPERTY FROM THE COLLECTION OF RAYMOND AND MIRIAM KLEIN) on October 20, 2011, Lot 146A 'A FRENCH ORMOLU AND ROUGE MARBLE TABLE...

French Charles X period Greek Revolution or Hellenistic mantel clock. The clock in original ormolu with a Turkish figure to the top. The silvered dial ha...

France, circa 1870. A fine late 19th century ormolu and porcelain mounted mantel clock, the painted dial above a courting couple scene, the whole mounted with a Krater vase and ra...

English Regency neo-classical mantel clock of Psyche and Cupid. A fine case of rouge marble, patinated bronze and original ormolu. The superb rouge marble breakfront base with D ends...

A stunning ormolu clock by Achille Brocot & Delettrez, celebrating hunting and fishing. Finely made in mercury fire gilded Bronze Doré and mounted with Sèvres style porcelain. It fea...

exceptionally rare French Empire mantel clock of two cupids signed Coeur fils Rue St Honore No 140 a Paris. This small mantel clock of exceptional q...

An exceptional antique French Louis XV style clock set, circa 1870. Beautifully made in ormolu (finely gilded Bronze Dore), patinated bronze and Rouge Griotte Marble. The clock is mo...

Extremely rare antique French Empire ormolu and patinated bronze portefaix mantel clock signed in the bronze Alibert with two tune musical base also signed Alibert. This model is bas...

Clock Mantle Gilt Bronze Neoclassical Empire French 19th Century France. A French mantel clock in gilt bronze. Neoclassical symbols such Cup...

A high quality gilt bronze and Turquoise Sèvres style jeweled Porcelain clock set. The clock surmounted by a covered urn and flanked by lion masks on each side, en suite with a pair of painted turquoise porcelain vases...

A Fine Ormolu mantle Clock after a Design by Thomire. This theme is constantly repeated during the Directoire & Empire period. Thomire is known to have used this model. The quality ...