Rare 1950’s Satin Brass Wall Clock by George Nelson for Howard Miller

A spectacular 1970s large brass and enamel wall sculpture in the manner of Curtis Jeré. The sculpture is constructed of torch cut solid brass. The flowers are enamel and yellow and g...

Studio hand sign and number 21 torchiere floor lamp by Ron Rezek. The top part is adjustable. Constructed of aluminum and Satin brass, it takes a halogen tube bulb 300w max. It ha...

A chrome round mirror designed by Curtis Jeré for Artisan House in the 1970s. It's not signed but it retains the Artisan House tag on t...

A glamorous brass and acrylic center table designed by Charles Hollis Jones in the 1960s. This is part of his" Regency Bamboo" line. Newly professionally polished. The top is a 1" ...

Iconic and classic Howard Miller ball clock from the 1950's by George Nelson. Wonderful Atomic style with a central clock motif with 50's styl...

Interestingly, while nearly all of the designs that came out of George’s studio were attributed to him, many were actually designed by him and his team. Some were even designed solely by someone else working at the studio. Nelson famously recounted the story of how the Ball Clock came to life in an interview decades after it’s release: “It was one of the really funny evenings. Noguchi came by, Bucky Fuller came by, and here was Irving, and here was I, and Noguchi - who can’t keep his hands off anything - he saw we were working on clocks and started making doodles. Then Bucky sort of brushed Isamu aside. He said, ‘This is a good way to do a clock’ and made some utterly absurd thing. Everybody was taking a crack at this, pushing each other aside and making scribbles. At some point we left – we were suddenly all tired, and we’d had a little bit too much to drink – and the next morning I came back, and here was this roll of paper, and Irving and I looked at it, and somewhere in this roll, there was a ball clock. I don’t know to this day who cooked it up.” Nevertheless, whoever it was that came up with George Nelson’s designs, it’s almost certain that they would never have come to fruition if it wasn’t for George’s vision and forward-thinking approach. Can you tell me more about his clocks? George’s clocks were one of his most impressive bodies of work. In total, he and his team designed over 130 clocks in just three decades. While it is widely accepted that Irving Harper was the lead designer for the Howard Miller Clock Company at George Nelson Associates, the collection arose after two insightful observations from George: one, that people no longer used the numbers to tell the time; and two, that since most people now used their wristwatch to tell the time, interior clocks were now free to become more decorative in nature. The clocks were designed and released in batches of 8 and were initially only given numbers for names. The Sunflower Clock was simply ‘Clock 2261’, the Flock of Butterflies Clock was 'Clock 2226’, and so on. The Ball was the first clock designed by George and his team and it was followed shortly after by the Star, Sunburst, Spindle, Asterisk, Turbine, Flock of Butterflies, Eye and others. The clocks were purposefully abstract and were designed to complement the modernist furniture emerging at the time. As well as wall clocks, George’s studio also produced a series of desk clocks during that time, most notably the bubble-shaped Night Desk...

Vintage Howard Miller 'Museum' wall clock by Nathan George Horwitt.

A nice vintage mid century modern George Nelson for Howard Miller 4766 Clock in working condition. The clock has an alarm function that is working as well. The clock bears a Treadway...