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George Nelson Mid Century Ball Clock in Brass and Wood

Name: George Nelson Mid Century Ball Clock in Brass and Wood
Brand: George Nelson
Price: 4974.95 AUD
Availability: InStock
Rating: 5 (80 reviews)

$3,243.10

£2,427.54

€2,750

CA$4,463.43

A$4,974.95

CHF 2,610.19

MX$60,752.29

NOK 33,050.64

SEK 31,237.89

DKK 20,934.94

About the Item

Interestingly, while nearly all of the designs that came out of George’s studio were attributed to him, many were actually designed by him and his team. Some were even designed solely by someone else working at the studio. Nelson famously recounted the story of how the Ball Clock came to life in an interview decades after it’s release: “It was one of the really funny evenings. Noguchi came by, Bucky Fuller came by, and here was Irving, and here was I, and Noguchi - who can’t keep his hands off anything - he saw we were working on clocks and started making doodles. Then Bucky sort of brushed Isamu aside. He said, ‘This is a good way to do a clock’ and made some utterly absurd thing. Everybody was taking a crack at this, pushing each other aside and making scribbles. At some point we left – we were suddenly all tired, and we’d had a little bit too much to drink – and the next morning I came back, and here was this roll of paper, and Irving and I looked at it, and somewhere in this roll, there was a ball clock. I don’t know to this day who cooked it up.” Nevertheless, whoever it was that came up with George Nelson’s designs, it’s almost certain that they would never have come to fruition if it wasn’t for George’s vision and forward-thinking approach. Can you tell me more about his clocks? George’s clocks were one of his most impressive bodies of work. In total, he and his team designed over 130 clocks in just three decades. While it is widely accepted that Irving Harper was the lead designer for the Howard Miller Clock Company at George Nelson Associates, the collection arose after two insightful observations from George: one, that people no longer used the numbers to tell the time; and two, that since most people now used their wristwatch to tell the time, interior clocks were now free to become more decorative in nature. The clocks were designed and released in batches of 8 and were initially only given numbers for names. The Sunflower Clock was simply ‘Clock 2261’, the Flock of Butterflies Clock was 'Clock 2226’, and so on. The Ball was the first clock designed by George and his team and it was followed shortly after by the Star, Sunburst, Spindle, Asterisk, Turbine, Flock of Butterflies, Eye and others. The clocks were purposefully abstract and were designed to complement the modernist furniture emerging at the time. As well as wall clocks, George’s studio also produced a series of desk clocks during that time, most notably the bubble-shaped Night Desk Clock, the brass Tripod Desk Clock, and the Ceramic Ceramic Clock which are still as covetable today. This clock has been restored. We have replaced it's original electronic movement with an original Vitra quartz movement. The ball clock comes with its original movement, see photographs, which runs but is not accurate. The wooden balls have been stripped of there original lacquer and they have been professionally re-done. The clock runs perfectly. It will be shipped insured in a custom made wooden crate. Cost of shipping to the US is crate included.

Creator:

George Nelson (Designer)

Dimensions:

Height: 2.96 in (7.5 cm)Diameter: 13 in (33 cm)

Style:

Mid-Century Modern (Of the Period)

Materials and Techniques:

Brass,Wood

Place of Origin:

United States

Period:

1950-1959

Date of Manufacture:

1950

Condition:

Replacements made: The electronic movement which comes with the clock, has been replaced by an original Vitra quartz movement. Refinished. Wear consistent with age and use.

Seller Location:

Weesp, NL

Reference Number:

1stDibs: LU1464231738852

Shop All George Nelson

George Nelson

Architect, designer, and writer George Nelson was a central figure in the mid-century American modernist design movement; and his thoughts influenced not only the furniture we live with, but also how we live.

Nelson came to design via journalism and literature. Upon receiving his bachelor’s degree in architecture from Yale in 1931, he won the Prix de Rome fellowship, and spent his time in Europe writing magazine articles that helped bring stateside recognition to Ludwig Mies van der Rohe, Gio Ponti, Le Corbusier and other canonical modernist architects.

In the 1940s, Nelson wrote texts that suggested such now-commonplace ideas as open-plan houses, storage walls and family rooms. D.J. De Pree, the owner of the furniture maker Herman Miller, was so impressed by Nelson that in 1944 — following the sudden death of Gilbert Rohde, who had introduced the firm to modern design in the 1930s — he invited Nelson to join the company as its design director. There Nelson’s curatorial design talents came to the fore.

To Herman Miller he brought such eminent creators as Charles and Ray Eames, Isamu Noguchi, and the textile and furniture designer Alexander Girard. Thanks to a clever contract, at the same time as he directed Herman Miller he formed a New York design company, George Nelson & Associates, that sold furniture designs to the Michigan firm. Nelson's studio also sold designs for clocks to the Howard Miller Clock Company, a manufacturer that was initially part of Herman Miller before it became an offshoot that was helmed by Howard Miller, D.J. De Pree's brother-in-law.

Nelson’s New York team of designers (who were rarely individually credited) would create such iconic pieces as the Marshmallow sofa, the Coconut chair, the Ball clock, the Bubble lamp series and the many cabinets and beds that comprise the sleek Thin-Edge line.

For dedicated collectors, as well as for interior designers who look beyond “the look,” there is a “cool factor” inherent to vintage pieces from George Nelson and others. Nelson was in on it from the start, and it’s valuable to have a piece that was there with him.

But still, as is evident from the offerings from dealers on 1stDibs, in any of the designs, in any iteration whose manufacture Nelson oversaw and encouraged, there are shining elements of lightness, elegance, sophistication — and a little bit of swagger. George Nelson felt confident in his ideas about design and didn’t mind letting the world know.

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The prolific manufacturer has partnered with many of the world’s top designers since opening its doors in 1923. Here are some of the company’s greatest hits, which helped transform the American home and office.